Italian photographer Giampaolo Sgura has put together a whimsical, colorful photo shoot for the December/January 2015 issue of Vogue Paris with supermodels posing as lifelike Barbie dolls trapped in commercial packaging. He has turned the idea of Prêt-à-porter into something quite literal – into a pre-packaged sartorial commodity that you can carry away. The idea of purchasing a look or an outfit from a catalog is now conceptualized as something that it has always been – a highly stylized and idealized situation amplifying our fantasies and desires.
Supermodels Magdalena Frackowiak and Elisabeth Erm take the place of childlike dolls, dressed up in highly fashionable clothes, surrounded by desirable products and placed in boxes labelled with luxury labels such as Dolce and Gabbana, Chanel, Valentino and Miu Miu. They seem to bring the concept of fashion full circle in that they are now animations of the thing they are selling. Fashion photography has always projected an idealized representation of how one could live in the clothes it markets, this time we are shown the truth of the illusion.
As Alfred Stieglitz once said,
In photography, there is a reality so subtle that it becomes more real than reality. (Source)
And that is exactly what Sgura’s photography is. It is so real it becomes surreal. It is a stark commentary of the commodification of fashion. He captures the reality of the representation of modern women in modern times – not just as consumers of fashion, but also as objects. (Via Design Boom)
The swirling, layered paper and acrylic sculptural pieces posted above are meticulously carved and layered by the hands of paper artist Charles Clary. The works possess a precise, graceful movement that is made even more alluring by the tart, punchy color palettes Clary selects. Going one step deeper, these colorful clusters reveal that they have roots in a slightly scientific direction.
From the artist: “I use paper to create a world of fiction that challenges the viewer to suspend disbelief and venture into my fabricated reality. By layering paper I am able to build intriguing land formations that mimic viral colonies and concentric sound waves. These strange landmasses contaminate and infect the surfaces they inhabit transforming the space into something suitable for their gestation. Towers of paper and color jut into the viewer’s space inviting playful interactions between the viewer and this conceived world. These constructions question the notion of microbial outbreaks and their similarity to the visual representation of sound waves, transforming them into something more playful and inviting.”
Looks like today might be all animal themed posts so lets take a look at the work of Sandra Dieckmann, a lovely German born, London based illustrator who creates pattern rich illustrations full of your favorite creatures from the wild.
(I know. Superb title.)
Illustrator and graphic designer located in Amsterdam. She specializes in maps and posters, and makes them fun. I just had to rep some print and graphics.
Located under the sea off the coasts of Mexico, Grenada, and the West Indies, Jason de Caires Taylor’s realistic sculptures of people morph and evolve over time with the proliferation of colorful sea life that inhabits them. Stony human faces are obfuscated by coral, barnacles and seaweed; fleshed out and breathing with new life, the resulting ecosystem textures and transforms these ever-changing, ephemeral bodies. Created with environmentally friendly materials that promote coral growth, the sculptures contain inert, ph-neutral properties designed to last hundreds of years, and to house the creatures that distort and transform them. Taylor’s magnus opus, The Silent Evolution, located in Cancun, Mexico, consists of 400 life-sized casts and forms a permanent artificial reef. Taylor’s body of work provides both an artful method for addressing environmental concerns and the spectacle of witnessing true buried treasure.
Taylor is currently based in Cancun, Mexico, where he is the founder and Artistic Director of the Museo Subaquatico de Arte (MUSA).
Eric Hibit’s work has often been described as being a breed of “New American Folk Baroque.” Hibit has a strong understanding of color and texture and this is evident in his collection of hand made and found objects. His work can be seen at the Eric Hibit: Picture Cohesion exhibit located in Washington, DC at the Curator’s Office.
The work of architect and designer Sophia Chang, Suspense is a site-specific installation that blends the inner and outer environments of a gallery space. A recent graduate with distinction at Harvard Graduate School of Design, Chang created Suspense at Invivia Gallery in Cambridge, Massachusetts.
By pulling large sheets of Lycra between rectangular frames, her work creates an interactive, suspended environment which both blurs yet highlights the building’s pre-existing architectural features. Some rooms are completely explorable, while others remain visible yet restricted by the installation. Says Chang, “The whole piece holds itself in shape under the tensile forces of being stretched without any extra pneumatic input – except perhaps the breeze flowing in and out of the two doors!” (via designboom)