I imagine these graphic designs, by Hong Kong artist Jerry Luk, in tranquility chambers in the near future.
Photographer James Florio created the series Homeless in Orlando. Alternating between slides of text and black and white photographs. The series captures the home and life of a homeless couple, Robert and Heather. Robert and Heather live in the woods of Orlando, Florida. The words and images describe the events that led to their home among the urban forests of the über-developed tourist hub.
The series feels much more like a film with its strong and touching narrative. Using a minimal amount of words and elegant photographs, Florio presents Robert and Heather in a way that is surprisingly emotionally engaging. He shows how typically simple tasks such as taking a shower, can become absurdly challenging. Homeless in Orlando provides a rare insight and is especially affecting. The rest of the Robert and Heather’s story unfolds after the jump. You’ll want to see it through to the last image.
“Borrowed time is an exploration into the moment the point of no return has been reached and the subsequent freedom that follows. Using the visual of midflight plane failures was my attempt to show the moment that horror, relief, freedom, and graphic beauty all meet at once.”
“Because there are very few images/actual references of planes when they have these types of engine malfunctions mid-flight, I had to replicate/make as visual correct as possible what occurs when these types of catastrophic malfunctions occur.”
This series from Michael Massaia, entitled “Borrowed Time – Mid Flight Engine Failure”, is made without Photoshop or digital composites. The ones where the planes are actually flying upwards are particularly interesting, as if, though on fire, they have no intention of going down. See more after the jump.
KHUAN+KTRON is a three person design studio based in Belgium, though its members come from all over – Japan, Russia, and, uh, Belgium. Their varying backgrounds is clearly a boon to their work, which shows a lot of influences. Actually, KHUAN+KTRON have helpfully listed some of these influences on their site, so we don’t have to guess at what they are – medieval torture techniques, people with monstrous sideburns (not counting women), and free jazz are just a few. Check out the full list on their site!
New York based lifestyle photographer Peter Zander takes intimate and emotional photographs. We’re especially enjoying his Senior series.
Dutch painter Joram Roukes’ large scaled oil paintings of collaged images bring together moments of abstraction, figuration, and pop iconography together to create dynamic mutating and morphing figures. His imagery refers to the moral dilemmas one may find himself in, viewing today’s western society. Through experience by participation Joram Roukes reflects not necessarily on an opinion on society’s flaws in his work, but rather observes and reports on typical western phenomena, leaving judgement up to the viewer, who thereby, establish their own position in these matters. (via)
Tom Sanford just might be todays urban Norman Rockwell. Like the famed painter from the mid 1900’s Sanford is concerned with American culture. From paintings of famed rappers such as Tupac to history paintings featuring sleazy right wing radio hosts, Sanford documents, interprets and comments on the American psyche.
For his latest show opening this Saturday at Kravets|Wehby Sanford painted the famous, eccentric, historical, powerful and colorful residents of New York City that inspire him. Film maker Spike Lee, street artist Steven Powers, and even Mayor Bloomberg make appearances in paintings that shift from smooth graphic rendering to impasto patterning.
“I didn’t grow up in New York City but I moved here to attend Columbia at eighteen. I remember around that time my grandfather told me that “When you leave Broadway you’re camping out.” I have been here (pretty much) ever since, and I plan to stay. I relate to Dylan Ebdus in Lethem’s “The Fortress of Solitude.” I feel like I am missing it all, between my pathological devotion to my studio and my daddy duties I can go days without leaving home at all, and sometimes weeks without getting on the subway. But I need New York City. I feed of the culture. All the amazing people who inhabit this magical place, doing fantastic things. They create an energy, or perhaps an anxiety, that nourishes me and I must be close to the source. Hopefully I am contributing that energy as well.
For this show I made New York genre paintings, portraits and scenes of ordinary life in my city. The portraits are of some of the thousands of New Yorkers that make this place so rich. These are people that I associate very strongly with New York and the city’s culture. Some of them are people I have met, some I know, some I have just seen at a deli or on the street. –Tom Sanford