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Grégoire Alexandre

Grégoire Alexandre

Grégoire Alexandre‘s photographs are full of drama and whimsy. Each piece looks like a snapshot from an insanely epic, Michel Gondry-directed dream. And who wouldn’t want a photo shoot with a life-size origami unicorn?!

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WPA Posters From The 30’s And 40’s Promote Everything From Curing Syphilis To Travel

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Back in the 30’s and 40’s a program called the Works Progress Administration (WPA) was an attempt to provide more jobs for people. Those with artistic inclination were commissioned to make a series of public service announcement posters which covered everything from traveling to curing syphillis. Largely stemmed in Bauhaus and modernist traditions they lend themselves to early collage and minimalism. The colors are sparse and the shapes which make up the lettering and images seem cutout from construction paper. Even though these were done solely on a commercial level the artists involved were trained and put their very specific stamp on them. Mainly shown in states such as California, New York, Illinois, Ohio and Pennsylvania, the artists involved did not sign the work and most of the pieces were discarded after use. Recently, a committee was formed to try and recover some of these posters. The WPA Recovery Program was created in 2001 to try and locate original copies of the 2000 posters made.
Looking back experts have determined that these have become notable pieces of art and a legitimate record of that time. In 2008 a book called Posters for the People was published showing many of the works and identifying artist’s different styles. (via Hyperallergic)

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Hélène Jeudy’s Magical Graphite

Brussels-based Hélène Jeudy consistently pumps out magical graphite drawings that never cease to dazzle the eyes with the banal and the demonic. From the kitchen to the pits of hell you will go, with your eyes being blasted by her beautiful tonnage. She recently, had a book released by POGO Books. Support. This. Lovely. Dream.

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Chad Hagen’s Nonsensical Infographics

There’s been a lot of talk of 2012 being the “Year of the Infographic”: visual representations of data as aesthetically pleasing as they are informational. Chad Hagen welcomes us to “the world of fictional information” with illustrations that explore what we’ve come to accept as infographic staples — a visual key, multi-dimensional shapes, a vibrant color selection — with none of the facts. Without the burden of telling a story culled from factual data, various dimensions, planes and colors are free to tell whatever story they choose. (via)

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Interview: Marsha Pels

Marsha Pels poetically recontextualizes found objects of power and politics. Cohesion in her works is achieved though this particular modus operandi, though not necessarily in subject matter. Her gutsy recent exhibit at Schroeder Romero, “Dead Mother, Dead Cowboy,” made a connection between the recent death of her mother and abandonment by her partner. Artworks within this exhibition included a fluorescent lit, crystal-clear casting of Pels’ mother draped in mink stoles, her ex-lover on a deconstructed motorcycle, and castings of her own hands made in her mother’s gloves. For lack of a better word, this personal and haunting expose on desire, loss and morning is brave—laying bare an honest, and witty personal narrative. Recently Marsha discussed her creative inspiration, and her in-depth thought process behind her recent sculptural series. 

 

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It’s Hard To Believe These Photorealistic Images Are Actually Drawings

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The Singapore-based artist Ivan Hoo creates astounding photorealistic drawings on simple wooden boards; his expert technique cleverly mimics three-dimensionality, tricking the viewer into mistaking pencil-drawn lines and pastel shading with real-life objects. The content of Hoo’s still lifes is often a domestic accident: a spilled wine glass, a broken vase, a cracked egg. The artistic marriage of the seemingly mundane content with the masterly craftsmanship results in an uncanny examination of the everyday, finding radiance and beauty within the routine.

In a household, Hoo’s vivid scenes might inspire slight anxiety or irritation; in one image, a Coke can topples over, drenching the wooden board, which takes the place of a fine wood table. But because these moments of spillage are fictional, and because they require effort in the place of negligence, they elicit marveling admiration. Because these “accidents” require a paradoxical foresight and meticulous attention to detail,, the annoyance of mess is transformed into a celebration of line and color.

Throughout Hoo’s body of work is a consistent element of surprise and delight. A cat pokes his head through an illustrated hole in the wood, transforming the simple plank into a fence, and a seemingly blank wood canvas is shown to be covered in tiny, precisely-rendered water droplets. In photographs of the work, the headphones he wears persistently fall onto his canvas, initially integrating effortlessly into the photorealistic image, blurring the lines between accident and intention, between artist and art piece. Take a look. (via Lost at E Minor)

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ALESSANDRO GALLO’s Animal Human Hybrid Sculptures

Welcome to the world of  London based sculpture Alessandro Gallo where bird people hang out on a ledge, Tattooed lizards chill with a mild case of beer guts, and a cornucopia of creatures read and patiently wait at a bus stop. More manimal hybrids after the jump.

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Matt Mahurin’s Widely Varied Creative Output

 

Illustrator/Photographer/Filmmaker Matt Mahurin has published illustrations in Time Magazine, Rolling Stone, The New York Time, and more. He’s compiled photo essays on the homeless, people infected with HIV/AIDS, the Texas prison system, and more. He’s directed music videos for artists like Tom Waits, R.E.M., Metallica, David Byrne, and MORE. That word- “more”, comes to mind a lot when going through Mahurin’s work. He just seems to be doing everything at once. And he does it so well. I’m always astounded when I come across a multidisciplinary artist making work in each of his or her chosen platforms that’s just as good, if not better than that of artists who choose to focus in only one area of practice. I mean it’s just not fair. Check out more of Mahurin’s widely varied projects after the jump.

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