This is one of the most visually pleasing videos I have seen in a long time. Creator Makoto Yabuki did a wonderful job making this beautifully psychedelic film.
B/D friend Dallas Clayton has been busy touring the states giving away copies of his children books and helping kids dream big. For every copy of a book that Dallas sells he gives one away, spreading the message of staying positive, never giving up, and using your imagination. Check out the tour page of his site for images and stories from his adventures.
Whimsical, folky, and cuddly illustrations by Sergio Membrillas.
Artist Kate MacDowell uses porcelain clay to craft her nature-inspired works. MacDowell’s works are realistically sculpted and meticulous. Hollowing out a solid form and building each piece leaf by leaf and feather by feather, she intimately involves herself with the process of building. The works themselves are beautiful, ghostly white and evoke a very serene feeling. Upon a closer examination, however, things aren’t quite right. A large bird has human hands instead of its normal claws, and an apple has a tiny skull inside of it. Mice have ears on their backs. MacDwell explains in a statement, writing:
In my work this romantic ideal of union with the natural world conflicts with our contemporary impact on the environment. These pieces are in part responses to environmental stressors including climate change, toxic pollution, and gm crops. They also borrow from myth, art history, figures of speech and other cultural touchstones. In some pieces aspects of the human figure stand-in for ourselves and act out sometimes harrowing, sometimes humorous transformations which illustrate our current relationship with the natural world. In others, animals take on anthropomorphic qualities when they are given safety equipment to attempt to protect them from man-made environmental threats. In each case the union between man and nature is shown to be one of friction and discomfort with the disturbing implication that we too are vulnerable to being victimized by our destructive practices.
The careful construction and fragility of material MacDowell has chosen coincides conceptually with her work.
A. Ruiz Villar parcels out space in relation to geometric positions, with minimal pops of color threaded throughout. His subtle gradations of white give special depth and age to the work so imagery doesn’t feel flat, but formed, or architecturally emerging. These vibrant compositions are not easy to visually choreograph– however, Villar makes it look beautifully accidental and organic.
Of his work, Villar’s stance seems like a conceptual mash-up of science, math, and poetry, suggesting it “revolves around the quest for a language akin to the following factors: 1.1.1. Provisionality (doubt): Lack of an evident purpose. 1.1.2. Continuity: There are silences, there’s no rest. 1.1.3. Uprootedness: There’s no commitment to technique, structure, or materials.”
Architectural photographer Trent Bell takes a different turn in his career to create ‘Reflect’, a poignant series of photographs that feature long-time prisoners and the handwritten letters they’ve written to their younger selves.
Inspired by a close friend of Bells’ whom was sentenced to 36 years in jail, ‘Reflect’ looks beyond the prisoner’s stigma of a past life of crime and instead zooms into a rather positive yet heartbreaking side of their story- one that starts with bad decisions but follows with deep regret, hope, and wishful thinking.
By superimposing the prisoners’ portraits on top of their handwritten letters, Bell creates an instant dual portrait, a visual image that portrays both their current physical being, and the state of their inner selves – a side of them that shows us how much they wished they would’ve made the right decision in their younger years.
“Our band choices can contain untold loss, remorse, and regret […] but the positive value of these bad choices might be immeasurable if we can face them, admit to them, learn from them and find the strength to share.”
Dana Oldfather is an artist that currently works in Cleveland, Ohio. Her abstract paintings have this beautifully organic nature that it almost feels as if she painted from a bio-lab sample of a plant. Composed of oddly shapes, splashes and blobs of paint, her color scheme is very earthly and neutral and this helps set the tone in the painting.
She states about her work, “Each work is an attempt to elegantly express the embodiment of paradox; a physical manifestation of conflicting desires communicated in an abstract arrangement of forms.” She will be showing her work at William Rupnik Gallery in Cleveland, April 23 – May 9, titled We Are Mountains.