Scott Hazard ( featured here previously) is a North Carolina-based artist whose torn-paper landscapes engulf an entire gallery space. Titled Silent Geography, it’s currently site-specific installation at Mixed Greens gallery (in collaboration with Projective City) in New York that covers the floor with paper structures and punctuated with masses of text. These areas of words are meant to turn the space into a garden, meaning that it’s a cultivated and enclosed area that’s set apart (but close to) the wilderness.
From a distance, it’s not clear what Hazard’s soft, inviting installation is made from. It’s only upon closer inspection that you see incredible, carefully-torn sheets of paper and small details like block-printed letters. Silent Geography is meant to evoke the feel of nature but speak to those that live in cities. Mixed Greens writes:
Yet here the wilderness is not exactly that of nature but rather the din of flowing information, language, and symbol that surrounds most urban-dwellers on a daily basis. Into this flow Hazard creates a momentary pause, an immersive space of rest in which language is once again ordered and reduced to its simplest designative function.
Silent Georgraphy is on view until January 10, 2015.
London photographer Juno Calypso’s self portraits as her alter ego “Joyce” are hilariously deadpan images of the artist as bored receptionist, unenthusiastic sexy girl in a cake, porno modeling agent, and deranged housewife looking for the next beauty miracle. The meticulously staged retro scenes are created perfectly with the artist posing with her signature blank stare that says “My life is exhausting and void of joy.” The result is an unsettling take on the extreme efforts that women go through to be everything from homemaker to career woman and the draining effects that it produces. (via feature shoot)
Calypso states about her work:
” I recently began working with self-portraiture, which led to the creation of a character named Joyce. Within elaborately staged large format photographs and videos I draw upon personal experience to perform critical studies into modern rituals of beauty and seduction. We find Joyce alone, consumed by artifice – trapped inside pastel-coloured encounters with beauty masks, cream cakes and polyester negligee; her glazed appearance acting as a mirror to the exhaustion felt whilst bearing the dead weight of constructed femininity.”
Artist Peter Kogler takes ordinary spaces and converts them into optical illusions with little more than paint and projections. His installations completely encompass the gallery room or public space in which they inhabit and cause it to appear warped, stretched, distorted and twisted. These eye-tricking spaces devour the viewer in their endless lines and pattern while they creates a disorienting effect. Each strategically placed line is created by paint, but also sometimes by a projection onto the walls. Because Kogler’s patterns and lines are often on every side of the space, including the ceiling and floor, they create a powerful and overwhelming environment. The wall-to-wall spaces are completely taken over by lined grids, tubes weaving around each other, and swirling scribbles that create funhouse walls.
The settings for Kogler’s elaborate and impressive installations vary from gallery rooms to subway tunnels. One can truly get lost in these complex compositions trailing all over each wall. Each installation is like a beautiful labyrinth that entraps and engulfs the viewer. Kogler’s work uses mostly bold colors like white and black, and sometimes red. This creates a harsh, stark contrast that allows the optical illusion to be more apparent with a highly dramatic feel. The artist’s talent does not only lie in his incredible installations, but also his sculpture and two-dimensional work. His use of geometrics and line is similar in his other work, which makes them look absolutely stunning when they are exhibited within his installations. Kogler’s multifaceted style compliments whichever medium he desires.(via Illusion.scene360)
Miya Ando is a metal-finishing artist who creates layered finishes on steel with a process she invented, utilizing fire, acid and automotive lacquer. Can you say badass? She will be showing large-scale steel works for the first time, the show is entitled Shinobu [perserverance] on October 7 at de Castellane Gallery. Her show will be comprised of large scale steel wall works and her series of hot-rolled steel skateboards, monotypes created by skateboarding on liquid graphite-coated paper. Saying this chick is hardcore would be an understatement.
Miya Ando Solos Exhibition Shinobu [perserverance] will be presented from October 7th – 29th, 2010. Opening October 7th, 2010, 6-9pm. Free to public. The de Castellane Gallery is located at 525 Atlantic Avenue, Brooklyn, New York. Sponsored by Milgo Bufkin Steel/Fabrication, Diatom Winery, Element.
The Kopeikin Gallery announces Moby: Destroyed photography exhibit opening Saturday, September 10, 2011. Destroyed features photography taken by Moby all over the world. The gallery will host a reception and book signing with the artist will on September 10th from 6:00 PM – 8:00 PM. Read more about the show after the jump.
Brendan Cass has been busy turning out awesome new paintings since his studio visit in April. Nailing the beautiful, effulgent color he’s known for, Cass is pushing into some new terrain with night-scapes. It’s all headed to Paris for Brendan’s upcoming show, Infrared Scene, which opens September 4th at Galerie Zurcher.
Brendan Scott Carroll’s polaroids document the people and places in New Jersey . Each polaroid comes with an anecdote that is typewritten on the lower white margin of each Polaroid. The anecdotes are fictional or derived from personal memory, other people’s memories, and actual events.