Carol Carter is a contemporary watercolor artist based out of St Louis, MO. She is such a prolific painter that it proved nearly impossible to select just seventeen images to feature out of the hundreds documented throughout her website. Her subject matter is incredibly varied, ranging from swimmers, nudes, flora and fauna, to interiors and landscapes of the Everglades and Italy. In spite of painting such a vast range of subject matter, her work remains consistent with her personal style; painting with an electric color palette, she saturates values of light and dark with a brilliant range of unpredictable color that often takes on the effect of solarization. Her technique shifts between wet-in-wet application and controlled execution, producing work that is peppered with an incredible amount of detail and spontaneity. Carol’s mastery of watercolor and divergent way of seeing the world is apparent in her remarkable paintings.
Calvin Ho is an Australian artist currently living in Hong Kong. Since 1997, Ho has worked on a wide range of projects that cover design, art direction, illustration & motion for the music, fashion, art, film & entertainment industries.
Monique Schreijer makes prodigious, multi-colored and wearable wigs. So far, six samples have been designed by the artist in her NYC studio. Each one has a theme and a story leading to dreams and fantasies. Monique Schreijer has created wigs that, aligned together, resemble to a world of tales. Inspired by Sophia Coppola’s Marie Antoinette, braiding her own hair and playing with Barbie dolls when she was a child, she brings something innocent yet symbolic in each wig.
Almost everything including the jewelry is hand made, except for the birds and butterflies. Monique Schreijer uses mixed medias such as of Kanekalon hair, tinted powder, faux pearls, hot glue, feathers, rubber bands, found sticks, wire, glitter, toys, and scraps. She has come up with six wigs over two years. Each wig has a name, a color assigned to it and a detailed theme, narrated on the hair and which is taking most of the space:
‘1.Black – Plague of Marseilles, 2.Red – Queen, 3.Pink – Cotton candy/unicorn, 4.Green – Valley of Cocora, 5.Multicolored/sailboat/dog – California. 6.Blue – Dreamy girl’
Monique Schreijer uses symbols to express what moves her. Ladders to reveal escapism, black skeletons and rats for darkness and evil, flying birds and a flourishing nest for freedom and fertility. Not only are the wigs beautifully crafted, they are a source of creativity and imagination.
US-based team of scientists has built a robot that folds itself into an origami-inspired shape starting from a flat sheet. The assemblage of such robot doesn’t require any human intervention. It is made from a polymer material which shrinks when heated, also has electronics and motors attached to it. When the heating elements affect the hinges made in paper, the robot starts transforming into a crab-like machine. The whole process takes about 4 minutes before the robot can start walking.
The team behind the project said their inspiration came from the complex 3-D shapes in origami: like in the Japanese paper art, various three-dimensional shapes are constructed from a single sheet of paper. This robot takes origami a step further. According to the developer team, such self-assembling robots can be greatly employed in construction or rescue works.
“[They could be delivered] through a confined passageway, such as a collapsed building, after which they would assemble into their final form autonomously,” states Marc Lavine, senior editor at Science.
Robot‘s small size makes is what makes it very useful because of the easy transportation and storage. Apart from search-and-rescue missions, a more advanced version of the robot could be easily used construction works, especially in places that are hard to reach. The whole project is said to cost $11,000 but with the initial designs in place, the mass-production robots should cost around $100 each. (via NPR)
Watch a short video about the project after the jump.
In Jenine Shereos’ series Leaf the intricacies of a leaf’s veining are recreated by wrapping, stitching, and knotting together strands of human hair. Inspired by the delicate and detailed venation of a leaf, Shereos began stitching individual strands of hair by hand into a water- soluble backing material. At each point where one strand of hair intersected another, she stitched a tiny knot, so that when the backing was dissolved, the entire piece was able to hold its form.
The complex network of lines present in this work mimics the organic patterns found in nature and speaks to the natural systems of transformation, growth and decay. Allusions to the vascular tissue of plants, as well as the vascular system of the human body, exist simultaneously; the delicate trace of a hair falling silently, imperceptibly, from one’s head becoming the veins of a leaf as it falls from a tree leaving its indelible imprint on the ground below. (via oddity central )
The Post-it note show curated by Mark Todd and Esther Pearl Watson is back in full force beginning tonight, Saturday Dec. 8th at 6-10 pm at Giant Robot. Its now in its eighth edition and has a record number of artists participating, over 260 artists contributed and over 2000 post-its will be on display. Below is a small sampling of the artists that are involved: Audrey Kawasaki, Amy Sol, Xi Chen, Luke Chueh, Tim Biskup, Dave Chung, Jennifer Cotterill, Alex Chiu, Ching Ching Cheng, Mike Kelley, Skinner, Josh Ellingson, Martin Hsu, kaNO Kid, Jeremiah Ketner, Travis Lampe, Mark Nagata, Tom Neely, Martin Ontiveros, Souther Salazar, Emilio Santoyo, Gary Baseman, Gary William Musgrave, Bradford Lynn, Jesse Tise, Mike Bertino, Shannon Freshwater, Arthur Giron, and many, many others.
Check out a preview of the post-its I could dig up before the show after the jump: (via)