I’ve been a fan of Dinosaur Jr. since I was 12 years old so it’s awesome to see that the bands frontman J Mascis has released a solo album on Sub Pop of folky acoustic songs that will satisfy the biggest Dinosaur Jr. fan while giving J enough room to musically branch out. If that’s not enough the trippy stop-motion video for the single Not Enough will keep your eyeballs popping while your head is nodding. Watch the full video directed and drawn by fellow musician Chad VanGaalen after the jump.
In the past, artist Mark Khaisman has used his signature style of translucent packing tape, acrylic paint/film panels and lightboxes to create an extension of drawing which focused on decorative objects (such as rugs, chairs and fabric patterns), luxury items (handbags) and portraiture (previously here). For his most recent series, Stills, the Ukranian-born, Philadephia-based Khaisman channels Hollywood’s Classic Era and Film Noir into layers of tape, hand-rolled and variously removed so the light shining through each image creates lines, texture and shading.
Although Khaisman freely sources images from a shared historical film lexicon, his work also takes on a thoroughly modern, almost pixelated feel and reference, particularly in his more colorful works. Says the artist of his signature process,
“The tape is the message. A parody on Marshall McLuhan’s famous quote could explain the superficial motives, which make up the work. Subjects are categorized into different groups: fragmented stills from classic cinema, iconic objects from art history, portraits. The works are exploring the familiar as our shared visual history; made of a familiar material formed into a familiar image, asking the viewer to recognize and complete the work, stimulating both memory and interpretation in the process.”
Jean Marembert (1904 – 1968) was a founder of the group with Louis Cattiaux – a group of Surrealists of a more decorative nature. His work is also, like Giuseppe Arcimboldo’s work, looks like it was made in this century instead of the last. That just goes to show how our current sensibilities are based off the past. Old aesthetics are recurring and cycled through, even filtered down. That’s why I believe it when people say that nothing is ever original anymore.
Christophe Gilbert is a photography magician if not a full on Sorcerer. From sewing lips onto little kids to creating evening gowns with buckets of paint there isn’t much Christophe can’t pull off without a camera and a little help from our friend the computer.
Photographer Alma Haser has often incorporated origami into her work. However, in her series Cosmic Surgery the origami is brought to the forefront. For the Cosmic Surgery Haser photographs a series of portraits. She next makes multiple prints of the portraits and folds them into complex origami objects. The origami pieces are placed back into the portrait and a photograph is taken of the final composition. Haser mixes the meditative nature of origami and transposes it onto the face of her subject, somehow injecting simple portraits with an esoteric atmosphere.
Yellena James uses pen and ink to create truly exquisite forms. What starts out as a single shape or line blossoms into magnificent mushroom-jellyfish hybrids, feeding my affinity for all things under the sea! Her artwork has been so perfectly described as “colorful arrangements of organic shapes and tangled lines (which) are at once floral and alien, organic and sci-fi, crafty and fantastic.” With each piece she tries to “create an intimate world that posesses its own ethos and its own emotional range.”
She’s done illustration work for clients such as Anthropologie and Nike, and her work has appeared in numerous art and design resources and publications like Vogue Australia and Giant Robot.
Ariana Page has discovered the skin’s reaction induced welts – light scraping, scratching, drawing with needles, etc and decided to turn it into art. A similar approach would be to fall into a very heavy and abyss-like sleep with your arm under your pillow the whole night and wake up with crop circles embossed into your skin.
Ben Wu and David Usui of Lost&Found Films take us on a journey into the world of John Coffer, a wet plate photographer who lives in a small log cabin that he built on his 50 acre farm in New York. John abandoned the hustle and bustle of the city over 20 years ago to live a simpler life where ones life isn’t ruled by a punch clock and where the only one that you have to answer too is the rooster crowing at the first site of sunrise. Watch the full video after the jump.