New York artist Alison Blickle creates interests paintings in which female nudes (which I think are roughly self-portraits) are pictured in the majestic beauty of nature. While this might not sound all that revolutionary on its own, there is an interesting, almost cartoonish aesthetic in the paintings which creates a sort of off-putting sense of abstraction/simplification, as if this reality is very far from the artist’s life.
In the city of Tarragona, Spain, castellers gather every two years to see who can build the highest, most intricate human castles. It requires astonishing strength, finesse, and balance.
New York based interior designer Pari Ehsan marries high fashion and high art by posing in outfits that thoughtfully complement artworks, installations, and architecture, posting the results to Instagram and her website. Ehsan’s project began when she was taking a personal portrait in front of an art piece and noticed that her fur coat created an interesting juxtaposition. Ehsan then decided to begin this fashion-art project in order to explore a creative outlet outside of her job as an interior designer. Her background in architecture – she studied it at both USC and UCLA before moving to NYC – helps inform her approach to the project, with some of her fashion looks complementing building and interior designs. Every Saturday, Ehsan hops around New York City’s galleries, looking for inspiration. “It’s very intuitive when I see something I like and get a good feeling about,” Ehsan says. “At that point, if I’m really compelled to do an outfit pairing, I find the look and do the styling.”
Ehsan’s Instagram account was recently nominated by the Council of Fashion Designers of America (CFDA) for a Fashion Instagrammer of the Year Award, alongside other stand-out fashion-related accounts. Though she didn’t win, Ehsan’s account is still impressive, especially considering that fact that most of the other nominees – including the winner – work in fashion or media. Clearly, Ehsan’s lack of insider status has not hurt her project’s success. (via blanton museum of art)
Jeremy Willis had me over to his Brooklyn studio and we hung out and talked about his paintings. Willis describes the paintings anthropomorphically – as wanting to be doing something human, like giving birth, hugging you or selling you illicit substances. The majority of the paintings are big and surround you with saturated colors and chaotic space. They do feel like they have an overwhelming emotional content, and the paintings reflect the messy nature of life. Look for more from Jeremy soon.
This animation by Michael Lomon is sick in the best of ways. Michael describes it as “A ‘slice of life’ drama piece based on my time as ‘chef’ at a certain Nottingham rock pub.Hand painted backgrounds. Other elements hand drawn, scanned and coloured in Flash.”
I recently had the pleasure of talking with multi-talented artist Jack Greer about his new website/project Digital Ashtray, photography, LA, New York, and sandwiches… You know an interview is going good when Bay Cities comes up as a topic of conversation. Look after the jump for an interesting Q & A with an interesting man.
I have to admit, while the spectacle of animatronics is impressive, what struck me most about this video is the concept that the “perfect woman” not only exists, but can be created by a pair of two men….as a robot. Her purpose is for pleasing “every man, who could not find the perfect woman,” so she can “love them, understand them, while taking care of the housework.” Excuse me, but was this mindless, speechless robot-woman with unseeing plasticine-glazed eyes and pleasant vocal recognition (when spoken to) voice time warped from a futuristic 50’s, where men believed a dream woman should not actually have an opinion, but be extremely competent at massage and cooking delicious meals? Is this some kind of weird bogus Bill ‘n’ Ted time warp? (At least this robot won’t need to be medicated with speed to complete her tasks.)
Martin Strauss is a Berlin-based photographer whose artistic imagination knows no limits; whether he is shooting high fashion, lingerie, or creative portraiture, he always aims to “push the boundaries of photography a bit further” (Source). His images are consistently beautiful and surreal — two words which describe this particular series, entitled Irresistible. Throughout the images, models wearing leather and couture dresses pose in front of gothic backdrops; with their faces ensconced in masks suggestive of barbaric torture devices, they resemble predatory machines. The result is a set of photographs that are both realistic and fantasy-like, beautiful in the danger they pose.
As a long-time admirer of fashion photography, Strauss wanted to create his own vision of it by adding a new, experimental dimension: a style that he identifies as “dark beauty.” At the core of his concept was a biomechanical theme, a violent and industrial aesthetic in harsh juxtaposition with the soft beauty that often characterizes fashion photography. Strauss was not alone in the creation of this dynamic and narrative-rich series; working alongside him was Fercho Ma Do — an artist known in Berlin for his theatrical and SFX makeup — who helped design the masks and also provided ideas of his own. “Our creative work was kind of irresistible,” Strauss explains, speaking of their collaborative effort, and also of the reasoning behind the title, which was well-chosen; the series’ brilliant combination of beauty with dark eroticism and the macabre makes it visually and mentally engrossing.
The dresses featured in Irresistible were provided by Nicole Hellrung from Struppets, an avant-garde German fashion label. The model was Deborah Frey, who played the role of the biomechanical “mistress” perfectly. Check out the rest of Strauss’ work on his website and Facebook, and more images after the jump.