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Azuma Makoto Sent Flowers Into Space

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Azuma Makoto creates elaborate floral installations, and has now added an impressive new endeavor to his portfolio. The artist’s most recent project sent a bonsai tree and an arrangement of orchids, lilies, hydrangeas, and irises into space! The results are breathtaking. The bouquet is full of colour, and floats free, contrasting against the deep darkness of space and the effervescent blue glow of the earth. It’s an extremely poetic gesture, and somehow it feels like no matter how skilled someone might be in photo editing, they could never build these images synthetically to have the same impact. Maybe this is because the images that document Makoto’s process are of almost equal interest. Seeing the plants from start to finish – as they are bought, assembled, and rise to the sky – reveals the unimaginable procedure to be almost within reach of anyone. It’s still completely awe inspiring, either in spite of or as a direct result of this transparency.

Makoto has a great deal of interesting projects with plants, many of which involving bonsai’s. One is a bonsai tree made of lego, which is an uncharacteristically playful creation, although it still holds much of the seriousness present in his other works. In another sculpture project, Makoto created two containers each with a bonsai inside. In one the tree was completely submerged in water and in the other the tree was burned. As in the space project, Makoto seems interested in the subjections the plants may endure, and experimenting with containment and environment. (Via Fastco Design)

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Artist Couple King&Oda Create Unbelievable Photorealistic Paintings That Address Issues Of Beauty And Identity

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Canadian artist Kit King and her husband Oda collaboratively paint unbelievable photorealistic portraits that pose questions on beauty, identity and sexuality. The artist couple, who met on Instagram after posting identical drawings, create each of their pieces as complete equal partners, something sort of unheard of for photorealistic collaboration. King and Oda’s work aims to address complex issues about character and selfhood. For example, their works Facelift and Our Little Secret,  depict amazingly detailed close ups that provoke feelings of unsettlement and confront the complexity of appearance and eroticism. While Facelift outlines the lengths we are willing to go to for physical perfection, Our Little Secret faces issues of beauty, lust, and objectification. King, in her artist statement, states,

“through a focus on hyperrealism, my paintings are reflections of the ephemeral visual relationships around us. Capturing fleeting moments that affect our emotional state from a singular glance, under the aegis of a heightened sense of reality. My current bodies of work are heavily focused on light and shadow, and how the element of light can alter the relationship of a viewer and subject. The goal being to propel the audience to connect to one transient moment, captured through mood, established from the control of light and shadow.”

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Awesome Video Of The Day: Supernatural Creator (Jesus Pixel)

The history of creation ala 8-bit video games!

Animation by Mareike Ottrand and music by Daniel Brenner

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Gleaming The Video Game!

I usually don’t like viral videos that promote products but this is really creative and unique. 36 Freeborders re-create a giant falling block video game down the streets of San Francisco at night. It’s like Gleaming The Cube meets Tetris… Awesome!

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KERI OLDHAM

Keri Oldham‘s collections of watercolors are studies in familiarity and restraint. Each mark is deliberate, yet still manages to accidentally wander, bleeding and pooling into the next, happening upon a recognizable form.

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Phoebe Washburn’s Fort Installations And Mixed Media Inventions

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Phoebe Washburn’s constructions, built from found or discarded objects such as plants, plywood, cardboard, or fish tanks, to name a few, have been gaining critical acclaim and momentum since 2008, when she took part in the coveted Whitney Biennial.

Of her craft and salvage, in W Magazine, Washburn states: “I’m not green; I’m greedy . . . There’s definitely an aspect of hoarding that drives this, absolutely! If I see someone walking down the street with a nice piece of wood, I’m like, Where did they get that?”

Her approach to discussing art is as playful and humble as the structures themselves, or their titles, which range from “Nunderwater Nort Lab” (above, top) to “Baby Brain (Not Safe for Use as Jacuzzi)” (above, below).

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Eric Helgas

Eric Helgas was born in Baltimore, Maryland. He currently attends the Maryland Institute College of Art and is majoring in Photography.

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Jonty Hurwitz’s Sculptures Are So Small They Can’t Be Seen By The Human Eye

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Size matters. Anamophic artist Jonty Hurwitz’s new sculpture series recreates the smallest human form ever at 20x80x100 microns, or roughly the scale of a human sperm. According to Hurwitz’s website, the size of these sculptures approximately equals the amount your fingernails grow every 5 or 6 hours. These tiny art works are too small to be seen by the naked eye!

We’ve previously covered Hurwitz’s warped sculptures on beautiful/decay, which also used physics to challenge human perception. These new nano sculptures, “Trust”, “Cupid and Psyche: The First Kiss”, and “Intensity”, explore the idea of science vs. legend, myth vs. reality. Created with a ground-breaking 3D printing technology, the work is ultimately created using two photon absorption—art made with Quantum Physics.

“As technology starts to evolve faster than our human perception is able to handle, the line between science and myth becomes blurred.

We live in an era where the impossible has finally come to pass. We have, in our own little way we have become demigods of creation in our physical world…. The nano works that I present to you here represent more that just a feat of science though. They represent the moment in history that we ourselves are able to create a full human form at the same scale as the sperm that creates us in order to facilitate the creation.”

Despite their microscopic size, these are detailed sculptures, with individual feathers in Cupid’s wings and tiny fingers, belly-buttons, and ears. It’s almost impossible to imagine that these realistic, emotive human figures are much smaller than an ant’s eye.

“The absolute fact is this: the human eye is unable to see these sculptures. In your hand all you see is a small mirror with … nothing on it. The only way to perceive these works is on the screen of powerful scanning electron microscope. Can you be sure of its existence if your basic senses are telling you that nothing is there?”

These sculptures were created in collaboration with The Karlsruhe Institute of Technology and the Weitzmann Institute of Science and involved over 10 people as a working team over several months.

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