All the comfort foods we dream of eating but that we’d rather watch from a distance to avoid calories. Jessica Dance made it happen! The art director/model maker/prop stylist collaborated with photographer David Sykes for Stylist magazine to deliver perfectly arranged hand knitted fake meals.
A full platter of English breakfast, beans on toasts, a hot dog covered with mustard. And if we need more condiments we can find them next to our cutlery, salt, pepper, ketchup; Jessica thought of everything. Using lambswool and a knitting machine, she fashioned all the foods at home. She says the bacon was the hardest to achieve as she wanted all the fat to be as real as possible.
The colors are of course true to real food colors. But the tones are slightly altered, giving a healthy, non greasy aspect that we should have found looking at the dishes. If it wasn’t for the fact that this was commissioned for an adult magazine we could have thought we were looking at kids’ toys. There’s something warm and gentle in the story. And it’s not just about the food elements. It’s a combination. The way it’s photographed, the set up and the overall look of the food that’s transforming random meals into a grown-up tea party set. (Via Booooooom)
I am breaking all the rules for Sam Lubicz. By that I mean featuring both his collage work and photography IN THE SAME POST. Why? Because they’re both good and because I believe a dialogue exists between the two. Despite being two different modes of expression, Lubicz’s collage work and photographs share a certain playful moodiness that emphasizes the relationship between the two mediums. Like maybe one’s a pug and one’s a schnauzer but they’re both dogs. I love dogs.
The exquisitely carved sculptures of Willy Verginer are carved with precision out of a single piece of wood. At times painted and/or covered in ornate floral patterns Verginer’s sculptures capture the human form in moments of silence, thought, and quite contemplation. (via)
Los Angeles-based artist Ken Garduno studied illustration at Pasadena’s Art Center College of Design, graduating in 2006. Since then, he has been hard at work as a freelance illustrator and gallery artist. His paintings and illustrations are one part psychedelic, one part the occult, a pinch of old-timey goodness, and flavored to taste with science fiction. The end product? Delicious.
When we get tattooed, our flesh becomes an elastic canvas, and it’s only a matter of time before we start hearing, “but what will it look like when you’re old and wrinkled?” As we age, our skin stretches, sags, and becomes marked by time and gravity; our ink moves in unpredictable ways as black fades to blue and linear shapes begin to blur. Part of the magic of the tattoo medium lies in this accidental metamorphosis or art and body, and reddit user “clevknife” hopes to challenge the idea that time breeds unsavory, attractive ink. His project, titled “What about when you get old?” showcases elderly individuals embracing their well-worn tattoos and proving that there truly is no expiration date on good art.
Clevknife’s shots maintain a casual, offhand aesthetic that might seem amateurish but is somehow allied with anti-conformist tattoo culture. The curated images lack a ready coherence, jumping from black and white to color, from professionally lit to unpracticed and unfocused. While some appear to be the result of standard portrait sessions, some are reminiscent of the from-the-hip style of early street art.
An otherwise unassuming older man stands in a grocery store, fists raised and forearms emboldened by ink; the limited depth of field serves only to heighten the drama of his pose. Another subject is cast in nostalgic blacks and whites as he mimes, slicks his hair back. No two subjects are alike, but one thing’s for sure: these human canvases don’t regret a thing. Our bodies may age and morph, but our art will adapt to the changing landscape of our flesh. (via Lost at E Minor and My Modern Met)
New York City based designer/artist LA Hall is dedicated to spending quality time with his sketchbook, recording both the world around him and the world within him. For those of you in need of inspiration I suggest spending some time with his sketches or browsing his featured work on Cargo Collective.
From setting hipster traps to designing tourist lanes on sidewalks, Jeff Greenspan’s work consistently employs a certain playful cleverness that questions our social norms in relation to spaces, New York City in particular. The Statue Experiment (pictured above) is no exception. Examining our own reality as far as engaging with art and its contextual expectations is concerned, Greenspan adds a little bowl of change in front of Frank Benson’s statue for a whole new effect. In fact, it just might be the best street performance art performed by an actual object . . . or maybe it’s the audience members who are the real performers? Click on the video after the jump to see what we mean.