Brooklyn based Stacy Fisher utilizes Hydrocal, shellac, burlap, wire mesh, paint, and wood to create subtle yet unrefined forms. The platforms in which her structures reside are as integral to the work as the rough abstractions that take center stage. These monuments remain tethered at times by chains and bolts as if imprisoned. Fisher presents vibrant and simplistic structures that exhilarate their environment.
Beautiful/Decay is thrilled to announce the grand reopening of the B/D Shop! At first look you’ll notice a bolder, brighter layout and big crisp photos. Our books, posters, and back issues of the zine are – of course – still available for purchase. In addition, we are very excited to now start releasing limited edition prints and other products on a regular basis.
Our plan is to do multiple releases every month, beginning this month. Each release will be an opportunity to own ( and support ) an artist’s work that has moved and mesmerized you. A generous portion of the sales goes right back to each of the artists we work with.
Stay tuned for more information and announcements, and sign up for the mailing list to get updates on new print releases.
Artist Gabriel Schama demonstrates that lasers aren’t just for starships: He uses them to carve out incredibly intricate designs and patterns from materials such as wood, paper, and even leather. His works come alive with “surreal textures” that create a kinetic feeling, the kind you might get from studying a Magic Eye poster. There’s also the structural element, which lends his artwork literal depth as they seem almost excavated, blooming into mandalas and swirls.
The cool thing about Schama’s work is that it’s clearly informed by the natural world, some sporting the same frills as aquatic flowers and others looking like any garden-worthy blossom. There’s also a very rigid manmade feel to his work, though, not just in the precision with which he carves them but in some elements of his designs that look almost retro-futuristic chic.
Schama’s art is evolving, growing from his early hands-on approach that used mixed-media materials. In the description of his second Kickstarter project, he says:
“I have long been possessed with a desire to make my work bigger and more intricate at the same time. A modestly sized cut paper piece could take me weeks of nonstop work to execute. This project is not only the next step forward stylistically, but a means to achieve far more daring and exciting projects.”
Do you know someone who, beneath their clothes, has extensive tattoos? They might look unassuming from the outside, but underneath reveals their impressive collection of body art. That’s the idea behind Vancouver-based photographer Spencer Kovats’ series Uncovered, in which he invites strangers to pose in two photos- one where they appear fully-clothed and the other where we see their ink in all its glory.
The subjects have colorful, full sleeves and backs of intricate designs that showcase the art of tattooing. There is an interesting juxtaposition between the two photos, as someone sheds their skin to who they really are. They look more relaxed and at ease. At the same time, it also challenges us to think about how we judge people and how this changes after we see stripped down.
Kovats is one of 11 photographers participating in the “The Tattoo Project” that began during a long weekend 2010. Hundreds of tattooed people journeyed to shared studio space to pose before the cameras. The photographers captured thousands of portraits that each explored different aspects of body art. (Via Huffington Post)
Maryland 17 July 2004: Had the regular prison fare of a chicken patty , potatoes and gravy, green beans, marble cake, milk and fruit punch.
Missouri 30 August 2000: 12 ounce T-bone steak (medium rare), Caesar salad, double order onion rings, 20 ounces of Diet Coke.
Washington 27 May 1994: Salmon, scalloped potatoes, peas, tossed salad, cake.
Oklahoma 22 January 2009: Barbecue ribs, chopped beef, hot links, baked beans, plain potato chips, coconut doughnuts and chocolate milk.
Since the year 2000, artist Julie Green has immortalized the final meal requests of US death row inmates. It’s an on-going project aptly-titled The Last Supper, and she paints cobalt-blue pictures of the meals onto second-hand porcelain plates.
Green’s initial inspiration for the series came when she was working at the University of Oklahoma and noticed this menu printed in her morning paper: “three fried chicken thighs, 10 or 15 shrimp, tater tots with ketchup, two slices of pecan pie, strawberry ice cream, honey and biscuits, and a Coke.” It was included in the death notice of an inmate’s execution. This tradition of a final meal startled her, and she clipped the menu, as well as others that she saw.
Not long after seeing that clipping did she start The Last Supper. Along with painting the plates, she also details what the inmate ordered. Green writes:
In states with options, most selections are modest. This is not surprising, as many are limited to what is in the prison kitchen. Others provide meals from local venues. California allows restaurant take-out, up to fifty-dollars. Pizza Hut, Wendy’s, and Long John Silver’s are frequently selected in Oklahoma, where their fifteen-dollar allowance is down from twenty in the late 1990’s. Requests provide clues on region, race, and economic background. A family history becomes apparent when Indiana Department of Corrections adds “he told us he never had a birthday cake so we ordered a birthday cake for him.”
Over time, she’s completed 600 plates – 50 a year. Green spends six months of every year working on this project, and she plans to continue it until capital punishment is abolished.
The Last Supper will be on display this spring at the Dayton Art Institute in Dayton, Ohio in an exhibition titled The Last Supper: 600 Plates Illustrating Final Meals of U.S. Death Row Inmates. (Via PBS Art Beat)
Brooklyn based artist, Erik Jones, paints vibrant portraits marrying the female nude with abstraction. His new series, In Colour, juxtaposes traditional figure painting with digital-grafitti-esque mark making. His work is simultaneously inviting and confrontational — we enter the picture plan via recognized moments of breasts, hair, and lips, yet, are then pushed away by bold 2-D elements floating through a seemingly 3-D space (or perhaps, is it the other way around?). His paintings are endless fun for the eye, constantly provoking the viewer to make sense of a nonsensical atmosphere. He states:
“The figures are used as an aesthetic anchor, holding the viewer’s attention to a recognizable form, while exploring colorful, nonrepresentational abstractions. In a way, the figures make the chaos palette-able. I wanted the graphic aesthetic to take on digital qualities and appear to be more naive and childlike in the approach. As if an inexperienced, non-artistic person were exploring a digital drawing program for the first time.”
The “digital drawing” effect mimics contemporary approaches to fashion prints and graphic design, giving off an editorial-like feel. While his work is very playful, it also feels precisely calculated and particular. Jones is able to create a hyper specific effect using a plethora of media, including; watercolor, colored pencil, acrylic, water-soluble wax pastel and water-soluble oil, making sure that each mark he makes is rendered the exact way he intends.
Lady Gaga may be all the rage right now, but fashion designers have been creating insane masterpieces, (and often sheer madness), for years, probably since the conception of the fashion industry. Despite what many think, fashion is not – and never has been – centered around functionality, (if that were the case, then I’d say no clothes for hot days and snuggies for cold ones), but instead serves as an outlet for creative expression, just as the paintbrush does the painter and the stage the dancer. The only difference between these art pieces and more traditional ones is you can wear them… sometimes.
Here are some B/D picks for amazing apparel design.