Andrew Kuykendall is an LA based commercial photographer- I like his vintage washed out soft palette and use of polaroids in high fashion spreads. Oh and the pug, above. (Ziggy in a hundred years?)
Last week we had a contest where you were asked to write a clever sentence using our sponsors name “Sticker Robot.” We got a lot of fun entries but after going through all of them we picked this lucky winner: Hey Sticker Robot, I’m a stickler for stickers and know how to pick um, and unlike stamps there’s no need to lick um. Bam!
Congrats to Felisha Gonzales who will be getting a massive grab bag with copies of Beautiful/Decay Book 2, Book 3, and Book 4, 3 Beautiful/Decay t-shirts, and a limited edition Fudge Factory Comics sticker pack by Travis Millard!
Stay tuned for future contests by signing up for our email list!
Climate control has been a controversial and momentous topic, well, for at at least two decades, but, the issue of global warming seems to be re-trending in light of the the 2015 United Nations Climate Change Conference in Paris. One tactic of addressing the issue’s importance, as we have seen, has been the thousands of activists marching all over the world (and the silent protest in Paris due to recent events). However, a Chinese performance artist who goes by the name “Nut Brother” has decided to take a more quantitative and perhaps informative approach. Beijing, the capital of China (the country that has largest CO2 emissions in the world), is a city of industrial smog. The artist announced a plan to literally vacuum the dust from the Beijing’s air for four hours a day, for 100 days in a row. As a performance, the artist walked the streets, starting in late July, with a pony tail, often a respirator mask, and vacuum with suction nozzle held in his hand to collect debris. On November 30th, the last day of his project, he gathered all 100 days worth of dust and brought it to a brick factory to be mixed with clay and turned into an alarming soot filled brick. Nut Brother is aware that he is not actually changing the air quality, however, he hopes his project will provoke passerby’s to consider their relationship to the environment and their surroundings. (via QUARTZ)
Sonia Rentsch is an art director and still life artist from Melbourne. From intricately arranged appetizers to a hanging lamp fashioned out of a head of lettuce, Rentsch’s work is both dynamic and elegant, often incorporating food as a subject. This trend is put to most effective use in her series Harm Less, an installation in which Rentsch fashioned weaponry out of completely organic objects. Each piece is visually arresting, the imagery of handguns and bullets hauntingly familiar and yet transformed into something beautiful when created out of green produce and plants. The series, in which handguns are made out of everything from bamboo shoots to roses, presents a powerful statement about gun violence and its impact as well as Rentsch’s impeccable eye for detail.
Rentsch has worked with photographer Scott Newett, assisted with design duo Tin and Ed, and worked as the production designer for Australian popstar Kimbra’s music video for “Good Intent”. Her work is consistently bright and colorful, but always proffers a lens through which viewers can fully immerse themselves in the elaborate scenery. One of her most recent projects, a public installation with artist Ben Davis, included a garden of colored pinwheels displayed in Melbourne’s La Trobe Place. Although the meticulous design behind Rentsch’s still life images is evident in each minute detail, Rentsch is assured in working with no set process. As she said in an interview, “An idea comes as quickly as it has to.”
With simplified brushstrokes and a sophisticated sense of color, Ohio-based painter Timothy Callaghan‘s most recent works carefully construct a narrative around the passing of time. His eye for immediacy takes the form of crumpled love letters, a buzzing neon sign and the stillness of shirts hanging in a closet—each piece a quiet, tongue-in-cheek observation of daily life.
Callaghan released his first book this week through William Busta Gallery, highlighting his own work, as well as that of several other contemporary artists working in observational painting. Definitely worth a look.
In September, people visiting the Natural History Museum of Los Angeles County (NHM) will be able to view North America’s largest collection of ancient Egyptian and Peruvian mummies. Titled Mummies: New Secrets from the Tombs, the touring exhibition from The Field Museum in Chicago features over 20 preserved remains ranging as far back as Pre-Dynastic Egypt and Pre-Incan Peru—which means these are some of the oldest discovered mummies in the world. Accompanying the mummies are archaeological artifacts also found in the tombs, such as sarcophagi fragments, limestone canopic jars containing the deceased’s vital organs, and a beautifully fierce double-spouted jar with the face of a jaguar.
In the following statement from the press release, NHM President and Director Jane Pisano explains the exhibition’s goal: “The role of a natural history museum is to serve as a laboratory for the exploration of our natural and cultural pasts, and science is our pathway. Mummies: New Secrets from the Tombs uses modern science to challenge and help to unravel what we know about these ancient peoples and their cultures, and in doing so, offers the world an intensely up-close look at The Field’s preeminent collection of mummies, many of them tucked safely away in vaults for over a century.”
As Pisano remarks, what makes this exhibition exciting (aside from its awe-inspiring collection) is its unique examination of cross-cultural methods of mummification, as well as the specific focus on the individuals occupying the coffins. Mummification is often solely associated with Ancient Egyptian ritual practice, but in fact mummies have been found all over the world. In Peru, mummification began 2,000 years before Egypt. While both cultures’ methods are equally fascinating and ingenious, differences can be traced. In Peruvian mummification, for example, there are signs that the coffins were opened so that food and drink could be replenished; in Egypt, the tombs were meant to be sealed for eternity. In addition, the exhibition also profiles the deceased using information gathered from CT scans and X-rays. Among the mummies is a woman and her child, a brother and sister, and the “Gilded Lady,” a 40-year-old woman from the Roman era.
This is the first time the mummies and their artifacts have left The Field Museum, so be sure to take the opportunity to see this fascinating collection. The show runs from September 18th to January 18th. You can learn more on the NHM’s website.
Chicago based artist Oak Thitayarak is a graphic designer, illustrator, and photographer; a “jack of all trades” . He recently created a gritty series of street portraits documenting the homeless.
Mexican artist Pedro Reyes’ works in a variety of media from scale models of hypothetical museums to performances involving a clinic that provides unexpected therapies. However out of all of his projects the one series that stands out is the Capula sculptures. Made out of steel and woven nylon, these incredible structures are part furniture, part clubhouse, and all awesome. The Capula provides an alternative to the conventional room. A selection of the Capula manifesto reads: “If a room has rigid walls the Capula shall be elastic, if the room is grounded, the Capula shall hover, If a room needs furniture the Capula will turn itself into furniture…etc.” (via)
More Capula pods after the jump!