“日々の音色 (Hibi no neiro)” is the name of this new music video for the band SOUR, directed by Japanese designer/art director/video guy Masashi Kawamura. The amount of choreography involved in this video, which is comprised of clips of fans shot on their webcams, is so staggering I don’t know how they possibly could have done it…but I also don’t know how they could have faked it. After the jump, more work from Kawamura, who’s done a lot of other cool, clever stuff in various mediums.
Kate Shaw captures the magnificence and mystery in nature in her hypnotizing landscapes created from acrylic paint, glitter, powder, and resin. Each piece exudes the undeniable and powerful force that the rolling hills and mountains hold. Shaw portrays monumental forms of beauty, such as glaciers and cliffs, in an environment swirling with vibrant color. These mesmerizing, whirling hues are created from pouring paint, letting the movement of the color form naturally. Although these paintings show nature and landscapes, they look anything but natural. The colors Shaw has chosen are completely abnormal. Her mountains drip with oranges and pink while her trees rage with rich reds and blues.
There is a strange balance of natural and artificial brilliance captured in Kate Shaw’s work. Her use of different types of materials creates different textures and reflective surfaces that transform the landscapes even further. They are like environments from another planet, just as incredible as they are unfamiliar. Kate Shaw’s landscapes conjure conflicting emotions of growth and manipulation, showing natural beauty with synthetic qualities. Kate Shaw explains her intentions behind this dichotomy.
“My practice aims to convey ideas of nature, alchemy and cycles of creation/destruction. The paintings and video works deal with the tensions and dichotomies in the depiction of the natural world and our relationship to it. I am concurrently exploring the sublime in nature whilst imbuing a sense of toxicity and artificiality in this depiction. My intention is to reflect upon the contradiction between our inherent connection to the natural world and continual distancing from it.”
Her captivating work will be on display at Mirus Gallery in San Francisco in February of 2016.
Welcome to the world of Todd Ryan White where zombie skulls, muscle lords, and freaked out wizards roam.
Troy moth’s photos of nature are surely inspired by growing up in a remote tree-planting camp on the west coast of Canada. His work has a stillness and meditative quality that most of us city slickers yearn for but can’t ever achieve.
Simply put, Tatiret Compagnie Ouverte have created the world’s coolest hybrid animals. It is really fun to try to name the animals, I suggest you give it a go. For example, lion + bird = “lird.”
The work of Nicola Bolla is arresting in its contrasts. The artist often fashions sculptures of straightforward (albeit morbid) objects that are then covered in sparkling crystals. The glamorous glitter of the crystal is juxtaposed against the utilitarian nature of many of the objects they cover. These are further contrasted in these images taken by photographer Sergio Alfredini. The dilapidated house provides a strangely ideal setting to emphasize these brightly dark sculptures.
If you like funny looking faces, then you’re gonna love what P.Williams has going on. A little bit of Crumb mixed with some Barry McGee, throw in some Spongebob Squarepants and we’re starting to get a little bit closer. Great selective use of color and text too, it looks like this guy fills up an entire sketchbook every week!
“On Midway Atoll, a remote cluster of islands more than 2000 miles from the nearest continent, the detritus of our mass consumption surfaces in an astonishing place: inside the stomachs of thousands of dead baby albatrosses. The nesting chicks are fed lethal quantities of plastic by their parents, who mistake the floating trash for food as they forage over the vast polluted Pacific Ocean.
For me, kneeling over their carcasses is like looking into a macabre mirror. These birds reflect back an appallingly emblematic result of the collective trance of our consumerism and runaway industrial growth. Like the albatross, we first-world humans find ourselves lacking the ability to discern anymore what is nourishing from what is toxic to our lives and our spirits. Choked to death on our waste, the mythical albatross calls upon us to recognize that our greatest challenge lies not out there, but in here.
For updates on Chris Jordan”s upcoming film MIDWAY, visit www.midwayjourney.com.
More pictures after the jump!