Japanese artist Fumie Sasabuchi reworks the pages of fashion magazines by deconstructing the original image and the body in the image. She uses the image and idea of death to explore a surface, creating a series of hybrid body images in which promotional aesthetic is fused with material naturalistic anatomical study.
Brushing the edges of Pop-Surrealism, Bill Dambrova’s expressive paintings explode with color and anatomical imagery. His work is hard to ignore, as his cartoon-like style hits you in the face with exaggerated facial and bodily features. Each piece is like a louder, more graphic and fun illustration from a medical or anatomical textbook. His technique is both abstract and representational, as he paints unnaturally colored organs and molecules moving through his compositions. Pulling inspiration from physical healing and spiritual growth, Dambrova’s work explores the stories and memories held in each of our biology, exposing humankind internally. The artist’s work uncovers not only human anatomy, but the insides of animals as well, unifying our biology. Each painting beautifully shows us the commonality in the biology in living things, while still exploring the unknown. This Phoenician artist investigates themes in science, animism, and archetypes in his work.
Although Dambrova’s work holds traditional imagery, such as animals and a human heart, they are shown in a different light. In his work, bodies are split open, organs function outside the body, and rays of organic light flow through each being. Each composition Dambrova constructs is as intricate as the human anatomy itself, with each color and shape intertwined with the next. The very talented artist is one of the recipients of the Contemporary Forum award given to emerging artists in Arizona. His work can be seen on view now through May 31st at the Phoenix Art Museum.
Scanwiches is a project started by Jon Chonko, a New York based designer. The quality of the images of these sandwiches is really incredible, and always leaves me hungry. This project at first glance seems so simplistic and childish, but it really brings up quite an important concept: sometimes the everyday item that we take for granted can be very beautiful and artistic.
Jody Xiong has created a wonderful collaboration between man and machine, art and science, expression and technology. He has enlisted the help of 16 people with physical disabilities and set as part of an innovative experiment. With a person sitting in a chair wearing headphones, electric signals from their brain are captured and transmitted to a Neurosky processing unit. On the other end of the installation, Xiong has set up a structure with four blank canvas walls in a box shape. Inside is a hanging balloon – filled with the subject’s chosen color. The brain signals stemming from the person then trigger detonators attached to the balloon, resulting in an explosion of paint, splattering on all four walls. This installation is quite literally painting what is coming from inside the mind.
You can see the variations between the abstract paintings from all of the subjects and just how different the thought patterns of each of us are. Ranging in large violent bursts to small, stuttered splatters, the paintings are beautiful recordings of the inside of our heads. Each painting was then sold for 800 Renminbi (about 300USD) and donated to different charities. This installation is a beautiful way of getting back to the core of expression. And hopefully our ideas about limitations and potential will be changed because of it.
It shows that the capacity of the human spirit is unlimited, even though it may be trapped within a disabled body. (Source)
Xiong has been connecting ideas of expression and technology for over 16 years. With a background in creative advertising, he is adept at capturing people’s attention with interesting, simple ideas. He seems to have tried his hand at most artistic disciplines, and is known as an expert and innovator in the worlds of painting, environmental design, video and other cutting-edge technologies. To see more of his unique projects, go here (Keyboard of Isolation) and here (Walk for Green). (Via Designboom)
Joan Rivers: A Piece of Work takes viewers on a year long ride with Joan Rivers, the comic legend who broke barrier after barrier for female comedians and paved the way for the likes of Kathy Griffin, Sarah Silverman, and Tina Fey. As the story unravels, Mrs. Rivers talks frankly about how she got into show biz, the ups and downs of the industry, being banned by NBC late night for life, and how she will even do adult diaper & penis enlargement commercials for cold, hard cash. At the young age of 75 it seems that Joan Rivers has the energy and drive of a 25 year old, rarely stopping to catch her breath in between interviews, writing and acting in a play about her life, doing midwest comedy tours, and starring in (and winning) Celebrity Apprentice.
Next time you feel too old, uninspired, or just plain lazy, go watch this documentary for a swift kick in the ass. Joan River’s drive to keep doing what she loves until she drops dead is nothing but awe inspiring. I work harder than the average joe but walking out of the theater I felt like I had to run straight to my studio and go on a painting rampage for the next 6 months. In short Joan Rivers is a rude, crude, ass-kicking comic genius and my new personal hero.
Vally Nomidou’s series of life-size sculptures are all made of paper and depict young women and young girls. The female figures impress with the naturalness of their features and poses, the perfection of modelling and the beauty of volume.
Paper, Nomidou’s dominant material, now becomes a key component in her creative process, inextricably linked to painful and systematic research on the technical level, as well as on that of aesthetic integration. The artist respects her material and, although it is cheap and vulnerable, she does not “adulterate” it by using other materials. Moreover, she does not use it as a shell, an encasing to cover a necessary inner structure by providing a fake, idealised skin. Nomidou builds and shapes her works from the inside out solely using paper and paperboard. The internal cardboard frame is built with a vertical and horizontal grid in order to be able to support and render stillness in her sculptures, while also ensuring balance in contraction and expansion. The homogeneity of her material allows the equilibrium in the behaviour of the interior and the exterior, and thus ensures its duration.
Regarding her technique, the perfect rendition of facial features, of expression, of the naturalness of pose, of body proportions, is based on a process of combining partial plaster casts, the meticulous observation of an exhaustive photographic documentation of her sitters and a painful processing of the outer skin. The perfect prints are synthesised, cut, sewn, glued, rubbed, and through the mastery of her touch achieve the fully realistic rendering of her sitters.