Latvian artist Janis Straupe carves intricate and detailed wooden creations that experiment with functionality and design. Working in wood for over thirty years, he builds wooden sculptures as well as highly unique wood furniture. Although built from the very traditional material wood, his works are incredibly contemporary and creative in design, like his cabinet that resembles a giant beetle. The two side cabinet doors open up as wings or the shell of the beetle, while the top drawer is part of the head. There are so many little compartments that are located in every nook and cranny of the cabinet. This beetle-cabinet exhibits incredible design while still remaining practical and functional.
Janis Straupe’s work displays incredible craftsmanship, as his beetle cabinet is hand made. Insects being a theme that often comes up in Straupe’s work, he also has a series of enormous, larger than life spiders. The artist constructed several large, wooden spiders that stand up on all eight legs, towering over your head. One even has its legs sprawled out against the wall, as if to climb up to begin a web. Humungous insects carved out of wood are Janis Straupe’s specialty. (via Bored Panda)
Ari Weinkle has created an extremely unique and bizarre typography, titled Feelers, that moves and squirms with each carefully constructed letter. This is no ordinary alphabet; each letter is formed from different animal appendages. Weinkle designed his somewhat creepy typography to be explore and interpret the movements of animals and their body parts. It is hard to believe that these odd colored squiggles were once part of animals, especially since they look like amoebas, worms, or insect parts. The way the ends of the letters taper in at each end and sways back and forth closely resembles aquatic life such as seaweed moving in the water.
One aspect of this typography project that makes its concept so interesting, is trying to determine what appendage could have possibly made the type of movement that the individual letter is making. Even more intriguing, is that not every part of the letter moves. Some stand still while others whip back and forth, spread apart, or jump quickly away from the viewer. The movement is so organic, it is almost as if these alphabet creatures are pinned under a microscope and we are watching them squirm. Although the letters are hard to determine once they begin to wiggle, you cannot deny the unique creativity behind this mesmerizing typography. Make sure to check out Ari Weinkles Tumblr to see every single letter of his alphabet in its still form, and then again as 26 organically moving organisms.
These incredible coin sculptures were created by artist Robert Wechsler, who was commissioned by The New Yorker to create this work for their October 14th “Money” themed issued. Wechsler’s coin designs are crafted with money from varying countries of origin into geometric, fractal-like shapes. These shapes were created using a jeweler’s saw to cut out notches in the metal and then linked together with other coins. Wechsler has used coins for some of his past work, and most of his sculptures are created with objects from life’s seeming mundanity, like fingerprints, schooldesks, snails, a toaster, and an iron.
Wechsler writes, “Comfortably accustomed to everyday objects and spaces, we are blind to their unseen beauty and elegance. Who looks at a shopping cart or a toaster for the object itself? This state of static expectations is fertile ground for surprise. It is a conscious re-examination of my subjects that re-instates the novel back into the familiar. This is the moment of surprise, the moment we discover what is unseen in what is always seen. In reverence for what initially appears modest we get a small glimpse of the boundless elegance of our world.”(via exhibition-ism)
The drawings of Dean Sullivan (Flickr moniker A E I O U) could make seriously awesome wallpaper but only if you don’t mind being creeped out once in a while when you get too close to it. The densely meticulous lines create lush eco-systems for drippy hairy demons and caves…I wanna go! He also makes really awesome shirt/sweat shirt graphics and possesses this thing that make me think he’s actually a 5-year old with a more perverse imagination than usual picking up the markers and pencil for the first time and scribbling away. It’s great!
It’s Monday and I’m ready for another tense week of work in B/D land. To start your week off right I present a fun stop motion movie about the story of the change of your place in the social hierarchy. Tobia Wildi & Sidney Widmer not only starred in this but also wrote and directed it. Impressive.
The student artists Ayako Kanda and Mayuka Hayashi of Musashino Art University in Japan recently unveiled a series of portraits of X-Ray and CT images of embracing couples. One might expect images devoid of flesh, readable facial expressions, and color to read as clinical and sterile, but the photographs are strikingly human: “X-ray images usually show the finite nature of our bodies composed only of matter. But these couples’ portraits reveal a pulse that isn’t normally seen,” the artists explain.
Indeed, the images do convey ambiguous and subtle degrees of intimacy rarely seen photographically. The two individuals, positioned side by side, become hard to differentiate; the transparencies and densities of muscles and bones causes the two figures to fuse, touch, and pull apart in unexpected and haunting ways. While their bodies are flattened in space, forced to overlap, the bones themselves become separated by dark spaces, complicating the idea of what it means to be truly intimate.
The series also succeeds in conveying something more paradoxically permanent about intimate love. As mechanical process of photography and X-raying is offset by the delicacies of fingertips and craniums, the fragility and mortality of the human body is revealed. Yet the portraits, because they are X-rays and not typical fine art images, carry a forensic quality. Intentionally or not, they use a visual language normally associated with medicine and anthropology, and they are therefore poignantly removed from the confines of time and space, grounded only in relation to one another. Like two human artifacts, they invite viewers to dissect and analyze their bond. The couples appear as if held under a magnifying glass or fixed in stone, intwined in a decisive moment forever. Take a look. (via BUST, Spoon & Tomago, Daily Mail, and Bestposts)
Diggin’ on these illustrative ink and watercolor works by James Ulmer. His repetitious, almost vintage-looking characters roll on and on across the page in a flood of really earnest, straight-up human appeal.
According to the artist’s website, we can look forward to seeing his work in a group exhibition at Grass Hut in Portland very soon.