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Nathan Vincent’s Six Foot Crocheted Doily Warns ‘Be Good For Goodness Sake’

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Be Good for Goodness Sake detail 1

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Be Good for Goodness Sake broadcast

Santa is not the only one you telling you to be good for goodness sakes. In today’s word, that is, in today’s virtual, and real life panopticon, you have no other choice but to be good for the sake or yourself, your life, your job, etc. Your success as a human being depends on your good (or bad?) pubic, and well documented, behavior. Everyone is watching, everyone is judging.

“Be Good for Goodness Sake”,a three-person show featuring works by Nathan Vincent, Iviva Olenick, and Kathy Halper at the Muriel Guepin Gallery in New York, explores ideas of surveillance and public performance in the age of the virtual panopticon (intagram, facebook, etc).

Taking its name from Vincent’s large-scale work installed in the gallery,  “Be Good for Goodness Sake” pushes audiences to question their stance on surveillance and privacy in the age of social media.

Nathan Vincent’s six-foot crocheted doily acts as Big Brother and it invites the spectators to to sit on a bench flanked by security cameras, while Kathy Halper and Iviva Olenick create embroideries that question the psychosocial impacts of intimate over-sharing via social media. Inspired by her own Facebook feed, Olenick uses embroidery and watercolor to render her own “selfies” and portraits of others. Halper’s work similarly questions the disappearing space between public and private online through embroidered drawings of found images from teens’ Twitter and Facebook accounts.

The exhibition, “Be Good for Goodness Sake” will be on view at the Muriel Guepin Gallery in New York until January 19th, 2014.

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Jae Rhim Lee Invents The Mushroom Death Suit To Allow Our Bodies To Decompose Through Mushrooms Feeding Off Of Them

Jae Rhim Lee - Mushroom Death Suit

Jae Rhim Lee - Mushroom Death Suit

Jae Rhim Lee - Mushroom Death Suit

Do you ever wonder what will happen to your body after you die? Thanks to Jae Rhim Lee, our bodies could go out of this world in a way that helps the environment. This ingenious artist has breeched the lines of art, design, science, and death to create something that could change the way we think about burials. Concerned with the alarming amount of harmful toxins and artificial chemicals that human bodies hold even after the point of living, Lee was determined to invent a sustainable way for our bodies to be disposed of during our burials. This led her to start the Infinity Burial Project, where she worked to create, through selective breeding, an infinity mushroom that decomposes bodies and clean toxins while still delivering nutrients to plants.

Through hard work, Jae Rhim Lee’s goals were realized with her creation of the Mushroom Death Suit. This suit, which she so confidently wears while giving her TED talk on the subject, offers an alternative burial method. If wearing the suit while buried, the mushrooms spores that are infused in the lines on the suit decompose and clean your body, forming a whole new green way of death. Lee hopes that this will be a symbol of a new way of thinking about death. She explains that this project is

“A step towards accepting the fact that someday I will die and decay.”

This unique and strange invention may not be appealing to everyone, but shines light on a subject that many may not want to confront. An important lesson about the realities of our bodies decomposing underground can be learned by watching her captivating TED talk.

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Jefta Hoekendijk Glittering Photos Capture Vibrant Movements From Metallic-Coated Nude Models

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Photographer Jefta Hoekendijk’s series Aura features shimmering bodies in motion and dazzling colors. The feel of these images is electric as nude models are coated from head to toe with a metallic covering. Bright greens, purples, teals, and more radiate from their every movement.

The eye-catching effect was done without the use of post-production enhancements. “This is metal body paint and lighting effects directly made [from] shooting,” Hoekendijk writes. Any sort of movement will cause these trails of jewel-toned light. The result is a series of seductive and alluring photos where you’re focused on the invisible now made visible.

Hoekendijk experiments with painting, photography, sculpture, and video that’s centered around movement and the human body. Above all, his work is interested in the body as a vessel for expressing his varied artistic voice.

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Carlo Bernardini’s Geometric Light Installations

Since 1996 Carlo Bernardini  has been using fiber optics to create bold and dynamic sculptures and site specific installations. Each piece uses the power of fiber optics to create minimal geometric line drawings which change as you walk around and into them and from certain angles become three dimensional drawings that come alive in space. (via triangulation)

 

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Possibly The Most Meticulously Detailed Paper Art You’ve Ever Seen

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Paper art has especially blossomed in the past few years.  Few, perhaps none, are more meticulously detailed and worked the sculptures of Rogan Brown.  His pieces seem organic, as if grown rather than cut.  Their reflection of nature if further reflected in the medium, paper not far removed from trees.  He says of his sculptures:

“My work is an exploration and re-presentation of natural organic forms both mineral and vegetal. I look for patterns and repeated motifs that run through natural phenomena at different scales, from the microscopic to the macroscopic, from individual cells to large scale geological formations.” (via)

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Interview with Videos Collide artist Jeremy Bailey

Real-time software performance "Future of Theatre"

There is never a dull moment in Jeremy Bailey’s performances – I’d like go ahead the deliveries of his stand-up/software demos/karaoke sessions as the funnier “artistic” Steve Jobs. In “The Future of Theatre” debuting tonight, he plays “this hopeless and foolish slave trying desperately to conjure his machine to do increasingly absurd tasks of questionable use. Computers are the new chauvinist modernists.”

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The Film-Like Photography of Tajette O’Halloran

The photographic work of Tajette O’Halloran is narrative rich.  Each image seems stolen from a story in progress.  The photographs borrow filmic qualities not only in its storytelling  but style lighting and composition.  Indeed, O’Halloran had spent time as a location scout for Australia’s film industry.  She’s kept her eye for location and sense of drama.  The self-portrait series featured here is set in an abandoned house in Barre, Massachusetts.

O’Halloran relates of the experience, “While staying here in this environment I felt compelled to create a photographic story of captivity, abandonment and surrender. I wanted to explore the fragility, torment and eventual freedom of the mind  when left alone with yourself and your thoughts.”

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Extremes Of North Korea’s Developing Capital Recorded Beautifully In This Time-Lapse Video

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Videographer Rob Whitworth together with city-branding pioneer JT Singh create a stunning flow-motion panorama of the mysterious capital of People’s Democratic Republic Of Korea, commonly known as North Korea. “Enter Pyongyang” is their another collaboration combining the stunning effects of time-lapse photography, HD and digital animation, acceleration and slow motion.

According to the creators, North Korea, which is mostly imagined as a country “immune to change”, is rapidly developing. Besides the uplift in tourism, the whole infrastructure is rising with new railways being planned and special economic zones launched. Whitworth and Singh accurately capture this shift in their video filmed with the help of Koryo Tours, a Beijing-based travel agency who provided the team with exclusive access to the city.

“As is standard for all foreign visitors to the country, we were not allowed to shoot any construction sites, undeveloped locations or military personnel. Other than that we were given relatively free reign.”

North Korean society is highly enclosed and lifting the curtain, especially for a video, is a truly unprecedented behavior. However, “Enter Pyongyang” captures the controversial reality of this multimillion capital: from its high-end golden statues and modern glass skyscrapers, to the humble and earnest citizens. The fast-paced video conveys what is essentially Pyongyang’s biggest wealth – the dynamism and energy driving it to the new heights. (via The Awesomer)

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