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John Kleckner

John Kleckner’s tortured wizards all look like they have imbibed a forest full of bad acid trips.

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Kent Dorn’s Gooey Faces And Places

I’m loving Kent Dorn’s gooey, thick paintings with just the right amount of collage tossed in.

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Cathrine Ertmann Confronts Death With Her Powerful Photo Essay From the Morgue

Muscular stiffening begins between four and twelve hours after death. It starts in the neck and makes movement of the limbs impossible. When it reaches the scalp, it can make the dead body’s hair rise. Like goose bumps on the living.

Muscular stiffening begins between four and twelve hours after death. It starts in the neck and makes movement of the limbs impossible. When it reaches the scalp, it can make the dead body’s hair rise. Like goose bumps on the living.

 His breast isn’t moving. The cells in his body have carried out the last of their work, the mechanisms have come to a halt and he is now not going to get any older.

His breast isn’t moving. The cells in his body have carried out the last of their work, the mechanisms have come to a halt and he is now not going to get any older.

In the chapel of the Pathological Institute of Aarhus University Hospital, the dead are received. Here they are dressed in clothes, their hair is combed and they are laid in the coffin, before we can say our last goodbye to those we have lost.

In the chapel of the Pathological Institute of Aarhus University Hospital, the dead are received. Here they are dressed in clothes, their hair is combed and they are laid in the coffin, before we can say our last goodbye to those we have lost.

Here are lying women and men, girls and boys on ice, because they were careless, because they were unlucky, or because their time was come. This woman was found dead in her home. She has just been through an autopsy, which confirmed that she didn’t die the victim of a crime. Soon her body will be dressed and laid in the coffin.

Here are lying women and men, girls and boys on ice, because they were careless, because they were unlucky, or because their time was come. This woman was found dead in her home. She has just been through an autopsy, which confirmed that she didn’t die the victim of a crime. Soon her body will be dressed and laid in the coffin.

These photos of the dead are purposefully anonymous. In “About Dying” Danish photographer Catherine Ertmann was aiming for the universality of death rather than the stories of these particular dead. And that’s what makes this series so moving. In photographing the dead so intimately, bare of everything, including their life stories, she has made room for the viewer in the morgue—as observer and as deceased. Who doesn’t project themselves into the sewn torso, the half-clenched hand, the freckled cheek? Will it be the zipped bag or the fiery crematorium in the end? How can we live fully if we can’t look at death?

“This project tries to break down the taboo by showing something we rarely have access to, and that death can be both hard to look an but also beautiful. Just like when a new life comes into the world when a woman is giving birth. It deals with the incomprehensible fact that life ends and hopefully remind the audience that our time here is precious and what things really matter while we are here.”

This project was approved by Aarhus Universitets Hospital (University Hospital of Aarhus, Denmark), where she and journalist Lise Hornung worked.

The only complete certainty in life is that one day we will die. It is the most certain thing in the world, and the biggest uncertainty we experience of the world, because nobody can say what will happen afterwards. Maybe that is why we find it so difficult to speak about death.

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Marci Macguffie’s Wall Works

Marci Macguffie’s work ride the line between relief sculptures and wall paintings. My favorite works are her When Animals Attack series (pictured above) which have a great playful nature to them while dealing with issues of space and abstraction.

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Leif Podhajsky

Leif Podhajsky
From vagabonds to physchonauts, Leif Podhajsky has some pretty awesome designs. Leif is an artist and designer from Melbourne, Australia, were she is currently co-running a design studio called And. We love the work, keep it up!

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AIDAN KOCH’S FIELD STUDIES


Aidan Koch, a comics writer and illustrator who’s previously been featured on Beautiful/Decay, has started a new blog entitled Field Studies to help fund an extended period of traveling. Koch, who hails from Portland, Oregon, is drawing intriguing sights she encounters during her travels – often depicting local flora, or a recurring pup named Edie – and selling each original piece for $20 through PayPal. The payments go back into Koch’s travels, thus generating even more field studies.

The studies themselves manage to come off as both timeless observations and, with the focus on plants, for instance, articulations of the zeitgeist. They are austere without being restrained and composed without being constrained. Most usefully, they serve as visual inlets to her larger body of artwork. For those not already familiar with Koch’s comics and styles of drawing, a good place to start is her comic book The Whale published by Gaze Books.

As part of her season of traveling, Koch will be the artist-in-residence at Skylab Gallery in Columbus, Ohio, during the month of June. As there is a lot of America in-between Portland and Columbus, I suggest checking out Koch’s drawings that are after the jump, then finding one that suits your daily décor needs on her site.

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Artists Who Look Like Their Work by Paul Wagenblast

Paul Wagenblast’s portraits of artists who resemble their artwork. Clever and very true.

 

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Miao Xiaochun

 

Miao Chunxiao’s new media work employs the latest three-dimensional computer technology to create  montage images and virtual realities that interpret historic artworks, especially classic paintings before and after the Renaissance.

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