The drawings of Los Angeles based illustrator Sterling Bartlett are a perfect mix of heavy metal cool and Ironic humor. Each drawing is a perfect iconic image that grabs your attention from a mile away yet is easy to digest in just a few seconds. Perhaps that’s why he creates graphics for some of our favorite LA based clothing lines such as Blood Is The New Black and Krew Denim.
Kevin Earl Taylor’s paintings have a symbiotic theme showing organisms, animals, and humans all coexisting. Whether parasitic or beneficial, the common thread behind his oil paintings is that these strange creatures all exist together – similar to our own reality. His fascination with animals, environment, and human relations has led him to turn animals into humans in an anthropomorphic figure. The collective consciousness that makes us aware of other beings on the planet is incorporated in his paintings to tell a story of life, and this thing we call death. Taylorʼ s abstract narratives are dream oriented in a playful, sometimes renaissance oriented painting style. With humor, harmony, morphology, genealogy, symbiosis, and just not taking himself too seriously, Kevin Earl Taylor attempts to expose the animal within.
Kevin walks you through some of the work in Deviant Instinct, his show at Circleculture Gallery in the video above and discusses the various concepts and themes within his work.
This past weekend I walked into Venice Beach’s Universal Art Gallery and found myself instantly captivated by the paintings of Robert Palacios, which are currently there on display. Robert is a Los Angeles native, and his work spans the mediums of paint, linocuts, paper mache and even avocado pits. His work is marked by vivid colors and everyday narratives, played out by some very unordinary, playful characters. Although not represented in the images here, Robert seems to take great care in selecting the frames for his paintings – thick, gold and gaudy – a choice I couldn’t have imagined would work so well to complement and complete his paintings.
If you don’t remember last year gas prices were through the roof in the states. Immediately everyone was wondering why we weren’t switching to futuristic electric vehicles. This movie has some of the answers for why we are going at a snail pace towards a cleaner, more efficient world.
With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius’ sold this year), this story couldn’t be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country’s future; issues which affect everyone from progressive liberals to the neo-conservative right. Written by Richard D. Titus
Here’s some of artist Charles Clary‘s new pieces, some of which can be seen in at the Diana Lowenstein Fine Art Gallery in Miami Florida.
Hand cut piece of paper on panel with acrylic makes you appreciate clearly how much time, effort, and passion Charles has for his work.
Chinese artist Shu Yong created an atypical waterfall using upwards of 10,000 recycled toilets, sinks and urinals. The project took two months for Shu Young and his team to complete and covers a wall 100 meters long and 5 meters high. Originally designed for the Foshan Pottery and Porcelain Festival, a porcelain product tradeshow, the piece is now installed as a permanent piece of public art. Each toilet was connected to a tap so that they could be flushed—the point being to give a viewer an idea of just how much water is used in a city as large as Foshan.
Shu Yong typically works in many mediums, ranging from painting, photography, sculpture and performance, always interested in “bubbles.” For Shu, bubbles are not just a symbol, they’re also a concept. Shu says, “I use various methods to deduce bubble, making it a totem in both conception and form.” Alongside the Toilet Waterfall Shu installed one of his “Bubble Women,” a sculpture of ballooning women’s breasts. A seemingly unusual pairing, Shu uses the Bubble Women as a reflection of the motivations and interests of modern day society. Juxtaposing the two works makes for a bizarre, yet strangely effective, commentary on contemporary culture. Shu believes in using such provocative work to address cultural mythology, politics and contemporary anxiety in China, or as he calls it, “his laboratory.” (via amusingplanet)