Quentin Jones is a London-based artist, illustrator, and filmmaker taking the fashion world by storm with her signature brand of cheeky chic. It’s no wonder clients like iconic design house Chanel have fallen head over double C clad heels for her work — a mixture of collage, pop art, fashion photography, and impressionistic painting. With an uncanny ability to transform bunny ears, cats, and Disney characters into symbols of high fashion, Jones’ playful vision is a much appreciated reminder that fashion is supposed to be fun.
Australian artist Joseph Marr creates remarkable human-sized sculptures that are made out of sugar. The translucent candy-like texture gives the naked bodies a sensual feel and its color and whimsical appeal. Marr colors the sculptures with ingredients like cola and raspberry fruit; don’t try eating them, though—most are protected by a layer of polyurethane.
Marr uses the delicious medium in order to convey that sexually charged aura that accompanies the stripped down sculptures. According to TreadHunter, the juxtaposition between the sugary syrup and the naked bodies represents the way that sexual relationships can be sweet and satisfying, but also the way in which people get themselves into sticky situations over lust and desire.
Sex sells and so does candy- the combination of both is bound to create extra appeal to the already wonderful creations.
Joseph Marr was born in 1979 in Australia and now lives and works in Berlin.(via Tread Hunter)
After graduating from Tama Art University in 1964, Issey Miyake worked in Paris and New York City before returning to Tokyo to establish the Miyake Design Studio.
In the late 80s, he began experimenting with new methods of pleating that would allow for a combination of technology, functionality and beauty. This ultimately jumpstarted a then-new technique called garment pleating, a technique with which we former pleated skirt-wearin’ school girls are totally familiar.
His vintage work reminds me of graceful moths from outer space (or from Star Wars)–and I mean that in the best way possible!
Exploring the darker roots of desire in the context of a highly politicized, acquisitive and image-obsessed cosmopolitan consciousness, Doro Hofmann probes at what influences our desires and how these forces drive and/or erode our ability to identify what truly affects our overall wellbeing. Complicating this discussion, Hofman asks whether it is at all necessary to place moral value on desire and the outcomes of pursuing it.
Drawing from present-day media, biblical texts, medieval Roman icons and the works of John Milton, Hofmann’s energetic use of electric colors and exacting hyperrealism painting creates imagined heavens of hells and hells of heavens. There, the viewer is left to decide where they are, where they want to be, and where they will actually go.
Melbourne-based artist Ollie Lucas creates works where colors swirl together with an almost preternatural smoothness, like oil diffusing in water, with more jagged and hard-line separation. Lucas says, ‘My work has always had graphical and clean elements to it. A past life as a graphic designer is to blame there’. Creating works that span painting on enormous wooden spools, to digital works on print and more recent explorations in glitch animations, Lucas explains his influences, ‘Exposure to the graffiti scene in Melbourne has made me question harmony in my work, I have a love for filthy, dirty and weathered paint splattered surfaces, but at the same time I crave clean, modern, hardline geometrics…This is what drives my practice, combining two visual elements that are polar opposites in search for a harmony that i may never obtain.‘
Lucas work has often confronts two seemingly-opposing forces, graffiti and graphic design, painting and printmaking, natural landscapes with digital glitches, and blends them together. When asked how his work has changed leading up to his solo exhibition Digital Landscapes,at Pierre Peeters Gallery in Auckland, New Zealand, Lucas explains his more recent explorations and realizations in printmaking and digital creation. “It’s the first show I’ve done that is 100% digitally created. I’ve always used digital processes as a starting point in my work, however I felt a finished work needed the element of ‘hand-made’ to make it unique, to separate it from the mass produced. Since creating hundreds of drafts and moving through the paper choice/proofing and printing process I’ve come to realize a print can be just as unique as a painting.”
Though many see printmaking and painting differing in both result and creative impulse, the artist explains the harmony and connection between the two, giving value to both,“Although I have worked with many mediums in the past I still consider myself a painter, mainly because I still think like one and approach my work like a painter would. I think my work reads like a painting also.”
Ollie Lucas’ current exhibition, Digital Landscapes is on view at Pierre Peeters Gallery in Auckland, New Zealand, from now through March 5th, 2014.
Tomorrow night Guerrero Gallery opens their 7th show with a solo presentation of long time BD favorite Aaron Noble, and a project space offering from tinkerer of texts, Greg Lamarche. More images and proper info below.