Photographer Minh Tran captures the raw, gritty nightlife of Portland in his series Nights, Camera, Action! The images simultaneously surprise with their intimacy and reflect what one might expect in a Portland night out complete with some PBR cradling. It’s a fun, seemingly endless scroll of people who just look like a real good time. When you make it over there, make sure to keep an eye out for a Stevie Wonder cameo.
NoLoveLost, aka Gareth Rice, is an artist, designer, and illustrator based out of New Zealand. His work has been used and featured in print advertising, editorial design, and campaigns for K-Swiss, Oakley, and Redken. His graphics are energetic, and I like how his illustrations organically meld with the photographs they are incorporated with. The above artwork is part of a new series intended to “give human based subjects a flawed final resolve, rather than a perfect one, which is so common in our industry.” Whether his illustrations are for a shoe company or for himself, you’ll find yourself doing a double take, just to grasp everything going on.
Sipho Mabona reinvents traditional origami practices. In a series called vectorgraphics he creates forms where the paper is kept flat. Both aesthetically and spiritually it recalls stained glass windows and resembles colorful panes you might see in a new age cathedral. He furthers the conversation by mixing the pigment with sugar water and achieves a result that improves upon the medium transforming it into something else. There’s hesitation to say ‘new age’ but it does embrace qualities beyond this world.
Mabona started working with paper at a young age making traditional airplane designs. When he was a teenager he turned to origami and has since engaged in many different projects using the material. Besides graphically inspired work and traditional origami figures he has made a life size elephant. All white and made out of folded paper it is a feast for the eyes. His origami has been used to tell the Asics sneaker story. In a short entitled “Origami: in the Pursuit of Perfecton” it traces the company’s history through Mabona’s models.
Origami is the traditional art of making sculptures out of paper without glue, tape or staples. It has three distinct origins dating back to the 16th century. In China, folded paper was burned during funerals as currency for the deceased into the next world. In Japan, the first reference appeared in a short poem where a paper butterfly design was mentioned at a Shinto wedding and in Europe napkin folding became popular with 17th century nobility eventually replacing it with porcelain. (via designboom)
The playfully colorful and innocent world of Brooklyn based photographer Amanda Jasnowski is completely irresistible. The compositions in her photography are filled with brilliant colors, clashing patterns, and minimal settings. Each one is stranger than the last. Cropped just at the right spot, hiding just enough content, her photography seems familiar to us, but leaves a strange yet lovely taste. Jasnowski is tricky in setting up compositions so intriguing and sublime, they leave you wanting more. Because her photography does not allow us to see or make sense of exactly what is going on, they create a playful suspense, similar to a film still. Not surprisingly, this whimsical artist is a big believer in fun and the importance of never taking yourself too seriously.
Because much of the focus in her works is on the meshing of pattern on clothing, Jasnowski’s photography style holds the flavor of a high fashion photo shoot. Of course, the focus is not just on the clothing worn in her photo shoots, but on the whole, wonderfully surreal compositions. Jasnowski holds an amazing power of experimentation over her creativity. She is constantly pushing and transforming her own technique to create more complex composition by combining stunning colors, busy patterns, and flattened space. Her palette is not just restrained to her beautiful, shallow backgrounds or props, but she also envelopes the models in her photographs with her signature pastels. This was done in her series titled Greetings From Utopia in collaboration with fellow artist Jimmy Marble. (via IGNANT)
Yesterday I posted Brian Vu’s digital collages. Well if you were a fan of those then let me introduce you to Roxana Azar. Roxana mixes obscure images with basic photoshop repeating effects to create trippy worlds full of surrealism and mystery.
Sarah Rosado, a self-taught illustrator and photographer, has recently implemented the medium of dirt scavenged from New York City’s parks to create quirky and playful images for her most recent project, Dirty Little Secrets. Oftentimes, she will accessorize the dirty images to give them a 3D effect and render them more realistic. She sets her dirty images against a stark white background, playing with the contrast of dirty/clean. A simple concept with a graceful execution.
Through a process of experimentation and manipulation, Italian artist Daniele Papuli creates sensual paper sculptures that evoke feelings of quite nature and grandeur. Active as a sculptor since 1991, Papuli’s work has developed through various stages of materiality and process. His early pieces were focused on stone, wood, and plaster, however, in 1993 he learned to make paper, and by 1997 he began solely focusing on the potential of paper’s materiality. He explains his admiration for the material. He states; “according to the way in which it is moved, touched, cut, paper offers me numberless sensorial, visual and tactile suggestions engendered by its new structure. My work proceeds by returning these experiences, and searching about sculpture, its physical character, its connection to space.” In order to fully understand the material he turned to paper handling and production. He tested and trailed myriad combinations of mincing different types of paper, mixing them with herbs, grounds and colors. This process in which permits the artist to become intimate with his martial allows his work to have a distinct personality that exudes a certain essence of delicate vibrancy. He explains;
“sometimes the sculpture shows a sort of inner energy, the bending of the different sheets suggests the trend and development in the round. I am extremely interested in these manifold variations. Sometimes the shapes become paper monoliths faceted in many light lamellae where the different layers are like veins and the chromatic variations of the surface, yellowing as paper does in the sun, follow the metamorphosis by which the sheet traces back to wood, to the tree, to its primary mother-matter.”