Fionn McCabe’s tongue-in-cheek comic illustrations poke fun at the way art is received today. In “The Whole Thing” he seems to be criticizing the over-analyzing – and sometimes pretentious – art patrons, that can get in the way of artists’ real messages. (Though, ironically, this can only be gleaned by examining his work.) Though his more recent projects are more graphic in nature, his older works prove that he is also deft with more traditional mediums.
Andre Beato aka MEDIA.ONE is a graphic designer/illustrator from Lisbon, Portugal. His work is mostly illustrations, corporate identities and typefaces. He has done all sorts of graphic work from print to editorial, working with a wide array of clients including record labels, magazines and clothing companies.
Dear “Psychedelic” Artists: It takes more than neon paint and a strategically placed black light to blow one’s mind. Just ask Larry Carlson, visionary multi media artist! I would describe Carlson’s work as Magritte and Dali’s love child if such a child were conceived after the advent of Photoshop. Beautiful yet jarring, welcoming yet otherworldly, Carlson’s work is a true feast for the eye.
This week’s B/D Apparel artist interview features Yaiagift. Yaiagift contributed our “Bikes N’ Roses” shirt, which reinterprets the iconic Guns ‘n’ Roses album cover to give new meaning to today’s bike/fixed gear culture. His aesthetic mixes a broad range of influences, from underground comix, punk rock, skate culture and beyond. Yaiagift’s process apparently begins as a “really awful sketch” that “looks like if someone with no artistic skills made it.” Read on to find out how he transforms a work’s humble origins into a polished final product, and the one artist anyone who ever holds a pencil in their hand must check out! More images of Yaiagift’s personal work and design process after the jump.
Matthew Coleman is an artist in many senses of the word. He’s a writer, a photographer, a painter and, apparently, quite a prolific paper crane folder. “I create from the inside out. To direct the intensity of feeling outside of me, to release them in great bursts,” explains the artist. With such a passionate artist’s statement, it’s no wonder Coleman’s creativity has driven him down so many diverse avenues of discovery.
In “Shooting Blanks,” Gina Osterloh combines installation and preforming arts featuring herself on a paper stage. Her latest works, including “The Rash Room,” “The Cut Room,” and “The Turquoise Room,” are staged for the camera with Osterloh as the main subject enclosed in rooms of brightly colored bond paper. However, the candy colored walls frame a darker matter; Osterloh obscures her face behind her hair and often covers her entire body in paper strips, toying with the notion of identity crisis. In each installation, she slowly removes herself from the room, and is gradually eaten by the empty space, leaving behind a vacancy that echos that emptiness, or “blankness.”
Inspired by the futuristic animation of Katsuhiro Otomo‘s 1988 film, Akira, Gianmarco Magnani’s latest prints bring a third dimension to an otherwise flat medium. His two part series, “Silence Television”, draws from the linear style of traditional Japanese anime, and maintains a simliar graphic appeal. In his first set of four illustrations, entitled “Riders and Villains”, Magnani hoped to create a tension between good and bad in his riders. (As he pointed out, good without evil is just uninteresting). His second set, “The Forgotten Monarchy” marries a modern aesthetic with vestiges of the styles of 16th century European monarchies.