Beautiful/Decay has teamed up with Insight to present a Sample sale Friday, March 27th from 12-6pm, & Saturday, March 28th from 9-6pm!
The event will take place at 8940 Ellis Ave, in Los Angeles (90034). We will be selling rare, limited run and unreleased samples, as well as never before seen Beautiful/Decay prototypes! Some of these have as limited a run as 5 shirts made, ever! The sale will feature the insane discount of 50%- 80% ALL stock, including shirts and hoodies. Some come out, meet the B/D crew and get your hands on some great deals.
London-based artist Julie Cockburn revises old throw-away photographs and paintings with embroidery thread, shears, and other sundry items to create new contemporary curiosities. Each delicately considered piece contemplates craft culture in relation to the industrial age or mass production, and the identities that roam invisibly from one transmission to the next.
Of her work, Flowers Gallery suggests, “Julie introduces ideas to found objects that generate dialogue about modernity and art history, gender and identity, nature and urbanity and the relationship between process and idea.”
Alpine performing at Bardot (School Night) on March 4, 2013
As I write this, Alpine just wrote on Facebook that while on tour in the US, their video for Villages went past two million views. With solid reports coming out of SXSW about their many performances and KCRW picking their songs Lovers 1 and 2 as a recent double header Top Tune, it won’t be long before this Aussie six-piece finds their way into your ears.
I was lucky enough to catch them live at both Bardot in Hollywood and at Brooklyn’s Glasslands and both shows had me dancing from the first beat. Filled with energy, singers Phoebe Baker and Lou James get the crowd moving with their catchy tunes and lovely harmonies. I guarantee that once their album is released in the US, you’ll be hearing a lot more of them.
Alpine’s debut album, A is for Alpine will be released in the US on May 21st on Votiv Records. Check out the video for one of my favorites, Gasoline directed by Kris Moyes and be sure to catch them when they’re stateside again.
Based in Berlin, Peter Kaaden is a photographer who brings a raw, playful, and oft-erotic edge into the world of alt-fashion photography. The images shown here — the majority of which were shot for VICE and Oyster magazines — feature models provocatively bedecked in latex and bizarre headpieces. Whether within the studio or outside at night, Kaaden’s work is sharp, candid, and unapologetic, buzzing with an attitude and youthful “grit” that deviates from the conventional standards of commercial fashion photography. Instead of acting as passive recipients of the camera’s gaze, Kaaden’s subjects engage with it in a rough-yet-refined manner, expressing confidence and sensuality in imaginative ways.
If you visit Kaaden’s Tumblr, you will notice that his work extends beyond just fashion photography (in the traditional sense); there are images of nudes, erotic and/or strange still lifes, people engaged in amusingly raunchy night-time activities, and more. In an interview with Neon Black Fashion Magazine, Kaaden described his work as “a rough and honest documental view of my life and a view on today’s wasted lovely youth” (Source). Indeed, many of his images have an air of spontaneity and honesty — a style that is carried into his editorial work. In an industry that is often accused of quelling personal creativity for the sake of commercial interests, Kaaden has done a great job infusing the conventions of fashion photography with mischief and his perspectives on youth culture.
Canadian brothers and collaborators Carlos and Jason Sanchez‘s dramatic photographs have moved cinematic photography into a new, much darker realm. Staging each piece takes months of production, from constructing sets to casting characters; the result however, is worth the painstaking attention to detail with bold images that explore the underside of society and human desire. Want to see more work from the Sanchez brothers? Why not check out their exclusive article in Beautiful/Decay Issue: N!
Some artists just have a way with drawing. Each line is exquisitely placed on the paper with the most delicate ease as if it had always been there. Sarah McNeil’s drawings do just that. Her marks are so refined and gentle that they can even make a skull with a mustache and a cat tumbler look cute.
Time to once again danse macabre by way of self-taught artist Wayne Martin Belger. Belger uses unusual materials (human skulls, HIV-positive blood, bullet shells) to build functional cameras that lend their composition to the work itself.
Wayne Martin Belger is one of the rare two-part artists that create works relying on each other through the synonymity of the repeated aesthetic. That is to say, when you look at his cameras, sculptures that represent something painfully graphic and simultaneously beautiful, you relate to the photographs in a different way. I find it fascinating that his installations show the cameras first, then you see the completed ancient photograph — it was made with this thing?
Nicholas Lockyers’ collage work distorts the human figure in response to out of balance priorities placed on the pursuit of external beauty. Death and Misfortune remain a constant throughout each piece, lending a certain gravity to the fairly familiar aesthetic of “collage culled from vintage illustration archives” which is kind of popular right now. Lockyers definitely has his own thing going on though. His particular selection of imagery is set at a pretty good pitch, and I dig the dark vibes. More snakes, skulls, and bats after the jump.