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Swallows Built Entirely From Typewriter Parts

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These amazing sculptures of swallows are the work of artist Jeremy Mayer.  Like his other sculptures, the swallows are entirely composed of parts taken out of typewriters.  Mayer doesn’t even use glue or soldering to keep his swallows together.  He says of his art and process:

“I’m very interested in assembly, particularly in nature. I pay very close attention to the strong current in science and technology flowing inexorably toward an emulation of natural systems.”  [via]

 

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Nancy Rubins’ Transforms Children’s Playground Toys Into Large-Scale Explosive Sculptures

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NANCY RUBINS ‘Our Friend Fluid Metal’, 2014. Aluminum, stainless steel, 204 x 500 x 281 inches, (518.2 x 1.270 x 713.7 cm). © Nancy Rubins. Courtesy of the artist and Gagosian Gallery. Photography by Robert McKeever.

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NANCY RUBINS ‘Our Friend Fluid Metal, Chunkus Majoris’, 2013. Aluminum and stainless steel, 150 x 192 x 145 inches, (381 x 487.7 x 368.3 cm). © Nancy Rubins. Courtesy of the artist and Gagosian Gallery. Photography by Robert McKeever.

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NANCY RUBINS ‘Our Friend Fluid Metal, Paquito’, 2013 Aluminum and stainless steel, 132 x 168 x 96 inches, (335.3 x 426.7 x 243.8 cm). © Nancy Rubins. Courtesy of the artist and Gagosian Gallery. Photography by Robert McKeever.

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NANCY RUBINS ‘Our Friend Fluid Metal, Spiral Ragusso’, 2013. Aluminum, stainless steel, 134 x 228 x 187 inches, (340.4 x 579.1 x 475 cm). © Nancy Rubins. Courtesy of the artist and Gagosian Gallery. Photography by Robert McKeever.

Nancy Rubins‘ grandiose sculpture exhibition Our Friend Fluid Metal is open to public at the Gagosian Gallery, New York. Famous for her explosive installations featuring re-purposed objects, this time Rubins’ transforms old equipment from children’s playgrounds into dynamic large-scale floating structures.

The title of the exhibition refers to materials Rubins’ used to create her surrealist sculptures. The monumental figures are constructed from recycled aluminum playground toys. But the story goes back even further, as the playful critters (elephants, ponies, giraffes, etc.) were made with aluminum from WW2 military planes. Sturdy and, at that time, cheap material was perfect for making thick children’s playground equipment. For the artist, this flux was a natural inspiration.

“Even before the airplane parts the aluminum was a part of the earth and before it was part of the earth it was probably parts of stars and meteors and things that slammed into the earth.”

The exhibition consists of four massive sculptures, all compound through a system of steel trusses and tension cables. Dimensions vary, but the largest measures 17 x 42 x 24 feet. Despite that, Rubins’ works ten to evoke a sense of lightness and stillness, like someone had pushed a Pause button in the middle of an explosion. Her expressionist take towards unwieldy constructions reveals the fair line between rigid and gracefully fluid.

The exhibition runs until September 13, 2014 at Gagosian Gallery, New York.

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Seth Wulsin’s Sliced Portraits

 

New York based artist Seth Wulsin’s Ánimas project explores the interior dimensions of mind and soul in the embodied physicality of space. In Spanish the word anima means soul; its root ane means to breath. By layering different parts of the face on multiple screens that all align in space Seth creates portraits that are optically real, but tactically non-existent.

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Photographs Of Istanbul Protests Unlike Those In Any Newspaper

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During the summer of this year a small group of people struggled to preserve a public park.  Quickly the scope widened, crowds grew, and the underlying anger became about something much larger than a park.  The demonstrations were considered to be widely peaceful.  At times, however, emotions and force erupted with violence.  Photographer Barbaros Kayan was on the ground to capture the unfolding protests.  There is a subtle difference about his series Occupy Taksim that distinguishes it from much of photojournalism covering the events, a certain frank grittiness.  Its almost clear from the images, the photographer is familiar with the city, intimate with the battleground.

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Wes Anderson’s Masterpiece – Moonrise Kingdom

 

Last night I had the pleasure of seeing Wes Anderson’s newest film Moonrise Kingdom. I usually don’t blog about movies unless they are documentaries but Moonrise Kingdom is nothing short of a masterpiece!

Set on an island off the coast of New England in the summer of 1965, MOONRISE KINGDOM tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in more ways than anyone can handle. Bruce Willis plays the local sheriff. Edward Norton is a Khaki Scout troop leader. Bill Murray and Frances McDormand portray the young girl’s parents. The cast also includes Tilda Swinton, Jason Schwartzman, and Jared Gilman and Kara Hayward as the boy and girl.

As usual with all of Anderson’s films Moonrise Kingdom not only delivers in plot and superb acting but also features incredible casting, costume, and sets. The film is one hour and thirty four minutes of aesthetic mastery with every square inch of the film is covered in Anderson’s signature vintage chic aesthetic. I can’t recommend this movie more to anyone who enjoys ANYTHING visual. You will walk out of the theater reminded of how magical life is and inspired to push the boundaries of creativity.

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Robert Melee

Robert Melee’s exploration of human behavior through his thick, paint encrusted sculptures exude an equally generous amount of drama, narrative, and a nostalgically disturbing interaction.

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Darren Goins Creates Abstract Works That Reference Computers and Digital Culture

NYC-based artist Darren Goins creates work that reference the language and aesthetics of computers and the Internet. Take, for example, these paintings done on the reverse side of acrylic panels. By forcing us to view the work from behind a layer of plastic, Goins invokes the same dynamic with which we relate to our various digital devices. And the inclusion of circuit board imagery and neon lighting further adds to this element. But Goins isn’t referencing computers solely out of celebration. He’s also trying to take back some energy and focus from the technologies that dominate our lives and put them in a place that’s maybe a little more worthy:

The computer and the web can be like a filter/lack thereof, depending on how it’s used. When I begin working on new ideas for a new art object, usually some web filter has subconsciously popped into my thinking patterns- history, current events, science and technology, popular culture- tend to pile up side by side- and this can create visual dialogue or a seemingly continuous deciphering of information that continues unhinged. This can be exhausting, and, so, I often try to exhaust all in art objects, which seems to be a better place for information to be stored.

 

See more acrylic panels after the jump, and head over to the artist’s site to see works on paper and some sculpture as well.

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Jena Buckwell

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Photographer Jena Buckwell’s greatest goal in life is to never be bored. Producing beautiful photography is one of the many ways she keeps herself busy. This is her latest series of surrealist portraiture of those she holds dearest. This New York native also does design and  illustration that you can check out on her daily blog.

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