Have you ever looked at a black and white photograph and wondered what it would look like if it were taken in the modern day? The Dutch website NSMBL recently uploaded GIFs of vintage photographs being colorized. We are not only able to see the original range of black, grey, and white tones, but we can see the color each hue translates to. As each nostalgic scene turns to color, we realize how different contemporary technology is and how far it has come. The new colors and tones are not muted or faded like we might expect a color vintage photograph to be. They are ultra-bright and full of vibrancy, leaving each image looking near perfect.
Because the images look too high quality for real vintage color photos, they almost make it seem as if we were in the frame of the picture within the scene, or like the photos were taken in modern times. Either way, it breaks the time barrier that creates such a nostalgic distance between the photograph and the viewer. It makes you wonder what images would have been captured if they had better technology during those times, or perhaps, what advanced technologies will capture images of our lives in the future. Contemporary film photography is becoming more and more obsolete, as vintage film is becoming aged and damaged over time. These images are refreshing to see as these classic photographs are now often documented digitally. We can both marvel at the technological advances in film photography while still seeing the timeless and beautiful original.
HUH. ONE is a black and white zine released by HUH Magazine of an edition of one hundred. I have to say the photography featured in this zine is really awesome. Photographers include Chad Moore, Dana Goldstein, Gavin Watson, Jerry Hsu, Jonnie Craig, Kathy Lo, Lele Saveri, Patrick Griffin, Pawel Jaszczuk, Peter Sutherland, Sean Vegezzi, Bea Fremderman, Paul Herbst, Seth Fluker, Patrick Tsai and Young Kyu Yoo. Head over to their website to get a limited copy.
Few images of dogs can capture the magical abandon with which they move and express themselves, but the photographer and animal care expert Carli Davidson has done just that with Shake, a delightful series composed of high-speed, freeze-frame captures of canines mid-shake. Each shot miraculously pinpoints the moment of release; a wakeful stretch, the passionate freedom from a wet, unpleasant bath.
The photographs are comical for the strange elasticity of skin and fur, which seem wobble and move according not to the laws of physics but to the emotional governance of the animals; blissfully, floppy puppy ears swing from tiny heads, as if to take flight from the body. Similarly, hungry, drooling lips express the subject’s uncontrollable excitement.
Within Davidson’s humor lies a beautiful reverence for the canine subjects. The miracle of the animals’ instinctual motion creates sweeping, mystical swirls across the frame; drool, fur, and flesh move in tandem. Eyes open wide with the ecstatic motion of loose skin, and a Komondor’s dreadlocked hair swirls about like Medusa’s wild snakes. After a bath, water droplets and strands of shedding fur compose a starry cosmic landscape, lit radiantly against a black backdrop.
From the Chinese Crested to the Springer Spaniel to the glorious mixed breed, these canine subjects engage in a frenzied and physical expression and enjoy themselves in ways humans rarely do; in viewing their images, we are invited to do the same. Take a look at the joyous images below, and check out the print publication of Shakehere. (via Colossal)
Li Hongbo is a Beijing-based artist who builds elaborate and flexible paper sculptures that ripple and shift before our eyes. Featured here is “Irons for the Ages, Flowers for the Day,” a large-scale installation currently on display at the SCAD Museum of Art. The work—which spans the entirety of a gallery—involves thousands of small paper objects bound together by honeycomb layers of glue. Close up, the bright shapes align themselves like an undulating, flowery rainbow; step back, however, and you’ll see that together the shapes amass into the greater form of guns and artillery. In a surprising clash of innocent colors and delicate paper with the brutality of war, Hongbo produces a curious (and potentially deceitful) optimism for deadly weapons.
Hongbo’s work draws upon the ancient, cultural tradition of paper-making in China, which dates back to the Han Dynasty (206 BC–220 AD). Inspired by this art form, Hongbo has reinvented it on a grand scale. Other projects include malleable bodies and busts, such as a version of Michelangelo’s David that unfolds spectacularly. The ability to metamorphose is integral to Hongbo’s works; with the politics left aside (or at least ambiguous), his sculptures challenge our perceptions by unsettling solid forms with their built-in fluidity. Whether it’s guns or classical statues, we can’t help but to reconsider the materiality and purpose of objects as they transform before our eyes.
“Irons for the Ages, Flowers for the Day” will be showing until January 24th, 2016. Check out SCAD’s website to learn more. (Via designboom)
The Montreal based photographer, an avid cataloguer of trans and queer communities since early 2000’s, creates Alone Time, a series of photographs in which he recreates typical domestic environments that play around with the idea of gender stereotypes. For this project he uses one model only; the one model is to play both the male and female characters in the image. The result, Levine said, “challenges the normative idea that gender presentation is stable or constant. Rather, gender expression can be fluid and multiple.”
“work is emerging at a moment when people are starting to talk more about gender and sexuality in the public sphere, which allows more space for queer cultural production and representation in the mainstream.”The thought-provoking work gives us the chance to become vulnerable and empathetic towards
The thought-provoking work not only give us, the viewer (of any gender,) the possibility to become vulnerable and empathetic, but also the ability to imagine ourselves in this specific situation. What would it be like to be a member of the opposite sexes? Do I, in anyway, resemble some of all the male/female/transgender characteristics?
Levine, a trans and queer man, uses his sexuality, gender and past experiences in his art in order to reach out to those who are not necessarily familiar with the subject. He intends to expand awareness through creating work that is familiar to all, and not just one gender. He notes that his images “talk about and celebrate marginality from a place of familiarity and self-exploration as opposed to voyeurism.” (via Slate)
In the ‘Spin Series’ artist Paul Henry Ramirez addresses social and aesthetic issues with abstract paintings. Each painting is set on a turntable and the audience is invited to rotate the painting. Ramirez creates a collaborative relationship between viewer and artist by making his paintings interactive. This makes it possible for the viewer to find the ‘internal logics, tensions, and interactions that order the multiple parts of the constructed configurations’. I really enjoy the image of the painting as it is spinning, but also like the sexually implicit imagry that emerges from the paintings when they are static.
Troy Coulterman sculpts weird and wonderful figures in bizarre circumstances. His use of unnatural, vibrant colors interrupts his already unusual sculptures, giving them an added edge. Graphic novels and comic book artists are the inspiration behind his exaggerated characters in his work, as if these vivacious and animated characters have jumped right off the comic book page and into reality. Receiving his Master of Fine Arts in Sculpture, Coulterman uses his skill to from his figures out of resin, often placing them in a realm with swirling clouds and dripping hair. Coulterman explains the meaning behind his highly stylized work.
“These abstract, absurd forms that interact with the figurative pieces, they’re in a way visual metaphors to describe the psyche of the figures, the emotional moments in the figures.”
Although some of his figures have geometric faces replacing what would be normal human features, most of his work has an element of abnormal organic matter spewing from eyes or engulfing the figure. These organic forms appear somewhat disturbing but ultimately beautiful with their striking colors and detail. Another aspect of Coulterman’s work that is impossible to ignore is each unique and dramatic facial expression his figures possess. Each expression the artist sculpts creates an unmistakable mood in his artwork. Originally from Ontario, Canada, Coulterman has exhibited all over the world and has been included in many different art publications. He is currently represented by Slate Gallery in Regina, SK, Canada.