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josef Bolf

Dark visions and childhood memories from Czech painter Josef Bolf.

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Michelle Kingdom Uses Dense Embroidery To Stitch Magically Surreal Scenes Filled With Wonder

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Michelle Kingdom uses thread like paint in her highly expressive embroidery of peculiar situations. Her dense embroidery builds up layers of colors and textures, using each stitch to create intricate compositions. Although small in scale, each composition seems to hold endless mystery as it illustrates captivating narratives that are somewhat dreamlike in nature. The artist embraces the use of the thread as a line, as she often connecting the figures included her in work. It is amazing how Michelle Kingdom uses a simple thread to create shadow and depth in her incredibly detailed artwork.

Michelle Kingdom’s surreal work expresses truth and illusion, feelings of expectation and loss. They are small in scale but contain a large amount of emotion and depth. Each of her pieces depicts quirky, ominous scenes full of fun and color. However, we can feel a palpable sense of uncertainty as we are left questioning what exactly happening to the subjects. Her work portrays both beauty and Michelle Kingdom explains further her impressive body of work.

“My work explores psychological landscapes, illuminating thoughts left unspoken. I create tiny worlds in thread to capture elusive yet persistent inner voices. Literary snippets, memories, personal mythologies, and art historical references inform the imagery; fused together, these influences explore relationships, domesticity and self-perception.”

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Rebecca J Coles’ Swarm of Paper Butterflies

Using scissors, paper, and pins British artist Rebecca J Coles creates dense swarms of butterflies that come together into a band of organized chaos. (via)

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Sneak Peak: New Work by Bjorn Veno

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Bjorn Veno was nice enough recently to send me a bunch of unreleased, unviewed new works that are under way right now- and he’s given me permission to unveil a little “teaser” for what is to come. The above image may form part of a new triptych series- but will not be unveiled for the next year or so.  I’ve been a long time fan of Bjorn’s quixotically expansive photography that taps into the mostly unexplored genre of masculine psychic spaces within self-portraiture. Often set within Edvard Munch-like Scandinavian emotionally charged landscapes, Veno’s photography is at once enigmatic, seductive, and  playful. He was recently the only man to win the Xto Nude Image Awards! Prior works after the jump!

 

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Aldis Ozolins

 

Aldis Ozolins is a maker of zines, posters, and experimental illustrations that represent memories from the place he was born: Riga, Latvia. While Aldis’ current professional direction and focus is on graphic design and interactive experiences (both of which he is damn good at), we chose to feature his illustrative work and side-projects due to the strong emotional qualities embedded so clearly within each of the pieces. It’s easy to get lost in the figures and environments his images bring to life… enjoy a selection after the jump.

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Louis Jacinto’s Photographs Of Floating Signage

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Louis Jacinto‘s series “Floating Away” is at once alien and familiar, like Norman Rockwell from space. His photographs are of the most mundane objects we see every day in our lives: signs, usually connected to buildings and rooftops, drifting away. One photograph features a water tower, suspended in mid-air like a Midwestern siren call. Unmoored from their surroundings, the objects seem to contain some kind of portent, like a surreal rapture of modern design.

Jacinto’s photographs of big company logos are particularly evocative; devoid of branding, advertisements and the adoring gaze of consumers, they seem almost lonely. There’s a nostalgia to Jacinto’s photographs. They’re haunted by ghosts of icons from the past.

According to a statement by the artist,
“I expected so much growing up in the 1960s. My home always included discussions of the day’s events and politics. I saw how people struggled, fought and died for what was right. I thought by the time I was grown, the world was going to be beautiful and wonderful. I see we are still getting it backwards. I do everything I can so that my own ideals don’t float away.”
You can see more at Jacinto’s website here. (via I Need a Guide)

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Joseph DeLappe Proves Money Is Power By Imprinting Bills With Drones

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Specializing in digital media, artist and professor Joseph DeLappe boasts a diverse background. While his portfolio features seemingly traditional experience in painting, drawing, sculpture, installation, and curatorial work, it also presents more inventive undertakings, titled “interventions/actions.” Spanning social media experiments and fake newspaper articles, this distinctive body of work is entirely political, with the most recent project, In Drones We Trust, featuring paper money as its platform.

Described as a “crowd sourced, participatory rubber stamp currency intervention,”  In Drones We Trust calls for volunteers all across America to brand their bills with a tiny stamp depicting an MQ1 Predator Drone. DeLappe explains:

The idea came after closely examining U.S. currency – all but the $1 dollar bill feature a pastoral depiction of a notable government building or monument on the back of the bills, albeit with lonely, empty skies. It seems appropriate, considering our current use of drones in foreign skies, to symbolically bring them home to fly over our most notable patriotic structures.

Subtle enough to blend in with their printed surroundings but graphic enough to stand out, the colorful marks stamped on the notes succeed as both an aesthetic addition and as a political statement. By adorning paper currency with these controversial and heavily symbolic imprints, DeLappe is able to both stealthily spread his message and get his art into circulation—literally. (Via Vandalog)

To join the cause and put your money where your mouth is, get your own drone stamp here!

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Jake Wood-Evans’ Modern Take on Classical/Renaissance/Baroque Art

Brighton-based artist Jake Wood-Evans‘ classical influences are readily apparent. A 21st-century Caravaggio? Who knows. But dude’s definitely on the right track. Celebrating his heroes while producing work that’s relevant to his period, Woods-Evans executes drips and fades in disaffected, casual gestures. Laurel wreaths and nuclear explosions are likely to meet in a single composition. If you’re near Brighton next month, check out his work at the Brighton Media Centre the 7th through the 16th. More images of the artist’s work after the jump.

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