I can’t show you exactly what our initiation process looks like (i’d have to kill you if I did) but this video is pretty close.
Melbourne-based photographer Biony Ridley describes her work as an adventure or a fairytale, saying that her lack of organization when it comes to shooting images helps lends her work an element of chance.
Although Gowri Savoor experiments with dozens of different mediums, ranging from drawing and painting to mixed media sculptures made from fabrics, woods, her Seedscapes series might be the most immediately powerful. Taking various plant and fruit seeds which are pinned against boards like butterflies, in more geometrically-challenging patterns and formations, the sculptures resemble other natural forms, such as waves, sound-waves and snow or sand dunes.
The Leicester, England-born artist currently lives and works in Vermont, USA, where she gathers the various seeds used as materials in her metaphorically ephemeral works (including pumpkin, apple and sunflower). Says Savoor of her loaded-material choice, “In themselves they’re very fragile. No matter what I do, the pieces will continue to decay. There’s a human sadness as well, that everything will eventually die.” (via junk-culture)
Speaking of art and sand…here’s an awesome video of the day. Kseniya Simonova is a 24 year old sand animator from Ukraine who began her rise to Ukraine’s Got Talent fame when her business collapsed. She’d been drawing for only less than a year when she entered the contest with her piece (animated portrayal of life during the USSR’s Great Patriotic War against the Third Reich in World War II) and won earlier this year. I guess we at B/D will just leave the granulated stone masterpieces to the pros.
Night Lights is an installation project by YesYesNo, who teamed up with The Church, Inside Out Productions and Electric Canvas, to transform Auckland Ferry Building into the fun-nest most interactive large scale installation project I’ve seen. From technical details of software making, to the audience jumping up and down, playing with this big installation project space, this video will leave a smile on your face and wishing you could have tried jumping and tapping as the folks on the video were.
Adam Friedman celebrates the unchanging mystery of nature in his surreal, hybrid paintings that dissect landscapes from the real world. His newest body of work is bold in color and line, as he portrays scenes of glorious mountains and unwavering glaciers. His unique style depicts scenes of tremendous natural beauty, transformed them into something even more stunning. Plates of the earth seem to shift and glaciers are mirrored in a reversed world that Friedman so skillfully creates. The artist experiments and warps perspective in his paintings, like an M.C. Escher drawing toying with our mind. Sections of mountains are divided and manipulated into geometric patterns and shape that make you question exactly what it is you are looking at. Friedman describes his artwork’s intent.
“Millions of years are compacted into a single instant and rocks become fluid. I strive to present a moment that defies human intervention in the landscape, and pays homage to the potential in the inexplicable.”
Friedman explains that his work celebrates the unknown that the natural world possesses. Society attempts to explain, examine, and make sense of our environment, but there are some things we cannot understand. The beauty in the unknown can be felt in Friedman’s powerful series that radiates with intensity. Mirus Gallery in San Francisco, California currently has a solo exhibition of Friedman’s work on view until July 11th. If you have the chance to see this exhibition, titled Into the Aether, make sure to check out his compelling paintings in person.
Londoner Petra Storrs is not just a set, prop, and costume/fashion designer– she’s an artist who collaborates with performers to transcend ideas beyond the ephemeral and into a sturdy cult of fantasy. The “reflective mirror dress” she designed for Paloma Faith, for example, not only sharpens the singer’s playful theatrical identity, but further investigates this concept of “the gaze”. In Dazed and Confused Magazine, Faith elaborates on the intention, “Obviously, as a performer, I am normally the observed, but I wanted to flip that dynamic around and make the audience the focus.” Storrs response, of course, was to whip up a garment that literally does just that.
But it’s not just creative camaraderie that gets Storrs’ juices flowing– she also finds inspiration from everyday objects and history, or everyday objects that hold history such as . . . tea. Camellia & the Rabbit, her latest design endeavor (collected here), involves performance artist Rachel Snider, who uses “tea as a central motif/metaphor” and a narrative “like sea shanties” to interweave “historical facts and stories of tea”– thus, evoking our own personal relationship to this British afternoon tradition.