I always see those “Keep Austin Weird” stickers everywhere and now that I’ve seen the work of Jaime Zuverza it all makes sense. This Texan illustrator/designer’s lo-fi sensibility mixed with ironic retro imagery is the stuff that’s dreamed of for rock posters. Each mixed media poster is magnificently stranger than the last proving that Jaime is doing his part to keep thing pretty damn weird in Austin!
Beautiful/Decay is excited to bring you our exclusive artist feature in partnership with Made With Color, the premiere platform for artist websites. Each week we join forces to bring you some of the most exciting creatives working today who use Made With Color to create their clean and sleek sites. All Made With Color sites not only work beautifully on your computer but also come optimized for mobile and tablet users making sure that your portfolio looks professional no matter how you view it. For this weeks artist spotlight we bring you the lush paintings of Virginia Broersma.
The work of Los Angeles artist Virginia Broersma explores the concept of allure within the human form. Built of brash and intuitive marks that congeal into something very precise, her paintings have an intensity that is formed not only from the image, but from the intuitive action of painting itself. Though it deviates from the human form, Broersma’s imagery is complicated by associations one may have with the body such as attraction, repulsion, embarrassment or pride. Her work explores how even a distant representation of a person can be conflated with measurements of perfection, beauty and the ideal.
About her process and influences she states:
“I begin with something vague that I am interested in portraying – a gesture of the head, an interesting form, a location or a mood – and as I work it develops on the canvas. I am drawn to other painters working within abstract figuration that similarly use the paint to really create, push, manipulate, and determine the form, such as Frank Auerbach, Willem deKooning, Chaim Soutine, to name a few of my favorites. “
German photographer Uwe Schramm’s minimal photographs pack a powerful punch.
“Removing the blinkers, to enable one to see that there is more than meets the eye, what one hasn’t been able to see before, from yourself and the world around you. Photography, for me, is the ideal medium, because it enables one to focus clearly on the image and carry a message. My aim is to reduce the subject and picture to the absolute essential minimum whilst giving the observer a subliminal message and other interpretation.…
The supposed obvious has become, through my picture, foreign. The subject in the picture is seen in a new light, or better still, takes on a second meaning and invites a second inquisitive look. The result is another interpretation of everyday objects which invites the viewer to produce his own views.”
The secret lives of invisible magnetic fields are revealed as chaotic ever-changing geometries . All action takes place around NASA’s Space Sciences Laboratories, UC Berkeley, to recordings of space scientists describing their discoveries . Actual VLF audio recordings control the evolution of the fields as they delve into our inaudible surroundings, revealing recurrent ‘whistlers’ produced by fleeting electrons . Are we observing a series of scientific experiments, the universe in flux, or a documentary of a fictional world? Watch the video after the jump and find out.
Robert Lazzarini is best known as a sculptor. But that is actually an oversimplification of what he does. Walking the line between reality and illusion, Lazarrini creates compound distortions of common objects, challenging perception and what we understand to be the limits of the material world.
Lazzarini’s works are not mere deformities. Using mathematical distortions and algorithm-based operations, such as mappings and translations, Lazzarini bases his alterations in reality. Along the same lines, he chooses to fabricate the warped objects in their true material. A skull is made of reconstituted bone, a hammer of wood and steel, etc. This intense attention to detail is important to Lazzarini. Earlier this year he and his team attempted to create a series of broken liquor bottle sculptures. Despite consulting MIT experts and Dale Chihuly’s team the project was sidelined because it was too difficult to realize. Such dedication and through research are major components of Lazarrini’s artistic practice. Part of this obsessive thoroughness is his desire is to eliminate art-specific materials from his work. In doing so the viewer’s experience is completely different. There is a sense of authenticity, which makes the distortion all the more extraordinary.
Violence is another component of Lazzarini’s work and it extends beyond the fact that he chooses to work with guns, bullets, knives and skulls. The objects themselves are disturbing, and the way they exist in our visual field is also disquieting. We so want to make sense of them, to right the disfiguration so that we can easily understand them. Ultimately though, Lazzarini’s works completely refuse that possibility, making them all the more compelling.
Girls-Unawares is a 3d artist based in Hamburg, Germany who creates media-morphed, sexually-reduced, ad-aesthetical and fetishized models that deconstruct fashion photography. See the more explicit images after the jump.
Mixed media artist Anila Quayyum Agha has figured out how to decorate an entire room with shadows cast from a box. Laser cutting intricate patterns into a wooden cube, a light within the cube projects an intricate display of shadows that envelope the entire room in ornate design. The results are breathtaking and the philosophy behind her work is fascinating.
This project, titled “Intersections,” combines the patterning of Islamic sacred spaces with architectural aesthetics:
“The Intersections project takes the seminal experience of exclusion as a woman from a space of community and creativity such as a Mosque and translates the complex expressions of both wonder and exclusion that have been my experience while growing up in Pakistan. The wooden frieze emulates a pattern from the Alhambra, which was poised at the intersection of history, culture and art and was a place where Islamic and Western discourses, met and co-existed in harmony and served as a testament to the symbiosis of difference. For me the familiarity of the space visited at the Alhambra Palace and the memories of another time and place from my past, coalesced in creating this project. My intent with this installation was to give substance to mutualism, exploring the binaries of public and private, light and shadow, and static and dynamic. This installation project relies on the purity and inner symmetry of geometric design, the interpretation of the cast shadows and the viewerâ€™s presence within a public space.”