Business cards have massive potential to keep your audience engaged. When used properly, they act as avenues that drive people to your social media presence, personalize your company and dramatically extend your brand’s footprint.
Of course, creating a great design is critical, but so is putting in the effort afterwards. Fortunately, we’ve come up with a few tried and tested methods for getting more from your legwork.
The nightmarish sculptures of Italian artist Sasha Vinci are both alluring and unsettling. With the human body often being his subject, his work portrays a sense of longing, a palpable sense of a tormented soul. Having work with titles like The Eternal Wait and You Are Here You Exist, the suffering of human existence is strongly felt. Ripe with emotion, his mutated figures look for a sense of belonging in the world. His fleshy subjects seem to have skin that melts off their feet and hands, binding the two together. Vinci’s subjects are trapped by means of their own body, perhaps a metaphor for humanity’s own self-destructive nature.
Although monochromatic, we can almost see the color of flesh and blood absent in many of his sculptures. In his artwork titled The Eternal Wait, the drips of flesh coming down from the entire body add an intensely graphic, carnal element that is extremely alarming. We cannot see the face in this or any of Sasha Vinci’s figures, adding another layer of isolation to these already lonely creatures. One of Vinci’s more disturbing sculptures is The Hung, where a person’s body, or what’s left of it, is being hung. The body has been disfigured, with half of its limbs missing from its faceless body. The artist’s work forms a truly ominous atmosphere that draws you in while at the same time chilling you to the bone. Sasha Vinci, being a multi-talented artist, also creates work in mediums such as installations, performance, painting, drawing, and writing.
(via Hi Fructose)
In January 2011 Drew Melton got the idea to start designing user submitted words and phrases in order to practice his craft in community. In his own words, “Most design sites or blogs are merely feeds of disconnected visual stimulation. I wanted to do something that you could actually influence and invest into.” He quickly purchased the domain Phraseologyproject.com and setup a very basic submission form. Receiving over 90 submissions in the first week confirmed that people were interested and fueled the project forward. Ray Brown was soon brought on to help develop the new site. Phraseology was underway.
“The Phraseology Project is meant to be a running experiment in typography. It is meant to be a framework for exercise and practice in Typography. We try our best to come up with our best work always but more importantly we value practice and healthy process. In other words, these pieces aren’t perfect. But they are honest. We celebrate the process of design and creativity in all of its’ outcomes.” – Drew Melton
Join Mark Moore Gallery and Beautiful/Decay tonight for “Second Fridays” Summer Screening Series! Each screening will be a free evening of animated featurettes, music videos, reels and video excerpts hand-picked by MMG artists, plus live DJs, refreshments and food trucks.
For the first installment of “Second Fridays,” Mark Moore Gallery artist Allison Schulnik has curated eight short films that reflect or influence her own practice, including works by Suzann Pitt, Yuri Norstein and Bruce Bickford among others. Focusing on experimental animation – which she originally received her degree in – Schulnik has selected a combination of both clay, stop-motion and traditional cell animated videos.
After the cut, check out sublime sculpture from Corey Thomas, and a YouTube video of his process.These things are spiky and look dangerous, but somehow remain at peace with their conspicuously calm, desert surroundings. (via)
“I trained as a dancer then migrated to sculpture with a focus on creating narratives with form. Each landscape – and the materials found within – stimulate new content for my work in terms of stories about people, culture, place and form.” -Corey Thomas
The Singapore based 3D printing company Pirate3D are making something very special happen. Using the fairly new technology of 3D printing, they are producing real objects based off photographs and drawings for the visually impaired. The campaign follows 5 different participants and their reactions to ‘touching their memories’. In the video produced by Lowe and Partners Agency LOLA in Madrid, we learn more about the memories each person sees in their minds.
There is Gabor – a director of photography who, despite losing his eyesight 12 years ago, still regularly shoots films. Now, after shooting a film in Bolivia, he is able to touch a reproduction of a scene he remembers so vividly. He runs over every detail from the frame – where the table was sitting, what the woman looked like on the chair. You can see how perfectly his memory and the miniature match up with one another. There is also Mario – a blind musician who lost his eyesight because of glaucoma. His memory that is printed for him is the cover design of his album a friend designed. This is the first time he can see how others see him.
Fred Bosch from the project says about the powerful effect of the experiment:
There were very long silences while we saw emotions wash over their faces as if they were being transported in time, but Daniela was perhaps who stands out the most. She chose a memory that not only brought her back to her childhood and the ski holiday she spent with her family, but also reminded her of intimate details that she had forgotten, like the wool cap she was wearing at the time and the crunch of the snow beneath her boots. (Source)
Their reactions make it obvious the potential of using technology to benefit our everyday life. And just like Braille, 3D printing is once again changing how we share and absorb information. (Via Designboom)
Riusuke Fukahori, a Japanese artist with an endearing obsession with goldfish, paints three-dimensional renditions of the fish by using a complex process of poured resin on authentic Japanese household containers.
Fukahori strives to paint the goldfish as realistically as possible. His love for the funny looking fish goes beyond words, and the only way to truly pay homage to his ‘friends’ is through creating these unbelievably real-looking sculptures made out of resin. Fukahori keeps dozens of goldfish in tanks and buckets around his studio, he sits and watches the goldfish when he feels uninspired or simply needs company.
His work can be quite deceiving; the goldfish look so real that when people first see his work they find it impossible not to try to reach into the ‘water’ and touch the ‘fish.’
Each of Fukahori’s resin pieces [the resin goldfish] are contained in a variety of everyday Japanese household items. His usage of these items in his work reflects a personal touch, as many of the containers used were bowls and cups that he himself used for years.
The goldfish resin sculptures entail very complicated, repetitive, and labor intensive steps. He first pours a layer of resin, then lets it dry, then paints a small portion of the fish, then lets it dry, then pours another layer of resin—he patiently repeats these steps until the final product is achieved.
“I didn’t invent resin and not the first to use resin. I am not a resin artist. I am a goldfish artist. I think it’s obvious which pieces are Riusuke Fukahori pieces because the imitators use the wrong containers. They will never understand goldfish the way I do. They are only copying the craft, not the soul.”
The Painted Breath, an exhibition of new resin works and paintings by Fukahori, will be on exhibition at the Joshua Liner Gallery in New York on November 21st,2013 till January 18th,2014.