Clever advertising design firm in Australia.
Clever advertising design firm in Australia.
So we have all heard or read about the different scandals over celebrity photographs being leaked to people who they shouldn’t be leaked to. Whether they are nude photographs, private images, or untouched magazine cover shoots, we’ve all seen pictures of certain people that we probably shouldn’t have. Well, Spanish artist David Lopera takes this idea and pushes it to the extreme. He uses images of well known people including Jennifer Lawrence, Emma Watson, Michelle Keegan, Katy Perry, and Park Shin Hae and changes our perception of them.
With some Photoshop trickery, Lopera adds pounds to the celebrities, creating cartoonish caricatures of themselves. Promoting another type of body image, he ‘fleshes’ the women out, fetishsizing a plumper figure. Originally Lopera modified these celebrity photographs for his own amusement, but after receiving requests from other people for more transformations, he decided to up his output. He writes to Daily Mail:
Men are always writing to me asking if I can make their celebrities crushes look a bit fatter. Emma Watson, Jennifer Lawrence and Kim Kardashian are some of the most popular requests I get. These women look much better when they’re overweight. (Source)
Effectively promoting a more positive body image, he taps into our obsession with self image and vanity. He could also be fetishsizing a different type of body, but in an equally unhealthy way, but it seems to be humorous, or at least enjoyable to men and women alike. Lopera’s artist site on Deviant Art has an interesting survey explaining that most people only want to see the morphs of women (77 percent of participants want only women, and 23 percent want both men and women to put on the pounds). Perhaps you could even write to him to request your own favorite celebrity transformation…. (Via Demilked)
Al.t, aka Alex Tan, is a Singapore based graphic designer. Tan’s inspiration lies in his everyday surroundings. A very skilled young designer, he is very versatile and explores all spectra of design.
Austin Irving’s current exhibit, Portals, at Curio by AFN truly lives up to its name. Her pictures taken on medium and large format cameras seem like entranceways to secret headquarters or the opening images to an epic film. And no piece emitted that cinematic feeling more, then one taken right in the middle of a natural cave formation that was mounted onto a light-box. The color and shading of the rocks, which was amplified by the backlight, made the work seem 3 dimensional. It was almost like you could walk inside of the piece and hear the water actually dripping from the stalactites onto the floor. My advice is to start collecting Austin’s work now, before it’s totally out of reach.
Party Food is a project Joseph Gillette started in 2006. It incorporates a collage filled landscape of video, performance, sculpture, drawing, music- framed in an all encompassing Sesame-Street-on-Crack-ness. He has written, produced and performed three chapters so far, and is currently writing the fourth with the hopes of showing in LA some time this summer. This video in particular creeps me out and makes me laugh at the same time, which is great! It kind of reminds me of the uncanny valley– between a totally impossible and and familiar object.
Thread used as a mean to draw. German artist Annegret Soltau traces her face and body with a linear thread. Joining the eyes, nose and mouth to create a web that’s structured in different shapes. Some of the webs are harmonized with the face, others are claustrophobic. The artist is posing herself, claiming that “I am using myself as a model because I can go the farthest with me.”
The tension of the thread is an analogy to the relationships she encountered with her family members in her childhood. The strenuous connection with her mother and the heavy absence of her missing father added to a grandmother forcing her to knit instead of doing the things she liked, weighed on her ability to cope with emotional strain. She admits that without her isolated past she couldn’t have followed the path of art.
The result is a series of portraits questioning the meaning of metamorphosis. Annegret Soltau’s method is intriguing and captivating but her focus is on the result. Her art acts as a deliverance.
In the video below this article, we witness her expression while the thread is wrapped around her face. We wonder if she is feeling torture or a painful pleasure. It’s a process close to self-mutilation. Releasing energy by pulling the thread on her face marks a renewal, the abandonment of negative emotions. (via INAG).
Ana Kraš, born in Belgrade and based in NYC, uses basic structures and everyday materials to design “what people would need and like to use.” Her bonbon lamps or lanterns are handmade and no two are exactly alike. Kraš laboriously loops each bit of thread around the metal frames, creating a color-blocked pattern with a folk sensibility reminiscent of the 1970s.
In a recent feature by Avant Garde Interviews, Kraš suggests such careful repetitious attention is meditative, allowing her room to focus on the details or a “shy little gesture you try to add to a very basic thing.”
In an attempt to finally stop the social stigma surrounding HIV, the German magazine Vangardist has printed over 3000 copies of their latest issue in a special ink infused with HIV+ blood. The blood was taken from 3 different volunteers who are living with the virus, and combined with printing ink at a ratio of 28 parts ink, to 1 part blood. Scientists at Harvard and Innsbruck Universities have come up with a unique way of mixing the two substances, and are certain the hard copies of the magazine carry no risk of infection. Even with all the assurances of the paper being perfectly safe to handle, the concern surrounding HIV is still worrying some critics. It would seem the attitude to the HIV virus is not so different to those of 30 years ago.
Julian Wiehl – the Publisher and CEO of Vangardist recognizes this and thought they could help inform people on the touchy subject. He says:
The editorial team at Vangardist is committed to dealing with a wide variety of topics affecting our readers. We believe that as a lifestyle magazine it is our responsibility to address the issues shaping society today. With 80% more confirmed cases of HIV being recorded in 2013 than 10 years previously, and an estimated 50% of HIV cases being detected late due to lack of testing caused by social stigma associated with the virus. This felt like a very relevant issue for us to focus on not just editorially but also from a broader communications stand point. (Source)
The launch of the Spring issue was designed to coincide with the Life Ball – one of the most important HIV events in the world, held in Vienna. The magazine has been available to subscribers since April 28th, and there is an online campaign that aims to breakdown the taboo. Be sure to read more about it here. (Via Fastcodesign)