Erik Jones paints a blend of vibrant, colorful, graphic-orientated paintings with hyper realistic, disconnected parts of women’s bodies. Originally from St Petersburg, Florida he moved to New York with $81 and took different jobs in the comic industry – an influence to which he owes his distinct graphic style. They are a original mix of pop styling with hard lines and distinct patterns, sporadic mark making and illustrative details of the female form. High fashion magazine-style renderings of faces, breasts and limbs are broken up and disjointed by digital-like patterns.
Realizing his passion for illustration and figure rendering, Jones initially was drawn to animation and creating stimulating visuals. Not completely satisfied by just animating, he applied the techniques he learnt to painting. He starts his creative process with a photoshoot, or various inspirational photos, then adds the figure reference and refines it digitally. He explains more:
I build on top of the figure as if they were wearing these shapes. I’ll also create patters with the shapes to move your eye around in a structured way. Despite all the clutter and chaos in these newer works, there is something soothing and comfortable in each piece, at least I feel there is. I believe it’s the patterns that you’re subconsciously finding that keep it from being completely chaotic and overwhelming to look at. (Source)
Jones uses several different types of media to build up a textured, layered, collage look. Even though his work is a blend of so many different elements, he tries to give equal weighting to each of them. He says most importantly for him is to keep a harmonious balance, and not to glorify the figure.
Photographer Maja Daniels is studying aging. Her photo series “Into Oblivion,” shows the raw and fragile lives of those living in an Alzheimer’s ward. Working in a geriatric unit in France, the Swedish photographer Daniels spent three years documenting life for the residents. Those suffering from Alzheimer’s were kept in a locked ward as a protective precaution due to their innate tendencies to wander and get lost.
“This series documents not only the day-to-day challenges in an often ignored sector, but also the wider implications of the growing populations of elderly in modern society as an increasing life span has coincided with the breakdown of the family unit. These aspects have caused a growing disregard for the elderly, swept aside by a commercially driven, youth-obsessed culture. As growing old and being dependent is more taboo than ever, the geriatric institution hides our elders away, safely out of sight.”
Children do not care for their parents as they once did, and national healthcare often fails to meet the needs of those who need it. Bringing the viewer into the heart of this lifestyle, Daniels is hoping to motivate us to view our own personal role within healthcare policy:
“While giving a vision about what living with Alzheimer’s in an institution might mean, I want to motivate people to think about current care policies and the effects it can have on somebody’s life. This project gives a rare insight to a part of the modern geriatric institution. It attempts to create a discussion about our institutionalized, modern way of living as well as the use of confinement as an aspect of care.”
Informed by his education in biochemistry, photographer Linden Gledhill concentrates his work on the beauty of small, natural objects. With a fully automated macro focusing rail called StopShot (created by Cognisys), Gledhill is able to capture a high resolution macro image stack that is accurate down to 0.01 mm. With this specialized lens, Gledhill explores the structures and textures of butterfly and moth wings, exposing the shimmering and glittering form of the wings that almost look like textiles or flower petals. Beautiful patterns emerge from Gledhill’s photography, ones that mirror large and familiar patterns found in the world around us. You can see much more of Gledhill’s incredible macro photography on Flickr. (via slow art day)
Beautiful/Decay recently created a lookbook for our Spring/Summer 09 seasons. The concept behind the shoot juxtaposes evocative objects & optical affects with our apparel, to complement the shirts in abstract ways. Still life images of disco balls, prismatic rings, shag carpets and balloons contrast the light, color and texture of the shirt graphics. See our apparel line come to life in new and unexpected ways! Photography by Luke Stettner.
The project I’m Google from artist Dina Kelberman is strangely and hypnotically familiar. You’ve likely searched one topic on Wikipedia or Google that set off a long chain of searches each slightly related to the one preceding it. Hours later you’re nowhere near you began. In a way I’m Google is a visual representation of this in the form of a tumblog. Countless seemingly mundane photographs slowly transform in color, composition, content. However, slight changes over time build large ones; balloons slowly become crater lakes. It’s a familiar journey, and I’m Google is a fascinating visualization of it. [via]
“Shadow” is a technological and artistic collaboration between design collective Rhizomatiks and dance troupe elevenplay. Featuring a dancer alongside three drones, “Shadow” feels like a cyberpunk performance from the future. It’s a surreal technodream of algorithmic and human elegance.
The strobe lights make the performance almost feel like glitchy stop motion. It also plays with shadow and light, by turns making the dancer’s shadow look larger than life and then, in the next moment, like a doll spinning on top of a music box.
Both Rhizomatiks and elevenplay hail from Japan, where they are a part of a wave of multidisciplinary artists that seek to explore the intersections of man and machine. In an interview with D&AD, Rhizomatiks says,
“We all have passion for and expertise in technical matters, and wanted to use this to set our imagination free across the disciplinary boundaries of design, art and entertainment. We like to challenge existing formats, from interactive to spatial design.” (h/t Laughing Squid)
Last week we spread word about Aiden, an amazing 5-year old horror artist who is currently fighting Acute Lymphoblastic Leukemia, and tried to help raise funds for him and his family. The $2 we donated from every subscription made great progress thanks to our loyal Cult of Decay members, but there is still some progress left to be made. We want to help soften Aiden and his family’s journey through leukemia as much as possible, but we cannot do that without your help. So subscribe today, and help spread the word of our efforts to as many people you know. Lets demonstrate what the support and backing from Cult of Decay can really do!