Anna Mo is a Ukraine-based designer who has created a unique style of ultra-chunky knits. Whether she’s making blankets, hats, or other accessories — all of which you can buy online at her Etsy shop, “Ohhio” — the texture appears excessively magnified, making each item cozy and able to stylishly engulf the body. Working with 100% Australian merino wool, Anna even provides the yarn so you can create your own giant knits (although you’ll need the accompanying oversized wooden needles).
Anna’s mother taught her to knit at a very early age. Most days, Anna works on a computer as a designer. Knitting became a secret side project that allowed her to move from “head” (mental) work to “hands” work. In switching between these two modes, she allowed herself to save her energy and work hard at developing her knits. “Ohhio” began as an experiment with just a few items. “I’m happy that I made that experiment,” Anna wrote to Beautiful/Decay, as her shop has now blossomed into a full-time business.
We’ve covered designer Gareth Pugh’s funhouse fashion before, and his 2015 ready-to-wear line is no less delightfully deranged. Pugh drapes his models in the regalia of pagan rituals, occasionally borrowing from the mind-expanding sensibilities of modern glitch art.
One design harkens back to the scarecrows of ye olde corn fields, complete with a material reminiscent of burlap; at the same time, another figure is shrouded in geometric mystique like a Magic Eye illusion.
“I wanted it of the earth, rather than landed from a spaceship,” Pugh said of the collection. To do so, he draws on raw textures of chiffon thistles and gauzy silk, and for inspiration, he reimagines a time when masquerades and ritualistic sacrifice were still a thing. One of his designs calls up the image of a court jester, reincarnated as something slicker and more sinister. A woman stands under the brim of what brings to mind a stalk of wheat, dressed in virginal white. Some of them are crowned with papier-mâché skulls.
The result, even with the modern twists, is nothing short of raw occultish charm, a wonderful mixing of the ethereal and the profane. (via Style.com)
Ryan Samuel Carr is a native artist/illustrator of Ventura, California. Ryan’s beautiful line work and dreamy figurative elements remain a constant reoccurring theme throughout his extensive body of work. When I look at Ryan’s work, even if the subject matter is just the roots in a pile of weeds he always seems to capture a rare and very sincere moment only hinting at whatever secrets the particular root, or bed of flowers have to say. Ryan’s unique line work evokes so much feeling and emotional manifestations. Ryan shares a bit of his mark making process in this direct quote from the talented young artist himself:
“I think a lot about the ‘immediacy’ of drawing (with ink and pencils), and the individual mark in a moment of time; what that all says…it’s very mystical and meditative for me.”
The art of the glitch has made its way off the screen out of the realm of the accidental. Perhaps it’s the aesthetic source of a new abstraction. The form has also made its way street art and graffiti. Polish artist Krzysztof Syruć incorporates explicit glitch stylings and subtler inspiration in much of his work. This first piece seems to use its background as a source image. The image is distorted, ‘corrupted’, and reduced to basic values. Other pieces seem to reference circuitry, code, and even biological systems.
Adventure photographer David Heath delicately captures the enchanting land of Burma, showing its shockingly stunning, exotic beauty. Over the course of five years and after taking eight individual trips to this mysterious place, Heath has completed a masterpiece of a collection of photographs radiating with natural beauty, and dripping with color. This incredible series, now available in print as a coffee table book, is a tribute and celebration to the lush culture and land that is Burma.
“From the moment I first set foot in this magical land, I fell under its spell. I found it to be one of the most enthralling and visually captivating countries I have had the privilege to explore – truly a photographer’s paradise,” explains Heath, “I aspired to convey the soul of the beautiful Burmese people, their mystical culture and mysterious customs, in the most artistic way possible”.
Burma, a place not many people can say they have traveled to, has become a place of comfort for Heath, as you can see in his photographs. He captures subjects with such love and allows such a strong authenticity to remain within them. Heath uses no flash, only natural lighting in order to show the true, authentic nature of this amazing culture. Traveling through Burma by boat, canoe, train and foot, Heath shows us remote and rare perspective of this captivating land. Each image is a remarkable adventure where we can see ancient temples, colorful and traditional Burmese clothing, busy street markets, tribal face tattoos, and the sparkling, eager eyes of the children of Burma. We are able to experience a culture that seems a world away through the intimacy of David Heath’s travels.
Large-scale public art installations and sculpture by Chilean born artist Sebastian E. His work draws upon a wealth of political and religious themes in very clever ways, often with a deeply twisted sense of whimsey.
Australian artist Damien Kamholtz recently opened Boats Like Feathers, an exhibition of new works at Art House Gallery in Melbourne. From the gallery’s website:
Boats Like Feathers brings together the child and adult in a soft and vibrant world of narrative and metaphor evoked through Damien Kamholtz’s deeply layered and nostalgic work, rich with a story unique to each viewer if they are willing to take part in the journey.
More images after from the show after the jump, and you can check out a video of the artist in the studio here.