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Last Chance To See Cody Hudson At Guerrero Gallery

We’ve been fans of Cody Hudson & Struggle Inc. for over a decade now (Check out our interview with him in Issue: D of B/D!) so it’s only right that we  urge all of you to go out to Guerrero Gallery in SF and check out his show before it comes down on on June 7th. Cody has dozens of new pieces from small geometric drawings to large scale installations in the show. My favorite works are the above wooden sculptures. They aren’t the biggest works in the show but these intimate sculptures pack a powerful punch.

 

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Troels Carlsen’s Vivisection And Torture

Copenhagen based Troels Carlsen has some beautifully brutal work dealing with imagery of death, torture, and vivisection.

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Bruno Walpoth

Poignant and haunting figurative sculptures by Bruno Walpoth.

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Tal R: “armes de chine”

Tal R

Victoria Miro Gallery will present the latest body of work by Danish artist Tal R. From 2005 to 2008, in his dynamic studio christened ‘Palace’, Tal R has extended his practice to integrate the fields of dance, film, theatre, cabaret, music and fashion. The works from armes de chine are deeply rooted in this period of intense experimentation.

 

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Sara Cwynar’s Photographs Still Lifes Made of Junk

Sara Cwynar - Photography

Sara Cwynar - Photography Sara Cwynar - Photography

The exact color of that Ginger Ale can is important to artist Sara Cwynar. Her work revolves around the careful curation of both fantastic and banal objects. She arranges and later photographs these assemblages, which range from color studies to chaotic interpretations of old works of art.

You might be familiar with 16th and 17th century Dutch Flower paintings. If not, then they are exactly as they sound; Still life paintings of flower arrangements. They are colorful and realistically rendered pictures. Their realism is almost boring, until you find out that these paintings were meant to brighten up the interior of homes during the winter months when real flowers were dead. In her Flat Death series, Cwynar took old reproduced pictures of these flowers and overtop placed it with the likes of cheap plastic toys, fake leaves, rolls of tape, and dish gloves.  A sophisticated painting is recreated out of junk, creating a cognitive dissonance.

Color Studies is another still life series. Instead of parodying of an already existing work, Cwynar gathers objects of a similar color. They include old marching band uniforms, encyclopedias, lemons, old slide film, cigarettes, and so much more. Photographs feel really dated, like a teenager’s room in the 1970’s. This is Cwynar’s intention. In an interview with Lavalette, she states:

I thought a lot about the aesthetic patterns you see in these pictures – a particular lighting, a slickness, a high level of detail. I’m also trying to recycle and subvert conventions of product and commercial photography by using elements that aren’t normally associated with these genres – objects that are now discarded or forgotten, intentional scuffing, not glossy at all.

It’s easy to be intrigued by Cwynar’s work. She utilizes conventional objects and through assemblage, allows us to experience them in a new way.

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Carol Carter’s Watercolor Solarization

Carol Carter is a contemporary watercolor artist based out of St Louis, MO. She is such a prolific painter that it proved nearly impossible to select just seventeen images to feature out of the hundreds documented throughout her website. Her subject matter is incredibly varied, ranging from swimmers, nudes, flora and fauna, to interiors and landscapes of the Everglades and Italy. In spite of painting such a vast range of subject matter, her work remains consistent with her personal style; painting with an electric color palette, she saturates values of light and dark with a brilliant range of unpredictable color that often takes on the effect of solarization. Her technique shifts between wet-in-wet application and controlled execution, producing work that is peppered with an incredible amount of detail and spontaneity. Carol’s mastery of watercolor and divergent way of seeing the world is apparent in her remarkable paintings. 

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GERALDINE JAVIER

 

Like a butterfly stopping by to smell the flowers, Geraldine Javier pauses to interpret her subjects in a manner that they begin to come to life again. She combines both classic and contemporary compositions, injecting Filipino cultural references into each piece. Her attention to detail remains evident, and she even takes it further in her three-dimensional works, using materials like textile, preserved beetles and butterflies, embroidery, and resin to create her arresting works.

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Jorge Mascarenhas’s Dream World

Jorge Mascarenhas’s illustrations mix fluid brushwork and epic dreamlike narratives.

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