I’m loving these sliced and diced fashion collages by fashion photographer Damien Blottiere. Each figure is layered and in motion as if a Cubist had turned into a stylist for some of the leading fashion publications in the world.
I like it because it looks different from his usual stuff. Maybe it’s just the subject matter and the color palette but I dig. Plus, I haven’t posted illustrators in a while.
Whoop Dee Doo, hosted by your awesome friends, Jaimie and Matt, is a kid-friendly faux public access television show featuring pre-planned performances accompanied by live audience participation (Kind of like a radical talent show!!). The show is based in Kansas City, Missouri, but has traveled and worked with many amazing arts organizations all over the country. Some of the awesome places we have worked with include the Bemis Center for Contemporary Arts in Omaha, Nebraska, Deitch Projects in New York, the Kemper Museum of Contemporary Art, the Smart Museum at the University of Chicago and more!
A self-declared lover of beauty and gentleness Nir Arieli‘s photographs of male dancers combine those passions with great technical skill. For this series, which he titled “Tension,” Arieli described his role as being a “visual choreographer.” The portraits are the outcome of a verbal dialogue between the photographed dancer and Arieli and of the work he says, “I don’t pre-determine the result-insisting on well-planned perfectness-but rather establish a strong understanding, let the dancer improvise and capture his movements. Afterwards, I experiment with layering various photos on top of each other, searching for intriguing combinations.” Dependent on coincidence and uncontrollable movements, Arieli trusts the physical intelligence of his subjects.
Arieli began his career as a photographer for the Israeli military. Perhaps this is where his interest in capturing the physical abilities of the male body emerged. Unusual in their depiction of the male (versus female) form as a source of grace and beauty, the images are striking for their sense of movement. In his statement Arieli says, “I can’t dance, I can’t in my room, nor in a club, let alone any kind of stage. Whenever I am forced to try I stumble or freeze or drink enough to disappear. However, this time, for the first time, I found myself actively involved in dancing-even if by using someone else’s body.” Indeed, as a viewer, we feel involved with the dancer, as impossible as the postures might be for us. Arieli wonderfully captured the movement and allowed us to feel a part of it. (via LensCulture)
Eli Durst takes photographs of things that should be boring. Somehow his point of view makes them completely captivating. Each one described in its essence, such as a turtle in a tank, or two men eating in a McDonalds parking lot, seems utterly unexciting. Seeing the photograph, though, there will always be something that will catch your eye and draw you in. A lot of it has to do with timing. He picks exactly the right moment, when the turtle pokes its head out of the water, or the woman with red hair tilts her head just so. The moments he captures seem pristine, although often they are anything but. How hard is it to ascribe pristine as the adjective to a teepeed tree? Still for Durst it seems the only appropriate word.
His series’ are eclectic, and so it is his aesthetic that holds them together, though patterns can emerge in the subject matter. There is a great deal of portraiture and focus on food, for instance. Together, each mix tells a story of a place (America), its people (normal), and their accompanying details (pets, a deep burn in someone’s back, or the most uninspired food spread I’ve ever seen). It’s really in these details that you get lost in wonder. Durst makes the normal totally enthralling.
New York based Conor Backman recently opened a solo exhibition entitled The Other Real at Nudashank in Baltimore. From the press release: “Backman’s work conflates and oscillates between sculpture and painting, authentic and simulation, material and image, ironic and actual. For this exhibition Backman will present pieces informed by visual illustrations of otherness, physicality, mimesis, and deception in classical mythology and allegory. Specifically, examples that have been sited or recontextualized in modern psychology and philosophy as metaphors for the unconscious, perception, desire, and understanding.” The show in on view through April 28th, 2013.