Daniel Aristizábal is a graphic designer and illustrator who creates incredible digital works of art that are surreal and transport the viewers to a topsy-turvy Rube Goldberg-esque world. His Huevos series is playfully inspired by Dali’s “Eggs on the Plate without the Plate,” showing colorful variations on the common egg.
In some of Aristizabal’s work, the 3D elements pop out, almost like digital sculptures. Other works, such as his “Glitched Cubism” piece, utilizes the 2D GIF format to play with the dimensions and perspective of cubism. In an interview with Instagram, he says that his work is a “retro, colorful, geometric bonanza.” His art seems to draw on a palette that is by turns neon and sherbet but always whimsical.
Aristizabal continues to say:
“My main sources of inspiration are random thoughts that pop in my mind, like memories of dreams and places that I used to imagine when I was a child. I think the term ‘pop surrealism’ works well for me. My work is full of simplicity and organic shapes. It is nostalgic in its essence.”
Somethin’ weird and awkward about Eric Lebofsky’s drawings and paintings. I like his descriptions for the series he creates too: “A selection of drawing work from the earlier to middle part of this decade. Topics broached: systems of measure, schadenfraude, genetics, underwear, psychoanalysis, prison tattoos, man-shaped ice cream sandwiches, solipsism, violent rainbows, intercourse (sexual and verbal,) Arthur C. Clarke, C.S. Lewis, Ashkenazic DJ’s, The Upper East Side, and more.”
Graziano Locatelli creates mixed-media artwork out of humble materials: tiles, cement, glue, and metal plates. All of his pieces have some element of carefully controlled tumult, something brewing beneath the surface. Often Locatelli breaks his tiles in a precise but organic way, creating fault lines that ripple through the entire piece and create movement and a sense of tension. In one such piece, the fingers of a sculpted hand can be seen gripping the side of the jagged crack, as though peeling it back for a better look at the real world. Other works are more subtle: An impression of a human figure, outlined by hairline fractures.
According to Cross Connect Mag, Locatelli explains: “My early works are sharp and are often torn apart by heads and figures that try and break the wall and is still the subject of the breakage that bewitches me.”
Locatelli’s recurring motifs of breakage and emergency are complemented by his sculptures of materials re-made, formed into eggs or other objects. What’s interesting about his choice of tiles is that they are found so often in people’s houses, especially in places of comfort and privacy; in other words, places that have intimate knowledge of our lives. Perhaps that’s why the pieces are so unsettling, as they blend the familiar with the surreal along with elements of a Poe-esque horror.
“I wonder what meanings and feelings these (once) familiar places arouse in those who lived there,” Locatelli says. “I see them as restless dreams, spaces in ruins inhabited by ghosts that still retain an embryonic life.”
The Creators Project recently interviewed digital-installation renaissance man Karl Sadler about his role as both an artist & a director. The interview highlights his latest project, “The Sculpture of The Album,” made in collaboration with popular London-based band The XX. Through harnessing technology and art, Sadler gives visual form to the band’s music, creating a physical representation of the intangible. The piece sheds light on what happens when media and message are mixed, and, on a broader level, the creative process. Visit The Creative Project site to read the full interview with Sadler, as well as explore other creatives from around the world working across a broad range of media. If you’re in the NYC area, stay tuned for The Creators Project Launch Event June 26!
A book filled with natural, unretouched images of naked women. Matt Blum and his wife Katy Kessler have both collaborated on the Nu Project, a concept and a book re-defining the beauty of the body. In the intimacy of their own homes, women over 21 unveil their bodies, as it is, with no artifice. Matt Blum, the photographer, shows up without knowing anything about the woman. The only requirements are no clothing, no make-up and only natural lighting.
There’s been nothing but positive feedback from the women involved and the women witnessing the project. In a digital world where the use of photoshop is standard, it is refreshing to watch women feeling comfortable within their own skin. The Nu Project is changing the way women see themselves. It gives them the opportunity to relate to other women’s insecurities and hopefully realize that their body is beautiful. These photographies of ordinary women shot in their environment reflect honesty. They do not only show their body as it is; they also reveal their inner personalities, the soul behind the flesh; sending the message that a body is an envelope and that true beauty is what shines and enlightens the shot.
The project launched in 2005, and a book has already been printed. As the phenomenon continues to grow on social media, Matt and Katy decided to edit a sequel which will come out if enough funds are collected, follow the instructions on the Nu Project website to help a beautiful project come to life.
From the exquisitely drawn works of Los Angeles based artist Ben Tegel to the mixed media collages of Ryan De La Hoz Beautiful/Decay’s Click To Collect program offers you an accessible way to hang original art works in your home. Priced $75-500 all 60 of these works are sure to transport creativity into your home and office and ignite inspiration in your everyday life. Shop Click To Collect Now!
It’s difficult to gauge scale in the work of Petros Chrisostomou. The giant shoes seem so detailed; the galleries look immaculate. If you want to know I’ll spoil it for you…it’s the galleries that are tiny. Chrisostomou uses small mundane objects as the center of his photographs. He places these in the middle of amazingly detailed miniature galleries. Chrisostomou painstakingly gives attention to lighting, scale, perspective, and detail. The realism of his sets force the eye and mind to alternate between small and large scales, doubting each in the process.