Ben Heine’s Pencil Vs Camera! series combines photographs and Ben’s unlimited imagination to create images where anything can happen thanks to a sharp piece of graphite and a small piece of paper.
What’s your morning routine like? Maybe it takes you 15 minutes, or perhaps an hour. Whatever it is, Avtar Singh Mauni from Patiala, Northen India has you beat. He spends six hours a day getting his turban ready before he ventures to the local temple. The devout Sikh’s impressive headdress measures 2,115 feet (about 645 meters) when unwrapped and weighs about 100 pounds.
The 60-year-old is proud of his turban, which took him 16 years to assemble all of its parts. He’ll wear it until he physically can’t any longer; Singh doesn’t consider it a burden and says that he’s happiest when he has it on his head. In fact, when he doesn’t have it on, part of him feels incomplete.
While most people who follow Sikhism wear turbans, they are comprised of a length between five and seven meters and probably don’t weigh all that much. Singh’s, in further comparison, has purple and orange fabric that weighs 66 pounds, while the decorative elements make up the extra weight. This is coupled with a sword and heavy bangles that weigh an additional 87 pounds.
Singh’s ritual sits at the bizarre intersection of art, fashion, and religion. Do you think it could be considered a type of performance art? Or just a fervent dedication to cultural guidelines? (Via Lost At E Minor and Oddity Central)
While Kiel Johnson constructed an entire magnified twin lens camera out of cardboard (which actually works, amazingly but not surprisingly), Theo Jemison artfully captured the endeavor on another medium, film. It’s more than just a time-lapse video, it’s beautiful and captures the fun and tediousness that was involved in making this gigantor camera. Click here to see photographs the camera actually took! They’re eerie and gorgeous, just in time for Halloween.
Brooklyn-based artist Leah Yerpe‘s charcoal drawings depict the true beauty and joy of movement. Her work somehow captures the both the constrains of human anatomy, and also the freedom we can experience in our own bodies. Her figures are twisted, but graceful; tightly bound, but free. Her figures’ faces are typically obscured, which leaves their expressions and emotions a mystery. Their poses could represent pain or ecstasy. They could be falling or flying. They overlap like elements in a collage, but the larger image is one of cohesion as bodies blend together to create beautiful new forms.
If you’re in the LA area and looking for something to do swing by Ronin to see a 2 person show by Parskid and Julian Duron. Parskid and B/D go way way back as his work has been featured in our Skate Or Die issue and numerous times on our site. Julian will also have some work in Book 2 being released in November. If you haven’t subscribed yet you better do so as Julian’s spread will knock your socks off!
Artist Maja Ruznic paints what she remembers. Ruznic acts in a literal way on the idea that remembering is a creative process. Painting from experience and filling in the unknown, her paintings feel like their plucked directly from the middle of a narrative. Speaking of the way past experience plays into her creative process Ruznic says:
“Sometimes I am drawn to someone’s hands, to one’s rhythm of speech, to one’s constant checking of their cell phone. This interest usually serves as an incentive to begin a painting.”
Pierce Thiot and his wife, photographer Stacy Thiot, have been collaborating on an ongoing project titled “Will It Beard” wherein the couple test the limits of what a beard can hold. Pierce tells BuzzFeed, “Over Christmas break, my mom had her grandkids do a talent show for her (she’s an adorable grandma). I tried to put as many pencils as possible in it for my ‘talent.’ I got over 20. Needless to say, my mother was very proud.”
Since then, the couple has put dried pasta, flowers, chips, matches, balloons, scissors, and even Mr. Potato Head pieces into Pierce’s beard. Through this playful series, the Thiots prove there is more to beards than just looking cool. You can keep up with the project’s progress on Tumblr and Instagram. (via moarrr)
Rae Martini‘s work combines expressionistic urban texture with graffiti-infused flourishes of color. Throw ups, tags, and gradients are partially obscured by grime of every variety. Everything’s happening at once. What’s great about these is that they present an evolved aesthetic within the realm of graffiti without abandoning some its more classic techniques. See more from the Italian artist after the jump.