Cool promo animation spot for Ryan Spring Dooley‘s web site.
I can not help but find myself indescribably drawn to taxidermy in all shape and forms, especially unconventional artwork as with the case of Les Deux Garcons. They seem to have a surrealist, Gothic freak-show aesthetic all combined into one. There’s something horrific about manipulating the animals’ lifeless, frozen forms into eternal works of art against their will…it reminds of the scene in Chronicle of Narnia where you walk through the White Witch’s front yard, and poor Mr. Tumnus and all the other forest animals have been turned to stone sculptures in various states of fear and despair by her ghastly spell.
Canadian illustrator Michael DeForge’s portfolio recalls the festering goodness/grossness of cartoon classic staples Ahh Real Monsters and Ren & Stimpy that made your eyeballs feel like they were covered with a layer of prismacolor slime. I love his posters for bands such as Xiu Xiu and Les George Leningrad. Very fitting.
I love Emily Noelle Lambert’s palette- it’s like Wayne Thiebaud’s pastel pastilles and tiers of cupcake glazes applied with the loose, graceful grime and grit of German Expressionist paint handling. Sweet but not overly so. If you are in NYC, her show opens at Priska Juschka Fine Art tomorrow night, Nov. 5th.
While killing some time online I stumbled across the work of Dana Dart-McLean on Small A Projects website. Small A Projects works with a wide array of young up and coming artists like Dana who work in every medium from sculpture to photography to painting. I haven’t had a chance to stop by the gallery and see the space in person but it looks like a worthwhile destination on your next trip to NYC.
When I sleep at night this is what my dreams look like. OKAY….. maybe they don’t look like this but I wish they did.
Young Designer Ka-Lai Chan is a 2009 graduate product designer from the School of Arts in Utrecht. Here products are visually pleasing and function well too.
Gelitin is comprised of four Austrian artists who met in 1978 at a summer camp and started exhibiting internationally as a group. Their cleverness in dealing with topics such as childhood, the functionality of objects, scale and absurdity are obvious in projects and corresponding titles such as “Klunk Garden” and “The Dig Cunt.” I like that their work seems to take on a variety of tones- ironic one moment and nostalgic the next. But all appropriate.