Beautiful/Decay is calling all artist and designers! We are teaming up with Plywerk to offer one talented person the opportunity to get their own artwork printed and mounted on a 12″ X 12″ environmentally friendly bamboo Plywerk panel worth $63.
Submit your artwork to our B/D Flickr Pic Pool (become a member first) and after all the artwork as been submitted, we will choose the most interesting piece as the winner. Artwork may be submitted in any medium, so long as it is scanned or in some digital format.
Deadline: August 25th, 2009 @ 6:00pm PST
Join the B/D Flickr group if you haven’t already and submit to our Flickr group pool
Title your work with “Plywerk Contest Art” after uploading it so we will know to count it for the contest
Any genre of artwork is acceptable but it must be in some digital format (scanned or photographed)
Good luck to all! We look forward to seeing your submissions!
Shay Kun’s paintings push viewers to challenge their philosophical and aesthetic limitations. While the paintings use appropriated images from the internet, glossy magazines and daily life, they question where fantasy begins and reality ends. Our dreams and thoughts are capable of taking us on journeys beyond reality, but when do we actually cross that threshold? Could we have actually experienced scenes as we remember them?
Each piece in the exhibition explores fantasy and escapism not only with evocative imagery, but also with a variety of source materials and methods of display. In Brief Encounter, Kun offers a film noir still of a car driving into the depths of a rainy night and invites onlookers to remember not only familiar films with similar atmospheres, but their own experiences with departure and loss. Kun also manipulates the foreground into a complex, dramatic tableau; the foreground presents an almost surrealist puddle without the literal interference of a window. Condensation from precipitation, however, is reserved for the background; the scenario is physically impossible, and the painting teases the mind to understand its dissonance.
Objects like ropes, hot air balloons and old-fashioned cars accrue an almost satirical element with their nostalgic references to a pleasant past and childhood. These idyllic environments are predominately kept in the background of these pieces, but the masterfully painted objects feel at once fresh with their photo-realistic qualities. These are contemporary works that challenge the effectiveness of memory and suggest that nostalgia shapes and colors our interpretations of the past.
There’s a pervasive sense of childlike fantasy that seems to underline many pop surrealist works. Make-believe animals that don checkered coats, tight rope walkers and re-imagined cats all vibrate within and beyond the confines chosen by each artist at hand.
The alluring world of pop surrealism frequently ushers in a sense of mythical innocence and humor, unifying the superficial world of popular culture with the recesses of the unconscious. With underlying themes of fragility and the macabre delicately hidden beneath a veil of cultural kitsch, saccharine sweet dreamscapes transform and redefine a caustically bright world enamored with packaged goods. The fantastical worlds created through the lens of the following artists explores the relationship between the seemingly pristine and the accompanying bittersweet decay that dwells beneath it. Featured artists include: Casey Weldon, Mac Sorro, Rafael Silveira, Leslie Ditto, and Britt Ehringer.
Artist Lauren Tickle uses an unconventional material for her accessories: US currency. Titled Increasing Value, the objects are made out of bills, silver, latex, and more, formed into intricate pieces that you can actually wear. Tickle has her Master’s degree in jewelry, and the exquisite works don’t immediately strike the viewer as being composed of currency. Instead, the designs take advantage of the bold flourishes we see on money and the green lines appear as a pattern rather than a past president’s face.
Tickle writes about the conceptual meaning behind her work, which is titled based on how much currency was used in its creation.
My work is an experiment in the concepts of value and adornment. The Values Exploration process takes currency of defined value, distills it to graphic elements, then resynthesizes an object of much greater value. How and why are these notes distanced from their face value? Idea, concept, process, and labor create value. Is this new, finished form a microcosm of industrial production? or a parody?
I force wearers and observers to reflect on the concept of adornment in our society. One of the most conscious actions humans undertake is the decision of what to wear or not. My work takes underlying materialism and makes it explicit, imploring evaluation from all sides in each social context. (via Escape Kit)
Patrick D Wilson combines an interesting mix of geometry, photography, and sculpture to create new spacial landscapes where buildings are made of clouds and the stars are aligned onto fragmented planes.
I headed over to Brooklyn to check out what Ryan Schneider had cooking after not seeing his work for a year. He was painting when I got there; mixing a fleshly color on the big glass palette in the center of the room. Canvases lined the walls, some were finished and some were in progress. He paints all the nouns: people, places and things; and does so in a thoughtful way that reflects life. Still lifes which range from bathtubs to bookshelves, and landscapes which seem to suggest an alternate, more romantic reality.
The paintings are populated with figures, and he had interesting things to say about figure painting. In person, the paintings are very obviously physical. They combine juicy paint, carved-in-words, bold colors, and a funky sense of space. This makes for paintings which flip between pattern and illusion. His new paintings were confident, and maybe even more colorful and spatially complex than his previous work. Schneider recently left Priska C Juschka, his gallery of several years. Besides being a painter, Schneider is also a curator and has organized high profile group shows in locations near and far, and he was at it again. He is behind a show which just opened in Austin, at Champion Contemporary, called “Wild Beasts.” He included a group of artists who share a love of color and admiration for Matisse and the French Fauves. Read some of our discussion after the jump.
In honor of Rineke Dijkstra‘s retrospective currently on view at the Guggenheim, we figured we’d do our own little rundown of the photographer’s work. Dijkstra’s portraits illuminate all the subtle emotions and struggles inherent in being a youngster. When you’re a kid, you can’t help but be the underdog. Some cosmic order of the universe is keeping you down in some way. You want to be taller, smarter; or maybe you want a pair of sneakers that you can’t afford. And all the while, you’re not sure if you’ll ever make it out of adolescence alive. And your lack of hope makes the whole process that much worse. The painful existence of childhood brings about a certain unique wisdom. It’s not true wisdom (you haven’t experienced enough of life to be wise), but it’s close. Maybe the right term is jaded. In Dijkstra’s photographs, youthful subjects stare out at us in disdain: “what are you gonna throw at me next?” And you just want to tell them that everything’s going to be alright, that it gets better with time. But then you wonder if you’d be lying. Reconnect with your younger self with more images after the jump.
It’s been sometime since we’ve heard from Natasha Khan’s Bat For Lashes, but that all changes on Oct. 23 when her new album, The Haunted Man is released in the US on Capital Records. The Guardian has a preview of six songs that I’ve been listening to on repeat . She’s playing a handful of shows in Europe in the next couple of months so definitely try to see her live if you can. What do you think of the cover photo by Ryan McGinley?
Want more Bat For Lashes? Check out the video for the new single Laura after the jump!