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Amanda Nedham’s Tension Of History

Primarily concerned with the various taxonomic functions of history, Amanda Nedham’s works on paper exhibit a technical proficiency and enamoured exploration of natural history’s complex and overlapping structures. Through a process of abstraction based on the collaging of drawings, largely from television and internet sources, she attempts to focus on those moments that create tension as they challenge the governing voice of history.

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We’re Moving So Watch Some Pellet Vids!

Hey everyone,
We just moved to our new amazing office and unfortunately our internet isn’t set up so excuse the lag in blog posts.We’ll try to post as much as we can during breaks from unpacking millions of boxes but in the meantime enjoy some fun animations by Pellet! We’ll be back up and posting in a day or two!

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Aya Uekawa

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Aya Uekawa fuses the high realism of Dutch & Flemish Renaissance paintings with portraits of young women, often in states of dreamy transformation, straddling reality and fantasy.

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Zachary Rossman

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Sickly sweet works from LA based artist Zachary Rossman. Such delicate use of naturally colored papers, and the drawings have hints of the hyper-detailed patterns that make my brain twitch with excitement.

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ELIJAH FUNK


Hardcore punk is a codified style with a ritualistic devotion to convention in both its sound and imagery. However, a much-needed wave of art school interveners have recently begun to re-imagine the genre. Elijah Funk, current or former member of the bands Drug Money, Horrible Creeps, Le Vansona, and Shaver, creates artwork that expands and complicates the abusive iconography of hardcore, infusing it with irony, intelligence, and anxiety. Funk is currently a student at the Columbus College of Art and Design in Columbus, Ohio, where his senior thesis show opens April 7th, 2012.

His recent zine Sometimes When I Am Feeling Sad – images of which are after the jump is now available for purchase.

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Sol Calero’s Neo-Folk Sculpture and Installation

Sol Calero‘s work investigates the ancestral through a visual language which includes fabric constructions, found objects and images, archives, painting and drawing.  Family clippings and photos overlap with house-plants and altered images of ancient ruins, tools for remembering and misremembering.  Her recent project “Column Study” includes research into the origins of found West German ceramics, notated on their bases, which are assembled and disassembled, unclear if they constitute an ancient column discovered by archaeologists or a domesticated kitsch Brancusi sculpture.  Her fabric works include capes used in abstract ritual performances and also wall pieces which operate in the vernacular of painting, often created with the discarded clothing of her family members.  The work is often balanced between worlds, warm traditions with cold minimalism, personal narratives with pages torn from children’s craft books, the hot chaos of Venezuela with the cold European winter.  Her project-based practice also includes running the gallery space Kinderhook & Caracas in Berlin with frequent collaborator Christopher Kline.

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Dan Estabrook’s Lost Aesthetic

 

Digital photography has advanced the medium for well over a decade, with new innovations breaking into tech-savvy genres that allow for unique work to progress and doors to be opened. However, contemporary photographers such as Dan Estabrook are looking back 200 years to the very first steps photography took as an artform, and bringing back the lost aesthetic from two centuries of happy accidents. More after the cut!

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Patrick Hruby’s Technicolor Rainbow

I’m really digging these poppy, transparent illustrations by Patrick Hruby!

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