Sometimes the Internet works in funny ways. Case in point is the photography of Maria Friberg, whose series “Still Lives” was shot between 2003-2007 and is just now getting viral attention online. The Swedish artist likes to reflect Man’s relationship to nature and so maybe the public is drawn to her images as subconscious reminders that we all need to do our part in order to help our planet. Especially since we’re only getting closer and closer to point of no return. (via)
Another great documentary to add to your Netflix queue. This time we go to Nazi Germany to see how Adolf Hitlers obsession with art drove him to attack and pillage some of the best museums and galleries of the world.
The Rape of Europatells the epic story of the systematic theft, deliberate destruction and miraculous survival of Europe’s art treasures during the Third Reich and World War II.
Due to popular demand we’ve decided to extend the 50% off sale for another week. You can still get lots of shirts, magazines, and accessories for half price. We’ll end the sale next week or once we run out of stock. Remember we’re clearing out all our old inventory so that we can move to our brand new online shop and website so the sooner we sell out of everything the faster the new site luanches!
Don Porcella is best known for his awesome figurative sculptures made using pipe cleaners. He also makes very tactile and colorful paintings. I love how the flatness of a messy drip painting can transform into the immensity of a sky which is back-dropping a space opera on an alien planet. Check out Don’s blog for updates and shows, he’s been in a bunch of cool shows over the last couple of months.
I’m absolutely loving this series of of dictator sculptures by Stephen Ives’ based on everyones favorite toy Mr. Potato Head! Saddam Hussain, Stalin, Kim Jong II, Lenin, and even Hitler call all be made with the removal and addition of a few pieces. Now you can have playtime and pretend to be an evil dictator all at once! More dictators and other amazing sculptures based on toys after the jump!
The incredible sand sculptures of Carl Jara more closely resemble ancient carved marble or surrealist daydreams than they do ordinary sand castles. His giant creations can reach an astounding height of fifteen feet, delightfully dwarfing beach goers and casting shadows across the sand. Jara has won several local, national, and international competitions with his powerful work.
Jara’s sculptural content seems to take a cue from his medium; each piece is devastatingly impermanent, fragile and vulnerable in the face of waves and rain. The carefully-constructed form of the sculptures express a similar evanescent quality, appearing as if they might vanish at any moment. The human body is split in two, and the flesh magically loses its materiality, intermingling with draped fabric. Here, bisecting the nude form is as simple unzipping a zipper that lines the torso; in this surreal realm, it appears as though we may shed our physical, mortal bodies like clothing.
And yet, somehow these images suggest a spiritual permanence of the creative self. Though the human figure is shown as transient, and although the artwork will surely vanish with the tides, Jara’s body of work hints at an invisible and unknown infinity. A man opens himself, revealing countless tiny selves arranged like Russian dolls. A piece titled Infinity presents a man, a philosopher maybe, holding unending manifestations of his own thought within a large, curved palm. Like grains of sand, we humans will one day be washed away, but in some surreal universe, our identities will be repeated, remembered time and again. (via Colossal)
Mark Schoening‘s paintings appear to explode on each panel. Colors and patterns seem to erupt like uncontrollable viruses supplanting the composition. In a way Schoening’s work develops in a similar fashion. Each piece begins with an idea, information. The concept is elaborated on further and further layering glitter, resin, silkscreen, acrylic, latex, and spraypaint. His newest works are an investigation of the way floods of information are spread and consumed. Schoening says:
“I do not have the luxury of escape. In this century, in this moment, few of us do. Information piles up: the advertisements, the mechanisms, the media, the people. I am attached to it, in the midst of it, a part of it. However, as a painter, I am also a witness and a reactionary.”
Mark Schoening opens a new solo exhibit, Recordings of a Lone Infantryman, November 29, 2012 at Marine Conemporary in Venice, California.
This is a must see documentary for anyone interested in the art world. I walked out of the theater shaking my head in disbelief!
The Art of the Steal follows the struggle for control of Dr. Albert C. Barnes’ 25 billion dollar collection of modern and post-impressionist art collection of, a treasury of works by Renoir (181 of them), Cezanne (69), Van Gogh (7), Seurat (6), Picasso (46) and Matisse (59), to name just a few, all of it tucked away in the Philadelphia suburb of Lower Merion in a Paul Cret-designed villa Barnes built for it in 1924. The collection contains some of the key works of early Modernism, including Cezanne’s Nudes in a Landscape and The Card Players, Seurat’s Models and Matisse’s The Joy of Life, jewel in the crown of his fauve period.