London based illustrator Sarah A. King mastered up these playful typography illustrations – on fruit!? It’s interesting how the type looks slightly burned on the fruit, even tattooed.
You’ll find an impressive collection of work on her site including a typography illustration of Darwin. Included are a lot of close-up images so you’re able to see the detail and work that’s been put forth.
With his collection of delightful three-dimensional GIFs, the illustrator Dain Fagerholm creates whimsical universes that are both wondrous and terrifying. Filled with monsters reminiscent of Maurice Sendak’s “wild things,” the precious animations exist in a space caught between childhood nightmares and dreams. The artist draws each by hand, and the illusion of three-dimensionally of the work is expressed by a fast-paced alternating between a few images drawn from similar but differing perspectives.
Fagerholm’s lovely work is infused with a playful sense of anxiety; his characters, both human and otherwise, curl on the ground of tightly enclosed spaces like affrighted children. Wide-eyed and appearing to move manically back and forth, they hold their knees close to their chest. In these strange, surreal narratives, we are invited to feel the claustrophobia of a time out, recalling the lonesomeness and isolation of being bound to our rooms. One girl seems to be trapped within a TV screen, seemingly sucked into a blue, static-filled haze by her own imagination, peering curiously and excitedly outward.
These sweet, solitary creatures play and daydream in a dark state of nighttime unease. A seven-headed dragon evokes images of the beast from the biblical text Revelations, recalling (in an unexpectedly adorable way) frightful notions of eternity and punishment. As if pulled from films like The Shining or Poltergeist, Fagerholm’s characters transcend the real world, reaching instead for a chaotic, nervous aesthetic. With eyes dazed like hypnotic spirals, these little monsters seem to wait impatiently for sunrise and open air, for someone to keep them company. (via Demilked)
Bozena Rydlewska (aka Bozka) is a Polish artist who creates enchanting nature illustrations blooming with life. Her works resemble dream-like visions of a fairytale forest: ornate plants burst and divide across the paper, creating patterns and symmetry; animals from different habitats (frogs, birds, and tropical fish) intermingle harmoniously. Bozka has turned some of her illustrations into mesmerizing 3D pop-ups, intricately layered and rich with illustrated texture. From bright, buzzing jungles to mysterious gardens at dusk, the vibrant color schemes give each ecosystem a unique energy.
For many of us, Bozka’s works may be attached to a sense of nostalgia; they remind us of those children’s books that engrossed our imaginations by springing to life as we turned the pages. Bozka has taken this art a bit further, of course, in the divine complexity of each piece. Some of her pop-ups resemble theater sets, like elaborate stagings celebrating the harmony and geometry of nature; we expect at any moment for the birds and butterflies to explode into a synchronous movement. Check out Bokza’s website and Facebook page for more imaginative creations. (Via Hi-Fructose)
With the help of a powerful 3D microscope, the Hawaii-based photographer Gary Greenberg shoots stunning macro images of grains of sand, dissecting the seemingly uniform material into otherworldly crystals. The microscope, which the artist himself invented after earning a Ph.D. in biomedical research, magnifies the microscopic to 300 times their original size; the machine also affords the resultant images an astounding depth of field, capturing the most subtle curves and structures of the minuscule grains of sand.
Greenberg derives pleasure from the unpredictability of his process; each beach has a diverse history and therefore produces unique sand. In Maui alone, the grain shapes range from cylinders to spirals; they can be vividly colored or more muted. In the same handful of sand, we might find a tiny shell beside a microscopic mineral section that resembles an eaten corn cob.
Sand, as a substance, often operates allegorically in art, representing the impermanence of man within the shifting tides. Greenberg’s images work powerfully against that notion; here, human innovation freezes time, if only for a moment, fixing even the most minuscule objects in place. These grains of sand, many of which are likely well over thousands of years old, are crystallized for our visual pleasure; in Greenberg’s glimmering rocks, we can find traces of organic matter, now fossilized. Torn into many pieces by the tide and surf, shells, volcanic remains, and coral all intermingle on the beach shore. In Okinawa, Japan, sand is formed in part by the skeletons of single-celled creatures, visible here like strange starfish. (via HuffPost, Lost at E Minor, and Bored Panda)
Australian artist Rena Littleson’s “My 2 Cents” is a RENAFIED experience of the gambling world. A colorful and comical creation of paintings, installations, games, fashion, fun and fortune, inspired by the years that Rena worked as an artist for a poker machine company. Check out some of Rena’s earlier work here.