The future is here folks. We manage our entire life on a small rectangle that we keep in our pocket and there is a mysterious machine with a secret location that you can ask any question and it will answer it immediately. Now you can add LED wallpaper to your list of high-tech innovations that you don’t need but want. The folks at Architects Paper have created a wallpaper that actually lights up to create tiny patterns and lights for home and office dwellers to enjoy. If this doesn’t mean we’re living in the future I’m not sure what will. All we need now is food that comes in the form of a pill.
Libby Black‘s sculptures are delicately pieced together paper, hot glue, and acrylic paint. In this way she recreates everyday objects as designer products. Though Black’s sculptures are constructed with care, each is clearly playful. Rather than use a heavy-handed sarcasm, she seems careful to be at once ironic and earnest, critical and in praise of materialism. Her sculptures effectively investigate a complex love/hate relationship with a name brand life.
Appropriately, Libby Black’s enviable ‘luxury’ sculptures are featured in the “Seven Deadly Sins” themed Beautiful/Decay Book: 9. Be sure to check out Black and many other amazing artists, illustrators, designers, and writers also featured in the book.
Los Angeles-based pop illustrator Lou Beach has been creating these bright, comical collages since the 70s and 80s. While collage work doesn’t normally do it for me, I like this stuff. He’s also done a ton of commercial work over the years, including album covers like Blink 182’s opus, Dude Ranch.
The works of Scottish illustrator Robbie Porter have a charming simplicity to them that pulls the viewer in. Each illustration feels as if it’s been pulled out of a vintage mystery novel that you just can’t put down.
Using a device which was ahead of its time, Robot Chicken animator, Dillon Markey brings back part of his childhood. Released in 1989, The Nintendo Power Glove was a huge flop due to the fact its associated games weren’t popular. Nintendo has always been known not so much for advancing technology but for gameplay and story lines. In my opinion, the best video games are still the SNES versions of Donkey Kong Country 1,2,3, and Super Mario Bros. These 2D, platform games didn’t need a lot of flashy stuff because the game itself was superior. Like, who doesn’t remember Forest of illusion (the music, *sigh*) or Torchlight Trouble? Both so clever and fun.
The work in stop motion action is similar to creating video games and according to Markey, is extremely labor intensive. He was looking for something to ease the burden, when the glove idea came to mind. He started collaborating with a co-worker’s husband and created a circuit board. This allowed him to control his characters using the same basic function of a SNES controller. With a kind of Dennis Hopperish zeal, Markey explains how the glove works using a program called Dragon. In the background, we catch a glimpse of his cast looking a bit clayish and colorful.
His first “glove” project, is a scene featuring Nintendo founder Shigeru Morimoto. Mario’s creator jumps into a small, backyard jacuzzi.. secret mushroom style. Bill Gates is there waiting to give him a low key “Windows 90″ high five. Radical. Just Radical. (via BOOOOOOOM)
Australian artist Kristy Milliken knows nudity. A former photographer in the amateur porn industry, she became inured to capturing images of stereotypically attractive, thin women on film and moved to paper and ink and a new point of view.
“We see skinny women everywhere. I always forced ‘flaws’ into any of the skinny women I painted, the bigger ladies are what they evolved into. Something far more interesting, of course different pieces have different intent behind them, but there’s a naivety to them. An unaffectedness that I aspire to in my own life. I draw them as beautiful because I think they are.” Source
Milliken’s ink drawings are adorably subversive. The women are gorgeously fat, rosy and delicious. They look luscious, like ripe fruit, plump and sweet. Round tummies, thick thighs, heavy breasts, all kissed with pink and purple, topped with adorable round cheeked faces. They’re sexy, these large women, bound and gagged, smoking and eating, covered with food. The whimsical execution contrasts with the overtly sexual nature of the work.
“It’s a weird time for fat. Fat is both confronting and can be the most normal thing in the world, It’s the context that’s important. Plus I’m sick of all the pictures of skinny girls that seem to be everywhere.” Source
According to the artist, the themes of greed and beauty reoccur in her work, paired in an unusual way. Luxuriant pasta cascades over the women, sating and draping and entangling them. But despite her claim that these images are about avarice, the images feel affirming, even charming.
Body positive art can sometimes be confrontational, taking a focused, warts and all approach. Asserting that she’s not attempting to be political, Milliken’s work feels joyous and sweet— a light perspective on a weighty subject.
The explosive street art of David Hooke, otherwise known as “MEGGS”, moves in waves of color on walls all over the world. His murals harness an incredible energy and force that radiates off the streets in vivid streaks like flames consuming the building. The Australian artist often uses powerful animals such as tigers, snakes, and lions in his work, creating an incredible composition of strong imagery. His use of diagonal lines and composition just add to the already dramatic atmosphere.
MEGGS pull inspiration from an eclectic variety of different sources such as the natural world and socio-cultural issues. His use of bold color and the occasional loud text included in his murals shows a heavy influence from pop-culture. His technique and experimental technique reflects his determination and excitement in his artistic exploration. MEGGS doesn’t just stick to the traditional spray paint. One of murals in downtown LA also includes a glow in the dark stencil layer that creates an eye-popping affect. This piece, along with other of his murals, is based off of a previously done screen print of MEGGS. You can find his work not just in LA, but also in Hong Kong, London, San Francisco, Paris, and Tokyo.
“His life manifesto is that the ‘journey is the reward’ and his work reflects his eternal search for balance. MEGGS’ emphasis on constant growth and passion for travel is demonstrated by his continual exploration of artistic techniques and mediums.”
Alice Anderson’s giant installations created out thousands of feet of red colored doll hair are a thing of wonder. Selected for its relationship to her own bright red hair, Anderson selected the material to refer to her childhood where she invented rituals based around her hair to calm her anxieties when left home alone. Draped over buildings, walls, and every imaginable surface, Anderson’s work is just as much about reinterpreting an everyday material as it is about coming to terms with the ghosts of her youth. (via)