Israeli artist Ron Arad has a thing for the Fiat 500 car. Ever since his father was almost struck by a garbage truck while driving a Cinquecento, the Italian automobile played an important part in his life. Arad tells the story of how he came to own his first Fiat to W Magazine. While stopped at a red light in a taxi, a Fiat pulled up next to him, and he
….opened the door of the taxi and shouted to the driver, ‘Are you selling?’ The next day, his car was [his]’. (Source)
That car was used to cart his family around for a number of years, and even housed a homeless man for a short period. After looking at it every day, he decided he wanted to immortalize the car like the cultural icon it is. Using a metal press at a shipyard in Groningen, in the Netherlands, he managed to squash and squeeze the cars into a 12cm thick plate. After spending a while trialing with smaller cars and a variety of presses, Arad found the perfect way to flatten the frames while still keeping the integrity of the shape and design. It is quite a bizarre sight seeing something which is normally such a full shape being hung on the wall like it is a colored cardboard version of a car. Arad has indeed preserved the idea of the Fiat 500 for all to gush sentimentality over.
His exhibition “Ron Arad: In Reverse” is on view at Paul Kasmin Gallery, 515 West 27th Street in New York City, until March 14, 2015.
Artist Ramiro Gomez alters luxury magazine ads and photographs by adding in the often-underpaid workers that make their beauty and opulence possible. He paints gardeners, cleaning ladies, people who maintain swimming pools, and more. They are faceless bodies and appear like ghosts in and in front of mansions and sunny palm trees. By doing so, Gomez highlights the disparity between these lavish lifestyles and the workers who barely make minimum wage.
Gomez experienced this firsthand as a live-in nanny for a wealthy West Hollywood family. In an interview with Fast Company, he states, “It was interesting the feeling that would happen as I was signing off this purse, that the family had so much already, yet they weren’t able to pay [me] more,” Gomez says. “I took it personally, in a way.” This job was also where he first had the idea for the series. After fishing magazines like Dwell and Luxe out of the trash, he tore out the ads and started painting in figures.
So, what do affluent folks think of Gomez’s work? Those that have seen it actually like it, including his former employers. His paintings illustrate the complex economic system that find ourselves in. Those who can most likely afford Gomez’s work are ones that identify with the luxury lifestyle. But, they are essentially buying work that is critical of their status. That’s part of the point of Gomez’s paintings – to engage with an audience who might otherwise not realize the other side of their privilege. (Via Fast Company)
Ink & Paper is the tale of one of LA’s oldest letterpress printshops Aardvark Press and Los Angeles’ oldest artist paper distributor McManus & Morgan Paper. These two shops were once part of the thriving printing community but with the advancement of cheap (and poor quality) digital presses and inferior low price paper they have lost the booming business that they once had. Hear how these two historic Los Angeles landmarks stay in business and help one another survive in this era of “Cheap Is Better” and If you’re in the Los Angeles area make sure to stop by and support them! Watch the full documentary by Ben Proudfoot after the jump!
Wooden framework, first stage for mounting elephant
Assembling bones for Nodosaurus dinosaur skeleton from dinosaur bone collection
Charles Lang and Carl Sorensen working on skull of Palaeoloxodon antiquus italicus
Museum staff with fossil shark jaws under restoration
If you’ve ever been to the American Museum of Natural History in New York City, you’ve probably spent some time marveling at the grandiose installations and the larger-than life exhibits of species that are both alive and extinct. The Research Library at the museum kept incredible records of how these things were produced and have the photographs available for view on their website. These behind-the-scenes looks are fascinating, featuring taxidermy, assemblage, and the hoisting up of giant bones.
Employes built a lot of the structures from the ground up, forming armatures for what were birds, elephants, antelopes, and more. There was also fun to be had with large fossils, like a shark’s jaw, where we see one of the employees suspended in air, sitting on it, paying the giant teeth very little mind.
Removed from context, there is a surreal quality to these photographs. They represent a different time, an era when we didn’t have all the technological advances that we do today. Because of this, things in the museum have the tendency to feel dated and look aged, but these records show the amount of knowledge of craft and handiwork that had to go into the giant exhibits that we still visit today. (Via Fish Eyes)
From a distance, artist Ye Hongxing’s works on canvas appear like pointillism technique, as if it’s thousands of tiny painted dots occupying a single canvas. But, as you look closer, her images are much more than that. The small spots of color are actually decorative stickers! Cartoonish dogs, cats, fruit with faces, smiling raindrops, and virtually any cutesy design under the sun make up the complex compositions. They’re a collision of subject matter, and you’ll find pop culture icons, animals, flowers, and historical references are just some of the things you’ll find in these swirling works.
The dizzy mosaic are meant to fuse traditional Chinese imagery with contemporary society. Religious statues, for instance, flow into Darth Vader’s mask. This juxtaposition is the artist’s reflection on China and how its culture has been influenced by the West. “Using stickers is a conscious challenge to traditional and conventional mediums,” she writes in an profile for the Lux Art Institute. “A sticker has an enormous amount of information in it, they reflect the time we’re living in and they are fragmented and mosaic, so I can give them a new order in the landscape I’m creating.”
The folks over at the Chiizu have just relaunched the app and totally revamped their content publishing platform. It’s easier than ever to browse the shop and preview artists themes like Junko Mizuno, Aya Kato, Jesse LeDoux and Skwak.
Chiizu partners with artists and designers from around the world to bring exclusive visual content to your fingertips. The brand new publishing platform acts like a gallery so every theme you buy supports the artists you love. Chiizu’s artist content is exclusive, you won’t find it on any other photo decoration app.
Le Goff & Gabarra is a design agency based in Paris. Their work demonstrates an understanding of bold colors and strong typography. I’m partial to their physical typographic works, especially their work for 6 scope. That 6 made out of water looks pleasantly scientific (check that one out after the jump). Good job to you Le Goff & Gabarra, keep ’em comin’!