Andreas Pihlström is an extremely talented Swedish designer working in the arenas of graphic design, typography, web, and interactive work. You might know him as the creator of Dropular (pictured above), an extremely slick and well engineered image sharing and tagging website. I assumed based on these credentials he was more of a coder than a designer, but really he is equally strong in both disciplines, as you can see after the jump.
PS: Mr. Pihlström, if you read this, can I get a dropular invite? Please?
The exhibition “Baker’s Dozen” will be opening this Saturday, Sept. 19 at the Torrance Art Museum. The show is a really great survey of some of Los Angeles’s best & brightest contemporary artists- if you haven’t seen the works by the artists exhibiting here yet, you no doubt will soon–many of them have been making some waves around the So Cal art scene for a while. Don’t miss this show if you’re in the area! To give you a taste, I’ve included (no pun intended based in any way off the image above) selected works by my personal faves after the jump including Allison Schulnik, Tia Pulitzer, Jared Pankin, Aragna Ker and Mark Dutcher. The brilliant Eric Yahnker featured above. For the other half of the baker’s dozen, you’ll just have to check out the show yourself!
Los Angeles-based animator Miwa Matreyek completed the above film, entitled “Dreaming of Lucid Living,” as her thesis in the CalArts Experimental Animation program. I am completely blown away by it. I’m not entirely sure how it was made, but it seems to combine live performance with both pre-made animations as well as semi-autonomous, rule based animations that update based on what a camera is seeing. The result is unlike anything I’ve seen before, completely living up to the “experimental” aspect of the program.
As part of our ongoing partnership with Feature Shoot, Beautiful/Decay is sharing Roger Kisby‘s interview with photographer Shawn Brackbill.
Shawn Brackbill is a Brooklyn, New York based portrait, fashion and music photographer.
I first came across your work a few years ago on Flickr. It seems like you were shooting mostly musicians then. How did you come to be involved in shooting fashion week?
I was shooting mostly musicians up until my first Fashion Week. I pitched a shoot to Dazed and Confused in July of 2008 to cover an event called Boadrum 88. It was started the year before by The Boredoms, a Japanese band, and that year Gang Gang Dance would be leading the performance of 88 drummers here in Brooklyn. I covered the event using multiple Polaroid cameras and Yashica Electro GSN rangefinder I had acquired from Ebay and refoamed.
A few weeks after delivering the images from that shoot, Dazed contacted me about covering the Spring / Summer 2009 New York Fashion week for them. They basically sent me out with a list of shows to cover and not much direction. That season I started to figure out what and how I wanted to cover Fashion Week and was hooked.
After soaking them for thirty minutes in freezing liquid nitrogen, the New York based photographer Jon Shireman hurls flowers onto a hard, white surface, causing them to shatter into hundreds of pieces. The series, titled Broken Flowers, plays on our assumption that flowers are soft and supple; as an integral part of much still life photography, the blossoms normally symbolize youth and delicate feminine beauty. Under Shireman’s lens, however, the flora is transformed into something cold and hard. Against a sterile white backdrop, they appear sterile and brittle, a far cry from the spring buds that blow in the wind.
Throughout his career, Shireman has maintained a connection with flowers in decay; in other still lifes, he has cataloged the wilting of tulips and mums. This series, unlike those previous, is brutal and instantaneous. Where his other flowers underwent a slow, gradual death, these broken flowers are quickly frozen and violently ruptured. The process captured here is not a natural one but one that necessitates the use of a manmade element.
With almost surgical precision, Shireman’s lens focusses on the fallen flower, and he abandons the moody, romantic lighting he uses elsewhere in favor of high resolution and vivid color. Though flattened, the shattered blossoms maintain their basic structure; the bud, the stem, and the leaf can still be made out. The very veins of the plant are preserved by the liquid nitrogen. In this way, the flowers look like dead bodies in some unusual crime scene, outlined yet robbed of their living essence. Take a look. (via iGNANT, Feature Shoot, and Agonistica)
Through his series, “The Birth of Feminism,” Daniel Almeroth shows the symbolic events that occurred before and after this political movement. In each piece he is trying to portray the way women were controlled by men through many different aspects of society and the path women of this time took to gain equality among men. I really enjoy his use of colors for this subject matter. The color palette is unexpected and I feel he could have taken a much different approach to such a serious political movement in our history, but I love the path he chose to take for this series.
Party Food is a project Joseph Gillette started in 2006. It incorporates a collage filled landscape of video, performance, sculpture, drawing, music- framed in an all encompassing Sesame-Street-on-Crack-ness. He has written, produced and performed three chapters so far, and is currently writing the fourth with the hopes of showing in LA some time this summer. This video in particular creeps me out and makes me laugh at the same time, which is great! It kind of reminds me of the uncanny valley– between a totally impossible and and familiar object.