Since 2003 Judith Ann Braun has been experimenting with a new artistic medium and a set of rules: Symmetry, abstraction, and a carbon medium (usually charcoal or graphite). Braun’s work, Fingerings, entails the use of her fingers in lieu of more traditional tools in order to create intricate and bilaterally symmetrical designs, sometimes covering an entire wall. The details of her sweeping landscapes are also all perfectly symmetrical. For some of these works, Braun will use both hands simultaneously to help create the symmetrical effect she wishes to execute. Braun lives in New York City and was a contestant on Bravo TV’s “Work of Art” in 2010.
Inspired by his southern memories American artist Wayne White intervenes directly on vintage landscape reproductions, penetrating and filling the vintage scenes with three-dimensional words and phrases. Provocative, ironic and sometimes humorous, his work explores cultural and social themes such as vanity, ego or pride.
Sarah Roesink from across the pond in London, photographs her surroundings. We really enjoy her series, as they seem to be so… not spontaneous, but .. normal. In a good way. Like she takes her camera and her skills with her wherever she goes and photographs with a series in mind that she decides while she’s walking past a field.
Christopher Janney’s work often activates multiple senses simultaneously, using both visual and auditory stimulation to evoke emotional responses to viewers. Calling it a ‘sonic portrait’ of Miami, his work Harmonic Convergence combines sound, light and interactive elements to emulate a positive experience of place in an otherwise sterile airport environment.
Located in a pedestrian walkway leading from the car rental buildings to the airport proper, Janney replaced the existing windows with a prismatic arrangement of colored glasses. Columns and design elements were also repainted white, to better catch the sun’s lights streaming through the colored glass. This was Janney’s second installation at the airport, succeeding his previous piece, Harmonic Runway.
Like most of his work, sound plays an important part of this installation as well. According to Jenny Filipetti at Designboom, “Speakers installed at regular intervals along the walkway create a continuously changing ‘sonic portrait’ of South Florida as they play the sounds of tropical birds, thunderstorms, and other environments native to the region. Video sensors at either end of the passageway track visitor movement, causing changes in the density and composition of the sound piece relative to the number of passengers in the space.” (via designboom)
Visual artist Jennifer Davis is well-known on the internet for her whimsical and imaginative drawings and paintings (previously here). But in one of her latest series, Davis takes her trademark renderings and has paired them with an unlikely match, paper shooting targets.
In a conversation with Beautiful/Decay, the Minneapolis-based artist explains the history of the series, starting with inspiration for a printed target seen in an architecture/lifestyle magazine. “…I learned that I could get enormous packs of different colored targets from a gun shop for under $20. I started off thinking more about the symbolism of guns/violence/innocent victims/”badguys”/etc. (one of the first targets I made was called “Riddled”- I cut an intricate pattern of tiny holes all over the target.)” Davis then began using the colored paper targets as a base, decorating them with hand-drawn and painted intricately unique characters. The series evolved as Davis began taking commissions and painting other people’s ideas and applying them to the targets. “I started doing a lot of commissions, which morphed the way I was thinking about them. It is a fun exercise for me to paint someone else’s vision- it has stretched the way I think about the targets. I no longer relate them only to violence. I think about each one differently and it is interesting for me to play with adding whimsy or beauty to such a symbol. I am transforming them into something new.”
Ariana Papademetropoulos’ long last name may be the very thing that inspires her mystic paintings. Or, at least that’s just what I’d like to believe. I saw her work during CalARTS’ open studios and it was definitely some of my favorite stuff on display. Especially, since it deals with spiritualism in a way that’s remarkably beautiful. Just look at her paintings of crystals that have hidden reflections of women and symbols, which can entrance the viewer into a reflective stare. There’s much more going on in Ariana’s work than one’s initial glance.