These sculptures by artist James Capper are working hydraulic implements. Their primary colors, spare design, and steel build make the pieces out to be purely utilitarian construction tools. However, these aren’t actual power tools and they don’t necessary build anything. Instead they sit menacingly with feeling like of the premonition of violence. You can almost hear the hiss and huff of air powering the blades. Perhaps the tools are a hint at the violence implicit in production and progress.
Artist Peter Kogler takes ordinary spaces and converts them into optical illusions with little more than paint and projections. His installations completely encompass the gallery room or public space in which they inhabit and cause it to appear warped, stretched, distorted and twisted. These eye-tricking spaces devour the viewer in their endless lines and pattern while they creates a disorienting effect. Each strategically placed line is created by paint, but also sometimes by a projection onto the walls. Because Kogler’s patterns and lines are often on every side of the space, including the ceiling and floor, they create a powerful and overwhelming environment. The wall-to-wall spaces are completely taken over by lined grids, tubes weaving around each other, and swirling scribbles that create funhouse walls.
The settings for Kogler’s elaborate and impressive installations vary from gallery rooms to subway tunnels. One can truly get lost in these complex compositions trailing all over each wall. Each installation is like a beautiful labyrinth that entraps and engulfs the viewer. Kogler’s work uses mostly bold colors like white and black, and sometimes red. This creates a harsh, stark contrast that allows the optical illusion to be more apparent with a highly dramatic feel. The artist’s talent does not only lie in his incredible installations, but also his sculpture and two-dimensional work. His use of geometrics and line is similar in his other work, which makes them look absolutely stunning when they are exhibited within his installations. Kogler’s multifaceted style compliments whichever medium he desires.(via Illusion.scene360)
Multimedia artist Alex Kiessling works with different ideas of how the future can be. He combines the ideas of fine art and high technology. He has used robots as painting assistants and exhibited it through a live stream to a worldwide internet-based audience. This series of paintings give the impression that they were made with digital help. Their colorful layers are overlapped just like a screen print gone wrong, but of course this is intentional. But despite appearances, Kiessling has achieved this striking effect by painting acrylic on canvas – by hand.
The series, titled Shift, ties in with his larger ideas of augmented reality, simulation, hybrids, and the existence between reality and dream. He explains a bit more:
In the static scenes of my paintings, the protagonists remain mostly resident between the glaring colorfulness of virtual realities and darkness, which is inherent in most of our dream sequences and memories. Both of these worlds are paramount due to their systematic character, which is connected to the simulative, and are projection surfaces of the human psyche. (Source)
His paintings have the affect of dreaming – you feel like what you are seeing isn’t really right, and maybe you should look a little harder. He has a beautiful way of describing his work:
In my work I concentrate on dreams and all kinds of dreamlike structures and explore its borders and bridges to reality. I try to visualize the “no men`s land” between the absurdity in our existence and the concrete concerns that come with our human mind or spirit. I am fascinated by the interacting vibrations between virtual reality, dreams and the basic common ground of our world`s so called reality. (Source)
Kiessling is interested in fragmented identities, and the fact that most of us now-a-days live our lives out in many different spheres or realities – in the physical as well as the digital. His painting series Shift is just another visual exploration of the theme that is becoming more and more relevant to this generation. (Via SuperSonic Art)
Romanian artist Mircea Popescu‘s series Head Stock unravels the typical portrait. These obsessively detailed pieces are linocut prints – the image etched, inked, and impressed on paper. Portraits often become stand-in’s for the sitter they identify. Instead, Popescu’s faces float independent of bodies and clear facial features. The images seem to be piled with countless layers hinting at a physical face and pointing to something deeper behind it. The complexities of the Popescu’s faces reflect the intricacy of identities behind portraits.
KOKOFREAKBEAN is a maker living in San Antonio, Texas. KOKOFREAKBEAN creates videos of fractured childhoods and psychotic emotions, wrapped around a bouncy ball that won’t quit. If you push the play button, there won’t be many options left. It’s do or die, and this artist likes Kevorkian.
Sickly sweet works from LA based artist Zachary Rossman. Such delicate use of naturally colored papers, and the drawings have hints of the hyper-detailed patterns that make my brain twitch with excitement.
Russian graphic designer and artist Yulia Brodskaya draws with paper instead of on it. Her highly detailed pieces are constructed of rolled, folded, and carefully placed strips of color paper. The intricate curls of paper are intriguing in themselves while creating a larger image – it took me a moment to realize what I saw in the top image. Brodskaya’s process and style has garnered her some serious attention. Her long client list includes companies such as Starbucks, Anthropologie, Penguin Press, and HOW Magazine. [via]
Seattle based illustrator Stacey Rozich’s work is littered with vibrant tribal patterns and drawings based on folklore. She brings an animated, lively, modern perspective to stories of myth. Her pattern work and line work are nothing short of exhilarating, playing reference to southwestern art, and tribal marks.