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Dale Edwin Murray’s 60’s-esque Hip Hop Heads

Dale Edwin Murray‘s “Hip Hop Heads” are a collection of iconic rappers designed with a distinct early-60’s feel. It’s almost as if Sterling Cooper was their ad agency. Murray, a designer and illustrator based in the UK, started the collection as a personal project, which quickly gained attention for his precision and creativity. His scanned-in textures really make this portraits pop. Murray’s ability to recreate some of the most colorful characters in hip hop, such as Kanye West and Notorious BIG, pictured above, in such a strong geometric style is impressive.

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Daniel Firman’s Empty Figures

Daniel Firman’s plaster sculptures of figures in various modes of suspension and abstraction remind me of a mix between Erwin Wurm’s early photos and Melanie Bonajo’s photographs which are featured in B/D Book:2.

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Discreet Photos of Rural Roadside Prostitutes

Roadside Prostitutes Roadside Prostitutes

Roadside Prostitutes

Roadside Prostitutes

There’s an air of both mundaneness and mystery in the series The Waiting Game by Spanish photographer Txema Salavans. The blown-out landscape images were collected over a period of six years, and the intriguing photographs don’t depict hitchhikers – they feature prostitutes. We see women sitting at rural roadside locations along Spain’s Mediterranean coast, including highways, secondary highways, and small byways between towns. Formally, they are not the focus of Txema’s composition. They appear from a distance and sit on the side of the photo’s frame as road signs, wilderness, and construction sites surround them. The routes seem desolate but are still well traveled, as drivers want to avoid having to pay for toll roads, as well as trucks carrying goods and fruit take them from Andalucia to France.

Salavans disguised himself knowing that these women probably wouldn’t want their photos taken in the first place. He wore a surveyor’s costume, complete with an assistant and a surveyor’s pole. The results offer an unconventional into the world of prostitution that takes it off city streets and to quiet moments. (Via Feature Shoot)

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Zansky’s Skull Party

Zansky’s illustrations, both editorial and personal, serves as a swirling confetti pool of beautiful patterns, color, and beautiful line work that all which combines into a collection of some really inspiring work.

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Chaim Machlev’s Stunning Op-Art And Geometric Tattoos

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Israeli artist Chaim Machlev is a Berlin-based tattoo artist, otherwise known as Dots to Lines. Working primarily with black ink (“I believe that black is the nicest color for tattoos; it is closer to our source than any other color,” he said in a recent interview), Machlev’s designs are complex line-based works that weave across skin with fluid, stunning precision. Incorporating mandalas, insects, and other images into his geometric tattoos, Machlev’s work go beyond simple designs into minimal, extraordinarily detailed works of permanent art. It makes sense, then, that Machlev bristles at the idea of grouping his work into any kind of predetermined genre. “I actually started to make those designs because it was weird for me that people try to categorize tattoos and other art forms. I could say that I have that split in my designs, just like in my personality; I make those art-minimalistic lines — the computer kid inside me — and very detailed mandalas, the spiritual man inside me.”

That spiritual motif makes way for some of Machlev’s most beautiful designs, such as symmetrical forearm mandalas and Joy Division-riffing chest designs of warped seismic waves. Machlev draws from his experiences traveling in India for the spiritual imagery in his designs, but for the more symmetrical designs, there is a prominent mathematical sense to the work. His line and dot work flows seamlessly over flesh in a way that looks similar to vectors on a computer, sprawling across chests and ribs with stunning exactitude.

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Renato Garza Cervera’s Thought Provoking Work Turns Gang Members Into Gruesome Hyper Realist Skin Rugs

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You may remember the murder of French filmmaker/ photojournalist Christian Poveda in 2009, following the release of his documentary La Vida Loca, which depicted the lives and inner workings of gangs in El Salvadore. These very same gang members are now the subject of artist Renato Garza Cervera’s latest work “Of Genuine Contemporary Beast” depicts the MS-13 and MS-18 gangs in a series of hyper realist skin rugs. In this series, he depicts gang members in such a way that we are accustomed to seeing animals such as bears and, by doing so, he plays upon the notions of beasts and fear of such beasts.

His work offers a series of harshly realistic rugs and severed heads whose accuracy makes you question their nature. The “skins” of the gang members are splayed out, wit the heads included in order to make a sort of “gang skin rug”. His depiction of members of these specific gangs comes with a deeper ethical message in the sense that it allows us to determine the parameters of our definition of “beast”, such as we do with regards to wild animals and other aspects of nature.

In this thought provoking series, Cervera is underlining what he refers to as the “ world-wide scapegoating process”, and by this he aims to point our the ways in which certain minorities and groups are viewed as “dispensable people”.He allows us to examine a societal problem and, to a larger extent the ways in which we blame and sometimes demonize the things we do not understand.

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Without The King

 

Here is this weeks documentary pick.

 

Winner of the Special Jury Prize at the Hot Docs International Documentary Festival, Without
The King
tells an astonishing story of Africa’s last absolute monarchy, the Kingdom of Swaziland. King Mswati III, a distant figure out of touch with his home and country, rules by decree and lives a life of luxury together with his 12 wives, while his subjects suffer from crushing poverty and the world’s highest HIV infection rate. With unprecedented access, we
meet headstrong first wife Queen LaMbikiza, eldest child and teen rapper, Princess Sikhanyiso, King Mswati himself, as well as many Swazi citizens who are plotting his downfall. Filmmaker Michael Skolnik captures the birth of a nation’s revolution, and the dawning awareness of a
young Swazi princess as she realizes the contrast between her impoverished country and her lavish lifestyle.

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