How To Dress Well performing at the Echoplex, December 4, 2012
It’s late Tuesday night… VERY late, well it’s actually almost 1am on Wednesday morning when Whitney Houston sings out from the speakers and Tom Krell aka How To Dress Well makes his way onto the Echoplex stage. Ten candles burn at his feet and beautiful video projections illuminate him and his backing band when his voice, a beautiful haunting falsetto hits my ears and my head starts thumping to the beat.
Playing songs from Total Loss, his newish record out now on Acéphale and a few from his debut album Love Remains, the heartbreaking, but beautiful set highlighted not only his voice, but his talent as a songwriter. When he sang the song Set It Right, it rang out like an R&B version of the late Jim Carroll‘s, People Who Died with the names of friends and family who have passed or not in his life anymore.
No that isn’t the latest alien crop circles. This is the work of new media artist Sonja Hinrichsen who created this massive installation one step at a time by simply walking in circular patterns. The result is a semi-abstract pattern that mimics leaves on branches of the local snow covered trees. See more images of this simple yet extremely clever installation along with a process video after the jump.
I know what you’re thinking….but, no. This is not Guerrilla Girls making a comeback. This is Leah Beach‘s most recent collection of work. Beach series is about stereotypes and rituals from American society; she used gorilla masks to stand for what we, humans, evolved from. Beach is mainly a film photographer and processes everything herself. Leach Beach is currently a student at the Delaware College of Art and Design.
Flicking through Colin Crane‘s photography is like playing a game of hide and seek. It’s joyful, light-hearted, flirty, a bit adventurous, and will make you smile. Crane has the knack for capturing the happiness in his subjects and images. It may sound so simple, but the effect is not to be underestimated. His photographs are like a celebration of many different aspects of life, but mostly about curiosity, enjoyment, wonder and inhibition (or lack of).
Crane’s series Dreaming In Color is a collection of intimate, dreamy moments caught on camera. Coquettish girls lie basking in a meadow, zoned out in a blissful state. A grown adult is engrossed in a pair of binoculars as if they were discovering them for the very first time. We see a figure mysteriously emerging from colored lights placed in a forest – and can only dream about what they are up to – where they have come from and why. Adventurous faces are captured, ready to create another memorable experience that they will no doubt tell around the next campfire. Friends are profiled in surreal light, flares, and orbs, sharing something magical with each other.
Crane has a naivety to his work – but most certainly not in a negative way. It’s almost as if he is experiencing the world for the first time, with virgin eyes, and we get to share in his astonishment. His work has titles like Life Is Elsewhere, A Dream That Could Come True, and Nicaraguan Afternoon – and it certainly feels like we have entered a fictional, surreal reality when we enter the world of this young talented photographer.
Ohio-born and based artist Dan Olsen works with multiple mediums ranging from ballpoint-pen drawings to mixed media installations to stop motion animation. I particularly like the drawings, which recycle images from pop culture into freaky teenage collages. Note: the above image, entitled Weed Dogs, was a collaboration with fellow illustrator Grant LaValley.
John Jerome O’Connor’s playful psychedelic abstractions are not just inventive in markmaking and composition but also use inventive and sometimes bizarre premises/rules to conjure up the imagery .
Here’s a description by John about how the above piece was concieved: “This work is based on cultural differences in interpersonal space – the actual space people create between themselves and another person in casual conversation. Specifically, I used a study from 2004 in the Journal of Social Psychology of Dutch, English, French, Irish, Scottish, Greek, and Italian conceptions of personal space. The study looked at gender, pairs of people, and groups. The literal space was recorded for each group studied, and then averaged. I used these measurements to create the structure and patterns in this work. The length of the lines and sizes of shapes in my drawing correspond to the actual spaces (measured in the study) between people of different cultures. The patterns I made also reference these differences. In the center, I used photographs I took and found of people moving through crowds at parades – their patterns trying to navigate these spaces.”
Alex Konahin is a draughtsman who works with an almost Maximalist desire to fill a blank page with intricate detail. Working on A3 paper and using fineliners and india ink, Konahin renders with shading and line-work that simultaneously resemble mechanical, architectural and floral drawing styles.
The Latvian-based artist’s most recent series, Little Wings, uses various insects as the starting point for what turn out to be intensely detailed, baroque-esque drawings. Says the artist and graphic designer, “I’ve been inspired to create this series last summer in the Netherlands. It was a fantastic time living in the countryside away from noisy cities…” Common insects such as flies, bees and dragonflies become the base for the draping hard-edged, and perfectly shaded lines of Konahin’s pen.
To see more of Konahin’s work, also visit his Tumblr. (via from89)