This is a really awesome new window display at Maison Hermès in Japan. The installation/window display was done by designer Tokujin Yoshioka, featuring a set of Hermès scarfs and video installation. Although the design and concept is simple, it’s a very cool and dynamic installation. Check it out!
In his new show “My God” Qiu Minye presents us with a new way of seeing. Well, he at least offers us a new way of experiencing objects and the recording of those 3-dimensional things with photography. By painting with light, Minye has suggested different forms of objects that could be real, and then photographed them, resulting in haunting, iridescent, airy images. Whether it is an outline of several figures huddled together watching something in the distance, or an ambiguous geological shape, mythological creatures or floating forms of babies, these snapshots all belong to another space and time.
Minye’s playful images all have a gracefulness to them, and more than most photographs seem to have successfully frozen a moment in time. By removing any fussy details (whether it is light, shadow or color) that may anchor an object in the mundane, he has elevated the idea of the object/subject to something majestic and mystical. The fish for example seems to spitting sparks of fire and is caught in an ethereal state – in a way we don’t see our everyday fish. Minye has managed to capture some sort of life force or see-able movable energy and it is a very calming thing to witness. He has a very existential approach to his art. He poses numerous questions when speaking about his past photographic projects:
What part of humanity is lost in time? How can we transform these moments into eternity? There are always two worlds, the world of yesteryear that has collapsed and the real world. Here, it is to travel between the two. (Source)
Minye seems to be coercing a particular response out of his audience – suggesting we look at the things surrounding us in an abstract, philosophical way – where it’s more about the idea of the thing rather than the tangibility of it. (Via Designboom)
From a distance the extremely dense photographs of Angelo Musco can be deceiving. From afar they look like organic abstractions but as you get closer you realize that the image is composed of thousands if not millions of tiny images of humans swirling into a never ending vortex. See detail shots of these dark and mysterious images after the jump.
The goal of Japanese designer Takayuki Fukusawa’s work is “to create things that make people say , ‘he made another ridiculous thing.’” And that he did. His newest series of works is called Tanama Diver, and it features pendants that resemble human and animals who are poised to look like divers and climbers. They are positioned in a way that they appear as if they’re headed into the cleavage of whomever is wearing them.
The silly accessory includes figurines like a salaryman diver, a skydiver, an astronaut, and canyon climber. There’s even a sloth and wolf thrown into the mix. Alone, they look innocuous, but when around someone’s neck suddenly transform into provocative pieces of tiny, site-specific works of art that interact with your breasts. (Via Demilked and Spoon and Tamago)
Igor Termenón plays with his cameras, shoots on a whim and has little hesitation to post his unexpected results.
Have you ever been sharing a beer with a friend and in the feel-good haze that happens after the third beer, utter to them, “What if we went to the airport right now and just picked a random place to go?” The feeling of going anywhere in the world, that with one credit card swipe you could wake up in a new place, is so thrilling, so invigorating and so freeing.
Well Heineken challenged airport goers to open up their worlds by giving them the chance to do just that. Heineken’s Departure Roulette concept takes this fantasy and makes it a reality by parking a board loaded with random destinations in a busy airport. Travelers are challenged to take the plunge, push the button, and abandon whatever their plans were for that day. If they accept the challenge they could be flying anywhere from Portugal to Laos and they have to leave right then and there.
So the next time you’re walking through the airport doors, day dreaming about where you could be going instead of where you should be going, keep an eye out for Heineken’s Departure Roulette and you could end up half way around the world instead of at your high school reunion.
On a recent visit to The Center for Photography in Woodstock, New York I had the pleasure of viewing the works of Justine Reyes. A series entitled Vanitas included photographs reflecting old Dutch still lifes in a similar vain but with a most sharp and contemporary air that was both refreshing and humorous.