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The Dark, Elegant Self Portraits Of Noell Oszvald

The Dark, Elegant Self Portraits Of Noell Oszvald

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Noell Oszvald, a Hungarian photographer with a penchant for dark, elegant, self portraits, is becoming a master of the surrealist photographic image. The 23-year-old photographer found wide acclaim after releasing a series of 22 photos to her flicker page early this year. The images are remarkable, but she’s only been shooting photos for a little less than two years. It makes you wonder what the motivations are of this emerging prodigy.

“I don’t want to tell people what to see in my images,” said Oszvald. “This is the reason why I never really write any descriptions other than titles. It shows what I wish to express but everyone is free to figure out what the picture says to them. It’s very interesting to read so many different thoughts about the same piece of work.”

Oszvald’s soft, black and white palette is a touch grainy and filled with contrast. And her images posses a striking amount of warmth in a dark frame. These compositions are solid—and the artist’s own physical beauty, and her affinity for a minimal frame add to the overall conceptual depth. (my modern met)

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Cynthia Greig Transforms 3D Objects Into 2D Representations

Cynthia Greig

Cynthia Greig

Cynthia Greig

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For Cynthia Greig‘s project, “Representations,” the artist whitewashes objects with ordinary white house paint before using charcoal to outline the items, then photographing the transformed objects against a white background. The effect renders the image as two-dimensional, appearing to be digitally manipulated or hand-drawn. The objects used, now in black and white, appear more iconic and symbolic than they would appear unaltered. In her artist statement, Greig explains that her work is an homage toWilliam Henry Fox Talbot and his treatise, “The Pencil of Nature.” Greig’s photographs ask observers to consider the truth of photography by challenging our perception of the reality of common objects.

“I’m interested in how we learn to see, identify and remember, and the role images play in the codification of perceptual and mnemonic experience. By denying certain aesthetic expectations and assumptions, Representations intends to interrupt a more conventional, passive viewing experience, and provoke the viewer into seeing a photograph as if for the first time.” (via my modern met)


							
						
					
		

						
		

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A Temple Of Love Built Out Of Neon Colors, Geometric Patterns And Bold Typography

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If the Beatles were right and all you need is love, I’ll take Morag Myerscough and Luke Morgan’s version thank you very much. Built for the Festival of Love held in Southbank Centre, London (June 28 – August 31, 2014), The Temple of Agape is a visual feast. Neon colors, geometric patterns, and bold typography combine to make love a vibrant, exciting place to be.

The structures are inspired by those encountered by Myerscough in India and elsewhere in Asia where bamboo is used extensively for scaffolding as well as the Watts Towers in LA. The vibrant colours and handpainted lettering are similarly inspired.

Much of the success of the design is due to the restraint shown by Myerscough and Morgan, which may seem counterintuitive when looking at the riotous structure. Look closer, though, and you’ll see that there is one typeface and one type treatment. The color palette is strictly controlled, a neon rainbow, plus pink, black, and white. All of the shapes are simple and geometric; even the counters of the letters are removed, streamlining the shapes of the letters. Minimizing the design elements allows the installation to be ebullient but not overwhelming.

The Festival celebrates the legalization of Same Sex Couple Act by choosing seven Greek words describing love. Myerscough and Morgan’s were given Agape, a spiritual, selfless love; the love of humanity. Their temple represents the power of love to conquer hate.

“The Temple stands proud like a peacock with its giant Martin Luther King quote, expressing the power of love to the world,” say Myerscough and Morgan. “Inside its heart is calm and dappled with light for contemplating complex emotions, a place that can transform with Love expressed within.”

This is a temporary construction, which is a shame. The world could use more love, especially when it’s executed so beautifully. (Via Creative Review) Photos by Gareth Gardner.

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Base Camp Bonn Youth Hostel Hosts Thematically Redesigned Caravans

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German hotel owner Michael Bonner has transformed a 600 square meter vacant warehouse into Base Camp Bonn Youth Hostel, an indoor landscape of 15 refurbished and themed caravans. Each caravan’s space is uniquely detailed and designed to reflect a particular era or theme, such as the “Hausboot,” “Flower Power,” and “Big Ben.” The hostel also plays host to two U.S. airstreams and two German railway cars that can accommodate small groups. This concept creates a charming community space for guests from all over the country. Prices vary per size and sleeping capacity, but start at EUR 54 per night. (via design boom)

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Improvisational Sculptures Made With Donated Materials

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Improvised Making is and was an interactive installation by artist Dominic Wilcox.  Created for the Making Together exhibit in Milan, Wilcox began the installation/sculpture with a single chair.  He invited the public to donate sticks for the project and sticks of all sorts were brought to the gallery.  Over the course of six days, Wilcox taped all of the sticks as they were brought to him to the chair.  Carefully balancing and taping each piece to the structure, he only allowed the four legs of the chair to touch the ground and support the structure.  Prior to moving the completed sculpture into another gallery, the structure’s shadow was documented in red on the wall and floor.

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Who Killed The Electric Car?

If you don’t remember last year gas prices were through the roof in the states. Immediately everyone was wondering why we weren’t switching to futuristic electric vehicles. This movie has some of the answers for why we are going at a snail pace towards a cleaner, more efficient world.

 

 
With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius’ sold this year), this story couldn’t be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country’s future; issues which affect everyone from progressive liberals to the neo-conservative right. Written by Richard D. Titus

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Lisa Rienermann’s City Sky Typography

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Lisa Rienermann‘s Type the Sky series is reminiscent of the big city tourist’s point of view.  The tops of metropolitan buildings squeeze in the sky to form a unique alphabet.  Rienermann uses the negative space, the small patches of cloudy sky, between roofs to as the structure of a fun typography.  The font has been understandably popular.  The series received an award from the Type Directors Club New York.  It was also used by Mercedes and Renault for respective advertising campaigns.

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Wasma Mansour’s Documents The Rarely Seen Lives Of Saudi Arabian Women

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Wasma Mansour - Photograph
  Wasma Mansour - Photograph

Wasma Mansour - Photograph

Wasma Mansour decided to document single Saudi Arabian women (living in the UK and Saudi Arabia) for her PhD thesis. She knew this was a subject that interested her due to its lack of coverage. She found there was a lack of investigation of women on their own, far too often women were measured with male counterparts; spouses, partners.

At first Mansour reached out using facebook and email, phishing randomly. She found this didn’t yield enough results. She found that making a more personal connection with the women, unsurprisingly, had them trust her more readily. Both the fact that the work was being done for educational purposes, and that Mansour herself was single, had the women open up to Mansour more enthusiastically. According to Mansour, they identified with her approach and saw that she could truly understand their lifestyle. Her subjects were in school themselves in Saudi Arabia and the UK.

Interestingly, Mansour had her large-scale film developed in the UK. This was in part because there were not many labs that were able to process her film in Saudi Arabia, but also because she found negotiating autonomously on a daily basis was very challenging. This being exactly the type of theme Mansour sought to confront in her work. (Via Emaho Magazine)

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