The fantastical works of Cerise Doucède illustrates the daydreams that we all have. In their series entitled Égarements, the French photographer shows people living their everyday lives, but who are frozen in a moment of contemplation. Around them is disarray, or, their fantasy. A child looks up and sees paper cranes above him while a woman peeling apples is similarly surrounded by the same fruit.
Doucède’s series is alluring in the fantastical sense, as we look at these compositions of where things are out of the ordinary. The photographs are formally striking; it’s visually satisfying to see these things levitate and appear to float in midair, as we’re not used to this sight.
Égarements points to the moments of banality in our lives where we turn to daydreams. Our reality might not be very exciting, so these fantasies come as a form of escapism from the monotony of the everyday. A more optimistic way of looking at this series might be that these people are so engaged in what they are doing that they go beyond what is in front of them to entertain grand possibilities. Maybe we’ll go with that. (Via This Isn’t Happiness)
I’ve never been a big coffee drinker (chocolate soy milk is my beverage of choice for me) but Black Gold had me wanting to kick down the doors to my local coffee shop and spray paint “Fair Trade Now” all over the walls. Black Gold documents one mans efforts at bringing fair pricing to the coffee farmers of Ethiopia who make less than a dollar a day growing al that delicious coffee that we pay $5 a cup for. It’s depressing to know that the farmers of one of the worlds most popular drinks are literally starving to death and can’t afford the basic necessities that we take for granted like shelter, water, and education.
Watch this documentary, only buy fair trade, and demand that your local coffee shop only support coffee brands that pay a fair wage.
Anton Gerasimenko‘s single paged web-works uses functionalities and traits of the internet browser in surprising ways. He turns the aesthetically mundane objects which are essential to any sort of online activity, tool bars and radio buttons, into subjects of these small sites. Each page has few to no links- when there are links, they transform the screen into a maze of pop ups, and when there are none the window seems to become a movie screen.
Collage typeography illustration from Alexis Anne Mackenzie has an air of playfulness without being overly girly, or illustrated. She shows a beautiful balance between image and letter, with I’m sure a lot of painstaking thought put into each piece. Nicely done!
Documentary photographer Nina Berman’s recent “Eat To Win” series is not for the faint hearted. Through her observation of eating competitions across the United States, she documents what she calls “the ferocity of consumption” and delves into the notions of frenzy and excess while depicting food as more than a necessary part of human survival. In these competitions, food becomes a source of competition, not in a necessary sense, but for entertainment. The series is comprised of close up of contestants, with their faces covered in food and savage expressions on their faces.
The competitions themselves unfold within 2 to 6 minutes, which underlines the way in which time is the most vital element of the competition. Berman’s photographs are interesting in the sense that she has chosen not to document the end result of the competition but the competition process in itself. This has resulted in a series full of intense facial expressions, a loss of manners and a visceral illustration of unbridled humanity.
Berman’s high definition close up allow you to step inside the world of eating competitions in an almost tangible manner, that brings you quite literally, face to face with the more disgusting side of being a human. She brings you into a high contrast world of overconsumption and excess and does not stray away from the greasy details. She places eating competitions at the junction of pleasure and pain, and by doing so establishes a subtle and somewhat humoristic critique of consumer society at its peak.
Light painting is a photographic technique created by moving a hand-held light source, or the camera, to create images via a long exposure. Artists experimented with the technique beginning in the early 20th century. One artist who uses light in performance is San Francisco artist Eric Staller. He creates and captures vibrant images. Michael Bosanko is another artist who uses light to create art. Using colored torches the way one might use a paintbrush, he captures the images using a long exposure.
Taking the idea to a new level, contemporary graffiti artists are also experimenting with light technology. Lichtfaktor is a collective of light painting artists, performers, photographers and media artists who are constantly pioneering into new territories of expression. Lichtfaktor artists use light, painting photography, media art installations and interactive media performances that blend into an exciting experience. Daniel Lisson, for example, is a designer, illustrator and artist from Cologne, Germany. His Monster Show consisted of a selection of light paintings done at a factory in Cologne. Also in Germany, Graffiti Research Lab is another collective that uses technology to create street art. Using objects like “LED throwies,” these artists engage new media for urban communication.