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The Art Of Disappearing: Stefanie Klavens Documents Vanishing Drive-Ins

Stefanie Klavens- Photography Stefanie Klavens- Photography Stefanie Klavens- Photography Stefanie Klavens- Photography

Stefanie Klavens has a love for 20th century pop culture and Americana. In her articulate photographic series, titled “Vanishing Drive-Ins,” Klavens documents the disintegration of the American drive-in. Once a popular social and entertainment aspect, it has been slowly disappearing from the United States. As Klavens explains, “The drive-in has suffered the same fate as the single screen theater. Before World War II the drive-in was a modest trend, but after the war the craze began in earnest, peaking in popularity in the late 1950s and early 1960’s. Drive-ins were ideal for the modern family, everyone jumped into the car, no babysitter needed. ‘Car culture’ had officially arrived as a dominant force on the American scene.”

Despite the rapid popularity of the drive-in, they simply could not stand the test of time. Klavens attributes their decline to the evolution of technology and altered views of land: “Over time, changing real estate values began to have an effect on the drive-in. Land became too valuable for a summer-only business. Widespread adoption of daylight saving time in the mid 1960’s subtracted an hour from outdoor evening screening time. The decline was further hastened by the advent of VCRs and home video rentals. In the 1950s there were over 4,000 drive-ins nationwide. Today there are fewer than 400.”

These photographs, with their heavily saturated colors and blurry prolonged exposures, showcase some of the few drive-ins that are still functioning with a romantic nostalgia. The structures and signage may be antiquated, but the car types and models are a dead ringer for our era.

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Next Day Flyers Presents: pedro lourenco

 

Pedro Lourenco’s off the wall illustrations bring together skillful draftsmanship and beautifully surreal juxtapositions that bring to mind skateboard graphics and Raymond Pettibon.

 

Today’s post brought to you by the experts in fast flyer printing, Next Day Flyers.

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Haunting Photographs Of The Stains Left Behind By Victims Of Murder And Illness

1Seizure, Male, 25 years old 6Illness, Female, 60 years old 4Suicide with Gun, Male, 40 years old 3Heart Attack, Male, 50 years old (II)

The photographer Sarah Sudhoff traces the physical, bodily evidence left by the dead; for her project At the Hour of Our Death, she gives form to death and the unknown, shooting fabrics stained by the blood and fluids of the victims of murder, suicide, and illness. She follows these material reminders of dead, contaminated and removed from the scene, to a warehouse, where they wait to be disposed of; she knows not the names or identies of the dead, constructing strange and poignant narratives with only the colors and shapes left by their passing.

Shot under flood lights, the close-range photographs are rendered with astounding sharpness, resolution, and color. Aided by titles that only reveal the cause of death, gender, and the age of the deceased, the images veer into abstraction; accidental blood splatter mirrors the deliberate marks of abstract expressionist Jackson Pollack. Textured surfaces are saturated with the traces of the body, their delicate floral and lacy doily patterns colored by a permanent, irreversible reminder of our mortality. The empty, untouched space of the fabrics are assigned new meaning; like unfinished portions of a painted canvas, they stand in for the unknowable significance of a life lost.

These photographs force our eye to face the repulsion and terror we feel for the traumatized human body and the dead, transposing our invisible grief and fears onto jarringly beautiful, vividly textured tapestries. These are the physical and tangible marks of passing and loss; these are the quiet reminders of a life that exists no longer, a body that paradoxically cries out for our touch. (via Feature Shoot)

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Annita Maslov’s Brooding Illustrations Done With Pen On Paper- Skulls, Roses, and Pupil-less Ladies

 

Tasty illustration work from Melbourne artist Annita Maslov. You gotta love the pen and paper approach. It’s so direct- you can almost feel the labor involved in every calculated line and stippled shadow. And Maslov’s subject matter fits well with her inky media of choice. Dark and brooding, the images sort of require drawing’s organic touch to stave off a cold, disconnected vibe. I’m pretty sure things would turn out okay if I never saw a vector skull presented as “art” again. If you’re doing stuff like this, then, well, do it like this. Please.

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Nicolas Holiber’s Creates A Brilliant Goliath’s Head Made Out Of Colorful Trash

Nicolas Holiber - DesignNicolas holiber - Design 8

Nicolas Holiber works in the middle of unwanted pieces of wood and thrown away shipping pallets. He also recycles feathers, nails and found objetcs. In his Brooklyn based studio, he creates instinctively from this magical chaos. The result is expressive, colorful mixed media sculptures representing portraits and busts of kings. One of the most emblematic ones, Goliath; from the famous tale David and Goliath is currently installed at Tribeca Park, in the heart of New York.

The sculptures come alive after being assembled, destructed and rebuilt. The process is the same each time, no exceptions. Nicolas Holiber creates from doing; with the intent of building beautiful things from a mess. Give him trash, reclaimed wood and a couple of nails and he will be able to come up with a bold, vibrant and stimulating piece of art. He will only be satisfied when he can look at the piece over and over without feeling the urge to retouch it.  But beware, beautiful and finished doesn’t mean perfect. He doesn’t want anything to look too figurative. His work has to feel new and exciting. Otherwise, It just doesn’t work for him.

Until recently, the artist used to create for his own pleasure. He still does but he now shares his work by teaching sculpting classes, attending residencies (the next one is scheduled for Spring 2016 at Governor’s Island) and showing his work to the art scene.

Nicolas Holiber’s Goliath is at Tribeca Park, New York City until July 2015.

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The Sound Of Decay: Post War Years- All Eyes

Check out this fun new video directed by Tobias Stretch for Post War Years new single All Eyes. Watch the full video after the jump.

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Robert Minervini

Robert Minervini’s paintings are an accurate representation of how the true Los Angeles appears to me. Polluted atmosphere, palm trees (not native to LA) implanted everywhere, crumbling and tired buildings, freeway ramps… this is what my home looks like.

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Aidan Koch’s Artful Comics

Aidan Koch is a pretty talented lady. Her work overlaps between comics, illustrations and collaborations. Her comic style is completely her own, showing her mark making process throughout. She’s just finished a collaboration with Finnish artist Jaakko Pallasvuo on a comic called Pages.

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