Whispery sweet images from brooklyn-based photographer Erin Mulvehill. She’s also the brains behind “The Camera Project,” a magnanimous exploration into how children perceive their environment. Erin believes that beauty will save the world, and she’s doing her best to help speed up the process.
Ukrainian illustrator Vasya Kolotusha has a great eye for pattern, texture and color. Taking inspiration from fashion blogs and models, she captures a playful essence in her sketches and animations. With a clean aesthetic, and a slight 80s twist, her images are cool, stylish, classic and quietly humorous. Illustrating for magazines, bands, and posters, Kolotusha’s lux style is a popular one.
Her latest experiments with adding neon light tube details to her sketches are a good match. They are reminiscent of 80s hairdressing signs, a piece of art from a time when sign writing was champion. She has a very simple yet effective technique of isolating her subjects and placing them inside a very graphic background. Her drawing style is so detailed and rich, they succeed in being intriguing, and translate well into animations.
Experimenting with the GIF format, Kolotusha is exploring the process of sketching – making visible to us viewers the preliminarily lines, the building up of color. We can almost see her hand adding background detail and extra flair and then continue on to edit everything we have seen her create. By exposing the whole drawing exercise, she captures our attention, rather than boring us with fussy detail.
Following on from her previous series of people wearing helmets, this series of illuminated girl portraits are a promising sign of things to come. This illustrator is one to watch!
Christopher Bauder‘s Polygon Playgound is a digital heaven .The piece serves as a large scale interactive lounge object, as it offers room for up to 40 people at a time to sit or walk and explore the multifaceted surfaces. Bauder’s interactive piece incorporates 3D surface projections and a sensory system that detects people’s positions and proximity.
The visual appearance of the digital landscape is in constant flux, as the animations on the surface are continuously changing with the constant physical movement and presence of its visitors. For instance, running across the top of the structure may cause the animations to highlight the participant’s footsteps.The animations are ever changing; some of the motifs that are projected on the piece include: grids, orbs or color that can be ‘kicked’ around, and various abstract color forms. (via Art and Electronic Media)
Sculptor Monica Piloni creates surreal, multifaceted versions of the human body from resin, hair and different plastics. Whether it is a triptych of herself, melded at the hips, with multiple breasts, three legs and conjoined heads, or a double tailed horse, she has the ability to make something gruesome seem commonplace. In her work Ballet Series, she assembles body parts to look quietly surreal and unassuming, yet elegant. Figures lie on beds, as if exhausted from a recital, literally collapsing on themselves. Piloni places her models in a graceful manner, toes pointed and muscles tensed as they would be mid-dance. The poses and gestures of the bodies conjure up the drama of French Romantic oil paintings, where humans were depicted expressing a whole range of emotions with their bodies.
In her work Concave & Convex, she piles dismembered body parts up on themselves to form a human landscape. Similar to Louise Bourgeois’s ambiguous sculptural forms, Piloni fragments the human shape into abstraction, and in the process dismantles her, and our, understanding of identity.
Her sculptures are captivating because of their simplicity and fluency of movement. Even her more challenging pieces (modified women with exposed genitalia) have a gentle symmetry that reassures, rather than revolts. See more of her beautifully gruesome work after the jump. (Via Sweet Station)
I’m loving these layered yet simple abstractions by Vancouver based painter Jeff Depner.
The Museum of Contemporary Art Chicago is hosting a massive exhibition about the one and only, David Bowie. A titan glam rocker and all-around swoonage daydream, Bowie is one of the most influential musicians to date. Running from September 23rd to January 5th, 2015, this exhibition, titled “David Bowie Is,” includes installations, outfits, artwork, album art, and much more. The exhibition unfolds chronologically, starting from Bowie’s teenage years and running up until his retirement from touring in the 2000’s.
“David Bowie Is presents the first retrospective of the extraordinary career of David Bowie—one of the most pioneering and influential performers of our time. More than 400 objects, most from the David Bowie Archive—including handwritten lyrics, original costumes, photography, set designs, album artwork, and rare performance material from the past five decades—are brought together for the first time.
Bowie’s work has both influenced and been influenced by wider movements in art, design, theater, and contemporary culture, and the exhibition subsequently focuses on his creative processes, shifting style, and collaborative work with diverse designers in the fields of fashion, sound, graphics, theater, and film. Multimedia installations incorporating advanced sound technology produced by Sennheiser, original animations, continuous audio accompaniment, and video installations immerse visitors in the sights and sounds of Bowie’s artistic life. David Bowie Is was organized by the Victoria and Albert Museum, London, and has embarked on an international tour with the Museum of Contemporary Art Chicago as the only US venue.” (Excerpt from Source)