Artist Chris Dorosz uses a unique painting technique. He drips paint droplets onto plastic rods. When arranged the rods form a three dimensional image, a pointillism like sculpture. Step back from the screen for a moment – the disparate dots congeal to from images of people. The fact that this is similar to the way a low resolution digital image works is not an accident. Dorosz revels in the idea of the drop as a basic unit of constructing a painting. He says:
“Out of material discovery I began to regard the primacy of the paint drop, a form that takes shape not from a brush or any human-made implement or gesture, but purely from its own viscosity and the air it falls through, as analogous to the building blocks that make up the human body (DNA) or even its mimetic representation (the pixel).”
Take a stroll along the High Line in NYC and you can’t help but notice Chelsea’s very own eye-popping mural by Eduardo Kobra on 25th and 10th. This towering piece of street art infuses a rainbow bolt of color into Manhattan’s skyline, emoting nostalgic imagery: re-imagining Alfred Eisenstaedt’s 1945 classic photograph “VJ Day in Times Square.” Likewise, if you live along the west coast in LA, you might have noticed Kobra’s psychedelic Mt. Rushmore redeux at 1255 La Brea Ave, exposing the art of democracy.
Interestingly, this artist is not from America, but São Paulo, where his passion for blending vintage or classic iconic imagery into contemporary settings first emerged in the late 1980s and has traveled internationally ever since. The intention was and is to pay homage to the parts of a country’s past or remind the city inhabitants of their historical precedents– emphasizing a certain level of romanticism.
Laughter is universal; it transcends culture, trends, and time. The art world, however, is not considered to be droll. Galleries and museums are stoic, intellectual spaces and works of art are discussed in academic terms. Yet in this scholarly world there are artists that buck conventions and use humor to engage us and make us laugh and think. Art is a medium of communication and the artists in this issue have found that humor is the most powerful way to engage their audience and convey their message.
This class clowns issue of Beautiful/Decay is dedicated to those artists who pack their work not only with meaning but with a powerful punch line that keeps us coming back for more. Join us as we delve into the world of Winnie Truong’s surreal and funny portraits, and find the humor in Devin Troy Strother’s discomfort with his own race. Witness how Maurizio Cattelan has become the art world’s premier prankster and gain insight into artistic duo littlewhitehead’s mixture of dark humor and lo-tech fabrication.
View our cover artist Stefan Glerum’s arresting illustrations, and Ben Aqua’s subversive photography. See how William Powhida’s cynical, self-deprecating, and universally criticizing works take the role of the court jester to a new level. As if that weren’t enough to keep you busy, we’ve also invited an international cast of artists, illustrators, and designers to create original works for our Project Pages based on our theme. So get out your X-ray specs as we explore the worlds of Beautiful/Decay’s Class Clowns.
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You might remember Kumi Yamashita from one of our October posts featuring her extraordinary collection of works with light and shadow. If you recall, Yamashita subtly manipulated materials such as paper, fabric and wood to strategically use lighting on them in order to create shadow art installations. Her imagination and impressive craft skills lead her to create this new ongoing series entitled Constellation (a title that references the Greek tradition of tracing mythical figures in the sky).
This body of work consists of three materials: a wooden panel painted a solid white, thousands of small galvanized nails, and a single, unbroken, common sewing thread. She creates these stunning portraits by using the single,unbroken thread wrapped around thousands of nails. The task at hand is laborious, but the result is well worth the work.
Kim Dorland, Painter, Angell Gallery from Canadian Art on Vimeo.I’ve been seeing more and more of Kim’s work at various art fairs and group shows as of late. The videos intro is a tad cheesy but you get a fantastic inside view into Kim’s painting process, subject matter, and technique.
Lithuanian artist Severija Incirauskaite embroiders everyday metal objects like pans, spoons, watering cans, shovels, and even cars. Incirauskaite drills holes into the metal objects, then uses cotton thread that generally corresponds to the color of the chosen object, emphasizing the importance of the object. She generally uses mass patterns from different hobby magazines, combining popular craft techniques with nontraditional methods of execution. Of her work, she says, “Personally, I don’t like extraordinary situations – I like everyday life. People often think that a situation like a wedding or exotic travels etc are the most important in their lives. I think the opposite, I think that everyday life is more important because it unites all our lives.”
Network Osaka is a graphic designer. That’s pretty much all I know about him or her. I don’t think they’re from Japan. They’re either from California or Mexico. Past that, Network Osaka has done some really nice print work, often employing a straightforward modernist aesthetic without seeming too derivative of the old masters.
Keri Oldham‘s collections of watercolors are studies in familiarity and restraint. Each mark is deliberate, yet still manages to accidentally wander, bleeding and pooling into the next, happening upon a recognizable form.