Joe Rudko is a talented artist based in Washington state. In his current series he combines found photographs with his drawings. According to his artist statement: “These works are responses to a shifting relationship with found photographic objects. Collaging a vintage material with hand drawn addendums exposes the vulnerability of the static image.” Check out more images after the jump.
French digital artist JC Debroize has created an unsettling font called “The Human Type” using modeling clay and digital effects. Debroize completed this project as the creative director for the graphic design studio Kerozen. After using modeling clay to render the shapes of the letters, Debroize took photos of both the letters and the faces of the 7 Kerozen team members. “Then I made a mapping of skin textures on the letters with Photoshop and added the hair and the eyes,” Debroize elaborates. “It was not a problem to show an unflattering image of us. We laughed a lot making this.” (via laughing squid)
Debra Broz, a ceramic artist in Los Angeles, has a dedication to manipulating the conventional ceramic animals used and loved for kitschy home decor. Through her art surgery, she forms nearly mythical renditions of hybrid-animals. Although they still look cute, there is something inherently off and relatively creepy about them. Starting by sourcing and finding old ceramic pieces she is attracted to, Broz then re-assembles and grafts parts and pieces of different ceramic sculptures together. Arms, legs, multiple heads- she tries it all. The doe-eyed Franken-furries still contain an element of innocent, their new freakishness framed with such subtlety that it is nearly camouflaged; for many viewers it takes a second glance to even notice that something is amiss within the structure and proportion.
Broz eloquently articulates her work in an interview, “The thing is, it all depends on perception. Though kitsch may act as if it is the antithesis of fine art, if you start trying to analyze it you run into many of the same complex issues you would if you were analyzing fine art. Personally, I enjoy the intellectual play that is part of analyzing objects. It seems funny to me that people desire to take content away from things rather than explore it. Part of what makes the world interesting is how complex it is, and I’d rather have the complexity, with all its difficulty, than a watered-down, idealized and simplified version. That is part of why I’m interested in kitsch. If you really start looking into it, it is just laden with references.” (Excerpt from Source)
I’m sure you recognize the reference here. In case you were in doubt, the Belgian artist Jan Fabre is reinterpreting the most iconic work of the renaissance, Michelangelo’s Pietà.
Michelangelo’s famous work of art depicts the body of Jesus on the lap of his mother Mary after the Crucifixion.
Fabre’s interpretation gets personal, a little macabre, and a bit controversial…
In his rendition, Fabre places himself as Jesus with a butterfly perched on the side of his mouth. The heavy, dead-looking body wears a crisp, classy but torn suite. A closer look reveals a scarab at the edge of his cuff that is slowly drifting off towards the artist’s lifeless hand, which is tenuously holding on to a human brain.
The Virgin Mary’s face is replaced by a skull, which many would say is a reference to the Vanitas, the universal symbol of death.
The work was shown in Venice in 2011. This was in close relation to, but not a part of the 54th edition of the Venice Biennale. Given the place and the country (a very religious one) in which it was shown, you can image the controversy it created. The artist commented on the matter:
“is not to convey a blasphemous or even merely or provocative message. This work represents a “performance sculpture” that illustrates a mother’s real feelings when she yearns to take the place of her dead son.”
Have you found yourself in a dark wood? Has the clear path been lost? Do you have a dead fish in your hand? If so then HELP ME HELP YOU at Goat Helper: Volume 1 debuting tomorrow at Los Angeles artspace Show Cave!
This LIVE screening of experimental video art and animation, installation, live video, goat themed food art, costumed “Helpers”, and of course Oreo the beloved pygmy goat. The screening features work from Shana Moulton, Jacob Ciocci of Paper Rad, John Michael Boling, Art Clokey (creator of Gumby) and many more! Don’t miss out. Screening starts at 9PM sharp.
Street artist Roa keeps things large and in charge with his massive animals. Whether it’s dead gators, or skinned rabbits Roa brings the carnage of the wild into the urban streets for all of us to enjoy.
Eric White is a painter living and working in Brooklyn. He creates work that challenges the body with differing proportions, repetition, and color. The work is exquisite in every sense, and owns the world it lives in completely.
What the inside of my brain looks like after a long day of art making about Beautiful/Decay working!