Jackie K. Seo’s hyper realistic figurative sculptures are painstakingly created to depict every hair, skin blemish, and spot on the figures bodies. Jackie says about her work, ” In each of my pieces I like to show a moment where we feel the need to repair something in our lives and how we deal with it. I think the style of hyper-realism is a good way of showing the minute subtleties of the challenges of life, in a sculptural form.
I can show things like the wetness of tears in the eyes, the flushing of skin or the story that the fine lines and wrinkles of the face tell. The biggest challenge is balancing the overall feel of the piece without getting lost in the details.”
Anna Maria Bellman intricately translates cartography into her own unique style by simplifying their elements into positive and negative space. She cuts precise slices into paper, constructing sections of maps of cities all over the world. Each hand cut incision represent paths on a map, building up the framework for a city. The artist’s work is heavily influenced from her extensive travels. Originally hailing from Germany, she has adventured to an impressive amount of cities including London, Berlin, New York, Paris, and Rome, just to name a few. All of these incredibly complex and diverse cities are represented in her work as a black and white composition of crisscrossing lines, intersecting and forming the streets and rivers.
Many of her cutout maps do not even appear as such, but rather an abstract grid of geometric lines, forming different shapes and patterns like tapestries. When the light shines through Anna Bellman’s maps, you can see their shadows creating a three-dimensional affect. Having explored more wilderness destinations as well, Bellman’s other works are highly floral and inspired from lush nature. Her nature-filled works include amazing patterns cut by hand, as intricate and delicate as those found naturally in the wild. Although Anna Bellman’s body of work can represent two ends of the spectrum, nature and city, the continuous monochromatic choice of using white paper unifies her brilliant work.
Photographer James Loveday produces beautifully polished images for both fashion spreads and his own personal projects. What strikes me about Loveday’s work is that, regardless of whether he’s photographing golden perfection or morning-after mayhem, his work maintains a richness that you can almost reach out and touch.
Ana Paula Caldas is a graphic designer from Brazil. We received an email from her earlier to day, but don’t know much about her. Ana’s stuff is pretty awesome though. Most of her work plays around with typography and light, and her images are rather vintage futuristic. Check it out!
These images may look like simple abstract paintings, or cut out pieces of cardboard collaged on top of each other, but they are anything but. They are actually a product of one of the most avant-garde photographic processes being used today. Brooklyn artist Liz Nielsen‘s current exhibition Wolf Moon is an eloquent display of a very strange technique. She places different objects and shapes cut from transparent colored gels directly onto photographic paper and exposes them to light resulting in dramatic compositions.
It is a negative process, so that colors are reversed. It has taken many years of dedicated darkroom experimentation to layer the overlapping shapes so that a subtle color results instead of pure white. The resulting unique chromogenic prints in Wolf Moon are singed with red from leaked light in the darkroom and populated by abstract shapes reminiscent of terrestrial and extraterrestrial forms. (Source)
Nielsen’s exhibition has a focus on landscapes, celestial shapes and beautiful phenomena (like electricity and lightning). The subject matter mirrors the strange and wonderful process she uses in developing the images. See more of her unique C-prints at the exhibition – running from Jan 29 – March 8 at Denny Gallery in New York. (Via Pattern Pulp)
To the street artist known as R1, the city is a living thing and he creates his ‘interventions’ accordingly. The city and its streets are something we interact with each day. R1’s simple interventions reveal our relationship with our urban homes. Perhaps more importantly, though, it challenges us to interact with the city in an entirely new ways. R1 says of his process:
“I consider the street as an open canvas. I work with urban interventions and collect every day found materials, transforming them and placing them back where they came from, to become a part of the city’s journey. The resulting artwork is tactile, moving within the motion of the cityscape. Like the street, the work finds its meaning once an interaction with the passer-by takes place.”
For their exhibition, Telephone Blue, taking place at Synchronicity Space on April 20 – May 19, Aaron Anderson, Eric Carlson and Crystal Quinn (founding members of the artist collective Hardland/Heartland) continue their formal practice of intuitive collaboration to produce narratives of playful allegories and coded symbols that materialize as drawing, video, and sculpture. This exhibition will exist as an extension, literally and figuratively speaking. Physical work existing in a digital world that happens to be an extension of our physical world.
In addition to the physical gallery show the three artists have collaborated with LA artist Spencer Longo on a web based project that lives on the Synchronicity website called LA Internet. See LA Internet at www.syncspacela.com at anytime and visit the shows opening tonight from 7-10pm at 713 Heliotrope, LA, CA 90029.