Andrew Lyman, an artist and photographer living and working in Savannah, Georgia, creates “Fleeted Happenings”, a series in which the artist explores “the transcendence of memory through time in relation to space.”
These photographs envision the ephemerality of the body. Especially the reality of it being able to be in a state of being and becoming, of transcendence and disappearing. The photos feature ghostlike silhouettes that appear in scenic landscapes and surroundings that evoke feelings of nostalgia, but also of the sublime. The vast, endless, and empty spaces, not only seem beautiful because of its brilliant hues, but they also evoke fear, and anxiety, as these still remain unknown. Similarly, the transparent silhouettes suggest more of the same feelings. We are enthralled by their beauty and mysteriousness, yet, as we look at them, we acknowledge the possibility our body existing as a non-tangible, transparent form. Consequently, this brings forth questions of life after death, life before existence, and the reality of past memory an non-tangible ‘object’. As we look at these transparent, other-worldly, yet familiar forms, we have no other choice but to think about how one re-imagines memory; specifically how we envision a memory and its existence in a certain space at a given time in the past. (Via Feather of Me)
Giant monochrome webs of constellation materialize from a charcoal black wall, leaving the imagination floating, thinking we can envision anything we’d like. By connecting the dots, an image appears; it’s a gorilla, a fox, an owl or a hippopotamus. Philippe Baudelocque tames the stars on buildings’ front walls throughout the city of Paris, creating poetic packs of animals.
“I prefer the experience of art rather than the final piece of art. That explains why, drawn out of chalk, the illustrations are ephemeral. A risk the artist is willing to take, because that’s how he started his series and that he would like it to end.
The contrast between the black and white colors, the empty wall and the countless strokes bring another dimension to the illustrations. As if the artist wanted the animals to come out of the wall and talk to us. And they are, by the way they honestly stand, asking for nothing; confident that they are being understood. The stars and the animals represent unattainable immensity, identifiable to a lot of us. The combination creates a fantastic scene where the possibilities of interpretations are infinite.
Through the stillness of the black and white animal bodies, a feeling of compassion and kindness speaks to us. That’s the intention of Philippe Baudelocque : his illustrations gently suggest simple emotions to everyone.
The final interview in our 10-part “Art Works Every Time” series is with artist Ben Tegel. We’ve actually collaborated with Ben extensively, as he has also designed for Beautiful/Decay Apparel, contributing the shirt graphics for the “Manson”, “Greetings from LA.”, and “Greetings from N.Y.C.” shirts. Can’t believe the opening is already tomorrow- hope to see all of you out there, it’s gonna be a great night!
When vegetal artist Duy Anh Nhan Duc and photographer Isabelle Chapuis collaborate, the resulting images of people and flowers are anything but cliché. The series “Etamine” (stamen) and “Dandelion” are elegant and surreal, beautifully conceptual and expertly shot.
In “Etamine” a somewhat androgynous man is adorned in black and red and purple and yellow. “Fragile compositions of thousands of petals: carnations, anemones, irises and chrysanthemums merge with the skin.” The petals resemble feathers, as if these are sensual and captivating birds preening for the camera.
“Duy Anh Nhan Duc is an artist who handles vegetal art in a very singular way.… He merges plants with human bodies, integrates them with objects, combines them with his drawings or stages them though his short-films. Through his work, he weaves a poetic world where plants rule as masters.”
Like its seed head, “Dandelion” feels more fragile, suspended in time, as if the female model is holding her breath. Shot against a black background, the dandelion seeds are as impossibly delicate as snow or fog. Where in “Etamine” the petals have merged with the male figure, the seeds in “Dandelion” are ephemeral, pausing for a moment before floating away on a breath or a breeze.
Chapuis says, “I’m very inspired by the aesthetic movement in painting, Tim Walker. C’est l’art pour l’art. Art for its own sake. It’s only about emotion. I don’t want to accomplish anything beyond appealing to peoples’ senses”. (Source)
These series are proof of the magic that can happen when two extremely talented artists combine forces to make captivating work. (Via Ignant)
Sergey Sbss is a Moscow based graphic artist and designer. Sergey applies his style through collaborations with numerous industries, and is intent on furthering such collaborations in order to experiment with varied and unexpected surfaces.