For Lucas Simões‘ Quasi-Cinema series, he stitches folded photographs together in the form of a wave and fixes them onto a support of wood and cloth to create the appearance of cinema. He uses personal photographs that he magnifies before bending them in this wave form. The construction of these photographs evokes movement through each successive image, sort of a physical representation of stop motion. Simões’ architecture and design background has influenced this and other works, some of which we’ve featured in the past. He lives and works in São Paulo.
The fantastical works of Cerise Doucède illustrates the daydreams that we all have. In their series entitled Égarements, the French photographer shows people living their everyday lives, but who are frozen in a moment of contemplation. Around them is disarray, or, their fantasy. A child looks up and sees paper cranes above him while a woman peeling apples is similarly surrounded by the same fruit.
Doucède’s series is alluring in the fantastical sense, as we look at these compositions of where things are out of the ordinary. The photographs are formally striking; it’s visually satisfying to see these things levitate and appear to float in midair, as we’re not used to this sight.
Égarements points to the moments of banality in our lives where we turn to daydreams. Our reality might not be very exciting, so these fantasies come as a form of escapism from the monotony of the everyday. A more optimistic way of looking at this series might be that these people are so engaged in what they are doing that they go beyond what is in front of them to entertain grand possibilities. Maybe we’ll go with that. (Via This Isn’t Happiness)
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Brooklyn based artist David Samuel Stern takes still photographs, and fuses them together so that they appear to be in motion. He begins by taking two portraits of the same person, and then carefully and meticulously cuts them apart before physically weaving them back into one another. This not only creates amazing texture and an interesting checkered pattern, but combines physical features until the composition.
become a hybrid of two faces. With a light and airy palette, these breathtaking photographic prints become ghosts of themselves, two versions or the same person. Two different emotions are often present, creating an interesting dichotomy of the internal character. We are seeing two sides of the subjects, as the weaving alters and skews our perspective. Stern’s highly original technique abstracts the portraits so that they seem to be caught in mid motion. Both original images become blurred after they are combines by weaving. The once crisp photographic prints are transformed by their alteration, creating a painterly atmosphere. David Samuel Stern’s method is simple yet powerful, exposing two sides of each of his subjects. However, the abstraction present in his work also hides elements and details of the portraits as well.
You can see David Samuel Stern’s mesmerizing, photographic work on view at the BAM Harvey Theater in New York City from September 16 through December 20th.
For SWAMP’s piece Supermajor (a term used in the Gulf Coast referring to the six biggest publicly owned oil companies) the artist collective has created an ingenious and perplexing sculpture that will surely make you take a double take. In the gallery a wire rack of (vintage) oil cans sits. One oilcan has a visible fissure out of which oil slowly flows cascading onto the pedestal and gallery floor… The only thing is, the oil isn’t exactly flowing out of the can. Instead, oil appears to slow slowly drop by drop back into the can. At times the drops of oil hover unsupported in midair. Other times the drops are in the process of a slow motion splash onto the pedestal. This is a piece that can only be fully appreciated in person or on video as the oil literally looks like it is moving backwards in time back into the can.
SWAMP (Studies of Work Atmosphere and Mass Production) was founded in 1999 by artists Douglas Easterly and Matt Kenyon. Focusing on critical themes addressing the effects of global corporate operations, mass media and communication, military-industrial complexes, and general meditations on the liminal area between life and artificial life.
Watch the video above and after the jump to see the piece in action! (via)
ZIGENDEMONIC’s hyper colored illustrations blend together the line work of punk flyers, the iconography of tattoo flash, and the flourescent color schemes of 80’s skate deck art.