The idea of finding and re-sharing images on the internet is nothing new, but sometimes someone does it well enough it’s worth talking about. Canadian artist Wyatt W.’sDeath In Rainbows tumblr is not the usual loosely connected (or completely random) mess, it is broken down into meticulously curated sets of fascinating images. This care and direction create an experience that is both focused and full of surprises.
Costa Rica based artist Marco Battaglini creates large pastiche paintings that combine a handful of genres, styles, and references. His paintings are often reminiscent of a Renaissance composition and include classicist figures painted alongside more modern imagery like graffitied walls, tattooed bodies, varying artistic allusions like Warhol and Lichtenstein, and other pop culture details. Upon closer inspection of the paintings, it becomes clear that the effect of the compositions reveals spatial and temporal disruptions that limit the interpretation of the paintings’ realities.
According to his Saatchi profile, Battaglini, “invites us to think that in today’s global village, with the ‘democratization’ of culture, the evolution of knowledge, information immediacy, immersed in the heterogeneity, the Patchwork Culture forces us to confront with a need understanding beyond our geographical boundaries of time.” (via hifructose)
Wayne Gilbert doesn’t just paint your average minimal iconic paintings? His painting process involves mixed REAL human remains into his work. I’m not sure if he’s visiting the local funeral home to pick up a bag of dust or taking bones and pulverizing them to mix into paint but he definitely gets the “creepiest art material” award for 2011. Check out the rest of his work after the jump.
Mario Ceroli is an Italian sculptor and stage designer. In series entitled La Vague and Maestrale Ceroli visually harnesses the power of crashing waves rendered out of finely sculpted glass and wood shards. Frozen in time, the waves instill a sense of infinite anticipation for the viewer. The thought of a massive glass wave continuing its curve and crashing to the floor is equally exciting as the translucent structures themselves.(via)
We’re not in the habit of sharing stuff that’s not contemporary here, but sometimes you come along something that shouldn’t be overlooked, as it seems relevant no matter when it was created, and could use a little more attention. Jugendstil, the German Art Nouveau movement, was named after the late nineteenth century literary magazine Jugend, which promoted the aesthetic within its pages and on its covers. If you’re looking for some fresh typography/design/illustration inspiration, check out this online resource, which contains lots of images from and info on the magazine. There’s even some Impressionistic stuff mixed with the Art Nouveau goodness, but it all comes off as really fresh. I wonder what Jugend, which didn’t make it out of World War II and Nazism, would be like if it were around today.
Beautifully framed visual deposits from the American heartland, courtesy of NYC photographer Jordan Sullivan.
Just when I thought Ryan McGinley had cured me of all need to see a collection of road trip photographs ever again, Sullivan’s stark, highly involved compositions draw me back into the familiar subject matter with a mixture of guilt and elation.
Sullivan is currently showing at Clic Gallery in SoHo with an exhibition entitled ‘Roadsongs’.
Robert Jackson is a contemporary still life painter. But don’t let the genre often associated with morbid colors, candles, skulls and wine bottles leave the wrong impression. This painter’s canvases are littered with bright colors, clean compositions and a healthy amount of humor. Jackson’s comical paintings feature assemblies of cakes, water balloons, candies, apple boxes, toy dinosaurs, cactus plants, and balloon dogs.
Jackson actually assembles his scenes in his studio, and is then able to accurately capture the playfulness of the mood – creating something that looks like it came from the Toy Story movies. He paints moments where we sneak a look in on the action figures setting up traps for each other, or skateboarding around the room, crashing into the other toys.
Eager to create moments full of narrative, Jackson develops a simple idea that will either pique your interest, or at the very least being a smile to your face. His balloon dogs go fishing for lobsters; the panda bear toys set up daring tight rope adventures for each other; the dinosaurs all fight over a slice of chocolate cake; and apples mischievously balance water balloons on their head, waiting for the impending disaster.
Jackson uses his whimsical, absurd and post-pop paintings as a tool for people to expand their imagination. He says by using mundane objects as stand ins for people, he can talk about deeper subjects without being too confrontational.
It’s like Star Trek addresses racism, but the audience doesn’t realize that until after the show is over. I have a couple of apples fighting and it’s not until a couple minutes after looking, that the viewer realizes that ‘Oh! This is talking about war!’ (Source)