Sydney-based illustrator, Jirat Patradoon, creates strong, masculine, and drama-packed illustrations of masked protagonists inside an almost comic book-like world. He recently featured his work at a solo show in the Sydney-based Boutwell Draper Gallery, and has made an appearance in our new Beautiful/Decay Book 4.
Mouchette: a website created by a pseudonymous author carrying the identity of Mouchette, is an artist, claims to be “nearly thirteen” and living in Holland, but the persona of this person, both real and virtual I cant explain, but is amazing.
Dear Human is the artistic partnership between Jasna Sokolovic and Noel O’Connell. After meeting at a residency in Denmark the two began collaborating. Their work is based on common beliefs the two share and each project incorporates their respective strengths. Noel has material expertise and pays attention to detail where Jasna possesses great improvisational sensibility and an explorative nature.
Together their work draws inspiration from different environments. They appreciate places and spaces that allow them to experiment with materials, as well as other people, such as designers, architects and artists. Often their projects offer an alternative perception to overlooked everyday landscapes by revealing the hidden potential of places and objects. Ultimately they hope to inspire consciousness and curiosity.
The Sentinels were one such project. In part of the forest the duo regularly visits there used to be a grove of grand Douglas firs. Over a century ago they were cut down. At the time the technique to cut such giant trees was to chop wedges into them and embed horizontal planks to stand on, so the lumbar jacks could cut above the root line. Now the remains resemble empty eye sockets that, as the duo says, “longed for an intervention.” Inserting porcelain eyes into the slots the Sentinels were born and they silently keep watch over the forest.
Ceramic artist Paul Cummins and stage designer Tom Piper collaborate to create a stunning installation commemorating the centennial of the First World War. A scarlet sea of 888,246 ceramic red poppies will be “planted” around the Tower of London. Titled “Blood Swept Lands and Seas of Red”, the installation pays tribute to soldiers who perished during the war.
For the past few weeks, volunteers have been carefully placing the flowers all around the famous dry moat around the Tower. Poppies burst through one of the windows and then flow loosely, forming an arch over the footbridge to the castle. Each poppy represents a soldier from the United Kingdom and its colonies who was killed during WWI. Cummings says he was inspired by a line in the will of a soldier from Derbyshire.
“I don’t know his name or where he was buried or anything about him. But this line he wrote, when everyone he knew was dead and everywhere around him was covered in blood, jumped out at me: ‘The blood-swept lands and seas of red, where angels fear to tread.’ I believe he meant the angels to refer to his children.”
Poppy is considered a flower of remembrance in Britain. The reason is because most of the soldiers died fighting in the trenches in the poppy fields of Flanders.
The blooming field will continue to grow throughout the summer. The final flower will be symbolically planted on November 11th, Armistice Day. The ceramic blossoms are for sale for £25 ($42) each. 10 percent of the proceeds go to benefit six different charities. You can find out more about the project by following the #TowerPoppies hashtag on Twitter. (via Colossal)
Nope this isn’t all the subscription money i’ve been stuffing in my mattress for the last ten years. Rather it’s a trompe l’oeil sculpture by Randall Rosenthal. Each sculpture is hand carved from a single block of wood and then painstakingly painted for months. See more of Randall’s amazingly realistic wood sculptures after the jump.
Shapes that appear familiar displayed in a symmetrical manner and playing with our imagination. Photographer Henry Hargreaves and food stylist Caitlin Levin have come together once again under Hargreaves + Levin to collaborate on a food project. This time using only fruits and vegetables and grouping them by monthly harvest.
From far, the whole picture looks like a perfectly arranged combination of shapes and harmonized color tones. Some of the shapes seem familiar until we come closer and discern the fruit and veggies one by one. We’re then able to see every curve, nook and cranny in detail. The mirrored images help create a symmetry. This process allows the fruits and veggies to become a design, a pattern within the picture.
The rendering is both astonishing and intriguing. On each small surface of the photograph, with the help of imagination we can envision creatures, insects and creative characters. Acting just like the Rorschach test, the combination of fruits and veggies trigger the mind to explore the picture and come up with a unique vision. The purpose of the project designed by Hargreaves and Levin is to ‘explore symmetry, natural beauty, and the way imperfections and inconsistencies often become the most breathtaking examples of nature’s artistry’.
The photographs above and below this text have been displayed to match the monthly order of the year.