Painter and sculptor Emma Hack‘s collection, “Wallpaper,” is a series of meticulously painted models made to blend in with the designs behind them – true wallflowers! Hack must have been incredibly patient when working on canvases that move and breathe; her work is so precise, if you blur your vision, the models effortlessly become part of the wallpaper.
We continue our month long series of free outdoor screenings at Space 15 Twenty this Wednesday, May 13th, with “Basquiat.”
The screenings are projected on the large outdoor screen located next to the Snack Bar. Seating is limited so arrive early to secure a chair, but if you get there late, no worries you can always sit on the floor or bring your own chair! Last week we even had a couple of troopers stand and watch the film!
Basquiat examines the meteoric rise to art stardom of Basquiat, a young artist renowned for his loose and expressive style- and dating Madonna at the ripe old age of 24! If you’ve never seen this film, Basquiat is the classically Shakespearian figure of the romantic and mysterious tragic-fated artist. The film also continues to explore themes of trends and commodity.
Drinks, Snacks and Popcorn are available at Snack Bar!
Basquiat- Wed, May 13
1520 N. Cahuenga Blvd
Los Angeles, CA 90028
See more Beautiful/Decay Movie Times for the month of May after the jump!
Photographer Abelardo Morell brings that outdoors in in his series Camera Obscura. Morell installs a lens or prism in a window and transforms an entire room into a camera obscura. The view outside is then projected on the opposing wall – upside down through the lens and right side up through the prism. A long-exposure photograph captures the outside world as its projected within the room. He says of the process and series:
“Over time, this project has taken me from my living room to all sorts of interiors around the world. One of the satisfactions I get from making this imagery comes from my seeing the weird and yet natural marriage of the inside and outside.
Melissa Godoy-Nieto is a multidisciplinary Mexican artist and designer based in Brooklyn, NY. Born in Tijuana, Mexico, Godoy-Nieto incorporates pre-hispanic history, art and hieroglyphics with traditional crafts and materials that she uses in untraditional ways. For her installation at SPRING/BREAK art fair earlier this year Godoy-Nieto painted the inside of a closet with a bright mix of mystical South American imagery, focusing partly on life, and partly on death. Though she references the vibrant palate, dynamic and hand crafted aesthetic of Mexican culture, her works employ unusual techniques and structures, making the final product relevant and contemporary.
Her “textiles,” which she refers to as paintings, incorporate imagery from traditional Mexican imagery and patterns, but are made with untraditional materials. Taking the concept a step further, Godoy-Nieto will sometimes link her paintings to spray paint cans using hand-dyed yarn and pushpins. Describing the works as “experimental murals,” Godoy-Nieto toys with a viewer’s sense of how the work was made; conventional imagery is presented as being created in an unconventional way. Initially, a viewer might believe the work is made with spray paint, but then he realizes the spray paint is yarn and had nothing to do with forming the actual image. By challenging expectation and altering dimension, Godoy-Nieto’s process directs the way in which a viewer might interact with or perceive the work, and thus the way he might consider traditional iconography within a contemporary context.
Alexi Worth’s playful paintings have an on-again-off-again relationship with photography, illustration, and art history. The above painting is titled “The Formalists,” and it’s a very formal painting. On one hand the composition is geometric, and on the other the people are wearing black-tie, on the third hand they’re about to get intimate. Is it me or are those panties like a black hole?
Guy-Olivier Deveau’s sculptures would be fascinating in any medium, the fact that he works with sand and ice makes them that much more appealing and interesting. Deveau started out sand sculpting as a summer job in Quebec City so he could earn money to finance his education in the filed of philosophy. Now that he’s a sculptor full-time the Canadian artist travels around the world creating his ephemeral sculptures and competing in competitions. Though he also works with wood, snow and ice, Deveau appreciates sand as a medium because he feels he can achieve his desired texture, shadow and edges. Indeed, his final products are amazing feats considering their medium. Each of his sculptures takes approximately three days to create and each requires an immense amount of patience. Deveau starts with a sold sand block and slowly and carefully carves from that.
Deveau will often include themes relating to philosophy, mythology or psychology, incorporating his interests along with his talent. For instance, his most recent sculpture made on a beach in Texas, Bleeding, features a horizontal face, seemingly melting back into the ground. The agony and expression of the face are remarkable taking into account that they were carved out of sand. Though his was one of many sand sculptures created for Sandcastle Days 2013, the sophisticated emotion of Deveau’s Bleeding allowed it to stand out as eye-catching and thought provoking.
Sculptor Lauren Fensterstock crafts dark, supernatural worlds of monochromatic nature scenes, often fashioned in all black, that contain a deep sense of tranquility and serenity. Completed with paper and Plexiglass, these intricate scenes show flowers, grass and ponds. With thousands of flowers and blades of grass, all carefully placed, the work is dense and lush, taking over the room it inhabits. Fensterstock’s work breathes life into the space. Showing a landscape that is distilled into a single color illuminates the beauty and the texture of each individual component. Fensterstock’s work was recently published in a beautiful, hardcover book titled Radical Sentimentalism, with analytical essays and an in-depth catalogue of her installation work.
The details of her work as written on a representative gallery’s site:
“Fensterstock’s. site-specific installation work and wall pieces depict nature by incorporating meticulously cut and curled paper, charcoal, and Plexiglass to create floral and garden scenes. Fensterstock’s work and practice references French and English garden design of the 1500s to 1700s, the 18th century practice of ‘quilling’—sculpting paper by wrapping around a quill—along with a nod to, and reflection upon, 20th century American earth art and the work of Robert Smithson.”(Excerpt from Source)
Japanese photographer Osamu Yokonami’s voyeuristic series Assembly features groups of young women who all dress the same. The eerie images are shot from a distance, making the viewer feel as if they’re spying on the troops. And with their backs turned towards the camera, you don’t know exactly what their motivations are. Although they don’t appear to be causing any mischief, we can’t be so sure.
Yokonami writes about Assembly, stating:
Each person has their own personality. I try to keep a bit of distance between us in this work. Then, the existence of each person disappeared and the existence of the group appeared instead. The strength and beauty as a collective entity stood out more by being in nature. I was attracted to the expressiveness of the group. (Via WeTheUrban)