The wheel of life represented by 29 walking skeleton legs and feet. Monika Horčicová is a Czech artist who uses 3D printing to come up with the base of her sculptures. The legs are made out of plaster composite, molded and then casted into polyurethane resin. The legs are then assembled into one piece.
Symbolists, Buddhists and probably many more cultures and art movements have been using the wheel of life. It is the representation of the cycle of life and death. Usually depicted next to the Lord of Death; the wheel turns under his will. Birth and suffering, joy and sadness, alternatively march together. Thus, each of us has the liberty to interpret the meaning of life through the wheel. In this case, Monika Horčicová chooses to emphasize its morbid features.
By using skeletons, she takes a stand, and doesn’t give us the choice but to picture life as inevitably dark and painful. The direction, clockwise or counterclockwise, is important when looking at a wheel of life. Usually we are not given the choice but to visualize it going clockwise. Here, the artist has not set the orientation. As we move around the sculpture, we are free to give it our own meaning. Although death is predominantly present, we can choose to imagine the course of life going backwards. Our experiences and our knowledge as we move forward, are what make our inner self grow; allowing us to encounter the possibility of an indefinite renewal. (via Empty Kingdom).
Painter Troy Brooks creates curious and unsettling canvases. Painting in a Pop surrealist style, Brooks depicts scenes where something terribly strange has just occurred or is about to unfold. Each piece is dominated by a female figure, all similar in appearance but clearly different in personality – some bored, some subversive, other outright violent. Brooks makes use of a sort of symbolism transforming each setting into an allegorical scene.
Thanks to everyone that made it out to our screening of Marc Jacobs & Louis Vuitton documentary screening last night at Space 15twenty. The screening was a great success, with great summer time weather and comfy beach chairs to relax on. All the seats were filled within minutes and a few troopers even stood for the entire length of the movie!
Jeremiah Maddock is a hard guy to pin down. Many have spoken of him as some sort of ghost- a shadowy figure that passes through bars and cafes with a suitcase full of muted drawings, and an unknown past. This legend surrounding the artist, who lives -most of the time- in New York City, creating richly patterned mixed media works populated with ghoulish creatures and tramps, is likely a product of his obvious lack of desire for external validation. It’s clear that Maddock, who has no personal website, maintains a very pure process; he is interested more in the act of creating -and the motivations behind such an act- than any finished product.
I caught up with Jeremiah in-between his extensive travels throughout the interior of the country. Read the interview after the jump, which includes the artist’s thoughts on steez-biting Mayans, art fairs with Josh Keyes in high school, and collaborating with the dead.
Beautiful/Decay is excited to bring you our exclusive artist feature in partnership with Made With Color, the premiere platform for artist websites. Each week we join forces to bring you some of the most exciting creatives working today who use Made With Color to create their clean and sleek sites. All Made With Color sites not only work beautifully on your computer but also come optimized for mobile and tablet users making sure that your portfolio looks professional no matter how you view it. For this weeks artist spotlight we bring you the illustrations of Kelley Hagemes.
Savannah, Georgia based artist and illustrator Kelley Hagemes creates mixed media works that reference various religious and mythical iconography. Imagery of the sublime is mixed with rich symbolism of life, regret, death, and the unknown.I
When I was a kid I had to go to Catholic school for a period of time, and my parents made were quite the Catholics. I feel like I was always surrounded by these images of the Sublime, dripping with symbolism and encased in ornament. Images of things that were supposed to be beautiful but also strike some sort of fear or uneasiness in you.
More broadly Kelley’s work is about dealing with lifes demons, finding happiness after sadness, transformation and strength while having to find beauty in some pretty ugly places throughout the process.
Friend and past-professor Aaron Meyers created this amazing project on his free-time. It allows you to map YouTube videos onto an interactive 3D cube and then save it to a database so you can show your friends. As you spin around a YouCube, the sounds of the different videos fade in and out. Its seriously amazing. My video is the last on the list but the first one to be created during the trial run… its called ‘Hamster Wheel’, so look for it! Aaron’s also worked on the awesome Radiohead video House of Cards. You can see more of his projects after the jump.
Combo is protective if his street art. In response to an anti-graffiti brigade repainting one of his piece, the artist took a picture of this man and turned him into a collage a few days later. The part the man was covering was the tagged area and the part representing Donald Duck’s nephews Huey, Louie, and Dewey was left undamaged.
Based in Paris, France; Combo depicts mischievous and entertaining street art. He feeds his obsession with interaction by opening a conversation with the walkers and his followers. He usually starts out by tagging the beginning of a sentence and seeking the end on his Facebook page. He asks his fans to finish it. The ending that has the most likes gets to be tagged.
The artist focuses on diverting visual images from their original meaning by adding foreign elements. These elements are usually familiar, coming straight from pop culture, cartoons and video games. By using popular symbols he speaks to the mass and can therefore vehicle his messages. Most of the time the topics covered are injustices within our society. Combo engages with its viewer in a disruptive manner but he always makes sure he does not cross the line of judgment. (via Lost At E Minor).