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B/D X Sticker Robot Contest: And The Winner Is…

Last week we had a contest where you were asked to write a clever sentence using our sponsors name “Sticker Robot.” We got a lot of fun entries but after going through all of them we picked this lucky winner:  Hey Sticker Robot, I’m a stickler for stickers and know how to pick um, and unlike stamps there’s no need to lick um. Bam!

Congrats to Felisha Gonzales who will be getting a massive grab bag with copies of Beautiful/Decay Book 2Book 3, and Book 4, 3 Beautiful/Decay t-shirts, and a limited edition Fudge Factory Comics sticker pack by Travis Millard!

Stay tuned for future contests by signing up for our email list!

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Marco Scozzaro Photographs Of Men And Women Wearing Nude Tights (NSFW)

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Brooklyn-based photographer Marco Scozzaro creates Mirror Neurons, a straight- forwards series of photographs that capture the bodies of men and women wearing nude tights. You might be thinking that this project is kind of pointless, but in actuality it isn’t. Scozzaro’s clever ways of conceptualizing his pieces challenge the viewer to think outside the box and ultimately reach various conclusions at once.

Scozzaro began his project by photographing a series of nudes in front of a neutral background and had the models wear a pair of skin color tights as a metaphor for conformism. As the project developed (and gave it a name), Scozzaro started thinking about the motives behind his artistic choices.

Mirrors Neurons a family of neural cells considered to be the neurological base of imitation. I used this scientific element as a starting point to reflect on how different people follow the same way of thinking. It’s a projection on personal feelings such as solitude, detachment, shyness and the urge to connect with others.—Marco Scozzaro

Like in most of his projects, Scozzaro’s subtle but powerful and beautiful images allow for different layers of interpretation. In this specific case, we can take the nude tights as a symbol that simultaneously represents ideas of oppression and vulnerability. His interesting way of transferring concepts into these carefully arranged portraits extends its topic to a broader range of issues including identity, gender, and relationships. (via Feature Shoot)

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Jordan Wolfson’s Provocative And Sassy Female Life-Like Robot That Will Boss You Around

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An animatronic busty dancer lasciviously moves and converses with the public, speaking with a men’s voice and hyper sexual tones. The life like robot imagined and produced by Jordan Wolfson, dressed up with a leather dress and white thigh-high vinyl boots, sassily swivels her hips and watches her spectator through her dirty greenish mask. The dirt reveals the past of the robot; she has escaped from something but isn’t hurt; she’s here with us and she’s ready to put up her show. Like a real spectacle, the public is only allowed for a couple of minutes with the dancer.  A closed set, a twosome controled by an assertive and repetitive speech and a powerful vision.

Jordan Wolfson is interested in the strange. Therefore he is not focused on the meaning of his art. He is aware of the influence of You Tube and other social media platforms within its generation but he is fascinated by the power of images, the way they are thrown at us and the way we accept it, with or without consequences. The artist works in a non associative way, giving us a non judgmental rendering of his vision. Like his life in Los Angeles where he now resides, his pieces are intuitive and fictional. His concept and art statement has lead the public and the art world to label him as a provocative contemporary artist.
“I’m not telling anyone what to think. I don’t have that responsibility. I’m expressing myself. It’s as simple as that.” He uses art as a safe place where he can express, without fear, his traumas and anger.

Jordan Wolfson art work is exhibited as part of a group show at the Whitney Museum in New York until September 2015, and at the Serpentine Gallery in London this fall 2015

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Garry Owens’ Alter Egos

Photographer Garry Owens’ Alter Egos project is frightening, funny, and sometimes a little sexy.

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Shirt Of The Month!

 

Each month, Beautiful/Decay will release a new shirt on the Beautiful/Decay shop before they hit any retail stores. The shirts will be printed in unique color ways in a select print run of just 300 shirts. Oh, and did we mention that we’ll be giving you a 33% discount off retail prices, pricing them at just $20 a shirt?

 

Here’s a rundown of the B/D monthly shirt release:

 

– Available in advance before the season ships to retailers
– Unique color way printed in a select run of 300 shirts
– 33% discount off retail price, at just $20 a shirt

 

First Release “Lost Face” by Vladimir (Waldez) Snegotskiy aka Ctrl-V


Vladimir Sengotskiy creates his hypercolor fantasmagoric creations in multi-media, ranging from print, web, motion and beyond. His recent design for Beautiful/Decay apparel is a neo-neon medusa’s head mask, seething with bright purple, yellow, blue and brown snakes and line confetti. Carnival masques meets facepaint!

 

CLICK HERE TO PURCHASE LOST FACE!

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Studio Visit: Christopher Miller and his auto-drawing machine

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Rebecca Manson, one of the current sculptors in residence at Cal State University Long Bech [CSULB], told me I had to drive out to the campus to see what Christopher Miller was working on in his studio. So, with my full trust in her hands, I took the hour long and then some drive from Los Angeles to Long Beach to scope it out. And when I got to Miller’s studio I couldn’t believe what I was looking at. It was a painting machine, but one made out of organic materials like bamboo instead of steel, with markers hanging from strings stretched 5 ft high. The whole thing was powered by several fans that would cause the pens to sway back and forth across a massive sheet of paper, which was taped to the ground. Christopher then had various obstacles placed around his painting surface that the pen could work around. For instance, there was one sculpture composed of about 50 triangles that restricted the motion of the pen as well as one of Rebecca’s ceramic pieces that blocked out certain areas of the paper to create an ever -evolving, uniquely beautiful, and chaotic masterpiece.  I especially love how you can really feel the heart of Christopher’s piece when you see it in person, since every single element is either hand painted or constructed. Even the strings that are holding the pens have little paper accessories attached to them, which remind me of tie-died Mondrian mobiles. Christopher is still working on this particular sculpture and can always use donations of various painting supplies like inks and markers to help progress the work. If you’re interested in helping him out, you can send him a direct email at Chrismmiller[at]hotmail[dot]com. Watch a video of the piece in action after the jump.

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Evan Campbell’s Scary Faces

Free-lance sculptor extraordinaire Evan Campbell creates insanely realistic sculptures!  His work has been featured in films by Martin Scorsese, John Carpenter, Wes Craven, Robert Rodriguez, Quentin Tarantino, Michael Mann, and Kevin Smith.

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Katarzyna Majak’s Portraits Of Modern Witches

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Katarzyna Majak‘s “Women of Power” photography series captures the faces and dress of earth-worshipping Polish women who are powerful among their particular spiritual sectors. The vast majority of Poland’s people (90%) are practicing Catholics. When Christianity was introduced to Poland a few centuries ago, it erased most traces of paganism, witchcraft, and shamanic traditions. The women Majak photographs – ranging in age from their 30’s to their 80’s – represent the very small minority of Polish women who practice alternative spirituality. For many of these women, this series depicts their first public display of power. They “practice a wide range of spiritual paths and spiritual systems. A few are traditional healers (so called ‘whisperers’ who mix religion with primeval superstitions to heal and remove spells using prayers) whose traditions survived on the Belarusian border. Some are women who had grandmothers who could ‘see’ or were herbal healers and who are working to revive what would otherwise be dead traditions.”

Porter Contemporary, where Majak’s work was featured in 2012, writes, “When asked what being a witch meant to one of the subjects in the series, she replied ‘A witch is a woman of knowledge who takes a broom and sweeps to cleanse the world.’” (via feature shoot)

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