Garnet Hertz, a research scientist at UCI, recently developed “OutRun,” a driving game that you can actually drive. The project’s physical form is a mashup between an arcade game from the 80s (OutRun) and a modern day golf cart complete with some sweet rims (check those things out!). Using computer vision, the graphics of the game are able to update in real time to correspond to the road ahead… making it possible to drive in a mixed reality! I don’t know about you, but I wish driving on the 10/110 interchange here in Los Angeles was this fun… Learn more about it works, and see it in action after the jump!
San Francisco based Alex Cornell has a track record of pursued professions that makes most feel like underachievers; he is a graphic designer, musician, and dabbles in photography. These collection of posters are reminiscent of 40’s atomic bomb informational posters with a hint of contemporary influence. His organization of graphic elements is very clean and eye pleasing.
Tim Navis is a talented photographer and a self-proclaimed ‘professional awesometeer’. Beautiful models and gorgeous landscapes are the main subjects of his imagery. Life must be pretty fun when you’re surrounded by beauty and spend your time professionally awesometizing.
Victoria Miro Gallery will present the latest body of work by Danish artist Tal R. From 2005 to 2008, in his dynamic studio christened ‘Palace’, Tal R has extended his practice to integrate the fields of dance, film, theatre, cabaret, music and fashion. The works from armes de chine are deeply rooted in this period of intense experimentation.
Photographer Mark Holthusen shows an unexpected side to cockfighting in his aptly-titled series Pelea De Gallos (Cockfight).Instead of capturing the brutal matches, he went a more tame route. Holthusen rented a photo studio called Hollywood Fotos and invited the Partido Tres Hermanos cockfighting team in Zaragosa, Mexico to have their portraits taken.
Holthusen’s pictures focus on seven different team members that pose with their beloved rooster. Some cradle the bird in their arms with others grip it with both hands. Either way, the majestic-looking creature sits as calmly as the men do.
In a blog post about Pelea De Gallos, Holthusen shares his experience. The team is made up of people who are a dentist, teacher, businessman, and student. “In the end they were nothing but smiles, excited to have their pictures taken.”
However docile these images appear, they are tainted with the knowledge that these birds are forced into a cruel blood sport where death is an outcome. Roosters are specifically bred, fed, trained, and given steroids to make them into killing machines for our entertainment. It’s illegal in the United States but still popular and prevalent in many other countries.
If you enjoy Holthusen’s photos, check out his Second in Show series that we recently featured. It highlights the eerie similarities between show dogs and their owners.
Another riveting documentary from my files. If any of you hope to have a genius artist baby in the future you’ll want to watch this doc.
My Kid Could Paint That is a 2007 documentary film by director Amir Bar-Lev (who also directed 2000’s Fighter). The movie follows the early artistic career of Marla Olmstead, a young girl from Binghamton, NY who gains fame first as a child prodigy painter of abstract art, and then becomes the subject of controversy concerning whether she truly completed the paintings herself or did so with her parents’ assistance and/or direction. The film was bought by Sony Pictures Classics in 2007 after premiering at the Sundance Film Festival. Marla’s father, an amateur painter, describes how Marla watches him paint, wants to help, and is given her own canvas and supplies.
One of the advantages to the window seat of an airplane is the view below. Flying 35,000 feet above the sky, you see a miniaturized landscape that’s a combination of mixtures of shapes and textures. It’s devoid of the finer details and has the appearance of an abstract painting. Photographer William Rugen captures these type of fractured scenes in his series of images titled Here > There. The monochromatic photographs show roads, fields, and cities in an up-close way that they don’t immediately appear as what they actually are.
We’ve recently seen the dystopian, dizzying effect that aerial photographs have on highways. Rugen’s photographs are disorienting at times, but there is a semblance of structure in the haphazard-looking scenes. Lines of the road fracture and corral the different (yet similar) shapes of the ground and break them up like a cubist painting. They reveal a patchwork of stories, development, and planning, which is inevitably the same wherever you travel, no matter what the physical differences might be.
Qwill, 20, Northfield, MN, I feel like my gender is kind of a pendulum. Sometimes I feel more feminine, sometimes I feel more masculine, but I definitely swing somewhere between the genders. I don’t really have a pronoun that I prefer, so people just always use female pronouns. It’s kind of complicated if I say I want people to use all the pronouns.
Patrick, 18, My father and I had one talk about me being gay, when I was bringing the trash to a recycling place. He told me, “I used to think that way when I was your age until I met the right woman, and then I never looked back.” He thought he was gay and then one girl asked him out. He never had a boyfriend.
Maya, 18, New York, NY, I was just elected student council president. My platform is that the school is not as perfect as we think. Some people are racist. Some people are like, “She’s black and a lesbian and she’s our president.” Some people are really up in arms. There are a lot of people who have been against it. The kids who don’t really like me wrote “secession” on their Facebook status. If prep schools are like the houses in Harry Potter, I’m friends with Gryffindor and those kids are Slytherin.
We Are The Youth is a photo-documentary and essay project that compiles the stories of LGBTQ youth from around North America. It’s a simple project that packs an honest punch. Each story is personal and demonstrates the completely different experiences of the participants. They speak about the need for role models or their role in becoming one, about their own struggles with their identity, where they situate themselves on the gender/sexuality scale, and how that can change from day to day. The project is a collaborative effort between Laurel Golio who takes the photographs, Diana Scholl who writes the biographic essays, and of course, the LGBTQ youth. (Via Lenscratch)