Creepy and funny is always a good combination. Follow-up to earier post of Urban Camouflages photographs from a while back, but the videos seem to add a new dimension to their work. I want to see more interaction with the shoppers and store employees though, but i’m probably missing the point.
Matt Perrin believes in the magic of classic photography. Perrin decidedly does not use Photoshop or manipulate his photographs once the shutter clicks. Rather, he fully utilizes the simple features of his camera and experimental lighting to create his dreamy images. His photographs glow like cosmic abstractions. Perrin is intentionally ambiguous as to the exact nature of his subject matter. Rather, he encourages a more open reading similar to abstract painting. He says of his process:
” Any object seen, in any photograph, was physically in front of the lens when the shutter opened and closed. It’s the twists and turns that have occurred between those points that have brought you here today.”
A major thread in my work is the use of exotic materials or shrouds to mask and encapsulate nostalgic objects from a typical suburban childhood.
Sweet! Canvas works from Los Angeles artist John Monn. Using epoxy to group and re-contextualize toy soldiers, BB pellets, and other miscellaneous objects, Monn’s work makes you re-think the mundane and familiar. I love the unique textures he’s able to conjure by throwing a bunch of random things together. But his works definitely don’t come off as “random”. There’s clearly a strong intent behind each piece that comes through really nicely. By using objects that are associated with childhood and nostalgia within very contemporary compositions, Monn controls the context in which we think back to simpler times. More from the artist after the jump.
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For the last 4 years I’ve made a pilgrimage to Mammoth Lakes for the holidays to get a break from work and get some quality snowboarding in on one of the best mountains in the world. I didn’t do much work during my trip but lucky for you I managed to photograph a handful of vintage signs that can be found in tiny towns between Los Angeles and Mammoth. I’m not sure what it is but these old signs have a certain character that you just don’t see in signage these days. Here are a few of my favorites.
In Maria Jose Garcia Piaggio’s “Through the Window,” she appropriates found images as part of her investigation about cybersex. A project in two parts, the images of men capture them watching though free portals; the women’s photos are taken from live shows where the viewer has to pay to participate.
“I want to be able to show these scenarios that we all know are there but we keep hidden, deconstructing it from the virtual context and taking it to other scenarios to show these two groups to the viewer.”
There’s no mention in the project description of consent, so it’s unclear whether these voyeurs and provocateurs are willing participants in this project. Likewise, there are no descriptive texts or photographer/videographer credits available. Since these are found images, Piaggio serves less as an artist and more as a curator of these experiences. The images she’s chosen are interesting in their variety: the men’s and women’s faces are both alternately fully exposed and hidden. Rooms are revealed in the background, or left darkened and unspecific. Some subjects smile into the camera, others seem unaware that they’re being photographed.
It’s a broad subject and a provocative one, and Piaggio’s notes indicate that this is just the start of the project. She says, “I reflect about the body, the pose and the clichés.” In continuing to compile these images, Piaggio has the opportunity to push past the expected and reveal more about the proclivities of the watchers and the watched.
Never Hide Films, in collaboration with N.A.S.A/Squeak E Clean and Rossangeles, has created a little viral video called “100 People Per Minute,” showcasing 100 people creating one beat-boxing orgy of a song in a minute.