American artist Cayce Zavaglia considers herself a painter. “Although the medium employed is crewel embroidery wool, the technique borrows more from the worlds of drawing and painting”, the artist comments on her statement.
Manipulating color, especially paint with a brush, is obviously easier than manipulating color with varying wool strings and needles. That seems kind of impossible, don’t you think? Zavaglia makes it looks like a seamless process, laborious but not too difficult to actually achieve.
“Initially, working with an established range of wool colors proved frustrating.”
Painterly portraits demand for loose brushstrokes and intermingling colors, varying tones, and contrasting hues; creating a technique that would allow her to do this with wool strings was something that Zavaglia struggled with. However, with time, she came up with a system of sewing the threads in a sequence that would ultimately give the allusion of a certain color or tone. The system allowed for the threads to mimic the depth,volume, and form that we are familiar with in paintings and color drawings.
My work unabashedly nods its head to the tradition of tapestry and my own love of craft. Using wool instead of oils has allowed me to broaden the dialogue between portrait and process as well as propose a new definition for the word “painting”.
Romy Maxime has been experimenting with an interesting medium of late – Infrared film (typically used in military surveillance). Her series Lucid Dreaming is a soft, romantic, hazy collection of portraits of musicians based in Berlin. She uses the unusual candy colored tones of the film to evoke a strange surrealism from her subjects and their surroundings. Her images look like dramatic fairy-tales, or stills from some sort of film noir. Maxime talks about those influences on her:
This ongoing personal project was born out of nostalgia, a love for classic art films and the style and colors of photographs from the 1960s. (Source)
Growing up between Zurich, Cape Town and Cannes (she now calls Berlin home), Maxime translates her gypsy tendencies and ease with nature and quietness onto film. Working mostly in fashion photography, and portraiture, Maxime loves to create fantastical images that are like an exaggerated reality. She talks about her favorite parts of fashion photography:
It’s totally unrealistic! It’s the fantasy genre of photography – mostly an illusion with every excuse to include beautiful things. I do try to create some sort of story when I shoot fashion otherwise the clothes remain just beautifully cut textiles on a model. (Source)
She also talks about the effect yoga has had on her and her work – the calmness, serenity, and quiet that is all practiced in yoga gives her the focus she needs to capture the right mood in her shots. Read a full interview with her here on the International Foundation for Women Artists Blog. And be sure to see more of her many beautiful images on her Tumblr page and her Facebook page.
Kyle Thomas is wrapping up the last hundred or so covers. He’s taking his time with the last batch as we’ve had to have our loyal interns massage his hands back into working condition after the hundreds of hours that he’s already spent drawing each and every cover! If you didn’t subscribe make sure to do so as we have some more crazy ideas and schemes for the next issue that will blow you away. If you want one of these personalized copies visit our shop to get a copy before they sell out!
David Lemm of Edinburgh, Scotland, has created a video response to the play “Smoke” by Rupert Thomson. Using a beautiful mix of color, pixels and sound, Lemm shows us quite a compelling visualization. Having not seen the aforementioned play, one wonders what, besides smoking, the piece truly means to the artist.
Artist Mark Pernice has turned our ultimate Photobooth fantasy into reality. Using Apple’s Photo Booth application as inspiration, the idea was to take the 2D image that it manipulated and create a tangible face in a real environment, then in turn bring it back into a 2D image. Using Photo Booth on the mask itself may create some sort of paradoxical shift where the artist ceases to exist.
The late and great author Kurt Vonnegut was a visual artist, too. If you’re a fan of his writing, then you probably already knew that drawings by him appear in 1973’s Breakfast of Champions and that he illustrated the cover for Man Without a Country in 2005. But in the mid-1990’s, Vonnegut shipped his daughter Nanette a plethora of drawings. She kept them in her studio’s flatfiles (she’s a visual artist, too) until now, when the artwork was made into a book and is part of a touring exhibition titled Kurt Vonnegut Drawings. The book is published by Monacelli Press and features 145 selections of his work.
Playful line drawings are composed using pen and marker. The abstract and surreal works, in which things transform and morph to become something other than themselves, include fragments of the written word. One drawing includes a steep set of stair and muses, “There is a ceiling on human thoughts.” Other wordless works often include a minimalist portrait or figure. They are free-flowing images that feel like a stream of consciousness.
The published book includes essays written by his daughter and scholar (and Vonnegut friend) Peter Reed. He writes, “great value of this collection is that Vonnegut’s artwork gives us another perspective on his restless imagination and his creative genius. … There are constraints in writing that even the iconoclastic Vonnegut felt, but in his art he seems wholly uninhibited.” (Via Hyperallergic)
Okay guys if you’ve never heard of Pipilotti Rist you need to check her out. Not only is she a really good video artist but she has quite possibly created the most magnificent chandelier ever! She created it using pieces of underwear that she collected from her family and friends. Not only is it an underwear chandelier, but it’s glowing too. Chandeliers don’t get much cooler than that my friends.