Guim Tió Zarraluki is a Spanishmixed media artist who creates work that transforms magazines into haunting and abstract images. Much of his work features portraits sourced from magazine advertisements. He alters the page with chemicals and oil pastels, transforming these “picture perfect” models into abstract, and sometimes unsettling, figures. His work maintains a photorealistic sensibility while containing something haunting and foreboding. If you look carefully, you’ll notice that the artist has left a small part of the magazine untouched or barely altered, leaving a trace of the original during his process. Tió also has a photography series of human figures with faces painted in a similar aesthetic, turning his form back in on itself to create abstracted figurative images. (via)
“The artist stages a controversial issue for contemporary society and his work becomes an exploration of the collective unconscious, which governs the aesthetic valences on all types of human monstrosities in the sign of narcissistic beauty emulation as the key to success; a parody of stereotypes that today govern the new conceptions of the meaning “human being”. (via)
You can watch him at work on a magazine page alteration here.
Our favorite website building platform Made With Color are here again to bring you another exclusive artist feature. Each week we join forces to bring you some of the most exciting artists and designers who use Made With Color to create their clean and sleek websites. Made With Color makes building websites easy with no coding and easy to use click and drag functionality designed specifically for artists. Each site comes with a built-in mobile site and is completely responsive for smart phones and tablets. This week we’re pleased to present the work of Yambe Tam.
Baltimore based Yambe Tam’s graphic paintings fuse Eastern and Western art into an uniquely Asian-American aesthetic to show that combining the two can create something harmonious. The work not only reconciles Tam’s own identity as an Asian-American who doesn’t completely belong to either society, but also addresses the relationship between China and the U.S.
Themes in her work speak to shared experiences between the two cultures: environmental destruction that ultimately affects all of humanity, convergent lineages (haplogroups) from prehistoric times, and folklore from various cultures that are a reminder of our shared human condition.
Often, Tam works in pairs of paintings that are informed by the Taoist concept of Dualism. This branch of philosophy particularly resonated with her as it purports that all of existence operates on opposing but complementary forces such as light and dark, heaven and earth, east and west. No one force in a pair is better than the other, but rather equal by coexisting in balance.
Proliferations of mixtape-themed things exist in the art & design world, having hit a high point in the mid-2000’s—where images of “vintage” cassette tapes covered everything from pillow cases to USB drives. What got lost somewhere in there was the sentiment that was originally attached to the archaic plastic medium, the sense of pride that comes from crafting (and usually gifting) someone with a perfect, personal selection of songs. Portland-based illustrator Kate Bingaman-Burt has embarked on a long-running series of mixtape drawings, where she picks up long-since discarded cassettes and makes a quick, humorous sketch…and she’s taken submissions for the project for a while now. As a series, the fresh, expressive drawings reveal an intriguing cross-section of personalities, musical tastes and long-lost good intentions.
We’ve put it off for as long as possible but you can now follow me and see all the awesome, random, and random stuff I photograph all day long. I can’t promise a few occasional shots of the adorable B/D mascot Mr.Baxter but I’ll try to keep them to a minimum. What you can expect is lots of art, design, street art, studio visits and more. So jump on your phone, ipad, and any other Instagram compatible device and follow your favorite art publication at @beautifuldecayofficial !
Don Pablo Pedro’s work flutters on the edge of libido insanity. It embodies grotesquely beautiful scroll paintings featuring twisted hermaphrodites in kama sutra type positions, marked with multiple genitalia. Playing tantric wizard, Pedro takes us for a hedonistic ride through all of his rosy, maladjusted conquests. Along the way, we see fine line work and light acrylic washes on muslin. Muslin is the light cottony material used by designers to fit models before cutting a pattern. Here, the artist uses it to attain a flat surface which compliments his precise drawing ability. It seems appropriate, as the artist’s work is easily suited to T-shirts and canvas bags. It holds a pop element near, yet references the old religions of Hinduism and Buddhism.The narrative, taken directly from multi-armed Kali, the Hindu goddess associated with empowerment, shows work that is happily consumed with variations of her likeness. Substituting arms for male and female genitalia, the appendages pile on top one another turning into “third eyes” and “fourth arms”. Newer studies, concentrate on multiple partners more than parts. Also portrayed in hedonistic positions, subjects mimicking, love, lust, faith, and dreams materialize. Comparisons to Surrealism, Japanese scroll work and comic books have been made. There is a Crumb association, but Pedro goes to further lengths. He takes the psychedelic yogi route, opting for freak show characters instead of urban myths. His mysterious subject matter holding true to the power of sexual desire.
Adam Shecter at Eleven Rivington, on view from September 2 – October 4th, opening September 9, 6-8 pm. This is the artist’s New York gallery solo debut and will feature a new two-channel digital video animation entitled New Atlantis.
Half humans, half birds; Sarah Louise Davey’s ceramic sculptures are the symbol of emotional duality. She is blending a woman’s face with a beak and a feathered gaze. The eyes seem so real, they are preventing us from looking away. Insisting that we come closer and try to understand the meaning of it all. The other sculptures are hanging from leather cords and chains. Two arms ending with birds’ feet with rose metal claws. The arms and the faces are covered in wrinkles, leaving us wondering how old these creatures are, and if this is what will happen to us too. It will, in the artist’s imagination.
Looking at the sculptures, it feel like we’re entering the world of the wizard of oz meets the barnyard, fantasy meets reality. Isn’t it what we’re living daily? If we think about it, the result is far from being pretty and perhaps this is Sarah Louise Davey’s purpose. In order to reflect deeper on society, norms and beauty we need to stretch the limits of our understanding. When the artist exhibits those pieces, she is almost questioning if we, as individuals are not all freaks after all. Freaks that need to be analyzed and understood, because underneath the wrinkled skin and the animal features we each have a complicated unique soul giving us an infinity of possibilities. ‘At the heart of these works is the eternal push and pull of the spirit’.
I know virtually nothing about “Shih-Mao” except that he is from Taiwan and he is male (thank you, Flickr profile). His illustrations are fantastic, often depicting some kind of twisted alternate dimension where everything is incredibly weird and visceral.