Beautiful billboard photographs by Branislav Kropilak.
Beautiful billboard photographs by Branislav Kropilak.
Welcome to the future! A time where the good folks at LG have brought you the new 34 inch, 21:9 Curved UltraWide monitor which will surpass your wildest dreams of technology meeting form and function. Not only is this monitor an exquisite piece of design but it pushes the boundaries of how monitors are used by creatives working in film, graphic design, and photography.
As the name implies the LG 21:9 Curved UltraWide monitor is not only a beautifully wide 34-inch screen but it also is curved. This design detail helps viewers see every inch of the 178 degree field of view with ease. Gone are the days of having to daisy chain multiple monitors to one another only to spend hours calibrating colors from one monitor to the next. Now you have QHD resolution 3440×1440 on one immaculate state-of-the-art surface which will allow you to fully immerse yourself in your projects.
If that’s not enough innovation to get you to rush to the stores and pick up the 21:9 Curved UltraWide then maybe the above video will help. Watch it carefully until the end to see how the monitors can be linked together to create a unique 360-degree video experience that’s impossible with any other monitor on the market. Now that’s technological advancement!
Musician Jun Seba, also known as Nujabes passed away late last month after a fatal car crash at age 36. Why it took almost a month later for everyone to catch wind of it, I’m not sure but, pest in peace. You were so young and so amazingly talented. This video above was circulating the web for a bit- “Luv (sic) pt. 2″ Nujabes featuring Shing02 and directed by Sou Ootsuki. Doesn’t watching it makes you feel alive? In a really breathtakingly normal way?
Across the great lands, in all of eternity, against time, space, and even in the third dimension, there are only FIVE, I repeat FIVE copies of Book 1 left in existence. Or at least, left on the online shop. If you missed out on Book 1: Supernaturalism, with its custom sticker inserts, 164 pages of glossy art, and hand-drawn, collectable cover by Kyle Thomas, I suggest you run (or arrive, in a cloak of smoke and lightening) to the B/D Online Shop to get your copy. And, if you never want to miss another issue (and support independent art at the same time) subscribe!
Japanese designer Dan Tomimatsu’s latest project is a short film film entitled O: -les amants d’eau-, based on a poem by fukudapero. It is a five minute surrealist film narrated in Japanese and subtitled in English which provides an oscillating view of different sceneries, places, and objects.
The magnificent simplicity of this film lies in the technical aspects of how it was made: Tomimatsu shot a drop of water through the hole of a 5 Yen coin, through the lens of an iPhone. The coin was stuck to the lens of the phone in such a way that filming through it would allow a close-up of the drop of water. The result is a truly dreamlike sequence of images, which are tinted, filtered, and displayed through the drop of water. The film plays a lot with the notion of movement and the fluid, unpredictable nature of water.
In this sense, the drop of water provided a sort of natural lens for the film to be shot through as well as a new angle concerning the iPhone as a legitimate filmmaking device. His project underlines the role of new media and technology within the realm of filmmaking and the process of creating something simple yet so intricately beautiful as a film shot through a drop of water.
British artist Joseph Loughborough creates dark and grotesque , yet delicate and beautiful charcoal drawings that challenge and trigger existential questions and anxieties.
Loughborough’s trademarks an expressive, impulsive and honest style that strikes as vague at first; however, a closer look reveals deep and thoughtful technical decisions that render his concepts fairly well; his choices are simultaneously charming and intimidating.
Through his eerie,whimsical subjects, whose faces are usually deconstructed, Loughborough renders the grim side of human nature: sin, desire, fear and anxiety over one’s own absurdity.
I can understand why my work is considered dark but I have never really looked at it in this way. I have always intended it to be revealing, honest and expressive. Some of the pieces act like a personal exorcism through which I try to express, rather than deny, the emotions I encounter. Through my drawing, I strive to grasp a comprehension of the human condition and question how we interpret our oft-untold fears and desires.
(via Feather of Me)
The above picture is documentation of Stefan Benchoams 2008 installation Ejercicio de Dibujo at the XVI Paiz Biennial in Guatemala City.
Laurie Simmons‘ recent show, Kigurumi, Dollers and How We See, Salon 94 Bowery in New York, features eerie looking photos of dollers (also known as Kiggers), a circle of Japanese cosplay enthusiasts (Kigurumi), who dress up like anime-style female dolls and wear their costumes out in public. The men and women involved in this fascinating ‘counter-cuture’ go to great lengths to suppress any lingering vestiges of their own bodies, wearing 360-degree masks, wigs, and full bodysuits.
Simmons gathers her own models and Doller costumes in order to create her own line of Kiggers.
Some of my cosplayers are men and some are women but they all portray female characters. I try to explore the psychological subtexts of beauty, identity and persona surrounding the assembled Dollers. At first I dressed them only in fetish latex, which seemed both doll-like and right for their identities, but it soon became clear that they needed to expand their repertoire and play dress up.
Along her collection of photographs, we see this odd juxtaposition between the inanimate and the living; how is it possible to be experiencing something both so fake yet so real all at once? It is that and more- Simmons’ gives these ‘dolls’ the opportunity to experience the phenomenon of the selfie (“Yellow Hair / Red Coat / Snow / Selfie” ) and an overall exposure to what is to be present, as something outside of the realm of the average human being, in the current world of self-promotion and its agenda (perfection, beauty, etc). “Might masking (becoming a Kigger, in this instance) be at least part of the appeal of contemporary forms of imaging and presentation of the self via social media?”, asks Simmons.
In the last decade the boundaries separating identity and persona have become increasingly blurred — as individuals ‘present’ their BEST selves to their Twitter, Facebook and Instagram followers. One tilt of the iphone can make the difference between a glamorous, funny or obscene selfie. I wonder about the fuzzy space between who “we” are to ourselves and the “we” that is invented, constructed and expressed using the readily available tools of the 21st century? Aren’t we all playing dress-up in some part of our lives?
Laurie Simmons: Kigurumi, Dollers and How We See in on view at Salon 94 Bowery (243 Bowery, Lower East Side) through April 27.