Carlie Armstrong’s Work Place site is a fantastic ongoing documentary project documenting the work places of Portland creatives. Whether it’s a painter, a musician, or designer, Carlie aims to not just understand the creative process but to also document the spaces that contain them.
The Australian-based photographer Steve Axford captures some mind-boggling fungi, including tropical mushrooms that had likely not been caught on film prior to these images. Compelled to adventure into obscure places left unexplored by most men, the artist documents strange organisms, many of which are found in his native area, the Northern Rivers region of New South Wales. A number of species exhibited in his body of work exist in more temperate zones, like Tasmania and the state of Victoria.
Axford, a retired computer system designer and manager, hopes to marry science and art. His photographs, in addition to being beautiful, are useful in the identification and cataloging of species previously undocumented. Prior to Axford’s efforts, the hairy mycena, a snowy white mushroom with a fuzzy cap and a translucent stem had not been spotted or archived in Australia. The same holds true for the blue leratiomyces, a plant native to New Caledonia and Lord Howe Island.
Seen here in striking detail are the most uncanny of fungi species, each enchanting in its own magical way. Some are bioluminescent, glowing an electric green in the night air; others are impossibly delicate, sprouting elegantly from moistened tree trucks. Unexpected colors spill into nature’s canvas with the growth of purple, blue, pink, and bright red mushrooms. The artist explains that photography has gifted him with the opportunity to slow down and absorb the earthly wonders that surround him; in shooting these strange, spindly lifeforms, he gives us the opportunity to do the same. Take a look. (via Colossal)
Neil Mota brings together the beauty of fashion photography and Pirates of The Caribbean costumes and accessories. This certainly is a tough task but Neil has managed to create an accomplished body of work that does it with ease.
Mexican artist Pedro Reyes’ works in a variety of media from scale models of hypothetical museums to performances involving a clinic that provides unexpected therapies. However out of all of his projects the one series that stands out is the Capula sculptures. Made out of steel and woven nylon, these incredible structures are part furniture, part clubhouse, and all awesome. The Capula provides an alternative to the conventional room. A selection of the Capula manifesto reads: “If a room has rigid walls the Capula shall be elastic, if the room is grounded, the Capula shall hover, If a room needs furniture the Capula will turn itself into furniture…etc.” (via)
LIKE KNOWS LIKE is an ongoing video series inspired by the globe community of artists now connected with social media. Created by award winning photographer Marije Kuiper and documentary filmmaker Bas Berkhout, the Amsterdam based duo has interviewed a variety of different artists from all over the world that they originally became acquainted with through social media. Watch the videos after the jump.
Claire Healy and Sean Cordeiro’s large scale installations leave us feeling a bit overwhelmed or claustrophobic, and this is perhaps maybe the point. Their installations use recyclables to not only emphasize the gluttony of spending, but even more so, to confront the looming power of clutter and our strange animalistic aversion and contrasting need for it.
Of their work, the two say, we “live in such an organized society where detritus is not an issue. You put your garbage in a bin, and it goes somewhere. When you start to look at detritus, you automatically think about refuse. Or even more about consumption…getting caught up in the cycle of consume, consume, consume. And how these objects start to quantify your life.”
A runway of living masterpieces was the idea behind the couture “Wearable Art” collection. Viktor & Rolf had models walk around wearing human size canvases for their Fall 2015 couture show. The girls were coming out wearing a denim apron and a framed canvas at first white and then punctuated by paintings inspired by Dutch golden age painter Jan Asselijn. As the show went on, both designers appeared on stage to undress a model out of three, delicately taking off the painting they were wearing as a dress and hanging it on a hook off a wall.
The show was held at the Palais de Tokyo in Paris, a location known for it’s contemporary art and where designers have previously held their show. (Rick Owens, Phillip Lim and Maison Rabih Kayrouz to name a few). Viktor & Rolf gave an updated version of a fashion show, instead of having regular models strutting up and down the runway, the designers gave a performance. Trying to get as close to an art performance, blending art and fashion and demonstrating once again their genius in pattern making. Watching the video (see below) will make it much more clearer that this has nothing to do with fashion per say.
The designers are experimenting wearable art. Instead of trying to prove that fashion is art they are subtely implying that fashion is inspired by the excellence of art. By taking the clothes off the models and hanging up the garments they are claiming that fashion is humble and vulnerable compared to art. There is something naive and touching about this show. Fashion designers following the footsteps of art performers, clearly inspired and admirative of the art world.