Carol Carter is a contemporary watercolor artist based out of St Louis, MO. She is such a prolific painter that it proved nearly impossible to select just seventeen images to feature out of the hundreds documented throughout her website. Her subject matter is incredibly varied, ranging from swimmers, nudes, flora and fauna, to interiors and landscapes of the Everglades and Italy. In spite of painting such a vast range of subject matter, her work remains consistent with her personal style; painting with an electric color palette, she saturates values of light and dark with a brilliant range of unpredictable color that often takes on the effect of solarization. Her technique shifts between wet-in-wet application and controlled execution, producing work that is peppered with an incredible amount of detail and spontaneity. Carol’s mastery of watercolor and divergent way of seeing the world is apparent in her remarkable paintings.
Melchor Bocanegra is a digital designer based out of Salamanca, a city located in the Mexican state of Guanajuato. His work is characterized by portraiture mixed with candy-cream absurdity; his subjects are usually set against empty or washed-out backdrops, acting out expressions of play or alarm. He often incorporates surrealist elements, such as thick tears or fluorescent goop smeared across their faces. Despite the innocent colors and fun compositions, Bocanegra’s images grab our attention with their discreetly unsettling aspects; in the following statement provided to Beautiful/Decay, he describes his style and explains how he seeks to convey conflicting emotions:
“I always work with portrait and I really like to mix feelings of isolation and melancholy with colorful and friendly aesthetics. I use simple compositions, trying to focus on the expression and emotion of the character. I could say that I try to create portraits with a passive/aggressive hidden sadness.”
Featured here is his Pink Ladies series, which present us with a cast of pastel-hued characters in various ambivalent and bizarre poses. The underlying themes in these images explore insincerity and idealized femininity, blending sexualized elements with the symptoms of banality; combined with the models’ superficial expressions, the fake tears, exposed breasts, and over-the-top makeup and jewelry convey a sense of exhaustion and meaninglessness. There is also the sense of loss, a grief over something that went missing during the transition into commercialized, sexualized adulthood. As Bocanegra explains, “[these] images create messages or questions about insincerity; with gestures of concern and ambiguity, we discover symbols of the unattainable, a longing for something we do not know or barely remember.”
Dev Harlan is a multidisciplinary artist whose hybrid practice combines the physical and the virtual with the use of sculpture, light and projection. Utilizing innovative video projection mapping techniques, Harlan controls and shapes the projected image into precision alignment with his sculptural forms. Through his masterful use of this hybrid video technique Harlan makes the intuitive a reality and gives the works rhythms and a dialogue that set their own pace. Using a palette of strong, assertive colors, kinetic geometries, and varying vantage points the artist projects an intuitive dialogue onto the sculptures that is succinct and cohesive. (via stacythinx)
‘Wow’ is usually the first thing I say when I look at Matthew Porter’s photographs. Big, bold, and wildly imaginative, Porter fabricates iconic images straight out of a teenage boy’s day-dream. All critiques aside, it’s pretty cool to see a muscle car flying through the air, no? His latest show “High Lonesome” runs through January 23rd at M+B in LA, so hurry up and check it out!
An artistic collaboration between a former Guantanamo Bay prisoner and a multimedia artist. One sitting in West Africa, the other in New York. The dialogue between Laurie Anderson and Mohammed el Gharani took place two days ago at the The Park Avenue Armory. The installation/performance titled ‘Habeas Corpus’ is a concept demonstrating the possibility of untangling stories and their interpretations though a simple dialogue.
Laurie Anderson imagined the installation to take part in separate stories. In a first room, the entire body of Mohammed el Gharani is live by the process of projection-mapping in a large auditorium. He is projected as four times his size in a statuesque position inspired by the Lincoln Memorial in Washington D.C. . In another room, Mohammed el Gharani appears on a large flat screen, in front of benches set up for visitors. This presentation is filmed as a documentary where the former prisoner narrates his experiences.
The visitors are given prior to the installation a leaflet explaining the circumstances of the making of what they are about to witness. The context of Mohammed el Gharani’s emprisonnement from the age of 14 to 21 and transcriptions of his stories. The young man is describing his story, what he experienced through those years; but without being too precise about the details. Laurie Anderson, the artist, didn’t want to emphasize that aspect. Her purpose is to tell in her own way, how a testimonial, an interrogatory can be told and retold and how it can loose its dominant meaning. (via The Creators Project). Photos by James Ewing
Today, I got an email from Jimmy Joe Roche that read: “Every once in a while I feel like I can bend reality by focusing on a white dot of energy in the center of my chest or middle abdomen.” Looks like Mr. JJR got a new haircut, new magic powers, and a new video. Careful, kiddies, it has graphic language. (But hey, it’s art, right?) While his older works played with mysticism from a kitsch aesthetic (embroidered Peruvian ponchos paired with cheap vid effects, like stock image howling wolves), these new videos verge on dead-faced psycho internet 2012 stoner-conspiracy theory. I don’t know whether to laugh or run.
New York based artist, Denise Kupferschmidt’s work is simple and striking, Kupferschmidt’s dyed and cut pieces make me appreciate how versatile paper can be. I’m a big fan of the national geographic / space imagery. It pairs well with the symmetrical cut and paste patterns.