Marc McAndrews’ simple and relaxed style lends a sense of familiarity to his portraits. It’s almost as if you could look in your family photo albums at home and find these people staring back at you. The motel owners, waitresses, and every day folk he makes his subjects are often haunting. At the same time, their gazes even more piercing than trained models.
I was able to catch one of my favorite Brooklyn-based bands, Savoir Adore playing their first ever headlining show at the Echo in LA last week. Dressed in all white and sounding as blissed out as ever, the band performed both old and new songs to the intimate sing-a-long crowd. Stand out songs included, “Dreamers” and “Imagination”that are both on their recently re-released second full length album, “Our Nature” on Nettwerk Records after releasing it last year with a successful Kickstarter campaign which of course I supported.
The band recently premiered their new video, “Regalia” with our friends over at Buzzbands.LA and are about to perform their biggest hometown show to date next month at the Music Hall of Williamsburg on Sep. 21st. You can also check them out at DC9 in Washington DC on Sep. 24th, at Philadelphia’s Boot & Saddle on Sep. 25th, and at Great Scott in Boston on Sep. 29th. Check out the video for “Regalia” and make sure to catch them next month on the East Coast!
Ramsey Dau, an LA-based artist, loves America, Disneyland and you. Well, actually, not really, but he makes wonderful art that makes you smile and cry a little at the same… only because it’s so colorful (not in the example above, obviously.. unless you’re colorblind, then I’m very, very sorry if I’ve offended you). Ramsey uses typography as artistic expression, forcing your eye to read the page and take in the flow.
I got an anonymous email late last night with the above image. It said “This weekend I found myself at a party at Jeffrey Deitch‘s new home in the hills of Los Angeles. I’m hardly a street artist but I thought it might be nice to add some value to the interior of his “movie star house.” ”
Who knows if this is actually Jeffrey Deitch‘s house (looks like the bathroom) but I thought it was interesting that he’s getting so much backlash. Who can confirm that this is real?
German photographer Rachel de Joode is yet another example of why one doesn’t need fancy props to create provocative images. Armed with a camera and a mess of everyday things she creates compelling photographs that pair a dozen eggs with heels, slabs of meat with coconuts, and whole chickens and computer keyboards. These gripping images are anything but ordinary and completely mesmerizing. (via minimal exposition)
In 2004 TINKEBELL. made a purse out of her dearest cat Pinkeltje. Pinkeltje was a ‘depressed cat’ who couldnt be left at home alone. By killing her and making her into a purse, TINKEBELL. could carry her always with her.
The extensive attention to her project ‘My dearest cat Pinkeltje’ received from activists and the media demonstrates that this approach certainly meets with its share of resistance. In this project, she killed her cat with own hands and then had it stuffed and made into a hand bag as a product for consumption, thereby directly bridging the gap between house pet and animal for consumption/production and thus painfully bringing the matter to light. A collection of the threats generated by this and other projects was later published in the book ‘Dearest TINKEBELL
As a life long vegan and animal lover I have been struggling with whether I should post the work of TINKEBELL. Not only do I find the work in terrible taste but I generally don’t like to promote work that involves killing of any kind. However I think this work brings up some interesting questions about what can be considered art and how we define animal cruelty as well as our distinctions between animals that are killed everyday for food, clothing, accessories, and even art (leather) and what animals we wouldn’t dare touch because we have grown to live with them as pets and companions. How do we justify slaughtering millions of cows for Louis Vuitton purses yet get bent out of shape when someone turns a cat into a purse. If I had it my way neither would ever happen but I find it hard to justify one without the other. So what do you think? Is this art and how do we draw distinctions between one animal over the other?
Artist Brian Adam Douglas makes use of a unique process. Before exhibiting at galleries, Douglas began his practice on the streets of Brooklyn under the name ELBOW-TOE. His distinctive style was easily spotted as he used wood cuts, charcoal, collages, and stencils throughout New York City. Douglas has since further developed his process, style, and subject matter. He has retained his painterly style that could be found in his street art and paintings. However, Douglas now applies this to a special kind of cut paper art or collage work. In fact, he prefers to call it “paper painting”. Douglas paints individual parts of paper precise colors and carefully cuts them. All of these small pieces are then often adhered to a wood panel to create one painting-like composition. While he has often focused on individual people, Douglas has now ‘zoomed out’ in a sense. His work now often encompasses entire landscapes or scenes. These scenes frequently touch on natural disaster and specifically the way people cope with them. The statement of his current exhibit at Andrew Edlin Gallery further describes this style:
“Virtually all of the works in Douglas’ new series deal with the rebuilding of life and purpose in the wake of catastrophic deconstruction brought on by natural disasters and climate change(including overt references to Hurricanes Katrina and Sandy). They are not merely about the breaking down of things but about an innate capacity to cope with disaster and the rehabilitation of purpose. Spending up to half a year on a single piece, Douglas’ laborious process demands a pictorial integrity where nothing is wasted and everything serves his intensity of purpose. Forgoing the relative ease and fluidity of the brush stroke, the artist methodically builds his compositions through shards of color incised from sheets of paper he has painted, forging a novel way to combine painting and collage into a singular hybrid.”