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A Day In Decay: Chinatown & Jeremy Mora Studio

Jeremy Mora Sculpture

A few weeks back I headed over to Chinatown to visit Jeremy Mora‘s studio. You may know Jeremy from POVevolving gallery, but he also makes some great sculptures. Before we pop in on Jeremy’s studio, let’s check out some vintage signs down Chung King road.

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Aurelien Arnaud


Grenoble, France’s Aurelien Arnaud‘s art work is not something you would walk by without looking twice. Arnaud’s designs are sharp, bright, and some, a little risque.  Interesting none the less. Not only a very skilled designer, Arnaud founded PNTS studio with Denis Carrier.

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Melvin Galapon- Digital Wizardry

Melvin Galapon’s digital aesthetic has been adapted and applied to an extremely diverse range of projects. yet his strong ability within his medium and highly creative compositions remain a constant. His thought-provoking, visually pleasing take on the search for warmth in a cold, modern existence is equally impacting in his high-profile illustration and design work as it is in a more intimate format, like a small-scale installation piece.

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Best Of 2012: Stephen Ives’ Mr. Dictator Head

I’m absolutely loving this series of of dictator sculptures by Stephen Ives’ based on everyones favorite toy Mr. Potato Head! Saddam Hussain, Stalin, Kim Jong II, Lenin, and even Hitler call all be made with the removal and addition of a few pieces. Now you can have playtime and pretend to be an evil dictator all at once!  More dictators and other amazing sculptures based on toys after the jump!

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Guerrero Gallery


With a fabulous inaugural exhibition under his belt, Andres Guerrero prepares to unleash another round of seriously fly to look at pieces tonight @ Guerrero Gallery! Just look at this handsome lineup he’s assembled; Adam Wallacavage, Albert Reyes, Alexis Mackenzie, Andy Diaz Hope, Brian Cooper, Chris Yormick, Cody Hoyt, Cody Hudson (above), Frohawk Two-Feathers, Greg Lamarche, Jacob Whibley, James Hopkins, James Marshall, Jay Howell, Jon Bocksel, KC Ortiz, Kelsey Brookes, Michael Rea, Michael Swaney, Mike Davis, Ryan Jaenke, Scott Anderson, Ted Pushinsky. Preview images below…..

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Ari Saarto’s IN SITU

Ari Saarto’s IN SITU documents the temporary structures and shelters that the homeless create. These primitive structures are reminders of how fragile life can be and highlights the instinctual need for man to have a place called home, regardless of how basic or unrefined it is.

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Bryan Olson’s Sci-Fi Collages

Bryan Olson lives and works in North Carolina. He combines vintage imagery to form an ongoing science fiction themed narrative. Many sci-fi elements are prevalent; portals, UFOs, analytical graphs, and celestial bodies are common in his work.The  collages represent our never ending fascination with the unknown and the search for our place in the Universe.(via)

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Cups, Magazines And Tutus Are Swirling Around In Thomas Jackson’s Dreamlike Photographs

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There is no real connections between the center pieces of Thomas Jackson’s pictures and the landscapes in the background. We are seeing tutus, magazines, cups and streamers floating candidly in a scenery of virgin mountains, forests and beaches. The artist is offering a dreamlike visual of what can be perceived as the last moments on earth of these peculiar items.

Each image, part of the emergent behavior series, is an experimental coalition of items placed where they don’t seem to belong. This juxtaposition creates at first a feeling of well being; we foremost notice the swirl and the nature. After a deeper glance at what is really going on there’s a hesitation: are these everyday things really the focus of this beauty? The emphasis is made on industrial versus natural; reality versus imagination. Thomas Jackson’s purpose is to come up with a fresh interpretation of our daily routines. Calling for a distress, if we are brave enough to face it, of what is really going on in our ecosystem.

There has been quite a few inquisition about how the pictures where taken. They were in fact photoshopped and kept as realistic as their originals. Thomas Jackson confesses that he photographed the whole thing and then only removed the prop using photoshop: On the spectrum between “retouched image” and “real time image”, I’ve strived to make it closer to the latter”.
When a picture can create such a flow of different kind of emotions, there’s no need to question the retouching. What the artist has created is a hazy fantasy that we wish could appear in real life.

Thomas Jackson’s work will be shown at the Miller Yezerski Gallery in Boston as part of a group exhibition, until August 14th 2015.
Photos courtesy of Thomas Jackson

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