According to Kate MacDowell, her varied travels from Italy to rural India have greatly influenced her unique artistic vocabulary. She began studying ceramics full-time in 2004. Since then, she has created pieces that ascertain their prestige through the perfect juxtaposition of the beautiful and the alarming. MacDowell’s work is so precise that it feels as if it exists more comfortably in reality than in imagination. If you’re in the UK, you can see her work in the upcoming group show, Shadowside, at bo.lee Gallery in Bath.
Delilah Jones‘ ‘Portal’ collage series forms entrances into other worlds through ripping and layering found photography. The artist, currently residing in Portland, uses traditional techniques in the digital world to seemingly travel through time itself with her fantastical juxtapositions. More after the jump.
I’ve been following the work of Kristin Baker for over a decade watching the work go from explosive paintings of race cars to the complex and layered abstract explosions of color that she’s working on currently. Last night I visited her personal site and was pleasantly surprised by the high level of documentation. Not only does the site have all her work broken down by year but there’s also time lapse process shots of many of the newer pieces as well as gorgeous photos of her studio which looks better than most NYC galleries.
Acrylic sheeting, automotive paint 12 x 13 ft, dimensions variable
For his recent exhibit at Goff+Rosenthal, “The Thin Ice of Modern Life,” artist Jeremy Earheart created a stunning black light landscape of hyperspectra, fantasmagoric homages to Young America. Using hand-cut plastic, string and paint, light is a variable medium that simultaneously “activates” and transforms the works. With a visual language ranging from eagle wings, canons, even Masonic symbols—Earheart the neon signs and symbols of America’s past and present.
Designer Aaron Draplin’s tirade is probably not the most eloquently phrased criticism on the present practice and goals of graphic design but it definitely holds some truth. He’s actually a branding specialist…
Sculptural and mixed media work from David Nyzio. Working in material as diverse as algae and bug excrement, Nyzio’s work defies certain classification and provides a nice testament to the crossroads that can exist between concept and aesthetics.
Superman meets our ordinary daily laborious life. Ole Marius Joergensen depicts in his pictures the super hero trying to fly and making his dreams come true. An unusual situation here, as we witness Superman failing. We watch the struggle and identify with the character.
The series called ‘No. Superhero’ is inspired by comics and Norwegian values. The fantasy world created by Ole Marius Joergensen is grounded and disciplined. Halfway between a painting and a photography, the color scheme is colorful yet soft. The artist chooses to represent the super hero with different kinds of men and keeps the red and blue costume as well as the cape. He is climbing a high ladder, landing on a tree, falling headfirst on the snow or appearing lost in an empty field.
Failing and holding on until success is reached is part of human life. The unusual appearance of Superman within each scenes makes the introspection interesting. Are we dreaming too much and that’s why we are failing? Or is it necessary to fall and learn in order to progress and attain our goals? Ole Marius Joergensen seems to project his hopes and aspirations. Bringing reality to anyone who doubts of its capacity to make dreams come true. Creating a space for errors and multiple attempts appears necessary according to the artist, apparently even Superheroes fail from time to time.