New York based Judith Braun’s ongoing series, “Symmetrical Procedures” is an ongoing series of drawings constrained by four rules: Abstraction, Bilateral Symmetry, Square Format, and Graphite. This first image looks like a generative Processing application- but actually “Fingerings” are done with fingers dipped in charcoal, sometimes using both hands simultaneously to the extent of arms’ reach and developing a vocabulary of mark making with these simple means.
Radical ceramics, paintings and drawings by the talented Amy Gartrell. Do these images make anyone else think of 80’s super fresh flavor, complete with the crazy squiggly lines? Her show “Whatever and Ever” is on view at Daniel Reich Gallery in NYC until June 26th, so go check it out!
The artwork of Justin Bryan Nelson has this folk-like quality with minimum colors and symbolic imagery that not much is needed in the drawings to appreciate its symbolic and rather mysterious illustration. What I like about them, it’s just how delicately done the pencil and ink marks are on the illustrations but also how the artwork revolves around one main subject, without cluttering the audience.
Welcome to Musii, an island of emotion where you can play, feel and listen. Feel like you need a hug? Musii will give you one! This instrumental blow-up stands for Multi-Sensory Interactive Inflatable. A device that lights up and provides a sense of comfort for anyone who interacts with it. Large, soft nylon spires make up its body and extend upward. Pressing down on them creates a spectacle of feeling, brushing all emotion.
Beneath the milk white exterior is an audiovisual system equipped with LED sensors and vibrating speakers that radiate music from a selection of more then 50 sounds. Musii was specialized with the intentions of providing sensory therapy for children with special needs. The inflation and deflation of the spires creates a “humming bird” musical of sound accompanied by rays of changing color. The adjustment of light, sound and volume can be accessed through a touchscreen remote.
The record starts simply enough with the opening track, “Unfucktheworld” where she sings about a broken heart and then lets loose with the next track, “Forgiven/Forgotten“. It’s truly a beautiful record from start to finish and quite different than both her debut, Strange Cacti and Half Way Home, but her voice is still the star of the show.
Angel is about to embark on a massive three month tour of the US and Europe so you have plenty of chances to see her live. You can catch her this coming Sunday, March 2nd at the Echoplex in Los Angeles, March 3rd at San Francisco’s Great American Music Hall, and Friday March 7th at Barboza in Seattle. She’ll also be playing at the SXSW Music Festival in Austin as well as at Primavera Sound in Barcelona, Spain. Check out all of her tour dates here and check out her new video for, “Hi-Five” directed by her frequent collaborator, Zia Anger.
Shamus Clisset (aka, Fake Shamus) is a digital artist who uses 3D modeling software to construct bizarre and often humorous scenes that multiply reality and critique consumer culture. His work is featured in Beautiful/Decay’sBook 8: Strange Daze, a curated collection of talented artists who explore the realms of the uncanny: parallel universes, psychedelic dream states, supernatural activity, and more. Also included in the book is the work of Neil Krug, a photographer who drenches his shots in hallucinatory colors, bending time and reality to invoke the nostalgia and liberatory zeal of the 1960s. Andrea Wan, a Berlin-based artist, also brings her own flavor of absurdity to the book in the form of surreal illustrations of masked and multiple-headed beings. Strange Daze is ideal for those art lovers and dreamers who wish to challenge everyday banality by exploring alternative visions of the world.
We featured Clisset’s work in 2011, when he was making insane (and often violent) mashed-up universes of trash and cultural signifiers. Since then, Clisset has rebirthed his artistic identity as “Fake Shamus,” a “digital golem” formed out of 3D-rendered objects (Source). The shapes this humanoid beast can take are limitless; in one image he is a mystical being upholstered in grass who summons a collection of empty beer cans; in another he is an industrious builder, his muscular body made out of what appears to be lumps of brightly-colored Plasticine. And while Clisset’s works may appear to have photographic elements, do not be deceived; everything in his images is created in a digital, 3D space. By mimicking reality, Clisset brings up fascinating questions of “authenticity” versus “fakery,” unveiling in the process that the entire world is a strange construction subject to our perception.
To see our feature on Clisset and similar artists, check out Book 8: Strange Daze. Copies are available at a limited quantity in our shop, so grab yours today.