Love these book alterations and rearrangements by New York based artist Kent Rogowski. Make sure to also check out his puzzle manipulations and inverted stuffed animals also featured on his site. (via)
“Everything that I wish I could be is an exploration of language, emotions and the desire to change and improve one’s self. There is a self-help book for almost every moment and problem in life; from relationship advice to dealing with the inevitability of death. Each large format photograph, pictures an arrangement of title pages and spines, from up to 100 self-help books that are based around a central theme. Together, the titles create larger narratives, which become portraits of emotions, people and events in life.
Because of the ubiquity of the books, an entire lifetime of events can be outlined and made to unfold using the books that were written to sooth those transitions and moments. Since advice often differs, the narratives in the images can change depending on which direction the viewer’s eye moves through the image. Some images have linear narratives (e.g.: From Birth to Death or Side by Side) while others look at patterns in language and resemble the random connections inherent in the thought process (e.g.: You and Me and Am I the only one?).
I am interested in the larger questions of how we communicate and deal with moments of pain and change and the commonalities of those experiences, as well as, the patterns and contradictions that are often inherent in language, advice and differing philosophies.”
Mike Frederiqo is a 23-year-old Dutch illustrator with a healthy dose of talent and humor. You may have seen his other works circulating the internet, including his combinations of BAPE’s fashion logo with Andy Warhol’s Campbell’s Soup Cans, or his images of Sponge Bob as Coco Chanel, Karl Lagerfeld, Terry Richardson, and more. In his more recent series, he has taken his illustrative interpretations of the fashion world a bit further, utilizing the bodies and faces of high fashion icons and their collaborators to recreate famous logos. Among the images you’ll see Lagerfeld and choice model Cara Delevingne completing exaggerated backbends with elongated arms and legs to form Coco Chanel’s interlocking Cs; elsewhere, editor-in-chief Anna Wintour twists into the name “Vogue” (while holding what appears to be a Starbucks coffee). In an interview with Life and Times, Frederiqo explained his inspiration for the series:
“You see so many illustrators taking those famous logos and making fun of them — almost in a negative way. So, I wanted to do something in a positive way with the logos that were recognizable. And what is more recognizable than the Coco Chanel logo?” (Source)
Based in good humor and playfulness, Frederiqo’s stylish logo recreations have a way of grabbing our attention and making us laugh. Logos are a vital part of a brand’s identity, representing their international, high-ranking status and presence. Frederiqo’s illustrations remind us of the real human beings behind these labels; we recognize the logos (and the significance of their names in the fashion world), but when given faces, they become lighthearted, tangible, and funny. Frederiqo’s works poke fun while also nodding in homage.
Tue Greenfort is a Swedish artist who questions the changing nature of….nature. Sort of the timeless question of the human within this strange biosphere-sphere we call earth. I like the above piece, “enclosed biosphere” for its simplicity- reminds me of the mosquito-attracting never-clean the fishbowl “experiments” I did as a kid, much to the chagrin of my parents. I really love the “bio-morphic sausage” strata encased in glass, after the jump- sort of a delicious Physical Impossibility of Death in the Mind of Someone Living riff? Anyways, be sure to check out the link, many of his works kind of require deeper explanation as far as exactly what’s going on (yellow tape sweetened with sugar water that leads armies of ants through a museum, a Coca-Cola condensation cube, a contraption that uses frozen fruit juice to cool water brought up from the point from the gallery’s infrastructure where it enters…..)
Eerie and dark staged photography from Jennifer Hudson. Hudson is a current MFA candidate at the University of New Mexico. She recently finished Medic, a series of photos exploring the breadth of human relationships during illness and recovery. Really dig the compositions with these and the cold sepia tone. The emotional content of each piece comes through really strongly even though her sensibility is slightly on the quiet side. A nice example of affective work that doesn’t need to hit you on the head to fully come across. Hudson says that her conservative, spiritual upbringing in rural Texas led her onto an “imaginitive, curious, and experimental” path. Definitely feeling that.
See images from Medic and Flora, another recent series from the artist, after the jump.
Portraits carved in marble have been around for hundreds of years but somehow Barry X. Ball has managed to bring a new twist to this ancient material with some minor tweaks like using the veins and swirls in the marble to his advantage. A great selection of Ball’s exquisite sculptures in a massive variety of stone after the jump.
For the last forty years, Stan Herd has been transforming open plots of land into stunning works of art. His medium, which he refers to as landscape or earthworks art, involves sculpting the terrain by mowing outlines, trimming grass for depth, and using various plants to create shade and texture. His large-scale projects have cropped up across Kansas, reinterpreting famous art pieces and even delving into important social issues, earning him coverage and accolades from publications around the world.
In a recent piece commissioned by the Minneapolis Institute of Art (Mia), Herd reimagined Vincent van Gogh’s 1889 “Olive Trees” using an acre of land outside the airport. With expressive accuracy, Herd has transformed an otherwise flat, empty field into the likeness of van Gogh’s vision of nature and divinity, capturing the iconic, wistful trees and dancing sun. In the video above, Herd describes his inspiration and enduring admiration for the long-dead artist:
“The amazing thing about van Gogh’s painting is that there’s not a single straight line in the whole canvas; everything is organic and curved and flowing and it’s like a pulse. I’m just amazed that after months of looking at one painting that I continue to discover things in it. […] I think this is what van Gogh saw. Everything was moving for him, and everything was moving together.” (Source)
If you’re flying into Minneapolis this fall, be sure to keep an eye out for this masterpiece. You can learn more about Herd on his website and Facebook page. More images of “Olive Trees” and other works after the jump.
The people of the United States alone toss out millions of plastic bottles every hour, and in a year, enough plastic film to shrink wrap Texas (which would be both a hilarious and horrifying feat.) Everyone knows it’s important to recycle, but it’s often hard to realize the consequences of forgetting about one little bottle; maybe we should consider not buying this stuff in the first place. (I drink out of the tap all the time, heck, I’d drink out of the hose.) Without getting on a soapbox, the following artists have made powerful statements about the ways in which we waste…. by re-using materials that would otherwise be thrown away, and removing paper and plastics completely from the recycling loop…. as even the act of recycling uses massive amounts of energy.