Dutch artist Daan Botlek creates commissioned murals and work for the street. His art makes use of simply conveyed bodies often contrasting the inside with the outside. Many of Botlek’s pieces illustrate a sort of literal introspection, looking inside each character. The characters peel off, crawl out of, and smash off outer layers to expose the inner person. Botlek works both in the gallery and on the street, his figures populating walls through out the city inside and out. [via]
Sol Calero‘s work investigates the ancestral through a visual language which includes fabric constructions, found objects and images, archives, painting and drawing. Family clippings and photos overlap with house-plants and altered images of ancient ruins, tools for remembering and misremembering. Her recent project “Column Study” includes research into the origins of found West German ceramics, notated on their bases, which are assembled and disassembled, unclear if they constitute an ancient column discovered by archaeologists or a domesticated kitsch Brancusi sculpture. Her fabric works include capes used in abstract ritual performances and also wall pieces which operate in the vernacular of painting, often created with the discarded clothing of her family members. The work is often balanced between worlds, warm traditions with cold minimalism, personal narratives with pages torn from children’s craft books, the hot chaos of Venezuela with the cold European winter. Her project-based practice also includes running the gallery space Kinderhook & Caracas in Berlin with frequent collaborator Christopher Kline.
You don’t want to eat that, trust me. Each of these sculptural creations is made up of equal parts reclaimed wood, time, and toil. These handcrafted wall mounted bas reliefs are the speciality of Ron van der Ende, an artist based out of Rotterdam, The Netherlands. So barring a peculiar taste for splinters, don’t chomp on that meaty morsel. Do, however, take a closer look at these works after the jump.
Apak is a husband and wife duo who live and work in Portland, Oregon. Aaron and Ayumi Piland produce vibrant scenes where tiny explorers seek out and cultivate miniature landscapes. These floating microcosms exist in an endless galaxy and depict an intersection of nature and technology in harmony. The paintings come across as hopeful reflections on our interaction with the world around us as well as the unexplored universe.
Argentine based photographer Mariela Sancari‘s series Moisés, acts as an ode to the traditional type of portrait takenof men in their 70’s, the age her deceased father would have been if he were still alive today. After her father’s death, the artist and her twin sister we denied the chance to see his body. She was never sure if it “was because he committed suicide or because of Jewish religious beliefs or both.” In the artist’s statement, she refers to a concept in thanatology (the study of death and practices associated with it) which asserts that when one does not encounter the dead body of a loved one, the lack of visual association prevents the ability to accept their death. Hence, not having the definitive proof of said death aids denial, one of the most complicated stages of grief. Referring to the Baudrillard quote “photography is our exorcism,” Mariela Sancari uses her photographs to play out the fantasy of her attached denial — she uses her portraits to create a fictionalized version of her father. She states;
“I once read that fiction´s primary task is to favor evolution, forcing us to acknowledge and become the otherness around us. I think fiction can help us depict the endless reservoir of the unconscious, allowing us to represent our desires and fantasies.”
Designer Yo Shimada of the firm Tato Architects built this structure in conjunction with students from the Kyoto University of Art and Design. The entire wall is made of post-it notes – 30,000 cells of post-it notes. The brightly colored sticky notes are stuck together to create individual cells which are then stacked. The installation exemplifies both innovative design and architecture. Using a simple material, Yo is able to create a relatively large and sturdy artful structure. [via]
French/Italian artist Sonia D’Argenzio sent over some of her new abstract ‘anti-photographs’ this past week, and i’m more than impressed. Her ability to pull an excellent image from film before/after/without processing is unrivaled (at least to my Tumblr eyes), and i’m even more convinced by her devotion to the analog process. She might just be the real deal.