There is something eccentric, smug, cranky, entitled, curious, and charismatic about Brad Woodfin’s little goat-guy that I can’t help but compare to my little pug, Ziggy. He has a habit of jumping on the B/D ottoman to look out the window whenever something is “going on” downstairs, and this is pretty much what he looks like when he does it. Wonderful paintings of fauna by Brad Woodfin.
Not exactly “art” persay, but I wanted to share this article Huffington Post recently put together of the “geekiest tattoos of all time” featuring inks of hourglasses to Bill Gates. While I admit to being a lover and not a fighter of technology, some of these tats might be crossing my limit. Some of them are actually kind of clever though. What do you guys think? Ps, does anyone know of a good antonym for “Luddite”?
“Borrowed time is an exploration into the moment the point of no return has been reached and the subsequent freedom that follows. Using the visual of midflight plane failures was my attempt to show the moment that horror, relief, freedom, and graphic beauty all meet at once.”
“Because there are very few images/actual references of planes when they have these types of engine malfunctions mid-flight, I had to replicate/make as visual correct as possible what occurs when these types of catastrophic malfunctions occur.”
This series from Michael Massaia, entitled “Borrowed Time – Mid Flight Engine Failure”, is made without Photoshop or digital composites. The ones where the planes are actually flying upwards are particularly interesting, as if, though on fire, they have no intention of going down. See more after the jump.
Upon viewing the sculptor Alasdair Thomson’s flowing, dreamy garments, you might be transported to the sunlit meadows of a William-Adolphe Bouguereau painting filled with young, fresh-faced girls in flowing white sundresses. On second glance, however, the clothes reveal themselves to be carved from hard, cold marble. The artist, using hanging outfits borrowed from his friends as unusual muses, renders miraculously enlivened clothing from the durable material, dresses that seem to dance in the wind despite remaining entirely immobile.
Here, Thomson, who holds a Ph.D. in Art History from the University of Edinburg, reinterprets the Renaissance and classical treatment of marble; in the stead of Michelangelo’s strapping David or ancient tributes to mythological heroes, he presents simple, delicate, and feminine attire. The juxtaposition of soft content with sturdy material compels the viewer to consider deeper themes, and as these cottony sculptures hang convincingly from hangers, the everyday is elevated to a level as significant and moving as ancient mythologies. Notably, the clothes are also fetchingly modern; in the place of togas, Shine carves belted jumpers and strapless gowns.
While marble art historically has usually been used to express the powerful eroticism of both the male and female body, these hanging garments maintain a charming innocence. Seen in pale white and adorned with frills and ruffles, they wait to be inhabited by a body that will never arrive; limply, they fall and strain against the hanger. Indeed, the pieces are delightful, and viewers might be covetous them, if only they could actually be slipped over human bodies. (via Oddity Central and Colossal)
Tianmiao Lin‘s artwork combines household objects and human figures with a technique called “thread winding”: wrapping thread — or hair or silk — around an object until it is completely covered. The result is oddly tactile and organic, looking like something spun by a spider caught in a fevered dream. The use of string, Lin reveals in an interview with The Culture Trip, is partly for that very reason. They are organic and natural, and contain an element of mysterious strength. “The materials take on a life of their own,” Lin says.
When Chinese artists are discussed, it’s hard to ignore politics; Lin is no exception. As an artist — particularly a female artist — from a country that went through a rather recent revolution, her creations are rife with subtext whether intended or not. It’s difficult if not impossible to draw on the themes and symbols of family and femininity without also summoning the specter of their cultural context.
In a collection called “Mothers!!!,” pearls and webs of string become tangled cancerous masses on the backs of women, weighing them down. The pearls are beautiful but also destructive. In another installation called “Chatting,” several figures stand in a circle, heads bowed, seeking connection perhaps but resigned to the impossibility of it.
To be fair, Lin has rejected feminist and political readings of her work. As an artist, she most likely wants to defy labels and have her work speak for itself. Still, it’s hard not to feel a little glimmer of dissent and rebellion in her art — arising organically, woven into the very DNA of it, strand by strand.
Where I See Fashion is a blog created by Milan-based fashion design student Bianca, who pairs fashion photography with related images that correspond to the aesthetic found in the fashion image. The corresponding images depict anything from landscapes to architecture to fine and conceptual art. She began the project this past summer, inspired by the multitude of beautiful photographs found on Tumblr. Her juxtapositions illustrate the inspiration to be found in fashion and the world around us.
“Sometimes a fashion picture reminds me instantly of something and I go look for it, sometimes it’s a random picture that makes me think of an outfit or editorial. Occasionally it happens that by chance I see two pictures near each other on my dashboard or in a random blog that perfectly go together. Also I have A LOT of photos that I saved on my computer because I found them interesting, it’s like my personal archive and I use it a lot to make matches.” (via we the urban)