Let’s face it, sometimes artists need a little extra motivation to keep creating and challenging themselves. Based on the Drawing-a-Day style exercise, Drawlloween (generally hash-tagged so each artist’s daily offering can easily be searched on social media sites) is the month of October equivalent where artists and illustrators test their skills and dedication. Illustrator Brian Luong has taken this challenge, and come out with a completely cohesive and solid body of Halloween-themed work. The Southern California-based Luong has gone beyond mere renderings of each instructional prompt (list below), creating dark narratives that add necessary darkness, mystery and visual heft to each drawing.
Although Luong’s portfolio shows a range of strengths typical of most illustrators, Luong’s muted palate, tight hatching and large areas of shading have become more focused and with the project. On the eve of the project’s culminating date of Halloween, the drawings have developed their own distinct, chalky, monochromatic style. Dark shadows have became longer, and scenes of street stalking vampires, discovered corpses and goblin-carved pumpkins became more imaginative than most other participants. Luong’s final Drawlloween piece should be posted today, Halloween, on his Tumblr.
Misha Hollenbach lives and works in Melbourne, Australia. Using found and created objects he presents the viewer with absurd and alarming “artifacts” in which the eloquent clashes with the primordial. Swiss publishing company Nieves describes his work as “…merging contemporary culture with tribalism. Working across the mediums of collage, screen-printing, painting, sculpture and installation, his work is often driven by carnal desire, and a return to the basics/basis of human existence.” While speaking of his motivations Hollenbach frames his body of work perfectly stating that “Things can always be a bit more insane.”
Recently stumbled across the work of Patrick Brennan by way of his most recent solo show @ HalseyMcKay. He provides a really fresh take on painting. Lots of interesting material decisions, color usage, and compositional arrangements. I dig it…more after the jump.
Interesting presentation at the MOMA about the infamous Guerilla Girls. If you’re not familiar with them here’s a blurb from their website.
“We’re a bunch of anonymous females who take the names of dead women artists as pseudonyms and appear in public wearing gorilla masks. We have produced posters, stickers, books, printed projects, and actions that expose sexism and racism in politics, the art world, film and the culture at large. We use humor to convey information, provoke discussion, and show that feminists can be funny. We wear gorilla masks to focus on the issues rather than our personalities. Dubbing ourselves the conscience of culture, we declare ourselves feminist counterparts to the mostly male tradition of anonymous do-gooders like Robin Hood, Batman, and the Lone Ranger. “
In his third solo show at Team Gallery in New York, Ryan McGinley continues his exploration of youth. Known for capturing spectacular and adventuresome moments, McGinley shifts his focus in “Everybody Knows This Is Nowhere” to stark, intimate portraits. Photographed in his New York studio over 2 years, the hand-picked subjects are shown bare in black and white portraits.
Italian photographer Stefano Bonazzi melds smoke and body together in his lush series Smoke. These high contrast black and white photographs feature naked bodies melting into the atmosphere, drifting off in a plume of velvety smoke. They feel soft, mysterious, and cinematic.
Bonazzi, who has a multitude of different series, speaks about this body of work in a very compelling way:
Smoke fascinates me because it is hypnotic, evanescent and impalpable. The smoke you can perceive it with your sense of smell and can even be fatal despite being a natural element devoid of texture and weight. I often compare the smoke to the human soul and in my series “Smoke” I just try to contrast the weight and consistency of the human body with the lightness and elusiveness of his soul, that in these shots I try to represent their with the use of the smoke. The “smoky” of the subjects is in fact their own feelings and emotions. The protagonists of these shots express sexual desire, more anxiety and melancholy, loneliness and suffering. These feelings are so powerful that they evaporate, split from the body and rise into the unknown, which in this case is represented by the black background of the shots.” (Excerpt from Source)