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Théo Gènnitsakis

Théo Gennitsakis
Commercial illustrator Théo Gènnitsakis was born in Greece, and is now Creative Director of design agency LA SUNRISE in Paris whose modus operandi is “Audacity is the safest path” (check out their blog, it’s kinda funny). Well, it’s definitely safe to assume we know what Théo enjoys! And…safe to say that I feel a bit violated looking at these, haha.

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Gali Erez

Gali Erez is a graphic designer and illustrator from Israel. She is a CalArts graphic design graduate currently living and working in Los Angeles.

 

I’ve always enjoyed her playful use of proportion, fearless use of color and youthful connection to her content. She loves to mix markers, colored pencils, Micron pens, crayons, chalk, pencil and anything else she can get a hold of to create her work.  

 

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RIP Nujabes

Musician Jun Seba, also known as Nujabes passed away late last month after a fatal car crash at age 36. Why it took almost a month later for everyone to catch wind of it, I’m not sure but, pest in peace. You were so young and so amazingly talented. This video above was circulating the web for a bit- “Luv (sic) pt. 2″ Nujabes featuring Shing02 and directed by Sou Ootsuki. Doesn’t watching it makes you feel alive? In a really breathtakingly normal way?

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Polina Tereshina’s Minimalistic Figures Embrace The Awkward In Betweens Of Life

 

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Russian-born painter Polina Tereshina has a love for the awkward and bizarre aspects of our daily lives, so much so that she interprets them through her abstract, figurative paintings. Utilizing acrylic, ink, and watercolor, she disassembles the body to arrive at a newly resolved aspect, one which speaks more clearly to the reality of our movements.

“I am fascinated with passing feelings and short private moments of human interaction. In particular, I look for the humor in our struggle for balance. I find inspiration by looking both outward and inward. From these observations I have developed a cast of characters who help me tell the stories. Then I pose the characters out of context in a simple, shallow space. The personal experience of each and every one of us dictates the way we interpret the interactions.”

The rigid lines of the geometric and lined backgrounds add a sense of control to the piece, one which the subject interacts around. This brings balance, along with the idea of limits and structure. Through this we can relate to the modified human. By simplifying the body to the elemental aspects of the figure, often just a silhouette, she draws the viewer into the exaggerated trait, like lending it a megaphone. All in all, each piece seems to detail a specific frequency of the beauty of being in the moment, however graceless or messy that may be in reality. (Excerpt from Source)

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Dont you feel better?

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Jamie Warren’s photographic works are kind of vulgar, kind of gross, kind of hilarious, and more or less kind of obnoxious but don’t they make you feel better? At least I know I am. Kind of jealous too I didn’t get the party invite.

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Astounding Close-Up Photographs Of Animal Eyeballs

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Husky Dog

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Kramer’s Parrott

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Discus Fish

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Horse

For his series Animal Eyes, the Armenian photographer Suren Manvelyan captures close-ups of animal eyeballs belonging to diverse creatures, revealing both the complexity and universality of the organ. Beneath his macro lens, these small circular organs appear paradoxically vast; at times, their curved surfaces resemble the entirety of planet Earth as seen from space, cloudy with ribbons of pigmentation. Here, the eyes, considered to be windows to the soul, reflect back a cosmic realm that evokes the metaphysical, but at the same time, they are startlingly material. The pupil, a seeming abyss ascending into the unknown, is cushioned by substantial tissues that ground us firmly within the corporeal world.

Though the species shot here vary immensely, a comforting uniformity emerges from the images; through the changes in iris hue and pupil dilation, there is a shared urgency in each gaze, a sweeping desire simply to see. The horse, his eyes veiled in straw-like lashes, fixes the lens with the same intensity as the hippo, whose wrinkled, fleshy eyelids peel back. Where most photography relies upon the assumption that we may watch without fear of being observed ourselves, Manvelyan’s images inspire within us a sense of being seen; are these opened eyes, these celestial orbs, looking back at us? What do they see? Check out the artist’s photographs of the human eye here. (via Agonistica)

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Richard Kelly

591a_1228065175-copy591b_1228065175Some nice photographs can be found on the Richard Kelly site. I personally like the above portraits best but a wide array of fashion and music photography can be found in his portfolio

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Do Them

If I was a musician this is what my instruments would look (and taste like).
Video by Hardcuore

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