Jon Hopkins released his fourth full length solo album earlier this year, Immunity on Domino Records. “The first sound on Immunity is that of a key turning, unlocking the door into Jon Hopkins’ East London studio. It’s followed by the noise of the door slamming, then footsteps, and then finally the crisp, clipping rhythms and pulsating bass of ‘We Disappear’ emerge, signposting the most club-friendly music Hopkins’ has made to date.”
I was able to catch Jon open up for Purity Ring the other night at the Fonda Theatre in Hollywood and while it took the crowd a few songs to warm up to him, by the end of his set everyone was dancing along to his hypnotic beats. Jon recently remixed Purity Ring’s “Amenamy” and Megan from Purity Ring added vocals to his track, “Breathe This Air”, it would have been a great opportunity for them to perform together on stage, but that never materialized. They did however give out a very limited 12″ vinyl that had both tracks on it if you were one of the first 150 in the door.
Jon will be performing this coming Saturday, August 31st at MOMA PS1’s Warm Up in New York and will also be appearing later that night at the Cameo Gallery in Brooklyn. He’ll then head back to Europe for a string of festival shows. Check out the beautiful new version of, “Breathe This Air”, featuring Megan of Purity Ring and be sure to catch him at one of his upcoming shows.
I saw Jacob (one part of the trio? I think who makes up Paper Rad, and half of hip-hop-mashing/electro/idkwhat Extreme Animals) Tuesday night at Wildness and yesterday night at the Family bookstore, two stops on his “2 Blessed 2 B Stressed” tour.
I made a list of the things he “live blogged” about: how he was a fan of the Christian band Paramour’s positive messages, the Eddie Murphy and MJ duet “What’s Up With You“. I also grabbed one of the attitude bracelets that he’s so into right now. David of Extreme Animals also showed a synchronized guitar riff + head banging video piece during the Family show which was painful yet ecstatic everlasting repetition.
“Why should I subscribe to Beautiful/Decay,” one may find themselves wondering, “when I can pay over 33% more to purchase it on newsstands? And besides, running the risk of Beautiful/Decay selling out before I get a hold of my hand-numbered, limited edition copy is so exhilarating, it’s practically legalized gambling!”
In addition to the popularly publicized reasons of saving money and never missing a copy, Beautiful/Decay has actually closely guarded, for centuries now, a highly secret set of reasons to subscribe. Until today, that is. In collaboration with artist C.W. Moss, Beautiful/Decay is proud to present a hand-painted watercolor series, illustrating 5 new reasons to subscribe. Stay tuned every this week for 4 more great reasons to subscribe!
Photographer Kacper Kowalski captures life from above in these beautiful images of the Polish woodlands. The bird’s eye view features incredible, vibrant shots that are simultaneously recognizable and abstract. Brilliant greens, blues, pinks, and purples dot the landscape and play with our sense of scale. Trees look minuscule in many of the compositions, like they’re pipe cleaners or tiny army.
There’s a divide in many of Kowalski’s photos whether it by a river, a road, or line of trees. This separated area creates a pause or compositional breath. We’re often overwhelmed by texture or patterns. The photographer’s decision to include these areas allows time for reflection and comparison. How are the two spaces different? How are they same? What does it mean for them to coexist? (via a_a)
Everytime I see something visually stunning these days it seems to come from Tokyo. They entire city appears to be on a mission to bring visual beauty and creative inginuity to the dullest facets of life. For instance we are all familiar with the drab and boring Information Kiosks that can be found in malls all over the world. Instead of creating one more boring kiosk for us to walk by Japanese architecture firm Torafu Architects has created this gorgeous piece of mini architecture called Waku Waku Station (literally, “excitement” station). Taking inspiration from yachts, boats, houses and buildings found in the malls waterfront scenery the kiosk is transformed into a colorful playground to attract kids and their parents to find out about what the area offers. There’s lots of fun hiding spots and small doors (just like a boat!) for kids to play with and there’s even giant building blocks for them to push around and climb on top of. Lets hope this push to bring color and creativity to all the mundane things in life can catch on everywhere else. (via)
Images of John Malkovich dressed as Marilyn Monroe and Andy Warhol have been circulating the Internet the past few days. Although we’ve all been marveling at the actor’s ability to recreate these iconic images, I decided to dig a little deeper.
The Malkovich, Malkovich, Malkovich series (to be exhibited at Catherine Edelman Gallery November 7th) is as impressive as it is enjoyable; not only does Malkovich do a spectacular job of impersonating the (almost) inimitable celebrities, Sandro Miller should also be given credit for imitating each distinct style of photography. Anneliese Cooper points out in her article for Art Info that Malkovich possesses some amorphous quality with the ability to personify almost anyone, even though his facial features are rather unmistakable. She identifies – as the Millers series implies in name as well – that the film Being John Malkovich (written by Charlie Kauffman) somehow predicted or identified this inherent chameleon character of Malkovich.
What you probably have not seen, are Millers original portraits of Malkovich. They demonstrate the actor’s unbelievable ability to transform, and also Miller’s skillful curation of props and scenes to offer Malkovich the opportunity to express such a broad range of emotion. Malkovich’s emotional vocabulary spans disparity, rage, nonchalance, and a slew of other expressions that honestly, cannot be summed in a single word.
Sarah Bowman is a photographer based in Nanaimo, Canada, whose passion for portraiture and surrealist imagery has blossomed into this darkly beautiful series, entitled Maiden of Ravens. Made in collaboration with model/visionary Annalise Silverwolf, these images present a romantic, alternative world, wherein an ethereal goddess-figure stalks through the trees and underbrush. With sticks and grasses adorning her head and her forearms covered with what appears to be gauntlets of blood, she melds beautifully with the ominous environment, invoking the spirit of ravens — those beautiful and dark carrion birds that symbolize both life and death. The model’s pale skin and dark red dress add further to the series’ grimly alluring atmosphere. Sarah has done an excellent job accentuating the green and red tones, which highlight the ghostly and rain-wet beauty of Vancouver Island’s forests and swamps.
When I chatted briefly with Sarah about her photography and future projects, she expressed a burgeoning desire to collaborate with designers in the creation of fine art portraiture, as she is inspired by “whimsical, ethereal, and surreal creations.” As an artist, her utmost goal throughout all of her work is to “please [her] viewers and hope to overachieve their expectations,” while also “collaborating with models and […] mak[ing] them feel beautiful and extraordinary about their talent.” Given the depth, intricacy, and evocative power of Maiden of Ravens, there is no doubt that Sarah has indeed achieved and surpassed her creative and professional objectives. Follow her Facebook page and check out her website to keep up with her work as she continues to collaborate with more designers and models in the creation of surrealist, fine art imagery.