Renowned for its experimental installations and out-of-this-world designs, self-proclaimed “spatial laboratory” Loop.pH crafts site-specific, highly collaborative works all over the world. For their latest piece, Atmeture, the studio has created an illuminated structure that, through the use of vitreous, inflatable membranes and a system of air pumps and circulating smoke, appears to breathe.
Woven from thin fibres comprising a geometric trellis, the structure is cited as “an ephemeral luminous architectural tunnel that draws visitors into an open and animated form woven from lightweight fibres.” As viewers walk through the tunnel, they become surrounded by swirling smoke and ethereal luminescence and are able to interact with the seemingly sentient structure.
Like much of Loop.pH’s pieces, Atmeture was imagined and created as a site-specific piece. Commissioned by onedotzero, a cultural organization praised for “curating and producing memorable and engaging events, exhibitions and experiences,” Atmeture was intended for Letchworth’s ‘Fire & Fright Festival,’ which took place from October 28 through November 5, 2014.
While Atmeture’s glowing presence in the festival has unfortunately come and gone, you can still take a stroll through the otherworldly tunnel with the click of a mouse! Be sure to check out the video for the living, breathing experience. (Via The Creators Project)
Digital photography has advanced the medium for well over a decade, with new innovations breaking into tech-savvy genres that allow for unique work to progress and doors to be opened. However, contemporary photographers such as Dan Estabrook are looking back 200 years to the very first steps photography took as an artform, and bringing back the lost aesthetic from two centuries of happy accidents. More after the cut!
Toronto based artist Patrick Kyle is a fine artist and illustrator. He is also the co-founder and editor of Wowee Zonk (a comic book anthology featuring contemporary comic strips by up and coming artists).
Photographer Jeremy Ayer and graphic designer Julien Mercier have been collaborating on a series of photographs titled “Aude” that feature a nude female exploring, or used as a decoration in, a large mansion. In some of the photographs, the female body appears to be on ornamental display, almost doll-like, and contrasted with some of the other objects on display in the mansion. Despite her nude body, the photographs are shot in such a way as to leave the female figure shrouded in a bit of mystery.
“With her pale skin, her slender body, she represents a certain ideology of beauty, as dictated by contemporary magazines. But paradoxically, the raw image remains in a direct visual language, not constrained by any commercial obligations. There is no digital manipulation which would withdraw all of her natural eroticism. In the same process, the statues whth their perfectly carved silouhettes, oppose with her curves left intact. The brutal and frontal lighting, exposes here entire body. But always fleeting, she remains inaccessible to the viewer, out of reach, in height.” (via ignant)
Have you ever thought about how people will remember you when you are gone? Do you wish to be remembered in a particular way? Perhaps with a specific outfit, or at a specific age? Why would you have someone else choose the picture? You have a choice while you are alive.
Belgian photographer Frieke Janssens is offering her services in order to create the ultimate headshot, the one that you would like on your grave and everyone’s minds once you’ve past away.
The eerie yet beautiful and polished headshots are Janssens’ way to change people’s mindsets when it comes to ideas of death and memory. The series of ‘Your Last Shot’ reflects a combination of the sitter’s wishes and the photographer’s style. With make up assistance, styling and post-production, Jenssen creates master portraits that defy the ugliness that death brings about. In a sense, having a say on what you’ll look like to those alive when you are dead is a way to take control. This will perhaps leave us a bit more at ease about the whole death process.
The ‘last portrait’ will be finished in porcelain so that it can actually be used when the time comes.
“My personal preference goes to static portraits as they were taken at the occasion of weddings at the beginning of the 20th century. My aim is to make an iconic portrait that is beautiful, serene and fearless, preferably with a gentle smile, indicating that the model is clearly aware of the fact that this portrait will be used for a very long time to come.”
You can check the project’s website to find out more on how you can participate- it is a limited time thing,so if you want in, go check it out now!
In her recent series I Don’t Know The Names of Flowers, photographer Kristina Knipe examines her struggle with self-harm by documenting the marks and personal effects associated with the trials of others similarly suffering. Through the vulnerability of her subjects– some of whom she knew and others whom she found over Craigslist– the artist reveals a richly specific portrait of her own injury.
Inspired in part by the work of Alessandra Sanguinetti, Knipe situates her subjects within a decidedly natural world. Against a backdrop of wildflowers and floral patterned sofas, her portraits courageously reveal a tension between the beatific organic landscape and the angled, mechanical patterns of scarred and restitched flesh. The title of the work amplifies this sense of alienation, laying bare the tragically unfulfilled desire to connect with the simple purity of a budding rose.
Gently evoking poignant feelings of nostalgia and loss, this notion of innocence and corruptibility is explored further by Knipe’s expertly uncomfortable use of childlike imagery. In Andrew’s Dress, she presents a tiny article of clothing that for a grown man serves an unknowable purpose; as it wavers in the wind, viewers are forced to confront permanent blood stains. Similarly, a Raggedy Ann doll splays herself almost obscenely in a bed, revealing the words I Love You carved into her chest in red. For a particularly devastating image, Knipe shoots a page in a journal, revealing the terrifyingly pained visage of a girl scribbled in crude and childish lines.
Amidst this haunting sense of innocence lost, Knipe’s sprinkles her photographs generously with a dangerous sense of addictive ecstasy. Her photographs are decadent, richly colored and tonally mesmerizing. Scarred flesh is gleaming and sensual, and a beer can explodes orgiastically over a blissful subject. With relentless passion, Knipe invites viewers into a private world, colored by highs and lows that are equally difficult to navigate. (via Feature Shoot and Tischtography)
Lets Phantom are two designers from Lithuania who apparently animate and direct for food (& money). They’ve just directed their first music video for the crazy Lithuanian electro,noise,hiphop,etc..etc.. band Metal On Metal. Kind of gnarly!