Artist Takumi Kama is trying to confront and conquer his fears of high school girls by turning them into strange reptiles and animals. By anthropomorphizing teenage girls, he makes them less threatening and harmful. The Japanese drawer has imagined one girl as a snobby, gangly giraffe, holding it’s head up high and standing displeased with everything around it. He has drawn another one as a frightened armadillo huddled in the fetal position, looking terrified and uncomfortable. He has sketched the girls he would see on the train as a group of primates, absorbed in their cellphones; the book nerd in the school corridor is now an awkward frog beast holding her book in her weird hands, furry tail wrapped around a bottle of soda pop.
Kama has studied both the poses and mannerisms of the girls and also the beasts he has turned them into – combining them into one and the same. His immaculate pencil renderings create a convincing impression of these strange creatures, and it is easy to see them the way he does every time he encounters the demographic. Kama admits:
I am terrified of high school girls. If I encounter a group of them on a train there is a high possibility I will escape to another car. (Source)
This certain sub culture is often dissected, or referred to in popular Japanese culture. Called Joshi kōsei (女子高生) they feature in manga comics and videos as well as being fetishized in pornographic videos. Kama is also obsessed with the idea of this social group, but in his series Schoolgirl Animals, they are seen as something a bit more imaginative and humorous than the usual schoolgirl fantasy. The collection of his pencil drawings were on show at BAMI gallery in Kyoto until May 31, 2015, but you can still enjoy more of the images after the jump. (Via Spoon Tamago)
Brooklyn based artist Russel Cameron creates lifelike sculptures of amputated human body parts. Displayed almost like trophies, Cameron’s on gong series, Flesh and Bone, acts like a collection of the living bizarre. Using classic materials such as clay, paint, wood, and metal, Cameron, a self taught artist, is able to perfectly achieve the goal of many artists: he attains the ability to accurately mimic human flesh. This handiwork allows his work to truly provoke, probe and disturb; each piece acts as a slight ode to the abnormal, forcing the viewer to imagine the the entire creature attached to the individualized parts. The details are what allow the work to feel so real — his minor hints of flesh tonality and careful placement of wrinkles and creases give enough information to perhaps create a full narrative for every piece. His work is influenced by artists specializing in dark and fantastical subject matter such as Zdzislaw Beksinski, the Polish dystopian surrealist painter, Hieronymus Bosch, the Dutch painter known for his detailed absurd landscapes, and H.R. Giger, the Swiss “biomechanical” surrealist painter and special effects artist known for Alien. He also takes inspiration from classicists such as the infamous Spanish romanic painter Francisco Goya. Through his work, Russel Cameron aims to glorify the beauty in what can be often found as grotesque.
Premiere website builder Made With Color and Beautiful/Decay have teamed up yet again to bring you exclusive artist features. Each week we join forces to bring you some of the most exciting artists and designers working today who use Made With Color to create their clean and sleek websites. Website builder Made With Color doesn’t just help artists create minimal and mobile/tablet responsive websites but allows them to do so in a few minutes without having to touch a line of code. This week we’re excited to bring you the exciting collaborative work of Linville And McKenzie.
Los Angeles based artists Annelie McKenzie and Tina Linville have been collaborating since 2011 under the name Linville And McKenzie. They work together to create site responsive installations and artworks that blur the distinctions between painting and sculpture. Using a mix of found objects, studio constructions, and contributions from viewers the duo creates order out of chaos with their multimedia works that not only fill the gallery space but transform it into a colorful and at times grotesque world.
‘Pataphor (pictured above)
East Gatov Gallery
Where a metaphor is the comparison of two different things to reflect their similarities, a ‘pataphor starts with the similarity in order to open up a new world, something completely its own. This exhibition’s starting point was our own individual art practices. Where our inquiries overlap might also create its own new world, our own collaborative ‘pataphor.
Revenge is Sweet is the collaboration of the creative duo Angelique Piliere and Lee Owens. They combine black and white halftone images with a limited but bold color palate to create striking images and type. Their use of disembodied legs and lips, and their eclectic mix of seemingly random imagery makes for a quirkiness that I love.
Lyndsey Lesh is a Los Angeles based illustrator whose whimsical works depict a world of idiosyncratic fancy, sweetness and charm. Her art is both humorous and sentimental exploring her love for nostalgia. Her images themselves have a soft spoken quality that reflect the hand-rendered application of her materials. Her shirt, “Music Mountain” depicts a sincere DJ atop a landscape of stereo equipment, musical gear and chubby hands holding records, drum sticks and microphones.
About T-Shirt of the Month
In case you haven’t heard, each month, Beautiful/Decay is releasing a new shirt on the Beautiful/Decay shop before they hit any retail stores. The shirts will be printed in unique color ways in a select print run of just 300 shirts. Oh, and did we mention that we’ll be giving you a 33% discount off retail prices, pricing them at just $20 a shirt?
Latest collaboration between paper and set designer Alexis Facca and photographer Tom Joye transforms three dimensional spaces to look like flat, two dimensional paintings. With the creative use of angle and perspective, Facca and Joye were able to obtain the desired illusion and deceive the viewer’s eye.
The Flat Project actually features a miniature 1 x 1 meter set made from paper but in 3D. Seems like the set was flipped and turned to create images from various angles. Without knowing, it is hard to tell which is the floor or ceiling. Here’s an explanation by Facca on two of her creations:
“For example in the first image the red is the ground, the wood a wall on left and blue is in the foreground. On the second image (below) the ground is made with wood and the red.”