Aoi Kotsuhiroi’s Wet Moon collection is quite dark — made up of real human hair, crystals and pit fired ceramic skulls her “body ornaments” merge high-end fashion with Gothic craft. I love these pieces, and am surprisingly not put off by the use of real human hair, I’m impressed by how versatile hair is and how it can be transformed in many different pieces.
Jessica Dunegan’s surreal paintings and portraits are beautifully complex both in content and technique. Using a mixture of epoxy resin, acrylic paint, and archival prints, Dunegan creates organic work with physical depth. After squeezing paint into a layer of liquid resin and creating opaque, delineating strands of paint, she repeats this process many times. Much of her paintings mediate between a sense of tense turmoil or unrest and peaceful tranquility. There is something both romantic and disorienting about her subjects and composition, and her formal process speaks eloquently to this particular aesthetic.
“My subjects are more than superficial objects. They may look realistic from afar, but upon further inspection, they are comprised of suspended, chaotic lines. I want to capture each animated form in time and celebrate its imperfections.” (via)
Dunegan currently lives in Boston. You can watch a video of her process here.
Born in Tokyo and living in NYC since 1996, well known as founding member of art collective FAILE. In 2006 she started her solo career and has been exhibiting her stencil/silk screen paintings in major cities such as NY, LA, London, Berlin, Tokyo and Barcelona.
Here’s a hilarious Tumblr to follow. Photoshop Your Dreams is a blog that asks readers to submit their dreams have have them recreated in the photo-editing program. The person behind it is Margaux Espinasse, a web project manager based in Berlin. It’s an amusing premise and one that’s very relatable. Have you ever had a dream so vivid but hard (and boring) to explain in words? Here, the images look ridiculous and capture the often-crazy essence of this unconscious state.
Espinasse tells It’s Nice Thatthe inspiration for this project came from her own dreams. “I woke up three weeks ago after an amazing dream where I was chased by flying octopuses (probably because I watch a few too many Nat Geo and BBC documentaries),” she explains. “I tried to tell a friend about this dream and then I realised that the best way to communicate it was to make a montage of it.” Photoshop Your Dreams caught on. “A few friends were quite excited by the idea and sent me their dreams. I put them online on Tumblr and very quickly I saw that people liked the idea.”
Mike Carr, aka China Mike, has previously been known for his photorealistic paintings, but has since ventured into the realm of abstraction. Using a variety of media such as spray paint, acrylics, oil pastels, and charcoal, Carr’s work captures a particular lack of constraint and fluidity that seems to spill out of the canvas, evoking a whimsical energy. Carr started out as a graphic designer, but embraced the medium of paint to escape the limitations of digital based media. “Process is as important as the end result. I don’t really feel a pressure to create realistically defined images these days. I want there to be a playfulness in my work, to not get bogged down in mechanical routines”. Carr is based in Bristol, England.
Kathryn Andrews explores issues relating to performance, presentation and material. Juxtaposing the legacies of pop art and minimalism, Andrews’ works direct a viewer to consider the way subjectivity is constructed in contemporary culture. In the process, Andrews’ works manage to subvert the very art historical categories they reference. Using fabricated forms alongside readymade objects sourced from the likes of prop shops, memorabilia stores or party supply outlets Andrews’ pieces become a powerful contrast between high art and pseudo-kitsch—shiny, serious mirrored surfaces reflect colorful, strange yet common objects. In the reflection the viewer sees himself, thus becoming part of the narrative and generation of information and understanding.
Entertaining similar interests in her two-person exhibition with fellow Los Angeles artist, Alex Israel, at Gagosian in Rome, Andrews and Israel present works that explore a dialogue about specifically the readymade. The show is up through March 14 and you can see images here.
Bradford Haubrich creates wondrous works of art containing a set of iconography culled from personal experiences and past memories. His work ranges from two dimensional paintings on found wood, to clocks and hand made mugs, and even a large scale installation containing a series of wooden flumes that dispense beer.
Crystal Wagner‘s immersive installations are attractively textured, instantly eye catching, elegantly dramatic, and undeniably wonderful. She carefully arranges pieces of paper bought from office stores into organic explosions of florescent color. She invites visitors to walk through and navigate her neon universe of oceanic waves, throbbing bubbles, and swollen mountains.
Wagner’s work is not only aesthetically organic, bu so is the very nature of her process. She talks about how each complex piece is created:
Each installation, and each drawing is a different conversation I am having. The gesture is the introduction, the first impression, and everything else tumbles out. (Source)
Wagner uses her time spent in the many National Parks of America as a lot of her inspiration. Aspects of Yellowstone and Joshua Tree National Parks find their way into her work. The scale of her installations do make you feel as if you are standing in front of a gigantic cliff – dwarfed and in awe. But she is also a child of the modern world, living in an urban jungle, and is very familiar with plastics, paper, and concrete. Wagner explains the importance of this dichotomy in her work:
My latest installation titled Urban Kudzu explores ideas related to people and their disconnection from the natural world… In my own experience with the world, I have a deep rooted understanding of what the plastic feels like, of what man made materials and spaces feel like, and tend to perceive the natural world through a very exotic lens. (Source)
Her work reminds us that although nature is wonderfully powerful and can annihilate anything at any given time, the modern world can also be just as destructive. In both situations we are reminded of our smallness and how easily we can loose control of that around us. (Via Sweet Station)