At times strangely numb, and at other points echoing a modernist affection for the coldest of structures and surfaces, the most recent work by Philadelphia painter Erin Murray certainly doesn’t lack in focus. Murray’s fixation on the bland, eerily coded architecture of American cities reveals an underlying criticism (or slightly tongue-in-cheek reference) to the simultaneous banality and sinister intentionality that exists in the spaces around us. Rather than allowing these ever-present backdrops of contemporary life to fade quietly into the background, she brings them forward in the hopes that the viewer will find the same suspicious significance in each graphic, expertly rendered façade.
Where her graphite works are dark and slightly ominous, the lush, surrealistic landscapes Murray has sketched out are deliciously disorienting. As a group, they reflect a curious interest in space, place and structure—something that might eventually push Murray’s works off the page and into the 3D realm.
International architectural firm Bjarke Ingels Group (BIG) has created a life-sized wooden maze reminiscent of European hedge mazes of the 17th and 18th centuries, currently on view at The National Building Museum in Washington D.C. Eighteen feet high and made of baltic birch plywood, this installation offers a glimpse into BIG’s work and their forthcoming exhibition, scheduled to open in early 2015. The thoughtful design of this labyrinth allows visitors to see the entirety of the maze elevated around them once they fully descend to the center of the structure. BIG describes the project, “As you travel deeper into a maze, your path typically becomes more convoluted. What if we invert this scenario and create a panopticon that brings clarity and visual understanding upon reaching the heart of the labyrinth? From outside, the maze’s cube-like form hides the final reveal behind its 18 foot tall walls. On the inside the walls slowly descend towards the center which concludes with a grand reveal – a 360 degree understanding from where you came and where you shall go.” (via design boom)
To celebrate the launch of our latest Spring 2010 apparel line, we organized a weekend fashion shoot, on our very own rooftop of the B/D offices here in beautiful downtown LA. The result was our Spring 2010 lookbook, which has been getting some great reviews amongst our fellow bloggers! So, we’ve decided to round them up here and send some of the love back for all the great things they’ve been saying. Check out some quotes after the jump!
Maarit Hohteri’s photographs document the fleeting moments that she spends with and around her family and friends. By photographing her life she’s attempting to make a seemingly fractured life into a whole; a story with a past, present and future.
Portfolios are the only way for designers to be evaluated and picked up for a job. Michael Lester was challenged to get his out there and he did. Literally. His portfolio is the size of a postage stamp, has pages that can be flipped and everything!
He reduced his ideas to only feature the key notions, making his portfolio a synthesis of short sentences facing shrinked illustrations. He conceived the whole thing at home. Testing the format by printing over 100 times the mini book on his home printer and finally hand bounding it himself.
The project originated as a brief from Jelly London for the D&AD New Blood Festival, challenging students to get people talking about their work.
“They say the best ideas fit on a Post-it note,” says Michael Lester “so I decided to take it a step further, seeing how little could tell the most.”
The world’s smallest portfolio went above and beyond Michael Lester’s expectations. The news went viral on the internet, creating a buzz around the portfolio hence his work. As a designer and illustrator he could not have wanted a better publicity. Proving that not only the idea is essential but the guts to actually do it is even more crucial. In a world where being the best at standard tasks is the challenge, standing out by going out of the norms is obviously what works. A superbe lesson taught, thank you Michael.
Larissa Bates both celebrates the male gender identity within the history of art while struggling to disassemble heteronormative understandings. As a way to foreground these issues, Larissa has assembled a motley cast of idiosyncratic characters, all of her own invention. Like a method actor, Larissa has delved deep within the psychis of her creations, their implications and motivations. Set within the backdrop of expressive pastoral scenes, influenced by the work of Nicholas Poussin, hoards of fantasy creations lead their grandiose dramas. Larissa recounts the struggles of her imagined MotherMen, Lederhosen Boys, and Little Napoleons in an epic practice not unlike Henry Darger’s warring Vivian Girls. Her current body of work, “Just Hustle and Muscle” is on view at the Monya Rowe Gallery in New York, from now until October 18th.
New York-based designer/illustrator/art director/what have you Mario Hugo is a talented guy. Working mostly in print, he creates work that utilizes his painting skills in a way that feels very sophisticated and contemporary. Mr. Hugo is also the co-owner of an artist management firm called Hugo & Marie.
This Too Shall Pass, 2012. Oil package. – A package made of caramelized sugar, coated with wax. This package is made for oil-based food.
This Too Shall Pass, 2012. Oil package. – To open it you crack it like an egg. When the material is cracked the wax do no longer protect the sugar and the package melts when it comes in contact with water.
This Too Shall Pass, 2012. Oil package.
Swedish design studio Tomorrow Machine experiments with unusual materials to create revolutionary food packaging concepts. Pursuing the modernist principle of form follows function, Tomorrow Machine unites visual appeal with highly innovative and operational technologies to create both aesthetic and pragmatic design.
Their project This Too Shall Pass addresses the increasing issue of environmental pollution and recycling. Using biodegradable materials, studio has created food packaging that shares the symbiotic life span with the food housed inside. Vividly colored and minimalist in shape, these concept containers for oils, dry foods and liquids disintegrate when the contents they store are used.
“Is it reasonable that it takes several years for a milk carton to decompose naturally, when the milk goes sour after a week? “This Too Shall Pass” is a series of food packaging were the packaging has the same short life-span as the foods they contain. The package and its content is working in symbiosis.”
Besides their environmentally friendly attempts, Tomorrow Machine creates interactive product packaging to shape the innovations of tomorrow. Collaborating with Swedish research company Innventia, designers created self-opening and self-expanding packages based on the use of the 100% biodegradable material they developed together. According to Tomorrow Machine, “this is the new generation of sustainable package design, using materials that are both smart and environmentally friendly”. (via Packaging | Uqam)