My good buddies at Two Rabbits Studios have recently updated their site and online store. If you haven’t heard of these fellas, you should put your ears to the ground more often. Though they may be named after a small gentle animal, they are a stampeding herd of buffalos who will trample you with their design and printing skills. They’ve done concert posters for all of your favorite musicians and probably your mother’s favorites as well. (P.S. They silk screened one of the inserts in Book 2).
Miya Ando is a metal-finishing artist who creates layered finishes on steel with a process she invented, utilizing fire, acid and automotive lacquer. Can you say badass? She will be showing large-scale steel works for the first time, the show is entitled Shinobu [perserverance] on October 7 at de Castellane Gallery. Her show will be comprised of large scale steel wall works and her series of hot-rolled steel skateboards, monotypes created by skateboarding on liquid graphite-coated paper. Saying this chick is hardcore would be an understatement.
Miya Ando Solos Exhibition Shinobu [perserverance] will be presented from October 7th – 29th, 2010. Opening October 7th, 2010, 6-9pm. Free to public. The de Castellane Gallery is located at 525 Atlantic Avenue, Brooklyn, New York. Sponsored by Milgo Bufkin Steel/Fabrication, Diatom Winery, Element.
Want to see what kind of music video a bit of creativity and $200,a two car garage, soldering iron, handmade clay molds, christmas lights, and no CGI can produce? If so watch this great promo video for Reds by Houses directed by LAMAR+NIK after the jump!
Polish painter Jarek Puczel‘s works are arrestingly simple, yet compelling takes on the everyday. Sketching out fragments, and in-between moments pulled from everyday experiences, these pieces possess an air of the cinematic—key lighting, dramatic angles, arrested motion—all elements that tie into his overall concept of the world being one giant set for quiet, dramatic moments of ennui.
With his compositions, he explores the tension of seemingly empty moments, calling out their bare, bored elements like props on a stage. His color selections tiptoe between the real and the vivid, with punches of color tucked away in the very best places of each piece. By attempting to capture some sort of potential energy or agency within the frames of each scene, he has created a series of charged, silent stills, pulled right from the edges of someone’s daily experience. The result is a pleasing archive of slightly faded half-memories, sketched out in richly-hued oil on canvas.
Like many directors, Stanley Kubrick (known for such iconic films as The Shining, Clockwork Orange, 2001: A Space Odyssey, and Full Metal Jacket) began his love of film for the medium’s capacity to immediately capture scenes developing around him. The award-winning director’s photographs show early promise, mastering stylistic elements such as composition, lighting, balance and subject, which might not be surprising. However, the young Kubrick’s subject matter, mostly street-scenes with everyday New York and Greenwich Village people, life and struggles, might surprise some coming from the famed science fiction director. The photos, which have a nostalgic tone not necessarily associated with the forward-thinking director, certainly bring a romantic mood to the seemingly simpler time.
Many of these photos were taken during the 1940’s, while Kubrick was employed as a photographer for Look Magazine (a gig he landed while still a student at City College New York). It was while working for Look that Kubrick began associating with the film programs at the Museum of Modern Art, a connection which eventually launched Kubrick into a career in his life-long interest of film. (via everyday-i-show)
Hikaru Cho‘s method of painting could best be described as a physical and unconventional type of doodling. Cho primarily uses acrylic paints on bodies or food to create believably 3D surrealistic effects, and even transfers this skill to stop-motion film and other video work. Her work alters our perspective of seemingly stable universal concepts, creating new forms that demand our engagement using only the special effects rendered through paint.