Non-Format is a design studio/team based in Oslo, Norway and Minneapolis, Minnesota. With a constant “oh-wow” factor, their work twists the grain of smooth minimalistic elements against profoundly detailed explosions in typography, photography, and concept.
Working out of Melbourne, Australian photographer Jessica Tremp produces some lovely creative pieces. Her technique is rather dusty, as if her work was produced some sixty years ago; complementing her taxidermic subjects and derelict settings. Each piece impresses the viewer with unsettling beauty.
The inner child of Genadii Berёzkin craves cutting and pasting, but the grown artist understands balance and aesthetics. Together, they create fun and graphic collages. Berёzkin’s restraint sets him apart from his peers. His sense of simplicity lends his art charm; nothing is ever overworked.
Have you longed to be smart and solve conundrums like the mystery of time, space and light? But also drop out of high school, hit the juke box joint, thrust forward a double thumbs up and engage in a a semi-awkward/flamboyantly cool Kazotsky filled trademark dance like The Fonz? Well…now you can. Subscribe to Beautiful/Decay today.
Ben holding one of his drawings for "Art Works Every Time"
Have you met Ben? Ben stopped by the Beautiful/Decay headquarters yesterday to drop off work for the upcoming Art Works Every Time exhibit. You may recognize Ben’s style from two of his recent Beautiful/Decay Apparel T-shirt designs: Greetings From New York & Greetings From Los Angeles. Ben’s been busting out some new paparazzi-inspired paintings for the exhibit. I had the pleasure of listening to him chat about his recent explorations and process, and the importance of a high-quality brush. You’ll be able to see all of Ben’s submissions next Saturday, June 12 at the Art Works Every Time opening reception at LA’s Synchronicity Gallery. Check out some more behind-the-scenes shots after the jump. Thanks Ben!
Scott Espeseth’s works draw from cartoons, children’s books, and the doodles we used to sketch into the margins of notebooks when we were supposed to be taking notes. (Who says memorizing the state capitals is more important that creative expression, anyways?) Espeseth says he draws in order to get lost in a different space and time, often to reminisce. He favors a wide range of media that are “commonplace, overlooked, and sometimes obsolete,” from silverpoint to the humble ballpoint pen.
Do you revel in hot, anguished tears rolling down the innocent face of a child? We certainly do not. How can you solve this world-wide problem? We suggest you subscribe to Beautiful/Decay. As artist C.W. Moss has illustrated in Reason #2 of our hand-painted illustrated series, a subscription a year will erase every child’s tear.
I thought long and hard about whether I should post this but even after a good nights sleep i’m still angered by this video. If you’re not familiar with Justin Bua he is an illustrator primarily focusing on urban imageries of dj’s, breakdancers, and other various hip-hop related imagery. What do we think of his work? Well lets just say you won’t find him featured in B/D anytime soon. But I digress.