Copenhagen based Troels Carlsen has some beautifully brutal work dealing with imagery of death, torture, and vivisection.
Compelled by her love for birds of prey, the Connecticut-based artist Brenda Lyons paints naturalistic images of animals real and imagined onto delicate feathers shed by wild turkeys. Her painting style is heavily influenced by the work of 19th century ornithologist John James Audubon, the author of the legendary illustrated text The Birds of America. Juxtaposed with the indexical aesthetic of her illustrations is the imaginative and fragile surfaces, which miraculously hold the luminous, soulful animal portraits.
Lyons’s work is a true marriage of science and imagination; alongside the more objective Audubon, she cites influences like Arthur Rackham and Susan Seddon-Boulet, famed for their magical images of faeries and mythological beings. With her brush, pen, and pencil, Lyons depicts the fantastical phoenix with the same realism as she grants the gray-nosed golden retriever. Domestic animals are afforded the same wildness as feral creatures; a cat sits, a mischievous glint in his eye.
The paintings, like living beasts, blend seamlessly into the turkey feathers, as if they grew and sprung forth from the same mother bird. The curves of the lost feathers dictate the movement and form of the animals; an eagle’s wing vanishes into the downey tufts of twin feathers, their shafts seeming to support his body. The phoenix crouches, his talons caught in the ashes that collect at the base of the feather.
For the artist, the painted features are a way of satisfying her wanderlust; like birds of flight, her hands dance, imagining strange and wonderful worlds where animals run wild. Take a look. (via Oddity Central)
Roseline de Thélin, a Spanish artist, creates stunning, larger-than-life holographic light sculptures and installations. Her projects feature what she calls, “Homos Luminosos,” or luminous beings. Using scientific properties of light such as reflection, conduction, refraction and transparency, Roseline creates these transparent, mystical bodies that look like they are hovering in mid-air. These fantastical works are inspired by astronomy, quantum physics, definitions of perception, and other-worldly-creatures.
Thélin uses a wide range of materials including mirrors, wires, chains, fiber optics and quartz crystals in her work. She combines the use of digital technology and exhibition space, as she works on producing these mystical beings by creating illusion and deception effects withing specific sites. The empty spaces between the light points serve to create a loose definition of what real space is. Are we looking at something that truly exists? Or is it just as illusion? Furthermore, is the visibility of the illusion a justification for its existence in the tangible world?
Her latest holographic sculptures, presented in FREQUENCY 2011, the Lincoln Festival of Digital Culture at the Saint Swithin Church in Lincoln, England, are a reflection on life, illusion and the evolution of mankind. This series features a series of these ‘light beings’ that exist in a parallel, timeless dimension.
(via Feather of Me)
Sam Burford lives and works in London. Inspired by such films as Star Wars and Blade Runner he creates photographic work in multiple media that encapsulate entire films within them. Take for example his sculpture made out of jesmonite that consists of a time-lapse photograph of Star Wars IV transformed into a surface relief. The film is condensed into an abstract pattern and presented as a three dimensional sculpture. In another piece a time-lapse photographic detail from Blade Runner is highlighted on hand printed film and allowed to curl for a dimensional effect. With his work he serves to reveal the optical patterns inherent in the moving image that can be captured with modern technology.
Brian Willmont has some lovely new futuristic medieval paintings that detail fantastical conquests of ancient and not so ancient allegorical lands.
Michael Bevilacqua current exhibit at Gering &Lopez Gallery in NYC showcases a single, monumental painting titled An Ideal For Living; a canvas that the artist has spent more than the past year painting. As with a number of Bevilacqua’s works, the title references a particular source of music, in this case the 1978 debut album by the post-punk rock band Joy Division. The band became an obsession for Bevilacqua, so much so that the painting grew along with his focus, consuming his attention and mirroring his state of mind. Each song, each lyric began taking on particular significance for Bevilacqua, who found many parallels to his own life and reflected his outlook on his surroundings. An Ideal For Living in fact created the rhythm of the artist’s life over the past year, further loosening his painting style and bringing about a series of work that he refers to as ‘the New Dis Order.’ Clearly diaristic in nature, the 30’ painting features an eclectic mix of color, text, visual styles and process. As rich as one would expect a yearlong work to be, the painting is also nuanced, with areas of sharpness and clarity layered upon washes of color and moody hues. Juxtaposed against this singular outpouring, other new works take a different approach, becoming extremely minimal and hauntingly symbolic, drained of color or highly textured.
An Ideal For Living is on view at Gering &Lopez Gallery through August 24th.
Remi Rough has been incredibly active in the past few years marking the globe repeatedly with his juicy geometric art on huge urban buildings, other unlikely structures and in numerous galleries and museums. The prolific international artist returns to SOZE Gallery in Los Angeles July 19th to open his latest installment of work in his solo exhibit “Remi Rough: Further Adventures in Abstraction.” This exhibit, featuring a mother-load of over fifty new works on canvas, wood and paper, continue the evolution of Rough’s aesthetic, adapted from the mammoth swallowing scale on the streets to intimate smaller works in juicy vibrant palettes. The crisp clean lines and darting yet fluid sense of movement in these works create a tension in their depth, while maintaining a minimal pristine quality in their draftsmanship.