John Courtney Little‘s paintings contain such surreal narrations, full of intense scenarios with eloquently symbolic characters that attempt to exist in such chaotic and mysterious environments. Using a dark and muted color palette focusing around the action of the protagonist or simply the chaotic environment around them, the paintings are very expressive and well crafted.
Louise Despont explores drawing as abstract meditations, balancing and integrating symbols and forms to link her art to the inscription of narratives and to mystical or literary concerns. Employing and recasting a vocabulary of elements and constructions found within a set of architectural stencils and compasses, the artist renders her drawings on the pages of antique ledger books.
Despont has borrowed the geometries of Indian labyrinths, gardens, architecture, vessels and ancient Buddhist and Jain caves to offer balanced forms – particularly masculine and feminine principles—that engage past and present as indicators and provocations. While leaning towards strong poetic and lyrical translations, these drawings unlock a spatial perceptual field to reveal the formal qualities of surface, texture, scale and form.
While reinvesting introspection and the metaphysical into tropes of abstraction, Despont’s drawings are notable for their levels of sincerity, intricacy and refinement. Even in her larger works, the artist evokes an intimate experience with fine lines and subtle hatch marks revealing themselves only when viewed up close. The resulting works, charged with alternative legacies of cultural and personal, confront the binaries of abstraction and figuration through their encoded compositions.
Hanna Putz is an artist out of Vienna who contorts and un-poses her models to make striking photographs of equally striking people. Her camera seems to mummify the models, and in their lifelessness they are incredibly compelling. ( via )
Jerome Abramovitch has incredible attention to detail: the digital manipulation of his photos is nearly seamless. In his “Mannequin” series, he took photos of both live models and plastic mannequins before digitally meshing them together to form amazingly real-looking human-plastic hybrids. More and more, photographers are finding their creative voices in post production – so exciting!
Talk about impressive craftsmanship. In a stunning feat of virtuosity, the Chinese artist Ch’en Tsu-chang carved an astoundingly complex scene into a single olive pit in the year 1737. The tiny sculpture is complete with eight exquisite human figures enjoying a serene ride in the furnished interior of a boat with movable windows. To construct the piece, the artist, hailing from Kwangtung and having entered into the Imperial Bureau of Manufacture during the reign of emperor Yung-cheng, allowed his eye and hand to be guided by the natural shape of the olive pit.
Measuring 1.34 inches in length and .63 inches in height, the work was inspired by a poem titled “Latter Ode on the Red Cliff,” written by Su Tung-p’o some six hundred and fifty years before; it depicts the poet and his seven companions on one of his two journeys to Red Nose Cliff, the site of an epic battle that proceeded the poet-official by eight hundred years. On the helm of the boat, the artist meticulously engraved 300 characters from the beloved poem, whose moving lines served as an artistic theme well into the Qing Dynasty. Somehow, the delicate and intricate composition elevates the epic subject matter, making it all the more precious and highlighting its worth as a narrative worth careful representation. What better way to honor a poem about a natural landscape than by rendering its speaker in an organic substance?
Portuguese artist David Oliveira’s work is technically a sculpture but I’d argue that It’s just as much a drawing. Using thin wires to carefully trace figures, Oliveira bends the wire at every bend, wrinkle and fold to create sculptures that have the looseness and spontenaioty of a fine figurative sketch. (via)
Creative collective Funwunce brings together a group of talented artists from various genres to create mind bending artwork for your needy eyeballs. Some of my favorite works on their site has to be their album art and prints which seemlessly blend analog and digital skills for you to enjoy.
I met Brian Blomerth a few years ago, he is an interesting guy who makes art about Pomeranian dogs and Alysssa Milano. He combines those two themes with acid colors, mysticism, and snazzy design. He also lived in a (now closed) building called The Church of Crystal Light, and was from what I saw he inspired that group of people. They were Richmond Virginia’s version of Fort Thunder.