Dutch designer Yoni Lefevre’s series Grey Power has the simple aim of honoring our old and wise grandparents in a quirky, fun, and imaginative way. Using children drawings of their grandparents Lefevre transforms the hilariously bizarre drawings into charming and playful photographs that depicts grandparents as active and fun heros.
About the project Lefevre states:
“We are living in a rapidly ageing society. A majority regards this as a negative development. Older people are perceived as standing on the sideline, having lost their independence. But I see the great value this generation can offer. For ‘Grey Power’ I used drawings made by children of their grandparents, to create an image boost for this generation. Children do not regard their grandparents as grey and withered, but as active human beings who add color to their lives. Their fresh perspective can contribute towards a more nuanced and positive view on the composition of our society.”
We at Beautiful/Decay abosolutely love this project as it is proof that sometimes a simple concept can pack a powerful (and hilarious) punch. (via designboom)
The Video on a Man Calling Himself Bin Laden Staying in Japan
First saw this video with a couple other shorts at the Redcat in Los Angeles in an event dedicated to new Japanese video art (though the title escapes me). I thought all his work would be similar but it was kind of shocking to see that the rest of them were really different…
In January 2011 Drew Melton got the idea to start designing user submitted words and phrases in order to practice his craft in community. In his own words, “Most design sites or blogs are merely feeds of disconnected visual stimulation. I wanted to do something that you could actually influence and invest into.” He quickly purchased the domain Phraseologyproject.com and setup a very basic submission form. Receiving over 90 submissions in the first week confirmed that people were interested and fueled the project forward. Ray Brown was soon brought on to help develop the new site. Phraseology was underway.
“The Phraseology Project is meant to be a running experiment in typography. It is meant to be a framework for exercise and practice in Typography. We try our best to come up with our best work always but more importantly we value practice and healthy process. In other words, these pieces aren’t perfect. But they are honest. We celebrate the process of design and creativity in all of its’ outcomes.” – Drew Melton
Photographer Jeffrey Milstein takes his architectural eye thousands of feet up in the air and captures the New York and Los Angeles skylines like you’ve never seen them before. He gives us more than just a bird’s eye view of both familiar and unfamiliar buildings; his photographs are artistic compositions within themselves. Milstein shows the intricate symmetry, lines and details of architecture which are not always visible from the ground, and by doing so allows the structures to become landscapes of their own.
He not only gives us an original visual angle but also a deeper look into the craft of architecture itself, from the repetitive structures of suburban LA homes to the angular beauty of the Empire State, the colors and textures of the building materials are both in harmony and contrasts with the natural elements surrounding them. The trees surrounding the bases of the buildings almost become accessories, they accentuate the craftsmanship and thought of architectural feat, housing and industry.
What Milstein has done here is captured the essence of our times, a combination of nature, artifice and something in between. By doing this, he has also managed to bring architecture to a more accessible level, by elevating the audience above the buildings in a way that makes their intricacy more simple without letting it loose its character and distinct characteristics. Beyond this, Milstein has managed to make a point: there’s only so much we can see for where we stand.
See Jeffrey Milstein’s work in person at Kopeikin Gallery in Los Angeles from July 18th-August 22nd.
Ren Ri is an artist who works with bees to make his contained beehive sculptures. He builds the plastic containers and places the wood dowels inside them to subtly guide the shape of the hive, and also rotates the sculpture every seven days to affect its form. The use of bees is especially relevant with the current affairs of suffering bee populations around the world, which could have a drastic and lasting effect on farming, but also the natural world in general.
Ri employs many strategies to work with bees. He performs with the bees, allowing them to sting his face, and has created a series of maps made of bees wax. According to Hi-Fructose, his aim in using the bees is to remove his subjectivity from the work. Although it certainly does remove a large degree of control, this is slightly problematic as he still intervenes by creating the object within which the bees form their hives, and further affects their process by rotating it. Complete objectivity seems pretty much unattainable in this scenario, as well as a false aspiration for any creative pursuit. Although there are obviously varying degrees of subjectivity, any intervention implies the influence of the author, and without the intervention Ri would be a beekeeper, not an artist. It’s interesting to experiment with degrees of control, but this is not an objective piece.
To me, the most interesting part of this project is the collaboration with the bees, as the final products are aesthetically appealing and call indirect attention to an issue of pertinence in the world today. (Via Hi-Fructose)
James Jean is interviewed by NYC fashion designer Jeff Staple in this really nice video from a few months back that runs about 11 and a half minutes. Jean, the fairly prominent Los Angeles based illustrator and fine artist, opens up about his work and his time at SVA. Apparently, to get as good as Jean, you have to work pretty hard. Who knew?