The Color Blind shirt just might be the craziest shirt we’ve ever released! Designed by Indonesian designer Galih Adi, this shirt features a 4-color printing process that is so detailed that every lens flare, color gradation, and microscopic detail is captured. Even with all the colors large graphic the shirt printing is still butter soft, fooling many people into thinking its a heat transfer. Purchase it on our shop!
Paul McCarthy creates provocatively whimsical sculptures. Perhaps his most recently well-known sculpture is Balloon Dog, literally a giant inflatable red balloon animal. His other work seeks to assault the viewer’s senses in a variety of ways, either with sexual or violent imagery. McCarthy combines elements from pop culture and images rife with symbolism into erotic or abject displays that are at once captivating and, at times, charming. McCarthy also conflates elements of high and low culture, creating an aesthetic that seeks to challenge fundamental beliefs. His most recent work, WS, is an 8800 square foot installation depicting Snow White’s tale in typical McCarthyesque abject fashion, and on view at the Park Avenue Armory in New York City until August 4th. You can also read more about McCarthy and this work in this New York Times article, published in May.
Years before the project Miradors became reality, photographer Erwan Fichou saw a man standing in a tree that looked like a UFO. This image stuck with him and he eventually turned his memory into a reality, working with gardeners to design topiaries of varying shapes and sizes. Afterwards, he invited people off the street to climb those trees and photographed them at the top.This strange and light-hearted series illustrates the interesting progression of what happens when we have a memory. Often times we see things as we walk down the street, file them in our brain, and move on. So, it’s refreshing to see that Fichou returned to this moment and developed something completely new from it. He touches on this idea in a short statement about his work:
What’s interesting about pictures isn’t their function, to represent reality, but their dynamic potential, their ability to spark and build projections, interactions, narrative frameworksmechanisms that structure reality[ …]an image is the result of movements that are temporarily sedimentary or crystallized in it[ …] Beyond metaphors, we must understand that, paradoxically, our contemporary sensitivity predisposes us to prophesy, not history. We live in a world of images that precede reality; we’re not looking to see, unless it’s déjà-vu. (Via This is Paper)
At first glance, these twisted, manipulated, and camouflaged bodies appear to be the work of a photographer who is very skilled in Photoshop. However, the subjects in these photographs are not the product of digital alteration, but were transformed at the hand of a simple paintbrush. Artist Natalie Fletcher uses the body as a canvas, applying her paint and imagination directly upon the skin of her subjects. Formally trained at art school, she broke away from the traditional method of painting after graduation and began her pursuit as a master of body art. The artist uses the lines and color applied by paint as a means to create a variety of different captivating and puzzling optical illusions.
In her series titled Just An Illusion, op art breathes new life on the skin of her subjects, as she covers the bodies in spiraling lines. The bends formed in the patterns seem to warp the bodies so to us they appear twisted, sunk in, and even cut open. In another series of Natalie Fletcher’s, titled Against the Wall, an illusion is still apparent, as each body has been blended into the background thanks to her painterly magic. In some cases, it is difficult for you to decipher where the wall stops and where the paint begins. Fletcher’s talents in body painting has not gone unseen, as she has won GSN’s “Skin Wars” and is in the process of traveling across the country, painting two bodies in each state.
Las fall street artists MOMO and El Tono were invited collaborate on a project for the Bien Urbain festival in France. Both artists often work with an abstract painted style. For their collaboration, though, the artists added a third dimension. Using pieces of wood, the artists filled gaps in walls and windows throughout the city. Instead of being unused negative space, the gaps were transformed into a framing device for these abstract compositions. Simple but elegant, the series is illustrative of innovative trends in street on new approaches to interacting with the urban environment.
Diana Al-Hadid’s transfixing sculptures remind me of the point in the Neverending Story where the white light castle slowly begins to disintegrate from the Nothing, as well as the prison in Lord of the Rings Gandalf is kept in. I think it’s because her sculptures are somewhat mystical, doomed to deconstruct and somehow seem in the process of changing, growing, or collapsing- possible only in some sort of imagined fantasy space. Although here they are, despite all odds, as if teleported from a strange alternate universe of kings and mages and black wizards….