Wearing a bright orange dress and armed with scissors, German artist Nezaket Ekici is tethered to the ceiling of a room via her hair. Long ropes act as handcuffs and are tied to the ends of her long brown strands. The only way out? To cut the strings or hair. Her performance, titled Atropos, was first presented in 2006 and again in 2008. It used 100 ropes, 100 hairlines, and 100 pitons (a type of metal spike) and lasted one hour.
We see that during Atropos, strings and hair are cut and dangle over Ekici’s eyes and other pieces of rope. At its core, it’s the act of freeing oneself from the ties (literally) that bind. In a statement about the work, posted on the Celeste Network:
She carries out an act of the self-liberation, while she frees herself with the help of a sissle from long ropes fastened at the roof and to the hair. She cuts off a part of her hair and in this way dissociates herself from a piece of herself. This work can be seen as a vital discussion about the question on the sense of life, that is partly characterised by striving for freedom. Particularly, because hair can be considered as a symbol of life.
This piece’s title comes from the Greek myth of the Moirai who are the goddesses of fate. The statement further explains:
Atropos, who is one of them splits according to the myth the fate threads of the life with a sissle. The artist shows with the radical act of the hair-cut a way out. She takes fate into her own hands and frees herself, like Atropos did. At least the act of the cutting can be seen as an attempt of liberation in itself. (Via Sweet Station)
Earlier last week, 1.5 million people filled the streets of Berlin, Germany to watch a several-day performance by France’s Royal de Luxe street theatre company titled “The Berlin Reunion”. Part of the celebrations of the 20th anniversary of the fall of the Berlin Wall, the Reunion show featured two massive marionettes, the Big Giant, a deep-sea diver, and his niece, the Little Giantess. The storyline of the performance has the two separated by a wall, thrown up by “land and sea monsters”. The Big Giant has just returned from a long and difficult – but successful – expedition to destroy the wall, and now the two are walking the streets of Berlin, seeking each other after many years apart. Go take a look at the pictures on boston.com in all their large-sized glory. There were so many amazing ones I didn’t know which ones to post!
Andy Ainger creates eerie paper creatures. Even with his fun color palate, some of his creations still give me the heebie jeebies. Aiger works with simple materials, saying his interests lie in “craft based art,” and plays with accessible household items like paper, breakfast cereal, and possibly sealing foam?
How does our plastic/synthetic “throw away” culture affect not only our values, but also our environment? Walmart retail may seem cost effective and conservative, but in a glutton abundance, it’s possibly just as decadent as the upper echelons of collecting from the Renaissance or Baroque times. By placing disposal items such as Coors beer, shelves or detergent, and bargain bin t-shirts under a canopy of classically rich “painted” ceilings in her work, Jean Lowe cleverly examines these ironies and more.
Regarding this fiscal clashing, David Pagel suggests, “This compromise between high art and low culture suggests that splitting the difference between extremes creates a mutation both queasy and questionable.”
This is what makes each piece striking– Lowe is not just easily questioning consumerism’s role in art, but instead asking us to consider where art lives and who it lives for. It’s not just about “what” but “how” such blending or bleeding confuses, masks, or tempers our own sense of place and thought.
New Zealand high school student Liam Martin has created quite the buzz with his Instagram account (@waverider_), where he has currently amassed over 1.5 million followers due to his humorous recreation of memes, and more popularly and recently, fashion photographs of female celebrities (and the occasional cartoon). He’s creatively recreated images of Kim Kardashian, Miley Cyrus, Lady Gaga, Tyra Banks, Lorde, Iggy Azalea, and Taylor Swift – it seems he grabs whatever is available around him that resembles celebrity clothing and accessories and constructs his own comically similar versions of high fashion. Much of Martin’s comedy emerges from the facial expressions he gives the camera and the energy he exudes in each photo. Martin says, “I’m very weird and open. I think that’s why I get so many followers, because I’m myself.”
To get you excited about the release of Book 4, we’re giving you a sneak peak at the one of a kind hand-silkscreened original print that will be included in the issue. Friends and design studio Two Rabbits have been slaving away on a unique Exquisite Corpse themed mini-poster, featuring a collaboration between their artists.
And, if that’s not enough, subscribers will receive a premium, limited edition, multi-color edition that can’t be bought in any stores. So be sure to subscribe today to insure you get this special print!
Last week we had a contest where you were asked to write a clever sentence using our sponsors name “Sticker Robot.” We got a lot of fun entries but after going through all of them we picked this lucky winner: Hey Sticker Robot, I’m a stickler for stickers and know how to pick um, and unlike stamps there’s no need to lick um. Bam!