When I dropped by his sunlit Brooklyn studio Aaron Johnson was busy preparing for his show at Stux Gallery in Chelsea, which opens Thursday September 15th. In this new body of work Johnson invites us to chow down on a writhing smorgasbord of Americana: severed heads, demonic Uncle Sams, sausage crucifixes, fried eagles, mashed guts, f-burgers, camel roast, and mutant sea creatures sucking down oil oozing fresh from the rig. His new work is opulent and glitters like jewel-encrusted Faberge eggs despite picturing disturbingly grotesque and violent imagery – totally Beautiful/Decay!
Jane Benson is a multimedia artist who talks quite a bit about suffering. Her art speaks a lot about observation and the human psyche. Her relation to the earth seems to be something she constantly questions. Every moves beckons to test the difference between want and need. Let the games begin.
Jonathan Zawada does, in simple terms, just about everything! He’s been on both ends of production, as an art director and as a designer for 2D design, but has also dabbled with fashion design, and has a few tshirts out for Japanese label 20 Million Fragments and Urban Outfitters.
Cynthia Ona Innis‘ paintings are explorations between the relationships of, “the healthy/sick, sublime, wet/dry, sexual, growth/rot, stiff/limp/squishy, thriving and failure that are the fragile properties of the body and nature.” These abstract explorations and relationships are represented in a mixture of blobs of colors, shapes, lines, composition and space. As she herself mentions, she has a great interest in organic forms that can be seen represented through colors chosen and shapes.
This Iranian artist living and working out of Brooklyn, NY makes paintings that look like they can only be found on Geocities sites and Google image searches. They have this janky magical pixelated quality that I love in jpegs…
Deenesh Ghyczy’s fragmented figurative paintings take the human figure and weave it in and out of itself as if dozens of film negatives were laid on top of one another to create a constant state of motion. This technique serves as a metaphor for multi-layered identity and a look at individuals as living structures with more than one center. (via)
San Francisco based photographer Rob Prideaux’s exquisitely shot images of smoke and fire are a perfect example how a very simple subject manner can be pushed to a new level of creativity. Setting out to explore the aesthetics of smoke and fire Prideaux chose to minimally retouch the photos of fire and create heavily retouched patterned imagery out of the smoke. The result is triumph of aesthetic beauty, fires magnificence, and the intangible allure of smoke as it appears and disappears into the air in a matter of seconds. (via)
Lexus’ gravity defying hoverboard is a perfect balance of science and art. From an aesthetic standpoint, the board resembles a classic skateboard deck minus the wheels and with a grooving underneath made specially for rail slides and other tricks of the like. It is the inner workings of the board that are a truly fascinating display of physics: The deck has superconductors embedded in it, the temperatures of which are regulated with the help of nitrogen coolers.
This particular combination, referred to as ”spectacular and complicated” by one of its creators is what allows the board to defy the properties of gravity and thus remain elevated. So far, the board has been tested out by various amateur and pro skaters on a specially designed magnetic skatepark. Although it may look like a smooth ride at first site, the Slide actually presents a number of challenges when it comes to maintaining balance. The fact that the board is devoid of contact from the ground forces the person riding it to adapt to the lack of balance. Pro skater Ross McGouran even said it felt like he was “learning all over again”.
The junction of art, design,and physics is what makes this project even more worth treading about. The artistic aspect of this hoverboard is truly trans medium in the sense that many people will be instantly reminded of Back to the Future, and the key presence of the hoverboard in the film’s depiction of the year 2015. With this, Lexus has already paved the way for innovation and swift progress towards a future where skateboards may not need wheels, magnetic surfaces, or even gravity.