Great video with M.I.A. protege Rye Rye by our friends at Coolhunting.com. This video visits the rising star in the studio working on her yet as unreleased album and at a WWD Daily photo shoot. The 18-year-old Baltimore native shares the story of how she came up, a few dance moves and what she likes to rap about.
It’s amazing how kids that are still in highschool are making such big waves w/out major record labels. You can thank the internet for that!
Jimmy Joe Roche recently sent me an email with the subject line: A BAT SHIT VIDEO 4 U. Naturally, I opened it up and watched. The best I can describe JJR’s menacing just over a minute long video as, is some kind of hallucinatory digital death metal head-bang mind-bang freak out. It’s like he overloaded on pixel-pushing and is in the throes of some kind of ethernet-ether-ecstasy. Crazy. Check out some of his other vids too- wolves, Peruvian embroidery, gradients, more seizure-inducing psychedelia. Also, in this video is he wearing a fake beard?
Austrian sculptor Erwin Wurm has been developing an ongoing series of “One Minute Sculptures” since the late 1980′s in which he poses himself or his models in unexpected relationships with everyday objects close at hand, prompting the viewer to question the very definition of sculpture. He seeks to use the “shortest path” in creating each piece — a clear and fast, sometimes humorous, form of expression. As the sculptures are fleeting and meant to be spontaneous and temporary, the images are only captured in photos or on film.
London-based, Spanish-born designer Ion Ander Beloki makes beautiful, challenging work out of that most unabashedly commercial (and often mundane) assemblage that is the store window display. Trained in graphic design and sculpture, Ion Ander Beloki runs his own professional window dressing studio, Ja! Studio. Perhaps I’m a little naive but I had no idea this was a job a person can have. It makes sense though – his displays convey an elegance and artfulness that certainly reflects well on the stores they’re in.
Londoner illustrator Mr. Bingo is a funny man. He seems to specialize in doing drawings that come off as doodles a really cool and talented teenager might do in math class. Fortunately for him, his clients – which include the Mighty Boosh, Wired, and the New York Times – love him for it, embracing the very British wit present in each of his illustrations. Make sure to check out the entirety of the first project on his site (Tiny Acts of Rebellion) – some brilliant, subversive stuff.
I gotta admit that I was really excited to see Died Young Stayed Pretty, a new full length documentary focusing on the DIY rock poster (see gigposters.com) movement that has brewing in the US and beyond for the the last decade. The doc has hundreds of interviews with big names (many of whom you’ve never heard of) within the close knit rock poster scene,who discuss personal taste, poster philosophies, and what role money,drugs, and 70′s&80′s porn plays in rock posters. Many of the artists interviewed are amazingly talented (i.e. Tyler Stout & Brian Chippendale) and interesting, sharing with the viewer a small glimpse of their creative process.
Deb Sokolow creates a vertiginous world of invented narratives. Her large-scale, ink on paper installations are hung in a kind of methodized-madness that call to mind police investigations bulletin boards, a mad scientist’s chaotic formulas and revelations, or the bedroom of an obsessive-compulsive conspiracy-obsessed fanatic. Sokolow leads viewers into the tangled web of an information-saturated schematic, leaving viewers at once disoriented and exhilarated. Sokolow talked to us about her creative process and sent us a bunch of behind-the-scenes shots, including her “research binders” detailing subjects such as “Ghosts, Email Scams, Pigeons & Squirrels.” Full interview after the jump.
Fred Tomaselli is best known for his highly detailed paintings on wood panels, combining an array of unorthodox materials suspended in a thick layer of clear, epoxy resin. He sees his paintings and their compendium of data as windows into a surreal, hallucinatory universe. “It is my ultimate aim”, he says, “to seduce and transport the viewer in to space of these pictures while simultaneously revealing the mechanics of that seduction.”