Most people either love or hate photographer Terry Richardson. I have to admit that I haven’t been the biggest fan of his work but hearing him speak in these two videos produced by Belvedere Vodka has made me rethink my position. I appreciate his sincerity and honesty about what he does and why he does it. Second video after the jump.
I grew up in rural Indiana, but Justin B. Hansch’s exhibition GIRLS & GRILS gives me a sense of nostalgia for a beach-based coming of age story that I never lived. Hazy memories of lazy days and sexy babes drive the content of the show, and a similarly instinctual application of paint is the perfect pairing for this type of imagery. Tight edged graphic elements punctuate luscious gestural moments with a natural ease. It is clear that Hansch has a solid grasp of what a well-designed painting is capable of.
The exhibition is organized in a Pac-man-esque timeline of girl, grill, girl (and so on) – which allows the paintings to operate individually and collectively as one larger installation. As summer comes to a close GIRLS & GRILS functions as “the last word” from America’s most romanticized season, and a welcome reminder that days like those portrayed will be back again next year with the same casual expectations as years past. The show will be on view at Steve Turner Contemporary until October 6th, and I encourage you to make time for it during these busy opening weeks of the fall gallery season.
P.S. I’ve included a few examples of Hansch’s previous work to give you a more well rounded representation of his practice.
I’m more interested in Holton Rower’s process of creating these abstract paintings than the final result. Sure the end result is beautiful but you’ll see what I mean once you watch the process video after the jump. It’s a simple technique that packs a lot of punch!
In the year 2237, after we’ve all been forced to move to the Moon, we will keep warm with these post-apocalyptic future quilts. That is, of course, assuming rumors are proven false and the moon isn’t really the Death Star. Anyway, thats my take on London based artist Roger Kelly’s work. His pieces are not just a random collection of abstract shapes, but on close inspection, fragments of buildings, rocks, and trees all stitched together to create Kelly’s overwhelming vision.
Have you ever had anything stolen? Perhaps a cellphone, or bag, or bike, or even a car? Well if you have been the victim of someone’s swift fingers, then you will really like this project. Some clever individual has decided to be pro-active and beat the thieves at their own game. After purchasing a brand new VW van, they have enlisted the help of UK based vinyl wrap company Clyde Wraps to avoid being the target of any crime.
With some clever coloring and detailing, they have made their 2014 Volkswagen T5 Sportline look like a rusty old van that shouldn’t be fit to drive around the city. Big rust stains drip down from the handles, the side panels look like they are disintegrating in front of your eyes, and the wing mirrors look like they have seen better days. Of course the actual body of the car is fine – the tires, the lights, and the windows all seem brand new and dent free.
But for someone looking quickly to see whether it is worth the trouble to steal this van, they will look twice. And who knows? Maybe the owner will even be able to leave their vehicle, walk around town and get away with not locking their doors! (Via Lost At E Minor)
It is difficult to believe that the astounding, realistic sculptures of husband and wife duo Allen and Patty Eckman are cast from paper. Inspired by cast paper techniques of mid-20th century Mexico, the couple has developed and trademarked a unique process called the Eckman Method®. Pouring paper pulp instead of bronze into silicone moulds, they are able to produce lightweight sculptures with an astonishing level of detail. Allen’s work centers on the history of the American West and Native American civilization, content that blends seamlessly with Patty’s focus on wild flora and fauna.
Allen, who himself is of Cherokee descent, seems to pick up where 19th century American bronze artists like Hermon Atkins MacNeil or James Earle Fraser left off. Echoing the sentiment of these early settlers to the West, Eckman portrays the vanishing Native American population with dignity and reverence. Many of their sculptures are colossal, looming above viewers with magnificent authority. Others are miniature, precious to behold. The Eckmans capture scenes both active and pastoral with equal attention to detail; the cowboy, blazing ahead on horseback, lasso in hand, is seen with as much clarity as the native American hunter, who rests for a moment with his equine companion, absorbing the sights of the natural world. Like living specimens of times and cultures too rarely recorded by history, mothers and children dance in historically-accurate clothing.
In their stunning visual work, the Eckmans are able to merge a new, innovative process with subject matter as timeless as our country, breathing new life into the cannon of work created by great American sculptures of the past. (via BeautifulLife)