Midwest illustrator Sabrina Burbaker is a self described is an illustrator, pack rat, insomniac (robot), horror enthusiast, eldest child, dog lover, & maybe-possibly-probably wino. When she’s not busy being all of the above she spends her time making beautifully detailed pen and ink illustrations with a slightly dark sense of humor.
Greek-Italian net artist Angelo Plessas uses the internet to create websites that are strange, nervous and poetic at the same time. These websites are mostly interactive drawings and Plessas’ subjects usually involve femininity and portraits of people around him or many sides of himself. These internet pieces often “cover” the real world as objects like murals, installations, collage drawings and prints. His work is similar to that of Rafael Rozendaal’s: short, full-screen, sometimes interactive, Flash movies (they’re small on this blog but they’re pretty invasively pleasing in their native forms). I believe the latter had proclaimed them as some sort of movement, which begs the question of which chicken or egg laid claim on their piece of the internet pie.
As part of their 2nd Annual Comedy Festival, Cinefamily recently invited Rich Fulcher to do a stand-up performance of his character “Eleanor, the Tour Whore.” Eleanor, a self-possessed, eccentric sailor-mouthed groupie was first introduced to audiences in Noel Fielding and Julian Baratt’s cult classic surreal comedy series, The Mighty Boosh. In the episode “Eels,” Eleanor hits on character Howard Moon with an affected cigarette wave, an exaggerated hello and a, ahem, vulgar come-on of wanting to pound him like yesterday’s beef.
The live show was more of the same sexually driven humor, delivered by kooky (and increasingly drunk) Eleanor. Set within the pretense of Eleanor reading excerpts from her latest “auto-biography,” Eleanor led us through her series of relationships with famous men, from her first unlikely conquest of “Colubmo” to her stint as Poison’s main backstage pass wielder. Indeed, her sexual liaisons, ranging from the outrageous to the disgusting defined the show. Interactive segments were also worked into the performance, including a video feature called “Taking the Mick,” interviewing famous “Micks” Eleanor has slept with. Of course, everyone from an impersonated Mick Jagger (who spent the entire time pouting his lips and shaking his rooster-head) to “Mikos,” Elenaor’s estranged kebab-making ex-boyfriend made an appearance.
“The show,” Eleanor stated at the outset of the performance, “is like a relationship. By the end we’ll all be sobbing and asking for each other’s Coldplay CDs back.” Eleanor’s statement may well be true of her past relationships, but by the end of her live performance, she was greeted by a standing ovation and electric cheers by a delighted audience. Cinefamily will be presenting their Comedy Fest through the end of June- a not-to-be-missed event.
Jody Zinner lives and works in Montreal, Canada. Her delicate hair paintings explore our biomaterial in humorous, grotesque, and symbolic ways. From Chewbacca’s flowing locks to a braid of hair in the shape of a circle as if to reference strength and continuity Zinner uses hair to convey multiple points of view.
Ryan Kenny’s photos seem to be about quiet moments of youthful exploration. Like those days when the city just boils over and you head up to Ojai to catch your breath for an afternoon. You and your favorite people are driving through those oak trees and no one’s really talking but that’s how it needs to be. These images are like that–catching your breath.
Stephen Silk began practicing gyotaku in 2008. Gyotaku is a Japanese printing method that uses actual fish to make art. Ink or paint is rubbed on the fish allowing an incredibly textured print directly onto the paper. The lumped paint and palette match the New Hampshire coastal seascapes in oil fusing a really cohesive collection completely reflective of the area and its subjects.
With the help of a huge swarm of flies, John Knuth transforms decay into creation. Flies have long symbolized death and rot in art as well as popular culture. In medieval times, for example, it was popularly believed flies were born out of carcasses rather than eggs as larvae. Knuth, though, emphasizes the flies productive role in the larger cycle of life and death. He creates his work by first feeding the flies water mixed with sugar and paint. The flies largely digest their food outside of their body, Knuth’s flies doing this directly on the canvas. While digesting, each fly leaves a small mark of pigment, a small piece of the larger record or the swarm. Check out the video to see Knuth’s process and more of his finished paintings.
photographer Chris Wiley‘s deceptively simple, minimal and highly composed photographs document the small pieces of our landscape that we overlook each and everyday. If Rhothko took photos they would probably look something like this.