You can catch her tonight, February 1st in Houston at Fitzgerald’s, Feb. 5th at Phoenix’s Crescent Ballroom, and next Friday, February 8th at the First Unitarian Church in Los Angeles along with Deradoorian from Dirty Projectors fame opening the show. She’s also performing on April 20th at the Desert Daze festival in Mecca, CA along with Warpaint. Check out her video for Flatlands and grab a ticket to one of her upcoming shows for what I’m sure will be a beautiful evening of music.
Santiago Caruso’s beautifully nightmarish illustrations are what you might find in an ancient book of spells in a dark cave at the end of the world. Lucky for us they can also be found on his portfolio site.
“Disturb Me” is an interactive installation by The Popcorn Makers between human and his environment. It is to make perceptible the reciprocal links and often forgotten contact, that we maintain with our environment.
The projection depends on the sound emitted by the spectators and creates consequently, a transitory and colored environment. The projected forms are revealed when in contact with surfaces of the room.
Llobet & Pons installations and site interventions include a basketball hoop too small to fit a basket, creating a collective sculpture by collecting a single strand of hair from gallery goers, and creating geometric shapes out of broomsticks and floormats.
Shelley Heffler is a mixed media visual artist and educator based in Inglewood, California. Interested in globalism and the shifting of political and social boundaries, she creates “Altered Paintings,” painted sculptural objects that resemble road networks and natural topography. Using sharp lines mixed with layered tones, her works invoke everything from urban sprawl, to forested hills, to reinterpretations of famous landscape paintings (readers will be able to identify Van Gogh’s The Starry Night above).
In the following artist statement provided on her website, Heffler describes territory as at once fluid and ideological:
“Cartography and abstraction are two languages used in my work. I am interested in engaging the viewer on a journey that preexists language and generates ideas and messages that relate to the viewer personally and metaphorically. The works explore global concerns and shifting boundaries of society and politics. Imagery is derived from a variety of resources such as transit systems, ancient ruins, floor plans, city grids, topography and geography; time and space coexist in a compressed world.” (Source)
From a geological perspective, the structure of the earth is determined by strata, tectonic plates, and natural changes over time. Human society has overlaid these formations with urban habitats and demarcations of nation and identity. What Heffler seeks to explore in her work is the interplay between these natural and artificial concepts of terrain, deconstructing borders and thereby opening a discussion about our spatial relationship with each other and the lands we inhabit.
Ave Rose is a writer and artist whose love for the beautifully macabre has manifested itself into a collection of undead, baroque-styled robotic dolls. Using tiny bones and taxidermied animal parts, Ave brilliantly assembles morbid objects into miniature characters, each one uniquely adorned with intricate clothing and glimmering stones. From rings on clawed fingers, to bejewelled masks, to a delicate, golden dress tailored for frog hips, the detail she crafts is incredible. Each creation is animated with motion mechanics, allowing them to move and sway along with accompanying music, like grotesque music box ballerinas. In an anxious (and sometimes satirical) collision of materiality with the horrors of death and rot, Ave’s living-dead creations ultimately represent the “beauty that can be found in decay and disarray” (Source).
This collection, titled Bestiary of the Automata, was featured as part of the 3rd Biennial Taxidermy Show (2014) at the La Luz de Jesus Gallery in Hollywood. In addition to her dark menagerie, Ave crafts a collection of other motion-infused works, such as mechanical butterflies and Watchbots, which are “miniature robots made of watch parts” (Source). Her works are characterized by compelling double-effects, blending beauty with the bizarre, technology with tradition, and youthful whimsy with the cold, mechanical realities of death. Behind all of the clockwork, darkness, and hints of satire, Ave’s creations celebrate life by fearlessly confronting themes of a macabre nature.