This one goes out to all my fellow pixel pushers who sacrifice baby goats to the almighty Adobe gods.
Mark Mulroney is currently showing new work at Mixed Greens in Chelsea. The exhibition, entitled We’re Never Getting Rescued With That Attitude, features paradisiacal scenery created with graphite and acrylic applied to both found book paper and carved wood panel, respectively. In addition to reading Gauguin’s letters from Tahiti, studying Tarzan imagery, and internalizing clichéd tropical sunsets, Mulroney investigated 30-years-worth of Playboy and Penthouse magazines in preparation for the show. Click past the jump for some installation views, and check it out in person before April 20th.
At times called ‘performative sculpture’ Swiss artist Victorine Müller combines sculpture and performance art to intriguing effect. Her large but airy PVC sculptures stand ghost-like, glowing in the light and disappearing in the shadows. Müller herself sits or stands peacefully inside the sculpture. The title of her most recent exhibit “Wild at Heart” sheds some light onto her work. Müller temporarily inhabits the inside of an animal – the guts, the heart, the womb, the soul. Though simple, each performance connects easily with the viewers communicating, as Müller says “something that is not said and cannot be said, but that is.”
Yoshimasa Tsuchiya’s beautifully delicate creatures are painstakingly carved out of wood and hand painted. Check out the Making page on his site to see the process.
Raffaello Ossola vibrant dramatism and invented landscapes create an exciting space for the viewer to explore and ponder. Each one offers an opportunity to imagine yourself in his universe, wandering through mazes or floating around trees. Although Ossola takes liberties with his compositions, ultimately they retain the verticality/gravity that we are familiar with. Where he leaves the laws of our world more readily are in his pools. They seem to be reflecting a cloud, moon, or other objects in the sky, but the eye reads it more as if the elements mentioned are situated in an environment within the water. The surface of the water appears more like a penetrable glass casing than a body unto itself. It’s mesmerizing to see.
Though most of his paintings don’t contain living creatures, occasionally Ossola will include a part of or even a whole figure, bug, or animal. His ability to render invented landscapes is more convincing than these living subjects, but it’s an interesting attempt. Sometimes the living creatures break the illusion of the scene, and they tend not to engage with the environment in a very natural way. On the other hand, these environments are very barren to begin with, and it may be for this reason that living creatures appear foreign or perturbing in some way. I enjoy the idea of seeing a person trying to scramble up the side of a tilting pool or interacting with the glassy water. I know also, though, that it might set stricter boundaries for my own imagination and experience of the paintings.
Visit his website to see his more recent maze paintings. (Via Melt)
High end fashion made out of Beef Gelatine and agar-agar sea vegetables might not hit the runways just yet but kuddos to Emily Crane for being at the forefront of high tech kitchen couture (who knew there was such a thing). Read more and watch a video after the jump and see how glycerine, fatty acids, and even bubbles are turned into fashion.
Brendan Flanagan‘s acrylic painting technique is as macabre as his subjects. His large scale paintings, depict Images of ambiguous characters, existing in a world that seems to be melting around them.
Paul Graves’ work is lewd and provocative, but is really clean and “editorial” at the same time. When browsing his portfolio you’ll notice the often usage of a couple things: balloons, nudity as a costume, and mannequins. It seems he likes exploring human vice, which always makes for a good concept…and zentai (Youtube is currently down, but the video should be good so check back later to see it, haha)!