I love these ultra detailed, goopy portraits by Colin Chillag!
It seems talent is coming at a younger age these days. At only 22 years old South Afcrian Paul Ward is a photographer to watch and follow with more work in his portfolio than most seasoned vets. His series of people simply looking at the camera and screaming is simple yet breathtaking group of images. Scream with Paul Ward and friends after the jump.
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If you’ve ever wondered what your favorite world leaders would look like as hipster, ponder no more. Illustrator Amit Shimoni reimagines presidents, prime ministers and radicals into modern day trendsetters in Hipstory. With an overall, uncanny resemblance to Mad Magazine’s Alfred E Neuman, Shimoni’s portraits of dignitaries such as John F. Kennedy, Margaret Thatcher, and Ghandi give new meaning to nose-rings and Ray Bans. His lighthearted link to the past, just another reminder of our voracious appetite for turning the old, cool again. Even in jest, his subject’s hairstyles remain constant. Who knew JFK’s windswept wave would be in style 50 years later, or that Ghandi’s baldness would be a current fashion statement for both male and female? A few inside jokes include Kennedy rockin’ a Marilyn tee and a tropical patterned baseball jacket on Nelson Mandela.
It’s lighthearted and fun to imagine these historical figures in youth of today clothing and accessories, but deeper meanings prevail. It’s no secret that fashion has the power of showing what side of the fence you’re on. A visual signifier that immediately lets the world know who you’re with. In Ghandi’s portrait, the passive resistance peacemaker is painted in Grateful Dead rainbow t-shirt. If he were alive today, he would most definitely be pro-vegan protesting police brutality. Margaret Thatcher, on the other hand, looking rebellious in riot grrrl gear, could be fronting a punk rock band singing political injustice. The only sour apple of the bunch is Honest Abe. Appearing uncomfortable and moody in rockabilly jacket and gold chain, his apparent awkwardness might mean this trend can only be recycled back so far. The portraits are available for sale on the artist’s site in various incarnations including prints, t-shirts, cell phone skins and more. (via Fubiz)
Pennsylvania-based Charles Huettner is a 2D animator who crafts symbiotic relationships between doughy eyed pudges, shapely humanoids, and anything with a blank stare and bulbous limbs. His animations employ seamless transformations and an athletic flow that quickly cuts and softly glides at all the right moments. The blankness and mushiness of the figures make them capable of anything, making them perfect vessels for experimentation with form and motion.
His 2013 short entitled The Jump, is a beautiful glimpse at a spirit world where two teenagers dabble in visionary experimentation with suddenly tragic results. With a sophisticated Akira-esque score, we watch as these teens’ innocent curiosity leads to a dark tragedy, all the while a red ghost stares empty and indifferent. The Jump was a standout in “Ghost Stories”, a recent release from Late Night Work Club. Along with many other animators he contributes to the Late Night Work Club, “a loose, rotating collective of indie animators”, which has been shown to put out some of the most impressive shorts in the online animation community.
David Spriggs‘ installations are crafted meticulously with acrylic paint on panes of glass, producing an otherworldly effect that is utterly complete. Appearing like holograms before the viewers, they make a spectacle out of the conceptual, exploring ideas such as perception and emergence and consciousness.
In many of his pieces, it’s as though Spriggs has caught something ethereal and fleeting on a microscope slide, allowing us to inspect it however temporarily. His painstaking methods and striking presentation force viewers to look beyond the surface of his works, allowing the amorphous metaphorical nature of his subject matter to take center stage.
“Perception of Consciousness,” for instance looks at first glance like the many layers of a cloud. However, suspended in mid air, the image beckons and implies a deeper meaning. “My interest in clouds and atmospheric phenomena is not one so much of learning about them as natural phenomena, but rather an interest in their symbolic nature and representation,” Spriggs explains. “The cloud is an ephemeral form, without boundaries, and in constant change; interesting properties that in the context of history of art find affinity with Futurist theories and certain concepts of the light and space artists of the 60/70′s on the nature of space and form.”
Spriggs draws his inspiration from a wide variety of disciplines, such as psychology and the information age. He seeks to examine the relationships and dichomoties between abstractions and the way they affect the material world. The space they occupy is just as important as their shapes themselves. (via Hi-Fructose)
Luis is the 2nd short video of the series “Lucía, Luis y el lobo” (”Lucía, Luis and the Wolf”). The video was shot frame by frame with a digital photo camera. Materials: charcoal, dirt, flowers, found objects and cardboard.