Angela Dalinger’s illustrations are difficult not to fall in love with. They are funny, whimsical, strangely stiff, and make us nostalgic for our own lofty teenage renditions of music, art, and adulthood.
The playful bio on her website only adds to the cryptic childlike mystique-
“I’m 29. I live in a very small town very close to Hamburg since I escaped from there. I am busy working on my career in illustration, means I’m mostly busy painting and drawing and being nuts. I’m born as Sandra Angela Wichmann and use my artist name since 2 years, simply because I really hate my real surname.”
It’s hard to pull off an interesting silhouette in any medium but the sheer size of Sam3’s massive murals painted around the world demand your attention and respect. Mostly painted in the humble palette of black and white Sam3’s graphic silhouettes quietly shout out universal narratives and surreal messages.
Japan has always been on the forefront of cutting edge robotics. Its roots can be traced back 200-300 years during the Edo period when skilled craftsmen created automata (self-operating machines). Using nothing more than pulleys and weights they were able to make the Karakuri (Japanese automata) perform amazing tasks. Japans modern day robots can be traced back to the Karakuri. Today Hideki Higashino is one of the few remaining craftsmen who is determined to keep the history and tradition of Japanese Karakuri alive. Watch the full documentary after the jump!
I’m absolutely loving these photorealistic paintings by Audrey Flack from the 1970’s. The paintings saturated color patterns scream 1970’s with its over the top disco sparkles all over and it’s kitschy psychedelic tendencies.
David Spriggs‘ installations are crafted meticulously with acrylic paint on panes of glass, producing an otherworldly effect that is utterly complete. Appearing like holograms before the viewers, they make a spectacle out of the conceptual, exploring ideas such as perception and emergence and consciousness.
In many of his pieces, it’s as though Spriggs has caught something ethereal and fleeting on a microscope slide, allowing us to inspect it however temporarily. His painstaking methods and striking presentation force viewers to look beyond the surface of his works, allowing the amorphous metaphorical nature of his subject matter to take center stage.
“Perception of Consciousness,” for instance looks at first glance like the many layers of a cloud. However, suspended in mid air, the image beckons and implies a deeper meaning. “My interest in clouds and atmospheric phenomena is not one so much of learning about them as natural phenomena, but rather an interest in their symbolic nature and representation,” Spriggs explains. “The cloud is an ephemeral form, without boundaries, and in constant change; interesting properties that in the context of history of art find affinity with Futurist theories and certain concepts of the light and space artists of the 60/70′s on the nature of space and form.”
Spriggs draws his inspiration from a wide variety of disciplines, such as psychology and the information age. He seeks to examine the relationships and dichomoties between abstractions and the way they affect the material world. The space they occupy is just as important as their shapes themselves. (via Hi-Fructose)
Entering the studio of Joseph Walsh is like embarking on a vessel of imagination. His “Magnus Celestii” piece begins as a desk and then spirals upwards from the floor to the ceiling to end as a slender shelf. The great heaven; as the title of the piece translates in latin; is taking up the entire space, making the viewer the center of the sculpture wherever he is located in the room. Not only is the piece a beauty, but it’s also made out of ashes of wood. A detail that transports us to the premice of the creation, in the midst of nature, in a magical forest somewhere in Ireland, where the artist is from.
Regarding Joseph Walsh, the barrier between him being acknowledge as an artist or a designer is slim, almost inexistant. The fact that he is challenging the technical boundaries of wood carving demonstrates his talent and love for his passion.
He is a visionary redefining design as art. A piece of furniture created by his hands is a sculpture. He wishes to honor the collaboration man has had for decennies with the material of wood.
Once again through this sculpture he has our head swirling in a dream of wooden ribbons. Over the years, Joseph Walsh has created a language of curves, sensuatity and voluptuousness. There is not one way to appreciate his work. How the lines float and the silhouettes undulate leaves us in an eternal spin. No matter how many times we look at a piece, there will always be a new angle to discover it.The simplicity of the material and the complexicity of the lines are what makes his work so captivating.
Joseph Walsh has new work currently showing at Chatsworth House in Bakewell, Derbyshire, UK until October 2015.
Aquadettes is a fun short documentary that looks at the life of Margo Bouer who is seventy five years old and is part of a senior Synchronized swimming team for over 15 years. Watch the full documentary after the jump.
Rose-Lynn Fisher’s Bee is a visual exploration of the anatomy of bees; she used an electron microscope to capture close-ups of honeybees from 10 to 5000x! She first became involved in this project nearly 20 years ago, when she noticed that the hexagonal field of a bee’s eye nearly perfectly mirrored the six-sided pods they created in their honeycomb, leading her to wonder if there was a more profound relationship between vision and action; does the way we see affect the way we construct our world? Her book is a marvel of science and design – as are the bees she shoots – and provides incredible insights to the nature of the insects that so many of us take for granted. It’s an educational read without trying too hard, (you won’t have to try either, it’s mostly pictures). Read it.