Kilian Rüthemann was born in 1979 in Bütschwil, St. Gallen, Switzerland. Kilian always engages with the given situation of an exhibition space. He investigates the architectural and spatial qualities and in a surprising manner and makes precise, generally minimal interventions into the existing structure. Pretty neat.
If I was a musician this is what my instruments would look (and taste like).
Video by Hardcuore
I wish my sculptures looked as good as Daniel Franke’s soundssculpture!
Scott Wade lives on a dirt road, full of limestone dust that loves to rest on the back window of any car that goes through it. Seizing the opportunity, Wade, instead of writing something like “Scott was here,” started his very own genre of art, “Dirty Car Art.” Yes, Wade “paints” with dirt.
I don’t know why but after watching this video by Datdatdat I feel weird inside. There’s something about skulls getting wrapped in fabric that creeps me out.
For anyone who has received one of Facebook’s virtual gifts from a lover, or a sultry, romantically-inclined message from a high school crush via Myspace, check out the upcoming exhibition “My Lover The Server” at the Concrete Store, Amsterdam. Digital artists Champagne Valentine, above, have created a series of looping animated wallpapers that explore the notion of internet romance, drawing on real digital communications with web stalkers, strangers and actual lovers, inviting the public to remotely interact with the artwork. The exhibition, as Carrie from Sex and The City might type onto her 90′s Mac, can’t help but wonder…..Are .gifs the new bouquet of Roses?
“My Lover the Server” opens October 16th next week, and runs until October 31st.
Greg Eason of Norfolk, UK, has a hand for drawing very realistic pencil illustrations, to fantastic patterns and sketches that stretch and bend across his sketchbook page. There’s something very comforting in his illustrations, their lifelike feeling, and the vacant page that inhabits the characters of his pieces.
My current work explores the era Anthropocene, working primarily in pencil, and the focus of my current work is driven by the desire to push the physical limitations of scale. I am also interested in the unpredictable nature of pattern; my interest lies in the production of organic linear structures and the suggestion of fluidity through repeated marks.