Thomas Allen, of Michigan, uses pulp fiction novel covers to his advantage. Instead of staring at the busty women on the covers, Allen creates amazingly simple literary dioramas. Using the characters, he fabricates whole new stories in one frame of film.
Ana Maraž has captured and lulled out of me (and into) the warmth of a late summer’s afternoon. I love that simplicity in the composition of these photographs still holds expressive qualities. They just make me so happy and dreamy…(I’m also listening to Nina Simone.)
Evelin Kasikov, out of London, is basically who I want to be when I grow up (aka… 8 months from now?). She explains that her work “explores how we see and experience printed matter. By transforming printing processes into handmade cross-stitch embroidery my work is influenced by craft, but still retains the context of graphic design. Whilst I work with variety of mediums, engagement with materials and love for detail remains at the heart of my practice.” Evelin makes beautiful works of art that truly capture the bridge between haptic and graphic design.
We get sent viral videos and movies to post all the time but at most commercials can be downright borin. That’s NOT the case with this bad boy. It’s beautifully directed and executed and most of all drives home the environmentally friendly/renewable energy message in a clever way. I even like the erie music that comes along. What do you guys think?
Cédric Bouvard, code name Virassamy, has so many drawings that he should publish a book. It would be a nice heavy brick of a book, too, full of strangeness and colors, not unlike the back of your high school notebook.
Jesse Wiedel, who studied in San Francisco at the Art Institute, has an interesting outlook on life. His paintings focus on what he calls “fictionalized tableaus that are sad, coarse and degenerate.” These “streetscapes” depict street culture for what it is: weird, sad, fascinating and for some of us, alien.