Croatian photographer Ino Zeljak’s series entitled Metamorfoza highlights peoples resemblances by combining multiple portraits into a single photograph.While we’re all different in our own special way, some of us look pretty similar to one another. Because with over 7 billion people in the world, many people have the same types of facial features, whether we’re related to that person or not. Sometimes it’s genetics while other times it’s just pure coincidence.
Using brothers, best friends, and parents, Zeljak splits the faces in half with Photoshop and expertly places the disparate parts together. Features are lined up and blended perfectly. His handiwork is so subtle that each image is almost indistinguishable as two people. Instead, they look like one slightly unsettling person who has different color eyes or a crooked nose. But all things considered, it’s reveals that we can look so homogeneous that you’d hardly give it a second glance. (Via designboom)
Spanish illustrator Irma Gruenholz constructs hand sculpted, three-dimensional scenes using clay. Her surreal compositions primarily involve portraits of rosy-cheeked humans coupled with fantastical characteristics. A woman, posed like a frog, captures small human flies with her long tongue. Another illustration features a woman catching small bits of light between two chopsticks. Gruenholz forms the clay into smooth, elegant figures that don’t immediately read as handmade – they look like they could’ve been digitally produced.
A lot of work goes into crafting these illustrations. Gruenholz individually creates each character each character and scene using sculpting tools and paint. They’re held in place by stands and posed correctly. Scenes are photographed and later edited to remove the supports and produce the illusion that they could possibly be real.
We’ve stumbled across Uplands Gallery of Melbourne Australia, a gallery that continually exhibits some noteworthy artists. Since cramming these artists into one post wouldn’t do them justice, B/D is presenting another 3-part series to spotlight the best of Uplands.
Diana Al-Hadid is a Syrian-born artist who grew up in the US, and coming from such rich backgrounds, it is easy to see why her work deals with the disintegration of power and history. Melting statues and monuments, paintings that look like they were left out in the rain for centuries, the work in her show at the Marianne Boesky Gallery looks more like anthropological pompei-like discoveries than they do precious art objects, which is kind of the point. It encourages you to wonder what kinds of remnants our empires will leave behind for the future to dig up, or for others, maybe it is a call to arms to incite some cultural anarchy. Her show also closes on the 20th of this month, so stop by if you’re in the neighborhood!
Have you ever wondered what a modern day Bacchus would look like? Or where Hercules and Hera would make out if they lived in a city? Well now you get to visualize it thanks to the imagination and talent of Ukrainian art director Alexey Kondakov. In his series The Daily Life Of Gods, he has photoshopped different classical gods, nymphs, angels and cherubs into various settings and locations we are all familiar with in our age.
We see Romans who sit in the middle of subway stations wearing laurel wreaths and playing the harp, like it is just another ordinary day. A forlorn damsel sits in diner pining over a lost lover, drinking a hot cup of coffee. A scantily clad couple make out on a sidewalk, in the dim street lamp light, surrounded by nosy cherubs. The different scenarios Kondakov has created are oddly surreal. Although they are far fetched, the scenes are not too unfamiliar. The figures, who would appear graceful and ethereal in Renaissance paintings, are, in their new settings, distasteful or tacky. The groups of these mythical figures are almost like drunken party tourists in any modern metropolis; looking like they are causing trouble and up to no good after a Friday night pub crawl.
Kondakov talks about his project a bit more:
….Then I thought, ‘What if I invite these [gods] into our reality and imagine they are on streets of modern Kiev?’ Then I wanted to transform a noisy company of cheerful kids who gathered to spend time together in the city or go to the movies. And in these heroes I saw the work of other artists. ….My project is about life. I really want to avoid talking about the social commentary. (Source)
But however they may seem, Kondakov’s fictional scenarios are definitely amusing, entertaining, and perhaps let us see the street dwellers of our own cities in a different light. (Via We The Urban)
“Not Valid” is an ongoing experiment concerning the interpretation of invalid html. The work itself seems to be a series of words in a variety of random colors, though each word has been assigned the color value of itself. The browser interprets what color the word should be. Different browsers will interpret “Not Valid” in a different manner.
Nicholas Bohac creates psychedelic collage landscapes that fuse fantasy with images of urban and bucolic spaces. These landscapes reveal both the natural environment as well as man made structures within those spaces. Bohac is concerned with our current ecological climate and while the role of urban spaces is not overtly problematic, the works represent the struggle of control between man and nature.
Brazilian artist Rodrigo Torres creates intricate collages by combining bank notes collected from around the world. Beautiful and painstakingly detailed, they are visually arresting and require a closer look. The ones I find most interesting single out common themes found within a variety of notes, such as crowds, portraits, and buildings/architecture, and showcase unexpected similarities between multiple countries’ approaches to currency design. In Rodrigo’s portrait collage, he positions heads to the right or left, with those silhouettes facing directly to the side seated at each respective end. The majority of head positions are in varying degrees of ¾ perspective; very few bank note portraits seem to face directly forward. Most notes are monochromatic, but differ on the single color used; this in turn creates an aesthetically pleasing rainbow effect. It’s uncanny to see a multiplicity of notes side by side in this constructed context. Despite countless cultural, historical, and environmental differences in nations around the world, their money appears strikingly similar.
Torres’s has been selected by Art Basel Switzerland to be featured in the month’s Art Feature sector in Switzerland, which runs June 14 – June 17.