Will Hutnick is a Brooklyn-based artist who works in painting, sculpture and installation. Incorporating acrylic, oil, ink, spray paint, tape and found objects into his work Hutnick creates works on paper that oscillate between being two dimensional and three dimensional. Using conventional materials in unconventional ways Hutnick changes the rules of painting. Using tape as his paint and paint as his sculpture, Hutnick manages to muddy materials while maintaining brilliance in color. Indeed, Hutnick has an amazing eye for color. And he uses it to generate narritive. With titles like, Marble Madness, Not So Secret Garden, and What Do You Call Those Things With The Wooden Beads And The Crazy Tracks?, Hutnick’s explosions of color become stories, emotions and sensations.
There is a fun to Hutnick’s works as well. The paintings are bright and beautiful, but there is a sense of humor to his work. His “balancing works,” involve late night sessions at the studio stacking any found object to the point of instability. Eventually, the ephemeral sculptures topple to the ground. Often, Hutnick was the only one to witness their existence at all.
Self-taught photographer Zeren Badar explores photography, painting, design, and collage work in his “Accident Series” project. For this project, Badar combines images and objects in a curious juxtaposition of form and content. His incorporation of prints of old paintings, food, accessories, decorations, and other objects results in peculiar and richly textured 3D collages that evoke a Dadaist aesthetic. Badar compares his work to Duchamp’s readymades, explaining, “By using unexpected juxtapositions of objects, I try to create ambiguity and pull viewers attention deeper to my photographs.In many ways, I examine new type of way still life.” Originally from Turkey, Badar now lives and works in New York City. You can keep up with this project’s progress by following his personal Tumblr page.
Troy Coulterman sculpts weird and wonderful figures in bizarre circumstances. His use of unnatural, vibrant colors interrupts his already unusual sculptures, giving them an added edge. Graphic novels and comic book artists are the inspiration behind his exaggerated characters in his work, as if these vivacious and animated characters have jumped right off the comic book page and into reality. Receiving his Master of Fine Arts in Sculpture, Coulterman uses his skill to from his figures out of resin, often placing them in a realm with swirling clouds and dripping hair. Coulterman explains the meaning behind his highly stylized work.
“These abstract, absurd forms that interact with the figurative pieces, they’re in a way visual metaphors to describe the psyche of the figures, the emotional moments in the figures.”
Although some of his figures have geometric faces replacing what would be normal human features, most of his work has an element of abnormal organic matter spewing from eyes or engulfing the figure. These organic forms appear somewhat disturbing but ultimately beautiful with their striking colors and detail. Another aspect of Coulterman’s work that is impossible to ignore is each unique and dramatic facial expression his figures possess. Each expression the artist sculpts creates an unmistakable mood in his artwork. Originally from Ontario, Canada, Coulterman has exhibited all over the world and has been included in many different art publications. He is currently represented by Slate Gallery in Regina, SK, Canada.
Jocelyne Grivaud reinvents Barbie as famous works of art and cultural icons throughout the ages.
“This design needed time to take root, as often. The whole story began one day, in November 1967, with a present, all tenderness.
It was pink, vaporous and extremely delicate. With the patience of an angel, my mother had secretly knitted a dressing gown and tiny bootees for my Barbie. It seems to me there were more clothes, but these bootees, with their little pink knots on top totally fascinated me. Then I grew up. The doll vanished, but I kept in mind the elegance and grace of my Barbie as well as a little bootee deep down my secret box. One day, the idea of extending the happy part of my childhood through pictures I love took shape. Barbie is often criticized for being too blonde, too superficial, too skinny, too “ideal marketing”, too “this” and too “that”…. My aim was to adjust this so famous profile to different emblematic representations.
Here’s my personal contribution as a birthday present to my mascot, Barbie, superimposed on the vision of artists whose work I greatly appreciate. Let me thank them all for creating such intense pictures. Many thanks to Ruth Handler for creating this dolly model that enraptured me throughout my childhood.”
If you ever dissected a rodent or amphibian in science class and found it nauseating, then Emily Stoneking’s knitted anatomy might agree with you. Art and science intersect through her Etsy shop called aKNITomy, and she hand-knits artwork featuring dissected frogs, rats, and pigs. The cute and cuddly are pinned (not glued) using T-pins and framed for display on your wall.
Stoneking knits the body of the animal/figure using a kid mohair and silk blend, and then she needle-felts the innards by hand. These adorable creations are the result of the artist’s larger interest, which is using cozy, crafty materials to create objects that usually make people squeamish.
A bright idea is bringing together the talented homeless population of Barcelona and typography lovers from all over the world. Homeless Fonts is an initiative from Arrels Foundation and is a platform for selling the handwriting of these street sleepers to business and individuals. Around 10 fonts are available and all profits made from the sales go towards supporting the 1400 people connected with the foundation.
We all know how much handwriting reveals about a personality; the history of the writer, and this project highlights the talent and the stories of these fascinating individuals. Often overlooked on the street, they all have reasons for living how they do, and share a side of life we usually know nothing of.
Fransisco for example, in a previous life was a graphic designer. Born in Spain, raised in Brazil, he set off to experience the world. After hitchhiking around South America, he returned to Spain an old man. Living years without a permanent address, his days are still full of adventure. He says:
“The experience of the street has taken away my vanity. The only thing I’ve learnt in life is that you have to learn, because if you spend your life without learning, you haven’t lived.”
Argentinian born Guillermo uses cardboard, newspaper, anything lying around to practice his love for art and writing. Born in London, Lorraine found herself stuck in Spain after a thief illegally used her passport to travel on. Ever the optimist, she now enjoys sleeping under the stars with new friends in her adopted home.
The kinks and loops of these fonts are such an immediate and rich art work, they are perfect for making statements with. They are certainly a powerful form of communication.