Joining 3D printing and digital textile printing, the idea of a sprayable, wearable and fabric has the inventors of Fabrican LTD imaging the possibilities which go beyond its initial usage in the fashion industry. Fabrican’s ‘Euraka!’ moment came from another famous canned sprayable, Silly String. The science of the process involves the creation of a liquid suspension which is then applied using a spray gun or aerosol canister. The resulting sprayed fabric has natural, synthetic and recycled fiber options, and when applied typically feels like a breathable suede.
Practical applications have ranged past fashion shows into automobile interiors, furniture upholstery and even entire rooms (the material is easily washable). The fabric can be embedded with a variety of supplements and additives which make separate colors, patterns and (which also opens up the possibilities of quick-creating medical applications such as casts, bandages and even antiseptic-wound cleansing).
According to Fabrican-inventor, Spanish fashion designer Manel Torres, “As a non-woven material, Spray-on Fabric offers possibilities for binding, lining, repairing, layering, covering and moulding in ways previously not imaginable.”
Watch a slightly NSFW video of Fabrican LTD in action after the jump!
By photographing emotionally troubled dogs suffering from abandonment and aggression, the artist Martin Usborne chronicles his own painful struggle with depression. His recent series “Nice to Meet You” tenderly traces unknowable canine narratives by carefully placing the animals behind surfaces and materials: a wet glass pane, a cloud of smoke, pressed flowers.
In distancing the viewer from each creature, the artist paradoxically allows for a heightened level of intimacy with each dog; behind a haunting waterscape or transparent white shroud, each set of eyes glistens and each pointed nose seems to poke through the barrier, begging for closeness with the viewer.
In distorting space with long exposure times and unevenly textured surfaces, Usborne also blurs the notion of time; the animals appear ghostly, shadowy, and otherworldly. As each image leads us farther into this ethereal and lonesome dreamscape, we bear witness to the profound confidences of these gorgeous creatures, and they stare back, inviting viewers to empathize.
Ultimately, Usborne’s canine subjects recall our own murky and lonesome pasts, mirroring the dark places that we normally keep hidden within ourselves. In juxtaposing everyday statements like “I’m fine” and “I also work at the bank” with the charged photographs, the artist paints a portrait of isolation; he himself often repeated automatic phrases like “Nice to meet you” and “You look great” when in the midst of his depression. These animals, partially hidden by fog and fabric, serve as surrogates for we who hide behind words. If only for a moment, these vulnerable faces of dogs remind us that we are not alone; in lending us their quiet companionship, they become our confidantes. (via Design Boom)
Fashion for the stylish art history nerd alert: Dr. Martens has drawn inspiration from Hieronymus Bosch’s “The Garden of Earthly Delights.”
You can now find a collections of combat boots, oxfords and satchel bags that beautifully display the heaven and hell imagery of this 16th century Flemish masterpiece. The Capsule Collection items are now available on the Dr.Martens website and in select dealers around the world, amongst them Urban Outfitters and Journeys.
Tokyo born artistAi Kijima (now residing in Brooklyn, NY) makes elaborate quilted pieces. When I first saw (her or his?) work I thought they were illustrations. I was pleasantly surprised to learn about the process. Check them out, the colors are outrageous.
Riikka Hyvönen celebrates bruises on women’s body. Women that are rollerskating in a high level competition called ‘roller derby’. It’s an aggressive game which ends up marking the contestants for quite a long time; or at least until they heal. The artist uses hyperrealism to depict the bruises, which she calls ‘kisses’, as a trophy, a victory over the pain they are going through during a competition.
Hyperrealism is a method which consists of painting on a large scale canvas a reproduction of a photograph.Rikka Hyvönen collects photographs of the roller derby girls and chooses the bruises she considers being the most interesting. Not necessarily the biggest ones though. The bruise on the cheek is the focus of the painting. The whole image is kitsch, pop and above all real. The different colors of a bruise are painstakingly detailed, from yellowish to grayish.
The violence we associate to bruises are the symbol of the strength defining women. They symbolize the capacity of a woman in life in general to fall and get back up again. Rikka Hyvönen is saying, through her paintings that any mark due to a battle needs to be claimed and worn with pride.“I believe these images are charged with mental strength. They show that the player’s bodies can take the hits yet overcome the pain and still continue to play… Obviously, I am objectifying these women totally. But I am doing it exactly the way they objectify themselves: their big and strong bums are assets and to be carried with pride.” (via Hi Fructose)
Spanish artist Mario Soria creates stunning collage-esque paintings of iconic American images and figures such as Andy Warhol, Woody Allen, Marlene Dietrich, Audrey Hepburn, Sophia Loren, John F. Kennedy, and Abraham Lincoln. His portraits are hyper-realistic, but the seemingly random array of objects and contexts he places these figures within lends the work some eccentricity, a sense that is heightened by his use of embellished canvases and the simulated 3D effect of some of these protrusions.
Like all good contemporary photography, Elena Montemurro‘s Coming Of Age series highlights a particular zeitgeist, or a certain subculture you wouldn’t normally see so clearly. Her study of American teens discovering life is like a Sophie Coppola film – featuring kids full of ennui, walking wistfully through the streets and sitting aimlessly in diners throwing food in their mouths and at each other. She candidly captures a time of innocence and sincerity. Her images show kids doing exactly what they want, authentically expressing how they feel, and being outright bored. Her photos feel like you are following your cousin around an affluent suburb somewhere in America.
Flirting between gaming arcades, car parks, playgrounds at night, pet shops, lonely trains and empty beaches, Montemurro is able to show an accurate view of the disjointedness of modern life. The way we live our daily lives are quite ho-hum and underwhelming and she manages to turn the dreariness of it all into something a bit magical. Just because something is mundane doesn’t mean it can’t be appreciated. Montemurro transforms unexciting routines and the in-between space into something worth having a second look at. The waiting room somehow doesn’t seem like such a boring place after all.
Jesse Wiedel, who studied in San Francisco at the Art Institute, has an interesting outlook on life. His paintings focus on what he calls “fictionalized tableaus that are sad, coarse and degenerate.” These “streetscapes” depict street culture for what it is: weird, sad, fascinating and for some of us, alien.