British designer Benbo George’s work is what work in surrealist movement would look like if they had designers. I couldn’t find much about him on his site but the great sampling of images are enough to earn a trip to his portfolio site.
In the project Art Trap, the Korean architecture group Mass Studies group plays with the idea of the Guggenheim Museum as a victim, in a sense, of its own success due to an over-saturation of human movement in a singular space (900,000 visitors annually) around Frank Lloyd Wright’s radical vision of a museum — a quarter-mile-long ramp spiraling around an iconic void. In the proposal for addressing this issue, the museum visitors themselves essentially become the artwork.
Daniel K Sparkes started his career in the British street art scene since the 2000s. His work is a juxtaposition of photographs, paintings and drawings that combined depict burlesque portraiture, illustrations and landscape. As if eaten alive, the portraits remain anonymous and faceless, yet there is plenty detail where the face or limbs should have been. These faceless and limbless portraitures are playful, disturbing and interesting, especially when done in large scale, as example of some of his murals.
California-based artist Gregory Kloehn often repurposes the still completely-usable trash and street detritus that he finds in the streets. His ongoing project Homeless Homes takes this idea one step further, offering real aid by creating housing for the homeless in Oakland. Dubbed as “eclectic building materials for small but efficient mobile homes.” Kloehn and his volunteers recycle and reuse salvage to offer small, mobile house (they are on wheels), Mostly the size of a sofa or small room, these Homeless Homes offer a safe place and protection, and raise awareness to the needs of the homeless community. “Stuff people just throw away on the street can give someone a viable home,” Kloehn said in an interview with NBC News. “Does it have merit as a solution to homelessness? As far as giving people a shelter, yeah, definitely. Is it a solution to homelessness? It’s an answer. An attempt.”
Kloehn further describes his aims on the project’s website, “Our goal is to bring together imaginative people and discarded materials to make sturdy, innovative, mobile shelters for the homeless people. By sourcing our materials from illegal street dumping, commercial waste and excess household items, we strive to diminish money’s influence over the building process.”
Brooklyn artist Christian Maychack has put together a solo exhibition entitled Flats which opens TONIGHT at Jeff Bailey Gallery (625 West 27th Street, Manhattan) and runs through October 6th. This is the artist’s third solo show with the gallery and it looks absolutely amazing. Wood, epoxy, clay, and pigment come together in swirling compositions with really unique textures. Maychack recently received a painting fellowship from the New York Foundation for the Arts. Looks like he deserves it. See more work from Flats after the jump.
Images courtesy of Jeff Bailey Gallery.
Gal Weinstein, based in Tel Aviv, does some really cool sculptures. Burning tires, mosaic explosions, sputtering chimneys- this stuff is hard to ignore. Some people feel that we’re closer to the apocalypse now then we ever have been, whether it’s brought on by our own means or otherwise. Weinstein’s work often illustrates a sparse, unforgiving wasteland full of smoke and red brick. Even the sculptures that depict elements of life are disconnected, removed. Farm plots are reduced to tiny, green squares. The closest we get to humans are rows of stoic Foosball figures. But somehow there’s still hope in the artist’s work, which holds color and intrigue. (via)
London based artist and designer Guo Cheng’s “Mouth Factory” is a series of functional machines specifically designed to be operated by the mouth of the user, Which includes Chewing drill, teeth lathe, tongue extruder, blowing rotomolding machine and vacuum form machines.
The project explores the capabilities and versatility of this wondrous organ and correlating facial expressions, re-contextualised within the realm of production. As a comment on human enhancement, the project aims to explore the aesthetic of production through a series of performative devices. By focusing on the mouth, the production devices acquire a fantastic quality that amplifies and render visible the reciprocal relationship and effects between our body and our tools. (via)
Russian artist Pavel Platonov experimented with origami because of his inclination toward sharp, angular, geometric forms. Better known as a photographer who works with a unique and surreal type of portraiture, Platonov’s sculptures have a reflective quality to them, allowing a viewer to learn something about himself while observing the work. Bizarre and often placed in natural settings Platonov’s pieces allow a viewer to encounter and react to discovering something strange and out of place.
Interested in the idea of a final image juxtaposed with the process of achieving that final image, artist Marc Fichou experimented with the conceptual process of folding, and unfolding, origami forms. Drawing attention to the way our mind makes the connection between the two contrasting images, which don’t directly or immediately resemble one another, Fichou creates works that are visually compelling, and intellectually engaging.
Born to teenage, Mexican-American gang members, artist Gerardo Hacer escaped to fantasy worlds via the art of origami. Learning to make paper cranes at some point during his stay in a string of foster homes Hacer combined that outlet with an inspiration found in Calder’s Los Angeles sculpture, “The Four Arches.” Hacer decided to become an artist and even changed his name, “Gomez-Martinez,” to “Hacer,” which means “to make” in Spanish. Hacer became a sculpture who creates large-scale origami forms, engaging his original love for origami with his desire to create substantial and impressive works of art.