The seasons change, the brittle Autumn leaves fall to the fore, summer’s last days ebb a California surfer’s wave…what I’m trying to say is that yet another fearless intern, Greg Ruben, will be moving on from B/D. We here at B/D decided you readers might be interested to know who some of the folks are here who work tirelessly and relentlessly for stale bread, water and “experience” (aka interns)- and so we are spotlighting Greg, whose last day is today! Greg is a design student at UCLA and has contributed to some great graphics over the course of his stay here, as well as many rapier-sharp witted blog posts that I am sure you have come to know and love. His personal work is pretty cool too. So thank you for the music, Greg, and forgive me for tricking you into thinking the above photo was in some way related to a post about shipping out our latest season of B/D Apparel. (Hey, at least I told you to smile!)
New York artist Alison Blickle creates interests paintings in which female nudes (which I think are roughly self-portraits) are pictured in the majestic beauty of nature. While this might not sound all that revolutionary on its own, there is an interesting, almost cartoonish aesthetic in the paintings which creates a sort of off-putting sense of abstraction/simplification, as if this reality is very far from the artist’s life.
Wearing a bright orange dress and armed with scissors, German artist Nezaket Ekici is tethered to the ceiling of a room via her hair. Long ropes act as handcuffs and are tied to the ends of her long brown strands. The only way out? To cut the strings or hair. Her performance, titled Atropos, was first presented in 2006 and again in 2008. It used 100 ropes, 100 hairlines, and 100 pitons (a type of metal spike) and lasted one hour.
We see that during Atropos, strings and hair are cut and dangle over Ekici’s eyes and other pieces of rope. At its core, it’s the act of freeing oneself from the ties (literally) that bind. In a statement about the work, posted on the Celeste Network:
She carries out an act of the self-liberation, while she frees herself with the help of a sissle from long ropes fastened at the roof and to the hair. She cuts off a part of her hair and in this way dissociates herself from a piece of herself. This work can be seen as a vital discussion about the question on the sense of life, that is partly characterised by striving for freedom. Particularly, because hair can be considered as a symbol of life.
This piece’s title comes from the Greek myth of the Moirai who are the goddesses of fate. The statement further explains:
Atropos, who is one of them splits according to the myth the fate threads of the life with a sissle. The artist shows with the radical act of the hair-cut a way out. She takes fate into her own hands and frees herself, like Atropos did. At least the act of the cutting can be seen as an attempt of liberation in itself. (Via Sweet Station)
Guy Laramee delicately cuts caverns through the centers of books. He carves the pages away to reveal caves that seem to be ready to be explored. His work explores the insides of books in a very literal way. Indeed, Laramee’s sculptures in way recall the plot of a classic: Journey to the Center of the Earth. And, in fact, Laramee mentions this book in his statement on the series. He says:
“Like in Jules Verne’s “Journey to the Center of the Earth”, we seem to be chained to this quest. We “have to” know what lies inside things. But in doing so, we bury ourselves in the “about-ness” of our productions – language, function, etc- all things “about” other things.”
Surrealist Chinese fashion designer Yang Du’s collection entitled, “It Is a Dream” blurs the lines between art, fashion, and fetishism. Du has already established a cult following in both Japan and her homeland with a reputation as an artist-turned-fashion designer extraordinaire. Her collection, inspired by a spiritual journey to India, is set to go on exhibition in the UK, Scotland, and New York. Awesome to see a representative from the motherland coming up in the fashion industry! Check out more images at Chinese Designers’ Region.
I’m loving this scanographic imagery by Portland based artist, Brandon F. Wilson. While Wilson does not explain his specific process on his website, I like to imagine the artist running through vast landscapes in Oregon, with a large scanner, to create these distorted images. More after the jump!
Matthew Pillsbury‘s long exposure photography series, “Screen Lives,” largely documents domestic activity related to screens that glow from televisions, computers, or mobile phones. Eleven of those photographs, however, represent a specific time during Pillsbury’s life when he fell in love with a man, left his wife, and came out as a gay man to his friends and family. This event changed the direction of Pillsbury’s project. While initially focused on photographing screen scenes with subjects who didn’t move around as much, Pillsbury’s project evolved once he met Nate. “I think it took the freedom of my coming out to make a picture like the one of Nate in Vegas or Cell Phone on Venice Beach. I was breaking down the very rules I had set for my own artistic project,” Pillsbury said. Documenting movement, intimacy, and relationship dynamics, Pillsbury’s collection is at once haunting and lucid.
The eleven photographs representing this transition are titled “Nate and Me” and will be on view at the Sasha Wolf Gallery in NYC until April 20. (via slate)
Erin Hanson’sReminders series captures everyday thoughts and places these reminder-thoughts near an appropriate domestic location. These colorful reminder text designs inject daily mundane tasks, like washing dishes, brushing teeth, reading, and watching television with fun, humor, and whimsy. Hanson’s appropriately titled blog, Recovering Lazyholic, began as an attempt to combat laziness and mainly feature two things she loves: photography and graphic design, both of which comprise this particular series. These multi-colored letters remind me of the colorful alphabet magnets commonly found on refrigerators, and my first encounters with them as a child. Whatever the task at hand, Hanson’s designs and photography remind us that we need to accomplish these tasks, but also to live these tasks a little more colorfully and playfully. Hanson lives and works in Austin, Texas.