Perhaps you may be familiar with your state motto or state bird. However, what about your state amphibian or state grain? America’s fifty states have many official state insignia, some more obscure than others. Artist and designer Julian Montague highlights many of these for all of the states in the union in his new series State of America. While some state insignia may be predictable – Idaho’s official state food is the potato – others are bit stranger such as Georgia’s official state fossil: shark teeth.
Favio Martinez, better known on the street as Curiot, is a street artist based in Mexico City. His murals and paintings are especially colorful and complex. Curiot has a well-known and easily distinguishable style. Strange creatures populate his compositions. While each creature is definitely alien, Curiot creates them using familiar animal-like components. Often, these creatures are seen being worshiped by comparably tiny people giving the murals. In a way, this pulls Curiot’s work out of science fiction and places it more as a meditation and variations on Mexican Culture. The gallery statement from a recent solo exhibit at FFDG further explains Curiot’s inspiration:
“Curiot’s colorful paintings, featuring mythical half-animal half-human figures and scenes, which allude to Mexican traditions (geometric designs, Day of the Dead styles, myths and legends, tribal elements), are rendered in precise detail with a mixture of highly vibrant yet complementary colors. “Growing up in the States sort of gave me a diluted Mexican culture, I had no clue what I was missing out on until I moved back 10 years ago”, says Curiot. “The bright colors, folklore, ancient cultures and the beautiful handcrafts are some of the things that I embraced and which influence my work deeply”. The 11 new paintings in “Age of Omuktlans” tell the story of man’s distance from his natural path as he focuses his energy on satisfying his material pleasures and the dystopia this creates.”
In order to shoot this incredible time-lapse video of fireflies, photographer Vincent Brady used every photography trick he could think of – image stacking, 360 star trail panoramas, and macro shooting. He even learned how to operate a pontoon boat so he could frame his shots just right. The idea for the project began while Brady was celebrating his mother’s birthday in Lake of the Ozarks in April 2012. He noticed there was an unusually high number of fireflies due to an irregularly warm spring. By the summer of 2013, Brady had dug deeper into the project, and captured the images that comprise this awe-inspiring video.
You can visit his site to find out more information about each setting and time-lapse series included in the video, as well as learning of Brady’s affinity for the flickering creatures: “If your significant other ever says, ‘Honey, we need to spray the yard, we have a firefly problem.’ Break up, divorce, and get a restraining order right away! Fireflies just bless you with their presence, light up, make love, and call it a life.” (via colossal)
Photographer Jeremy Kohm has travelled & lived around the globe, honing his skills. He began his career as a surf photographer in Japan. Now based in Toronto, Jeremy works primarily as an editorial photographer and as an affiliate photographer for Fever Films. His images are clean, straight-forward and refreshingly minimalistic.
Designer Aaron Draplin’s tirade is probably not the most eloquently phrased criticism on the present practice and goals of graphic design but it definitely holds some truth. He’s actually a branding specialist…
As part of our ongoing partnership with In The Make, Beautiful/Decay is sharing a studio visit with artist Claude Collins-Stracensky. See the full studio visit and interview with Claude and other West Coast artists at www.inthemake.com.
Claude’s studio is in a commercial building in Downtown, Los Angeles right where two fairly busy streets intersect. It’s a few floors up, and as soon as Klea and I stepped out from the elevator doors Claude’s Vizsla dogs greeted us with wild tail-wagging enthusiasm and then lead the way into the studio. It’s a huge corner space with tons of natural light streaming in through the wide windows that lends an almost limitless feel to the room. I took a few minutes to wander around and take it all in— the dogs tumbling about together in play, the dust particles fluttering in and out of the hazy afternoon light, and the many projects underway, all of them in various states of completeness. At any given time Claude is often at work on multiple endeavors, taking time with each to experiment, re-think, tinker and tweak. His studio is a like a research lab where he plays around with concepts and materials, creating mock-ups and models, and then tries to bring these ideas to life with his hands. There is a bit of a “mad scientist” in Claude— he approaches his work with unfettered imagination and whimsy, totally unafraid to scheme and dream big, and he seems almost possessed by a rampant curiosity about the natural world and how it works. At the core of Claude’s practice is a preoccupation with physical systems and processes and the innate dynamics of different materials, and the ways in which these forces and elements can interact to bring about a new consciousness of one’s surroundings. Embracing a range of mediums, his practice often plays with perception and aims to expand his viewers’ visual experience and spatial awareness to create impressions that go beyond an everyday understanding of the world. I got the impression that the wheels in Claude’s brain must always be spinning at top speed, never at rest, always at work on questions, always in a state of assessing and hypothesizing. Which is kind of funny, because he comes across as super mellow… but I didn’t let that easy-going vibe fool me!
I’ve been an avid documentary film watcher for many years now. My favorite documentaries are obscure stories about everyday people doing extraordinary things. I always get excited to share these documentaries with friends but before I know it I forget the title. So in the spirit of archiving my findings I am creating a new category dedicated strictly to documentaries. Below is one of my most recent finds.
A Man Named Pearl tells the inspiring story of self-taught topiary artist Pearl Fryar, whose unlikely journey to national prominence began with a bigoted remark.
It’s been on the street and it’s been in shows all over – Luke Ramsey has taken his work from something rugged to something refined and maintained the exact same detailed aesthetic all through it. His illustrations really play on the versatility of the “line.” His limited use of color makes his drawings that much more intense to look at – like Meatwad, after the jump, which is primarily constructed of one kind of squiggly line. They’re funny, cynical, sometimes dark, but always captivating. – there’s something light and relatable about it.