Hey Readers, we’ve been loving all the Plywerk contest submissions so far, make sure you them commin’! There is definitely a lot of talent within the Beautiful/Decay crowd. Also, a little reminder that Tuesday (August 25) will be your last chance to submit your work. For all of you that have no idea what I’m talking about, here is the link to our Plywerk contest post: Plywerk Contest
R. Crumb’s Underground
Curated by Todd Hignite
July 11-August 16, 2009
July 11th launches Grand Central Art Center‘s opening reception for the Yerba Buena’s Center for the Arts traveling exhibit, “R.Crumb’s Underground.” This exhibition salutes San Francisco treasure Robert Crumb with an eclectic mix of early work, collaborations, and the world premiere of his “spool” drawings. Universally acknowledged as the founder of the underground comic scene, Crumb gained cult popularity for his pioneering Zap Comix and stardom with the Terry Zwigoff documentary, Crumb. The YBCA traveling exhibit also shows how his work has blossomed in philosophical complexity, highlighting his collaborative work, including intimate confessions produced with wife Aline Kominsky-Crumb.
I usually don’t like viral videos that promote products but this is really creative and unique. 36 Freeborders re-create a giant falling block video game down the streets of San Francisco at night. It’s like Gleaming The Cube meets Tetris… Awesome!
Satan as a headless-masquerade holding ghost on an abandoned island floating in the deep, dark void of space creating life from clay and striking them down, all in front of tiny children. Yes! Amazing excerpt from a stop motion version of Mark Twain’s Mysterious Stranger, by Will Vinton. Censored from many TV stations. Yes!
Dan Attoe’s newest paintings are set against the northwestern Pacific landscape. It is a place where winding streams run into surfing beaches. The sand skinny dips into dark water that is laced with rolling white foam. The foamy tidal beaches are framed by rocky cliffs, and all those rocks, and that moving water, is surrounded by antediluvian forest. The trees in Washington State can make you feel very small because they are preposterously tall. Some varieties grow to be over 200 feet, pushing outside of the boundaries of a normal tree into something that feels supernatural, or maybe übernatürlich. The forest has the fairy tale effect of making you feel very small in comparison. The beaches, rocky cliffs, streams, and over-sized forests in Attoe’s paintings create spaces that are reminiscent of David Lynch’s television masterpiece Twin Peaks; both literally, because of geographical overlap, and psychologically, because the natural world, by bubbling with life, moving water, and impossible trees, begins to take on symbolic resonance. If you were an explorer on a quest for an enchanted forest, Northern Oregon and southern Washington State are very strong candidates for any enterprising search parties you are leading. When you go you may run into Dan climbing rocks or taking pictures of the moon through his telescope. Dan grew up in the woods, his father was a forest ranger. He is at home there. These paintings seem to take place at dusk, when the sun is just over the horizon. Like that quiet time of evening, there is something quieter in this new group of paintings. The miniature figures in Dan’s paintings seem to be dealing with mistakes of love, faulty desires, friendship, and being part of the natural world with its drumbeat of sun and tides.
You can see Dan Attoe’s new paintings in his show Landscapes with Water at Peres Projects on Karl-Marx-Allee 82 in Berlin. The show is up from March 1st to April 19th 2014. The photos in this interview are courtesy of Peres Projects.
Chewbacca is a Wookiee. Bipedal and furry, a “big walking carpets,” Star Wars Wookiees run and fight and shoot. In Mako Miyamoto’s photo series, found on his website Neon Werewolf, Wookiees do much more: yoga on the lawn, roller skate in knee socks and satin jacket, swim underwater, water the lawn. In fact, Miyamoto’s Wookiees could be your next-door neighbor…in a furry mask.
“Masks have always intrigued me; being born near Halloween may have had something to do with it. I’ve always been fascinated by how they hide the person behind them while at the same time bring forth pieces of [their selves] that at first glance were shadowed by their expressions.” (Source)
This whimsical series alternates between mash-ups of TV Shows and movies (Star Wars and The Heist; Star Wars and Game of Thrones) and everyday scenes with a twist (salad bar and Wookiee, ping pong and Wookiees, wedding day and Wookiees). Funny and slightly alarming, the masks’ staring eyes, fixed grimaces, and cascades of fur make the scenes bizarre mimicries of life. Each image is individually titled, and they include “Kiss My Ace II”, “Stop Blocking my Fist with your Face”, and “Corndog Airplane.” The series is ongoing—idea after idea, Wookiee after Wookiee. Miyamoto says:
“I get my inspiration from all over; thrift stores, books, movies, open spaces, the coast, clouds, Stanley Kubrick, Portland, John Carpenter, the golden hour, the way that reflections create an unreachable reality, things that are orange, and the ocean. But not necessarily in that order.” (Source) (Via Feature Shoot)
The work of Stefanie Gutheil is a wonderful mess. Her current exhibit at the Mike Weiss gallery has the atmosphere of the precise moment a party becomes a riot. Gutheil’s paintings incorporate fleshy globs of oil and acrylic paint, fabric, glitter, hair, and fur. The seemingly turbid materials match the paintings’ libidinous subject matter. Even some of the paintings frames only seem to exist in order to be defied – cat’s tails, pants, hats all push past gilded frames and off the canvas. In what she portrays and how she portrays it, Gutheil’s work pinpoints a curious place precisely between fun and horror – the moment before the last finger loses its grip.