Korean artist Inbai Kim works from countless drawings to create these incredibly simple, yet haunting sculptures. He takes it all down to basics, keeps it surprisingly simple. No color, simple shapes, and pencil as main mark-making – yet riveting with voices.
Macabre artist Jonathan Monaghan creates digital sculptures, prints, and animations that definitely puts us in a sense of discomfort. His clean, almost sterile use of style in detail, color, and light is both beautiful and extremely uncomfortable.
Adrian Ghenie‘s paintings play with texture by distorting the works’ figures as an allegory for the abuses of power. By drawing on figures from history – such as Marcel Duchamp and Holocaust doctor Dr Josef Mengele – Ghenie scrapes and washes away their features to explore the brutality at the core of human nature. More after the jump.
In 2005, Heather Benning acquired then began restoring a 60s-era abandoned and decaying farmhouse near Sinclair Manitoba, Canada. After finishing her restoration and furnishing the home with 60s-era furniture, she then removed the north-facing wall and replaced it with plexi-glass. In June 2007, the house was opened to the public where it remained “tomb-like” as a life-size dollhouse until this March 2013. Eventually, the house began to deteriorate and the safety of the structure was compromised, leading Benning to end the project with fire. The Dollhouse images are currently represented by “Telephone Booth Gallery” in Toronto.
I could spend months staring at Alexandra Mackenzie’s ultra detailed drawings. Featuring tribal shamans, flesh eating wolfs, and tiny unicorns running around in balls of hair, Alexandra’s drawings have something for everyone. The only thing missing is that there aren’t more drawing on Alexandra’s site. While the drawings are in short supply she does have a great series of collage work that relate to the drawings in a very interesting way.
For his ongoing project titled “Brand New Paint Job,” artist Jon Rafman transforms domestic and familiar settings by imagining them as classic paintings. Using recognizable patterns and paintings from artists such as Basquiat, Lichtenstein, Picasso, Monet, O’Keeffe, Haring, Duchamp, de Kooning, and Matisse, Rafman wraps nurseries, living rooms, bedrooms, and familiar television sets like Star Trek, Jeopardy!, and Seinfeld, turning these works into 3D living spaces. In order to create these imagined spaces, Rafman finds 3D models from Google 3D Warehouse, an online gallery where Google Sketchup users upload their work.
Of his project, Rafman says, “The BNPJ interiors started off as a play on interior design chic. Historically, the greatest fear of the painter was that his work would become design objects. Now it’s common for contemporary artists to take inspiration from commercial visual culture. The design of a Nike cross trainer or a Samsung monitor is as important to contemporary art practice as intense light and dark shadows are to baroque painting. I’m exploring the line between art and design, in which a great work of art can be reduced to a shrinkwrap or add-on surface and functional objects and spaces elevated to the purposelessness of artwork. I’m interested in those forced marriages.” (via my modern met)
The boombastic Superoboturbo illustrations remind me of how excited I used to be when I saw monkeys on television. I used to be obsessed with those little fuzzy guys, and I’m beginning to swoon for this man’s work the same way. His controlled pallette and friendly line-weight make for a rambunctious duo that make it hard to pull my eyes away.
Also, he recently broke his leg so maybe send him a nice note or a little work to help cheer him up/pay the medical bills at: email@example.com