I don’t want to ruin this, so just make sure you watch this video all the way to the end. Patrick Wolf is a total nut! Directed by Jorge Jaramillo.
Antonella Arismendi is an Argentine fashion photographer and visual artist whose colorfully esoteric works explore alternate planes of consciousness. In a striking divergence from mainstream fashion photography, Antonella splices her work with dark symbols and glitch-like art, dissolving bodies into a white-noise fuzz and superimposing faces over volcanic eruptions. In some of her more quiet and scenic pieces — such as Tephra, for example — Antonella uses fashion to explore haunting-yet-spirituality rich worlds, depicting a model who stands in reverence beneath an empty, alien sky. By blending darkness with light and incorporating multiple symbols, Antonella produces beautifully obscure images of enigmatic and ever-transforming power.
Like a spiritual, chemical reaction, Antonella’s creative process is intuitive and experimental. As she explains in a fascinating interview with People of Shambhala,
What inspires me the most is to isolate myself from everything that has already been done visually and create something new. It’s an intense process to convert ideas from the ethereal to the tangible plane — it’s when the alchemical act happens. (Source)
By utilizing and fusing symbols of the occult, the Cabbala, and astrology, Antonella’s expressive photography reinvests such symbolism with contemporary meaning; like a visualization of cyber-age witchcraft, the images are portraits of inherited, ancient spiritual practices, blended with visual art to show the plateaus of meaning between apparently disparate traditions. As she continues in the interview, “I believe that the spiritual movements that have occurred in different times arise from the same origin and have simply reinterpreted it. […] One of my greatest motivations is based in astrology and spiritual knowledge. Photography is simply the tool to express them.” (Source)
Fascinated by the natural world, Joel Rea paints the pulsing elemental forces of our planet interplaying with human relationships formed in our society and consciousness. Driven to explore universal meanings around the human condition, Joel is also interested in depicting the underlying inner forces which drive human behaviour. He presents these narratives visually through the use of vivid surreal landscapes, seascapes, animals and self portraiture. Joel also harvests ideas from his dreams and draws subject matter from his life journey and his own personal struggle to become a professional painter, a life long ambition which was many times nearly derailed by the unpredictable turmoil of his years coming of age as a young man. (via)
This is Psychic Owl, and (after the cut) his friends, Protection, Philistine Bear, Ancient Feud, and Laser Fox–an elite force of woodland creatures, and one aye- aye(?), here to protect the mountain ranges surrounding Denver. Really, I just wanted to highlight the enjoyment I get from artist Rob Mack’s titles and his beautiful mix of old world techniques plus laser vision.
The artwork of Andrew McAttee erupts from the canvas in an atomic explosion of vivid colors and bold lines. His compositions suck you in like a vortex of cosmic proportion. Like an explosion of atoms, asteroids, fire bolts, and lightning, McAttee’s dynamic, large-scale paintings catch your eye and demand your attention. Each painting is layered in acrylic paint and spray paint in incredible, bright colors. The artist mixes flat lines and shapes like that in a comic book, with a variety of more dimensional elements.
This repetitious explosion present in McAttee’s work hints at themes of cause and effect. Both beauty and destruction can be seen in the breathtaking palettes and the collisions of the color combinations. It is almost as if his painting are molecules ready to erupt. The artist’s comic-pop style combines the occasional action word such as “Smash!” straight across his compositions. He is very apparently influenced by comic books and graphic novels, and also pulls inspiration from pop art and abstract expressionism. Street art and graffiti also has a hand at play in his multifaceted paintings, as he is known as a street artist as “STET”. Andrew McAttee is represented by Stolen Space Gallery in London and works and lives in the UK.
”My aim is to provide the viewer with a colourful riot of gravity-less forms set in highly layered, seemingly endless space with a sense of ambiguity, humour and celebration”
– Andrew McAttee
In Lauren Roche‘s paintings, like the best portraiture, there exists a story found in discrepant details. Amidst heavily applied broad stroke of paint and drips, black dots appear to be lactating from human and animals, insinuating teets as opposed to breasts. Teeth are bared in grinless maws not typically associated with people or their pets. And yet there exists an honest and humble beauty in Roche’s rendering of her subjects. Explaining that many subjects are taken from faces of friends and pets, as well as old photographs used for reference, the Minneapolis-based artist adds,
“The figures in my images are facets of my subconscious and take action in a pictorial language and don’t transfer into names for me. I like to leave the interpretation of personality up to the viewer, because that’s what I do.”
Roche’s paintings possess a rawness that cannot be denied, balanced in equal measure by a deft rendering of facial expressions. Perhaps the beauty of these paintings comes from their singular nature, and their anachronistic charm, evocative of a different era of capturing images. When asked the purpose of a focus on portraiture, particularly in an uploadable Digital Age, Roche responds,
“The purpose of portraiture is to give the maker and viewer the space for an interpretation of the subject that is private and flexible, fluid and idiosyncratic. Its difficult to compare portraiture to a cell phone picture because the process is so different. Drawing portraits is like a form of meditation and reflection for me and taking a cell phone picture feels more like a superficial gesture to prove that I’m enjoying myself.”
Roche’s work will be featured in the upcoming Two Dark Horses at Bockley Gallery in Minneapolis, MN, alongside Andrew Mazorol and Tynan Kerr (who when painting collectively go by AMTK, previously featured here) and Lindsay Rhyner. The exhibition, named after one of Roche’s paintings (top of page) opens this Friday, March 21st and runs through April 26th, 2014.
Found Share on Tumblr