Brock Davis lives and works in Minneapolis. In addition to many art and design projects he has an ongoing series of delightful sculptures made from the food he interacts with on a daily basis. Pieces like Broccoli House, Gummy Bear Skin Rug and Rice Krispyhenge are sure to entice laughter. Davis is one in a long line of creatives who inspire us to see mundane objects as opportunities to playfully manipulate.
Beautifully framed visual deposits from the American heartland, courtesy of NYC photographer Jordan Sullivan.
Just when I thought Ryan McGinley had cured me of all need to see a collection of road trip photographs ever again, Sullivan’s stark, highly involved compositions draw me back into the familiar subject matter with a mixture of guilt and elation.
Sullivan is currently showing at Clic Gallery in SoHo with an exhibition entitled ‘Roadsongs’.
Is it me or does everything look better in slow motion? I could watch this girl toss around her hair for hours!
Clément Guegan is a Montréal-based photographer and filmmaker from Paris. His works are dark and conceptual, exploring nightmares and states of alienation. Interested in the loss of control, he depicts characters who are struggling within the remains of identity; their faces are always turned away or obscured, putting the viewer’s focus on their bleak surroundings. In some photos, people fall from the sky, and in others, the camera follows them as they walk through graveyards and down empty mountain roads. There is a sense you are being guided through a surreal world with no certainty (or even sense) of where you’re going.
Existential voids aside, there is a beauty that arrives through the fearlessness of Guegan’s work. He is not afraid to unravel identity and reality by exploring existence as a strange wandering. At the same time, the stillness he conveys is inspiring, and the mystery is provoking. His characters (when they aren’t plummeting from the clouds) seem brave going into the unknown, even though they merely represent the physical remnants of the self. In this way, Geugan’s images make meaning where meaning seems to have been stripped away.
On January 1st, 2015, Guegan started a 365 Day Project, which means he posted a picture every day of the year. The project is almost at a close, but the results are impressive, blending portraiture with his unique surrealist style. Some of the photos from the challenge are featured here, and you can see a bigger selection on his website. He also has a Tumblr and Flickr to check out.
Last week’s London Design Festival featured a prototype for a futuristic sleep-aid. During the Digital Design Weekend at the V&A museum, one of the highlights was Digital Futures UKMX. The event is a two day cultural exchange between designers, artists, makers, and engineers from the UK and Mexico. The event centered around themes of innovation, collaboration and civil awareness. The aim is to enhance each community by learning from the other.
One of the projects presented was by Octavio A. Martinez Garcia, a Mexican robotic engineer who works for COCOLAB. He showcased a prototype for a product called Napz, a sleep mask created to help gain access to more efficient sleep. The mask is made from infrared sensors, Neo Pixels, and the Arduino Lilypad. The invention does not just simply help to attain better sleep, but does so by allowing the user to actively lucid dream, a state of dreaming in which one has control over his or her actions. He states:
“The prototype is an eye mask designed to measure REM, using LED lights to gently stimulate you and bring you to the border of consciousness and unconsciousness so you can begin to play with your dreams. Today people get a lot less sleep, and of a much worse quality. Napz is a wearable device intended to schedule lucid dreams and thus produce actual rest and better patterns of REM sleep. Its interface allows the programming, design, and analysis of dreams. As everybody is different the device needs to be calibrated to each individual. The inspiration came from my own experience of lucid dreaming.”
(via The Creators Project)
Iris Schieferstein’s work can’t be bothered with traditional sculpture materials like wood, marble or metal. Instead the Dutch artist used the medium of dead animals as raw material for works. She joins fragments of animals together to create new creatures and thus gives a new face to death. We searched on her site and couldn’t find how she aquires her animals but I’m hoping that it doesn’t involve the back of the house and a shot gun. What do you think? Should artists be able to use animals in their works even if it’s a cute cuddly dog? Share your thoughts in our comment section after the jump.
This series from the landscape photographer Donna J. Wan might at first seem exhilarating, with its sweeping views of turquoise blue, frothy water; however, overlaid each magnificent seascape is the knowledge that tragic suicides have occurred in these exact spots. The artist, inspired by her own postpartum depression, names her body of work Death Wooed Us after a line from the poet Louise Gluck: “Death wooed us, by water, wooed us.”
Wan’s stunning images look startlingly like the work of of Caspar Davd Friedrich, whose dark romantic landscape paintings capture the spiritual bonds between human and nature. Friedrich, who is widely assumed to have suffered from depression, also used the shifting tides, colored with mist and fog, to express the lonesomeness of the human condition. Where the 19th century painter employed a human figure, his back facing the viewer, Wan leaves her bridges and overlooks painfully empty; any (wo)man who has sat and contemplated his (or her) life and death here has since departed.
Wan’s tragic photographs stretch endlessly to the edges of the frame, as if her somber landscapes could barely fit within a single shot. They alternate between vitality and utter silence; where some capture the bubbling surf and faraway beach-goers, others present the water fixed and frozen, still as a glass mirror. The materiality of the bodies of water is powerful; we can imagine their impact, cold and wet. Standing at the precipice, viewers feel the danger of the majestic waters; ultimately, we are compelled to turn away, the unforgettable image pressed into our mind’s eye. (via Feature Shoot)
Cezar Berger AKA Berje is a brazilian illustrator who has a soft side for the dark side. His stippled drawings of demon skulls, goat men, and goblins borrow from traditional tattoo flash but take a left turn towards epic black metal graphics.