I have blogged about Lachlann Rattray before in the stone and mortar days of our old blog, but now that we have these nifty “tag” things, I wanted to formally re-introduce this artist to the new system as one of my fave Flickr-Finds-Forevs along with some of his new stuff. His work is hilarious and almost always composed of gooey deformed pastel neon combinations- usually mocking celebrities and humans in general. He also prints his own awesome shirts and sweatshirts. They’re all so good I don’t know how to choooooseeeeeeee ahhhhhh….
Brea Souders, New York photographer, is opening up her studio for the public while she takes part in the Bushwick Open Studios and Arts Festival on June 7th. The image above is from an older series in her portfolio that explores the human desire to develop superstitions as a reaction to their “need for control in an uncertain world.” Each photograph plays on this theme through candid and staged scenes, where Souders believes her subjects are mentally returning to a “childhood sensibility,” what she believes is the root to superstition. I think her photographs carry an interesting feeling of stillness; they all feel quiet and calm, but also a little haunted.
Though the medium of stereoscopic optics have been blowing minds (and crossing eyes) since the late 1800′s, artist and designer Ryan Colditz takes the media to surprising new ends. Colditz plays with this dazzling visual trope to breath new life (and dimension) to graphic design and photography, creating a startling new aesthetic that literally manages to pop off the page. Beautiful/Decay recently discussed Ryan’s home made 3-D camera, process, inspiration, and beyond- read more after the jump!
David Mascha, an artist based in Vienna, Austria, has been working with different design studios since 2005. He has also done work for international clients, print magazines, fashion and design labels, and books. David has also had work displayed in exhibitions in Asia and Europe. I really like his diverse but defined style. Every piece he does is bold in its own way.
I’ll start this post by saying that I’m not a fan of Lady Gaga’s music but you can’t deny that this video is one of the most bizarre, creative, disturbing music videos that has been made in the last couple of years.
Directed by Jonas Åkerlund (Madonna, Prodigy), the epic 8 minute video starts slow but right around the 3 minute mark all hell brakes loose as she is tossed off a balcony and left a bloody mess, riding around in a tricked out wheelchair with a bedazzled neck brace, dancing in crutches and bustier and matching helmet. The costumes alone deserve an award.
Jesse was born in San Juan Capistrano, California in 1987. He has been drawing since before he can remember, which was really only the-blink-of-an-eye ago on the geologic time scale. He now resides in San Francisco, California. I love the colors and the fluidity of line work in his drawings- he did what I always wanted to do with those Gelly Roll pens… but could not.
If you don’t remember last year gas prices were through the roof in the states. Immediately everyone was wondering why we weren’t switching to futuristic electric vehicles. This movie has some of the answers for why we are going at a snail pace towards a cleaner, more efficient world.
With gasoline prices approaching $4/gallon, fossil fuel shortages, unrest in oil producing regions around the globe and mainstream consumer adoption and adoption of the hybrid electric car (more than 140,000 Prius’ sold this year), this story couldn’t be more relevant or important. The foremost goal in making this movie is to educate and enlighten audiences with the story of this car, its place in history and in the larger story of our car culture and how it enables our continuing addiction to foreign oil. This is an important film with an important message that not only calls to task the officials who squelched the Zero Emission Vehicle mandate, but all of the other accomplices, government, the car companies, Big Oil, even Eco-darling Hydrogen as well as consumers, who turned their backs on the car and embrace embracing instead the SUV. Our documentary investigates the death and resurrection of the electric car, as well as the role of renewable energy and sustainable living in our country’s future; issues which affect everyone from progressive liberals to the neo-conservative right. Written by Richard D. Titus
Benoit Lemoine‘s design work has been featured in publications, such as Stereographics, Data Flow, and Tangible. Whether it’s experimenting with tape, collaborating with a friend to feign consciousness, or conveying a designer’s workspace, Lemoine executes it all cleverly!