Belgian artist Nick Ervinck‘s work is a divergent collection of the physical and the digital: by employing computer design techniques with a singular vision to make sculptural works new and exciting, Ervinck turned to 3D printed sculptures for his gallery works and comes out the other side creating works of singular focus, applicability and immediacy.
Says Ervinck on his website’s artist statement, “I have always been fascinated by how art has developed due to the use of new materials and techniques. Somewhat disappointed in contemporary sculpture and it’s lack of renewal, I turned towards architecture, applied sciences and new media, in order to elaborate a new language generated by computer software, and to compose forms and designs that were unthinkable in all those years before.”
While many of his works contain a quality that derives from ““Using copy paste techniques in a 3D software environment, I derive images, shapes and textures from different sources: basilicas, corals, dinosaurs, cottages, Rorschach inkblots, Chinese rocks and trees, manga, twelfth-century floral wallpaper, anatomical parts…”, perhaps most interesting in Ervinck’s work is his particular interest in the future possibilities and practical uses of the 3-Dimensional printing medium. In works such as the AGRIEBORZ series (pictured above), Ervinck worked closely with medical scientists to create realistic reproductions of the details of the human body in the fledgling bio-printing industry. He has openly remarked that he hopes that his artistic concerns and sculptures will eventually fuel scientific inspiration to continue research into the realms of human potential. (via MELT)
Paul McCarthy’s installation in Hong Kong. Photo courtesy of LAURENT FIEVET/AFP/Getty Images
Tam Wai Ping
This last decade in art has turned out a ton of larger than life sculptural work, specifically in the realm of inflatable sculpture. As adults, we never seem to get over the pure bliss of bouncy houses from our childhood, and as art lovers we are drawn to these works, made from thin plastic that are able to tower over us once filled with air. Artists have used this medium to make shocking and conceptually multilayered statements, such as Paul McCarthy’s “Complex System,” a building-sized pile of poo that made international headlines when it deflated in Hong Kong this past spring, leaving behind quite the brown mess. Other artists have merged inflatable sculpture with architecture and infused it with an interactive element that takes the classic “bouncy house” into a sophisticated architectural wonderland, such as Alan Parkinson (also known as “Architects of Air”) has done with his Luminaria. Other artists included below are: David Byrne, Eder Castillo, FriendsWithYou, Florentijn Hoffman, Chad Person, Tam Wai Ping and Geraldo Zamproni.
This Labor Day Weekend, enjoy the following parade of images that reviews some of the most exciting and celebrated inflatable sculptures that have emerged within the past ten years.
Will Ainley is bringing weird back! His illustrations are all about creatures with spindly arms, crazy teeth, and funky personalities. You have to wonder what a conversation might be like with one of them; they seem like they could be friendly, maybe just misunderstood, but sweet. His portfolio consists mainly of pencil illustrations and vector work, sometimes together, sometimes separate; Ainley’s Prog Rock Monster is a cool example of how he drafts and produces his creatures, down to the last detail. He’s got a great sense of color, and adds a lot of character to his illustrations by exploring line theory, texture, and distortion. More after the jump!
Welcome to Nathan Alexis Brown’s blank generation. Where punk dudes drink forties and hang around a camp fire with luchadores and werewolves. All while wearing a few of the most mind blowingly cool denim vests that would even make Tezz Roberts drool.
The B/D shop sale is still going strong with 50% off all our books, magazines and apparel until this Thursday! Just enter the discount code “AMERICAN50” during checkout, save big and add some creative inspiration to your life!
It’s problematic calling the work of Jake Fried either animation or painting – it is a bit more than both. Fried uses exceptionally simple materials: White-Out, coffee, ink, gouche, and paper. He creates and image, and adds countless layers. The result is an evolving and unfolding psychedelic image. Fried appropriately calls this type of experimental animation “moving paintings”. Using the image of a face as its foundation, Fried quickly elaborates on the painting barely allowing the viewer’s brain to keep pace. You can see more of Fried’s work previously featured here. [via]
Jaw-dropping installations made from cardboard and tape, colorful and geometric paintings on discarded wood or subway car interiors, highly-patterned murals on the streets — Clemens Behr creates a little bit of everything. Or, rather, the Berlin-based artist makes A LOT of everything, much to the delight of his followers. Full disclosure: Yes, I am one such enthusiast.