What’s your morning routine like? Maybe it takes you 15 minutes, or perhaps an hour. Whatever it is, Avtar Singh Mauni from Patiala, Northen India has you beat. He spends six hours a day getting his turban ready before he ventures to the local temple. The devout Sikh’s impressive headdress measures 2,115 feet (about 645 meters) when unwrapped and weighs about 100 pounds.
The 60-year-old is proud of his turban, which took him 16 years to assemble all of its parts. He’ll wear it until he physically can’t any longer; Singh doesn’t consider it a burden and says that he’s happiest when he has it on his head. In fact, when he doesn’t have it on, part of him feels incomplete.
While most people who follow Sikhism wear turbans, they are comprised of a length between five and seven meters and probably don’t weigh all that much. Singh’s, in further comparison, has purple and orange fabric that weighs 66 pounds, while the decorative elements make up the extra weight. This is coupled with a sword and heavy bangles that weigh an additional 87 pounds.
Singh’s ritual sits at the bizarre intersection of art, fashion, and religion. Do you think it could be considered a type of performance art? Or just a fervent dedication to cultural guidelines? (Via Lost At E Minor and Oddity Central)
Meet Canadian artist Alice Gibney. Her work has a hauntingly beautiful presence, layering intimate charcoal lines on large scale paper panels. Her recent series are filled with imagery depicting self vs nature and human manifestation of grief. She’s currently spending some time in Berlin, hopefully gathering up loads of inspiration for her next series of work when she returns to NYC to finish her MFA at Parsons.
When Sally Mann published a series of photographs of her children titled Immediate Family in 1992, she spotlighted childhood with a rich tonal backdrop of a Virginia riverside summer house, and she was met with accusations of child pornography. About twenty years later, caught in a starkly different contemporary artistic current, the photographer Alain LaBoile presents La Famillie, a series that for its distinctive silver gelatin aesthetic and subject matter seems to pick up where Mann left off.
LaBoile’s work, unlike Mann’s, lacks the suggestion of immediacy, binding viewers within the nostalgic frame of childhood play, entirely carefree and unabashed. Mann’s work is urgent: she reveals a haloed shot of her daughter, blonde hair dancing in pool of water like some inexperienced Ophelia, and she tragically subverts its innocence with image of the last nude swimming photo her son let her take. Childhood for Mann is something to be beautifully lost, but for LaBoile, it’s more of a constant realm, easily returned to with a flash and made blindingly undeniable by jarring accents of white.
The innovative power of this contemporary work relies upon oh-so-subtle symbols of purity and incorruptibility of youth; a boy digs himself from mud filled and grave-like abyss, resurrected in glowing white to a young girl who prances about the Edenic verdure. Similarly, another daughter remains preserved in a class case, safely nuzzled between fine china and a white cat. Bums innocently moon the camera like those of cherubs. A boy printed in a blinding sort of white appears to hang from a tree; yet upon closer inspection, he’s just climbing, playing the part of a-not-yet-fallen Adam for an onlooking sister. Take a look. (via Feature Shoot)
Nice colors, sounds, patterns, and movements can all be found in this Future Deluxe video.
Artist/illustrator Jason Asato of Honolulu, took a break from digital media to sketch up these grim pencil drawings. Their vacant and focused, eerie stairs feel calm and sincere – they’re sad but hey, it’s alright…they’re okay with that.
Madrid based artist Javier Aguilera’s sculptures are brutally realistic. Check out some more of his work after the jump!