American artist Evan Roth is no stranger to subverting digital culture into progressive art. In the past, Roth has developed a wall of gifs for Occupy the Internet and hacked the internet cache to create self-portraits, both of which fit neatly into his artist statement of “visualizing and archiving culture through unintended uses of technologies”. Drawing inspiration from hacker culture and philosophy, Roth helped found the Graffiti Research Lab, which merges graffiti with technology via projectile LEDs, which he used to famously tag the Brooklyn Bridge in 2008. For his Multi-Touch Paintings series, Roth tapped quite literally into a newly universal habit among people fully plugged into the digital era: that of using touchscreen devices. Created by “performing routine tasks on milt-touch hand held computing devices,” Roth used tracing paper and an ink pad to turn impressions of each finger swipe into stark paintings.
Each of Roth’s ink paintings are named after the task they’re depicting, from an entire wall of levels from Angry Birds to Twitter and e-mail check-ins. By turning mundane procedures we make on a day to day basis on our phones and tablets into textural studies, Roth blurs the line between the corporeal and the digital. One can’t help but be reminded of fingerprinting for identification when looking at the paintings, drawing a connection between the all-encompassing nature of technology in modern society and the lasting effects that may hold over our identities in the future. With iPhones that now literally use your fingerprint to access the device, it seems as though Roth’s paintings are even more prescient now than they were when he first premiered them in 2011.
The therapeutic effects of art can reveal itself in wonderful and mysterious ways. It can also be a sarcastic “f” you given the proper creator. Photographer Statia Grossman, who fits into the second category, has just released her first book on Amazon, entitled “Sh*t You Left Behind”, a series of pictures taken with her ex-lover’s items. Judging by the pix and comments, it wasn’t a happy breakup. No, this was definitely filled with much drama and Grossman appears as a woman scorned. It’s an interesting study into what drives people and what they hold dear to them. Since Grossman is a photographer, her sensitivity to the visual image is at a high level and each of the photographs hold a memory or hurt hitting home not only to the creator but viewer. Like love, art is universal and things people think important in various situations doesn’t differ much. In this case, sex was probably a big part of the relationship and most of the images shows her in objectified positions with one of his items. We also learn a little bit about him. He was a musician who liked taking pills and didn’t express much emotion. He was also allergic to Grossman’s cat, which she resented. The project does a good job at revealing compromises we make in the name of love and how we can better serve ourselves next time around. (via artnet)
Remi Rough has been incredibly active in the past few years marking the globe repeatedly with his juicy geometric art on huge urban buildings, other unlikely structures and in numerous galleries and museums. The prolific international artist returns to SOZE Gallery in Los Angeles July 19th to open his latest installment of work in his solo exhibit “Remi Rough: Further Adventures in Abstraction.” This exhibit, featuring a mother-load of over fifty new works on canvas, wood and paper, continue the evolution of Rough’s aesthetic, adapted from the mammoth swallowing scale on the streets to intimate smaller works in juicy vibrant palettes. The crisp clean lines and darting yet fluid sense of movement in these works create a tension in their depth, while maintaining a minimal pristine quality in their draftsmanship.
Calvin Ho is an Australian artist currently living in Hong Kong. Since 1997, Ho has worked on a wide range of projects that cover design, art direction, illustration & motion for the music, fashion, art, film & entertainment industries.
Hey B/D Member! As you may have heard, the Beautiful/Decay book series highlights the most extensive interviews, and in-depth features with upcoming artists today. And in with the latest arrival of Book:6 upon us, this is your last chance to start your subscription and not miss out. With 164 ad-free pages of image heavy articles and collectible art inserts, this hand-numbered book is a source of inspiration you can re-read time and time again. So don’t, wait until it’s too late,subscribe today!
Marcela Bolivar is a Colombian digital artist who creates haunting images of women embedded in forests of sinister beauty. Encroached by thorny branches and accompanied by snakes and skull-faced birds, each character is possessed by her own dark element. Like spirits resurrected from the leaf bed, their bodies sprout and mutate, driven by ancient and esoteric powers. Using dark hues and gauzy layers, Bolivar does an incredible job blending savagery with ethereal, feminine beauty. Her work is an expression of the mysticism and secrets that lurk in the wooded landscapes of our dreams.
Bolivar is currently on display at Krab Jab Studio in Seattle. Her work is being featured alongside that of Samuel Araya and Bastien Lecouffe Deharme, artists who also compose stunning, fantasy-based visions of terror and beauty. The exhibition, called The Three Imposters, is inspired by Arthur Machen’s 1895 horror novel of the same name. The exhibition runs until November 7th. You can read more about the show on beautiful.bizarre.
Caroline de Vries’ portrait photography is stunning. She experiments with the medium of photography as well as with the context and presentation. Through this exploration she encourages the viewer to construct links between subject and context. In “Unknown – Known” she assembles a “visual relationship” between two strangers by replicating the facial expression, position and facial features of a found portrait.
Xavier Barrade’s 3D posters for rock band Dry The River is nothing short of amazing! Xavier spent over 35 hours to create each 3d poster, hand cutting all the pieces and glueing them together. What he ended up with is an ad campaign that LITERALLY sticks out from the sea of advertisting! Watch a time-lapse sequence of Xavier building one of the horses after the jump!